Et l’on verra bient?t surgir du sein de l’onde
La première clarté de mon dernier soleil.
Of late I have found myself almost incapable9 of enjoying any poetry whose inspiration is not despair or melancholy. Why, I 101hardly know. Perhaps it is due to the chronic10 horror of the political situation. For heaven knows, that is quite sufficient to account for a taste for melancholy verse. The subject of any European government to-day feels all the sensations of Gulliver in the paws of the Queen of Brobdingnag’s monkey—the sensations of some small and helpless being at the mercy of something monstrous11 and irresponsible and idiotic12. There sits the monkey “on the ridge13 of a building five hundred yards above the ground, holding us like a baby in one of his fore14 paws.” Will he let go? Will he squeeze us to death? The best we can hope for is to be “let drop on a ridge tile,” with only enough bruises15 to keep one in bed for a fortnight. But it seems very unlikely that some “honest lad will climb up and, putting us in his breeches pocket, bring us down safe.” However, I divagate a little from my subject, which is the poetry of melancholy.
Some day I shall compile an Oxford16 Book of Depressing Verse, which shall contain nothing but the most magnificent expressions of melancholy and despair. All the obvious people will be in it and as many of the obscure apostles of gloom as vague and miscellaneous reading shall have made known to me. A duly adequate amount of space, for 102example, will be allotted17 to that all but great poet, Fulke Greville, Lord Brooke. For dark magnificence there are not many things that can rival that summing up against life and human destiny at the end of his “Mustapha.”
Oh, wearisome condition of humanity,
Born under one law to another bound,
Created sick, commanded to be sound.
What meaneth nature by these diverse laws,
Passion and reason, self-division’s cause?
To make offences that it may forgive?
Nature herself doth her own self deflower
To hate those errors she herself doth give....
If nature did not take delight in blood,
She would have made more easy ways to good.
Milton aimed at justifying20 the ways of God to man; Fulke Greville gloomily denounces them.
Nor shall I omit from my anthology the extraordinary description in the Prologue21 to “Alaham” of the Hell of Hells and of Privation, the peculiar22 torment23 of the place:
Down in eternity’s perpetual night
For change of desolation must I come
A place there is, upon no centre placed,
Deep under depths as far as is the sky
Above the earth, dark, infinitely28 spaced,
But creature of uncreated sin,
Whose being is all beings to invade,
To have no ending though it did begin;
And so of past, things present and to come,
To give depriving, not tormenting32 doom.
But horror in the understanding mixed....
Like most of his contemporaries in those happy days before the notion of progress had been invented, Lord Brooke was what Peacock would have called a “Pejorationist.” His political views (and they were also Sidney’s) are reflected in his Life of Sir Philip Sidney. The best that a statesman can do, according to these Elizabethan pessimists33, is to patch and prop34 the decaying fabric35 of society in the hope of staving off for a little longer the final inevitable36 crash. It seems curious to us, who have learnt to look at the Elizabethan age as the most splendid in English history, that the men who were the witnesses of these splendours should have regarded their time as an age of decadence37.
The notion of the Fall was fruitful in despairing poetry. One of the most remarkable38 104products of this doctrine39 is a certain “Sonnet Chrétien” by the seventeenth-century writer, Jean Ogier de Gombauld, surnamed “le Beau Ténébreux.”
Cette source de mort, cette homicide peste,
Ce péché dont l’enfer a le monde infecté,
Et je suis de moi-même une image funeste.
L’Auteur de l’univers, le Monarque céleste
S’était rendu visible en ma seule beauté.
Ce vieux titre d’honneur qu’autrefois j’ai porté
Et que je porte encore, est tout ce qui me reste.
Mais c’est fait de ma gloire, et je ne suis plus rien
Qu’un fant?me qui court après l’ombre d’un bien,
Non, je ne suis plus rien quand je veux m’éprouver,
Qu’un esprit ténébreux qui voit tout comme en songe
Et cherche incessament ce qu’il ne peut trouver.
There are astonishing lines in this, lines that might have been written by a Baudelaire, if he had been born a Huguenot and two hundred years before his time. That “carcase animated43 by the sole gnawing44 worm” is something that one would expect to find rotting away among the sombre and beautiful Flowers of Evil.
An amusing speculation45. If Steinach’s rejuvenating46 operations on the old become 105the normal and accepted thing, what will be the effect on poetry of this abolition47 of the depressing process of decay? It may be that the poetry of melancholy and despair is destined48 to lose its place in literature, and that a spirit of what William James called “healthy-mindedness” will inherit its kingdom. Many “eternal truths” have already found their way on to the dust-heap of antiquated49 ideas. It may be that this last and seemingly most inexorable of them—that life is short and subject to a dreadful decay—will join the other great commonplaces which have already perished out of literature.
The flesh is bruckle, the fiend is slee:
Timor mortis conturbat me:—
Some day, it may be, these sentiments will seem as hopelessly superannuated50 as Milton’s cosmology.
点击收听单词发音
1 presages | |
v.预示,预兆( presage的第三人称单数 ) | |
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2 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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3 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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4 conversational | |
adj.对话的,会话的 | |
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5 immortality | |
n.不死,不朽 | |
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6 frail | |
adj.身体虚弱的;易损坏的 | |
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7 withhold | |
v.拒绝,不给;使停止,阻挡 | |
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8 assent | |
v.批准,认可;n.批准,认可 | |
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9 incapable | |
adj.无能力的,不能做某事的 | |
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10 chronic | |
adj.(疾病)长期未愈的,慢性的;极坏的 | |
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11 monstrous | |
adj.巨大的;恐怖的;可耻的,丢脸的 | |
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12 idiotic | |
adj.白痴的 | |
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13 ridge | |
n.山脊;鼻梁;分水岭 | |
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14 fore | |
adv.在前面;adj.先前的;在前部的;n.前部 | |
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15 bruises | |
n.瘀伤,伤痕,擦伤( bruise的名词复数 ) | |
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16 Oxford | |
n.牛津(英国城市) | |
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17 allotted | |
分配,拨给,摊派( allot的过去式和过去分词 ) | |
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18 begot | |
v.为…之生父( beget的过去式 );产生,引起 | |
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19 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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20 justifying | |
证明…有理( justify的现在分词 ); 为…辩护; 对…作出解释; 为…辩解(或辩护) | |
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21 prologue | |
n.开场白,序言;开端,序幕 | |
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22 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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23 torment | |
n.折磨;令人痛苦的东西(人);vt.折磨;纠缠 | |
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24 doom | |
n.厄运,劫数;v.注定,命定 | |
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25 torments | |
(肉体或精神上的)折磨,痛苦( torment的名词复数 ); 造成痛苦的事物[人] | |
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26 tempt | |
vt.引诱,勾引,吸引,引起…的兴趣 | |
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27 profane | |
adj.亵神的,亵渎的;vt.亵渎,玷污 | |
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28 infinitely | |
adv.无限地,无穷地 | |
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29 Pluto | |
n.冥王星 | |
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30 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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31 reign | |
n.统治时期,统治,支配,盛行;v.占优势 | |
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32 tormenting | |
使痛苦的,使苦恼的 | |
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33 pessimists | |
n.悲观主义者( pessimist的名词复数 ) | |
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34 prop | |
vt.支撑;n.支柱,支撑物;支持者,靠山 | |
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35 fabric | |
n.织物,织品,布;构造,结构,组织 | |
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36 inevitable | |
adj.不可避免的,必然发生的 | |
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37 decadence | |
n.衰落,颓废 | |
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38 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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39 doctrine | |
n.教义;主义;学说 | |
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40 tout | |
v.推销,招徕;兜售;吹捧,劝诱 | |
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41 bruit | |
v.散布;n.(听诊时所听到的)杂音;吵闹 | |
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42 corps | |
n.(通信等兵种的)部队;(同类作的)一组 | |
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43 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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44 gnawing | |
a.痛苦的,折磨人的 | |
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45 speculation | |
n.思索,沉思;猜测;投机 | |
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46 rejuvenating | |
使变得年轻,使恢复活力( rejuvenate的现在分词 ) | |
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47 abolition | |
n.废除,取消 | |
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48 destined | |
adj.命中注定的;(for)以…为目的地的 | |
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49 antiquated | |
adj.陈旧的,过时的 | |
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50 superannuated | |
adj.老朽的,退休的;v.因落后于时代而废除,勒令退学 | |
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