Like many philosophers, and especially philosophers of a mystical tinge13 of thought, Wordsworth based his philosophy on his emotions. The conversion14 of emotions into intellectual terms is a process that has been repeated a thousand times in the history of the human mind. We feel a powerful emotion before a work of art, therefore it partakes of the divine, is a reconstruction15 of the Idea of which the natural object is a poor reflection. Love moves us deeply, therefore human love is a type of divine love. Nature in her various aspects inspires us with fear, joy, contentment, despair, therefore nature is a soul that expresses anger, sympathy, love, and hatred16. One could go on indefinitely multiplying examples of the way in 152which man objectifies the kingdoms of heaven and hell that are within him. The process is often a dangerous one. The mystic who feels within himself the stirrings of inenarrable emotions is not content with these emotions as they are in themselves. He feels it necessary to invent a whole cosmogony that will account for them. To him this philosophy will be true, in so far as it is an expression in intellectual terms of these emotions. But to those who do not know these emotions at first hand, it will be simply misleading. The mystical emotions have what may be termed a conduct value; they enable the man who feels them to live his life with a serenity17 and confidence unknown to other men. But the philosophical18 terms in which these emotions are expressed have not necessarily any truth value. This mystical philosophy will be valuable only in so far as it revives, in the minds of its students, those conduct-affecting emotions which originally gave it birth. Accepted at its intellectual face value, such a philosophy may not only have no worth; it may be actually harmful.
Into this beautifully printed volume Mr. Cobden-Sanderson has gathered together most of the passages in Wordsworth’s poetry which possess the power of reviving the emotions 153that inspired them. It is astonishing to find that they fill the best part of two hundred and fifty pages, and that there are still plenty of poems—“Peter Bell,” for example—that one would like to see included. “The Prelude” and “Excursion” yield a rich tribute of what our ancestors would have called “beauties.” There is that astonishing passage in which the poet describes how, as a boy, he rowed by moonlight across the lake:
And, as I rose upon the stroke, my boat
Went heaving through the water like a swan;
When, from behind that craggy steep till then
The horizon’s bound, a huge peak, black and huge,
As if with voluntary power instinct,
Upreared its head. I struck and struck again,
Towered up between me and the stars, and still,
For so it seemed, with purpose of its own
And measured motion, like a living thing,
Strode after me.
There is the history of that other fearful moment when
Low breathings coming after me, and sounds
Of undistinguishable motion, steps
Almost as silent as the turf they trod.
And there are other passages telling of nature in less awful and menacing aspects, nature 154the giver of comfort and strong serenity. Reading these we are able in some measure to live for ourselves the emotions that were Wordsworth’s. If we can feel his “shadowy exaltations,” we have got all that Wordsworth can give us. There is no need to read the theology of his mysticism, the pantheistic explanation of his emotions. To Peter Bell a primrose5 by a river’s brim was only a yellow primrose. Its beauty stirred in him no feeling. But one can be moved by the sight of the primrose without necessarily thinking, in the words of Mr. Cobden-Sanderson’s preface, of “the infinite tenderness of the infinitely21 great, of the infinitely great which, from out the infinite and amid its own stupendous tasks, stoops to strew22 the path of man, the infinitely little, with sunshine and with flowers.” This is the theology of our primrose emotion. But it is the emotion itself which is important, not the theology. The emotion has its own powerful conduct value, whereas the philosophy derived23 from it, suspiciously anthropocentric, possesses, we should imagine, only the smallest value as truth.
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1 impersonally | |
ad.非人称地 | |
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2 disintegration | |
n.分散,解体 | |
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3 inadequately | |
ad.不够地;不够好地 | |
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4 primroses | |
n.报春花( primrose的名词复数 );淡黄色;追求享乐(招至恶果) | |
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5 primrose | |
n.樱草,最佳部分, | |
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6 hymns | |
n.赞美诗,圣歌,颂歌( hymn的名词复数 ) | |
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7 veneration | |
n.尊敬,崇拜 | |
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8 superstition | |
n.迷信,迷信行为 | |
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9 alpine | |
adj.高山的;n.高山植物 | |
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10 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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11 appraise | |
v.估价,评价,鉴定 | |
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12 inveterate | |
adj.积习已深的,根深蒂固的 | |
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13 tinge | |
vt.(较淡)着色于,染色;使带有…气息;n.淡淡色彩,些微的气息 | |
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14 conversion | |
n.转化,转换,转变 | |
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15 reconstruction | |
n.重建,再现,复原 | |
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16 hatred | |
n.憎恶,憎恨,仇恨 | |
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17 serenity | |
n.宁静,沉着,晴朗 | |
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18 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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19 stature | |
n.(高度)水平,(高度)境界,身高,身材 | |
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20 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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21 infinitely | |
adv.无限地,无穷地 | |
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22 strew | |
vt.撒;使散落;撒在…上,散布于 | |
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23 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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