The author of Les Baisers approaches his amorous10 experiences with the detached manner of a psychologist interested in the mental reactions of certain corporeal11 pleasures whose mechanism12 he has previously13 studied in his capacity of physiological14 observer. His attitude is the same as that of the writers of those comedies of manners which hold the stage in the theatres of the boulevards. It is dry, precise, matter-of-fact and almost scientific. The comedian15 of the boulevards does not concern himself with trying to find some sort of metaphysical justification16 for the raptures17 of physical passion, nor is he in any way a propagandist of sensuality. He is simply an analyst18 of facts, whose business it is to get all the wit that is possible out of an equivocal situation. Similarly, the author of these poems is far too highly sophisticated to imagine that
every spirit as it is most pure,
And hath in it the more of heavenly light,
96To habit in, and it more fairly dight
For of the soul the body form doth take;
For soul is form and doth the body make.
He does not try to make us believe that physical pleasures have a divine justification. Neither has he any wish to “make us grovel21, hand and foot in Belial’s gripe.” He is merely engaged in remembering “des heures et des entretiens” which were extremely pleasant—hours which strike for every one, conversations and meetings which are taking place in all parts of the world and at every moment.
This attitude towards volupté is sufficiently22 old in France to have made possible the evolution of a very precise and definite vocabulary in which to describe its phenomena23. This language is as exact as the technical jargon24 of a trade, and as elegant as the Latin of Petronius. It is a language of which we have no equivalent in our English literature. It is impossible in English to describe volupté elegantly; it is hardly possible to write of it without being gross. To begin with, we do not even possess a word equivalent to volupté. “Voluptuousness” is feeble and almost meaningless; “pleasure” is hopelessly inadequate25. From the first the English writer is at a loss; he cannot even 97name precisely26 the thing he proposes to describe and analyze27. But for the most part he has not much use for such a language. His approach to the subject is not dispassionate and scientific, and he has no need for technicalities. The English amorist is inclined to approach the subject rapturously, passionately28, philosophically—almost in any way that is not the wittily29 matter-of-fact French way.
In our rich Australian Songs of Love and Life we see the rapturous-philosophic approach reduced to something that is very nearly the absurd. Overcome with the intensities30 of connubial31 bliss32, the authoress feels it necessary to find a sort of justification for them by relating them in some way with the cosmos33. God, we are told,
looking through His hills on you and me,
Feeds Heaven upon the flame of our desire.
Or again:
Our passions breathe their own wild harmony,
And pour out music at a clinging kiss.
For God Himself is in the melody.
Meanwhile the author of Les Baisers, always elegantly terre-à-terre, formulates35 his 98more concrete desires in an Alexandrine worthy36 of Racine:
Viens. Je veux dégrafer moi-même ton corsage.
The desire to involve the cosmos in our emotions is by no means confined to the poetess of Songs of Love and Life. In certain cases we are all apt to invoke37 the universe in an attempt to explain and account for emotions whose intensity38 seems almost inexplicable39. This is particularly true of the emotions aroused in us by the contemplation of beauty. Why we should feel so strongly when confronted with certain forms and colours, certain sounds, certain verbal suggestions of form and harmony—why the thing which we call beauty should move us at all—goodness only knows. In order to explain the phenomenon, poets have involved the universe in the matter, asserting that they are moved by the contemplation of physical beauty because it is the symbol of the divine. The intensities of physical passion have presented the same problem. Ashamed of admitting that such feelings can have a purely40 sublunary cause, we affirm, like the Australian poetess, that “God Himself is in the melody.” That, we argue, can be the only explanation for the violence of the emotion. 99This view of the matter is particularly common in a country with fundamental puritanic traditions like England, where the dry, matter-of-fact attitude of the French seems almost shocking. The puritan feels bound to justify41 the facts of beauty and volupté. They must be in some way made moral before he can accept them. The French unpuritanic mind accepts the facts as they are tendered to it by experience, at their face value.
点击收听单词发音
1 rummaging | |
翻找,搜寻( rummage的现在分词 ); 海关检查 | |
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2 grandiose | |
adj.宏伟的,宏大的,堂皇的,铺张的 | |
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3 generalizations | |
一般化( generalization的名词复数 ); 普通化; 归纳; 概论 | |
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4 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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5 exquisitely | |
adv.精致地;强烈地;剧烈地;异常地 | |
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6 puffs | |
n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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7 puff | |
n.一口(气);一阵(风);v.喷气,喘气 | |
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8 frantically | |
ad.发狂地, 发疯地 | |
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9 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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10 amorous | |
adj.多情的;有关爱情的 | |
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11 corporeal | |
adj.肉体的,身体的;物质的 | |
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12 mechanism | |
n.机械装置;机构,结构 | |
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13 previously | |
adv.以前,先前(地) | |
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14 physiological | |
adj.生理学的,生理学上的 | |
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15 comedian | |
n.喜剧演员;滑稽演员 | |
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16 justification | |
n.正当的理由;辩解的理由 | |
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17 raptures | |
极度欢喜( rapture的名词复数 ) | |
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18 analyst | |
n.分析家,化验员;心理分析学家 | |
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19 procure | |
vt.获得,取得,促成;vi.拉皮条 | |
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20 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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21 grovel | |
vi.卑躬屈膝,奴颜婢膝 | |
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22 sufficiently | |
adv.足够地,充分地 | |
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23 phenomena | |
n.现象 | |
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24 jargon | |
n.术语,行话 | |
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25 inadequate | |
adj.(for,to)不充足的,不适当的 | |
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26 precisely | |
adv.恰好,正好,精确地,细致地 | |
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27 analyze | |
vt.分析,解析 (=analyse) | |
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28 passionately | |
ad.热烈地,激烈地 | |
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29 wittily | |
机智地,机敏地 | |
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30 intensities | |
n.强烈( intensity的名词复数 );(感情的)强烈程度;强度;烈度 | |
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31 connubial | |
adj.婚姻的,夫妇的 | |
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32 bliss | |
n.狂喜,福佑,天赐的福 | |
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33 cosmos | |
n.宇宙;秩序,和谐 | |
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34 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
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35 formulates | |
v.构想出( formulate的第三人称单数 );规划;确切地阐述;用公式表示 | |
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36 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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37 invoke | |
v.求助于(神、法律);恳求,乞求 | |
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38 intensity | |
n.强烈,剧烈;强度;烈度 | |
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39 inexplicable | |
adj.无法解释的,难理解的 | |
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40 purely | |
adv.纯粹地,完全地 | |
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41 justify | |
vt.证明…正当(或有理),为…辩护 | |
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