Chapter 3

 After supper, when the visitors had gone, he went to his room and lay down on the sofa: he wanted to think about the monk¹. But a minute later Tanya came in.

"Here, Andryusha; read father's articles," she said, giving him a bundle of pamphlets and proofs. "They are splendid articles. He writes capitally."

"Capitally, indeed!" said Yegor Semyonitch, following her and smiling constrainedly²; he was ashamed. "Don't listen to her, please; don't read them! Though, if you want to go to sleep, read them by all means; they are a fine soporific."

"I think they are splendid articles," said Tanya, with deep conviction. "You read them, Andryusha, and persuade father to write oftener. He could write a complete manual of horticulture."

Yegor Semyonitch gave a forced laugh, blushed, and began uttering the phrases usually made use of by an embarrassed author. At last he began to give way.

"In that case, begin with Gaucher's article and these Russian articles," he muttered, turning over the pamphlets with a trembling hand, "or else you won't understand. Before you read my objections, you must know what I am objecting to. But it's all nonsense ... tiresome³ stuff. Besides, I believe it's bedtime."

Tanya went away. Yegor Semyonitch sat down on the sofa by Kovrin and heaved a deep sigh.

"Yes, my boy ..." he began after a pause. "That's how it is, my dear lecturer. Here I write articles, and take part in exhibitions, and receive medals.... Pesotsky, they say, has apples the size of a head, and Pesotsky, they say, has made his fortune with his garden. In short, 'Kotcheby is rich and glorious.' But one asks oneself: what is it all for? The garden is certainly fine, a model. It's not really a garden, but a regular institution, which is of the greatest public importance because it marks, so to say, a new era in Russian agriculture and Russian industry. But, what's it for? What's the object of it?"

"The fact speaks for itself."

"I do not mean in that sense. I meant to ask: what will happen to the garden when I die? In the condition in which you see it now, it would not be maintained for one month without me. The whole secret of success lies not in its being a big garden or a great number of labourers being employed in it, but in the fact that I love the work. Do you understand? I love it perhaps more than myself. Look at me; I do everything myself. I work from morning to night: I do all the grafting⁴ myself, the pruning⁵ myself, the planting myself. I do it all myself: when any one helps me I am jealous and irritable⁶ till I am rude. The whole secret lies in loving it—that is, in the sharp eye of the master; yes, and in the master's hands, and in the feeling that makes one, when one goes anywhere for an hour's visit, sit, ill at ease, with one's heart far away, afraid that something may have happened in the garden. But when I die, who will look after it? Who will work? The gardener? The labourers? Yes? But I will tell you, my dear fellow, the worst enemy in the garden is not a hare, not a cockchafer, and not the frost, but any outside person."

"And Tanya?" asked Kovrin, laughing. "She can't be more harmful than a hare? She loves the work and understands it."

"Yes, she loves it and understands it. If after my death the garden goes to her and she is the mistress, of course nothing better could be wished. But if, which God forbid, she should marry," Yegor Semyonitch whispered, and looked with a frightened look at Kovrin, "that's just it. If she marries and children come, she will have no time to think about the garden. What I fear most is: she will marry some fine gentleman, and he will be greedy, and he will let the garden to people who will run it for profit, and everything will go to the devil the very first year! In our work females are the scourge⁷ of God!"

Yegor Semyonitch sighed and paused for a while.

"Perhaps it is egoism, but I tell you frankly⁸: I don't want Tanya to get married. I am afraid of it! There is one young dandy comes to see us, bringing his violin and scraping on it; I know Tanya will not marry him, I know it quite well; but I can't bear to see him! Altogether, my boy, I am very queer. I know that."

Yegor Semyonitch got up and walked about the room in excitement, and it was evident that he wanted to say something very important, but could not bring himself to it.

"I am very fond of you, and so I am going to speak to you openly," he decided⁹ at last, thrusting his hands into his pockets. "I deal plainly with certain delicate questions, and say exactly what I think, and I cannot endure so-called hidden thoughts. I will speak plainly: you are the only man to whom I should not be afraid to marry my daughter. You are a clever man with a good heart, and would not let my beloved work go to ruin; and the chief reason is that I love you as a son, and I am proud of you. If Tanya and you could get up a romance somehow, then—well! I should be very glad and even happy. I tell you this plainly, without mincing¹⁰ matters, like an honest man."

Kovrin laughed. Yegor Semyonitch opened the door to go out, and stood in the doorway¹¹.

"If Tanya and you had a son, I would make a horticulturist of him," he said, after a moment's thought. "However, this is idle dreaming. Goodnight."

Left alone, Kovrin settled himself more comfortably on the sofa and took up the articles. The title of one was "On Intercropping"; of another, "A few Words on the Remarks of Monsieur Z. concerning the Trenching of the Soil for a New Garden"; a third, "Additional Matter concerning Grafting with a Dormant¹² Bud"; and they were all of the same sort. But what a restless, jerky tone! What nervous, almost hysterical¹³ passion! Here was an article, one would have thought, with most peaceable and impersonal¹⁴ contents: the subject of it was the Russian Antonovsky Apple. But Yegor Semyonitch began it with "Audiatur altera pars," and finished it with "Sapienti sat"; and between these two quotations¹⁵ a perfect torrent¹⁶ of venomous phrases directed "at the learned ignorance of our recognised horticultural authorities, who observe Nature from the height of their university chairs," or at Monsieur Gaucher, "whose success has been the work of the vulgar and the dilettanti." And then followed an inappropriate, affected¹⁷, and insincere regret that peasants who stole fruit and broke the branches could not nowadays be flogged.

"It is beautiful, charming, healthy work, but even in this there is strife¹⁸ and passion," thought Kovrin, "I suppose that everywhere and in all careers men of ideas are nervous, and marked by exaggerated sensitiveness. Most likely it must be so."

He thought of Tanya, who was so pleased with Yegor Semyonitch's articles. Small, pale, and so thin that her shoulder-blades stuck out, her eyes, wide and open, dark and intelligent, had an intent gaze, as though looking for something. She walked like her father with a little hurried step. She talked a great deal and was fond of arguing, accompanying every phrase, however insignificant¹⁹, with expressive²⁰ mimicry²¹ and gesticulation. No doubt she was nervous in the extreme.

Kovrin went on reading the articles, but he understood nothing of them, and flung them aside. The same pleasant excitement with which he had earlier in the evening danced the mazurka and listened to the music was now mastering him again and rousing a multitude of thoughts. He got up and began walking about the room, thinking about the black monk. It occurred to him that if this strange, supernatural monk had appeared to him only, that meant that he was ill and had reached the point of having hallucinations. This reflection frightened him, but not for long.

"But I am all right, and I am doing no harm to any one; so there is no harm in my hallucinations," he thought; and he felt happy again.

He sat down on the sofa and clasped his hands round his head. Restraining the unaccountable joy which filled his whole being, he then paced up and down again, and sat down to his work. But the thought that he read in the book did not satisfy him. He wanted something gigantic, unfathomable, stupendous. Towards morning he undressed and reluctantly went to bed: he ought to sleep.

When he heard the footsteps of Yegor Semyonitch going out into the garden, Kovrin rang the bell and asked the footman to bring him some wine. He drank several glasses of Lafitte, then wrapped himself up, head and all; his consciousness grew clouded and he fell asleep.

1 monk   

n.和尚，僧侣，修道士

参考例句：

• The man was a monk from Emei Mountain.那人是峨眉山下来的和尚。
• Buddhist monk sat with folded palms.和尚合掌打坐。

2 constrainedly   

不自然地，勉强地，强制地

参考例句：

• Very constrainedly,she agreed a young doctor to operate on her. 她非常勉强地同意让一位年轻的医生为她做手术。

3 tiresome   

adj.令人疲劳的，令人厌倦的

参考例句：

• His doubts and hesitations were tiresome.他的疑惑和犹豫令人厌烦。
• He was tiresome in contending for the value of his own labors.他老为他自己劳动的价值而争强斗胜，令人生厌。

4 grafting   

嫁接法，移植法

参考例句：

• Even grafting new blood vessels in place of the diseased coronary arteries has been tried. 甚至移植新血管代替不健康的冠状动脉的方法都已经试过。
• Burns can often be cured by grafting on skin from another part of the same body. 烧伤常常可以用移植身体其它部位的皮肤来治愈。

5 pruning   

n.修枝，剪枝，修剪v.修剪（树木等）( prune的现在分词 )；精简某事物，除去某事物多余的部分

参考例句：

• In writing an essay one must do a lot of pruning. 写文章要下一番剪裁的工夫。 来自《现代汉英综合大词典》
• A sapling needs pruning, a child discipline. 小树要砍，小孩要管。 来自《现代汉英综合大词典》

6 irritable   

adj.急躁的；过敏的；易怒的

参考例句：

• He gets irritable when he's got toothache.他牙一疼就很容易发脾气。
• Our teacher is an irritable old lady.She gets angry easily.我们的老师是位脾气急躁的老太太。她很容易生气。

7 scourge   

n.灾难，祸害；v.蹂躏

参考例句：

• Smallpox was once the scourge of the world.天花曾是世界的大患。
• The new boss was the scourge of the inefficient.新老板来了以后，不称职的人就遭殃了。

8 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。

9 decided   

adj.决定了的，坚决的；明显的，明确的

参考例句：

• This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
• There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。

10 mincing   

adj.矫饰的；v.切碎；切碎

参考例句：

• She came to the park with mincing,and light footsteps.她轻移莲步来到了花园之中。
• There is no use in mincing matters.掩饰事实是没有用的。

11 doorway   

n.门口，(喻)入门；门路，途径

参考例句：

• They huddled in the shop doorway to shelter from the rain.他们挤在商店门口躲雨。
• Mary suddenly appeared in the doorway.玛丽突然出现在门口。

12 dormant   

adj.暂停活动的；休眠的；潜伏的

参考例句：

• Many animals are in a dormant state during winter.在冬天许多动物都处于睡眠状态。
• This dormant volcano suddenly fired up.这座休眠火山突然爆发了。

13 hysterical   

adj.情绪异常激动的，歇斯底里般的

参考例句：

• He is hysterical at the sight of the photo.他一看到那张照片就异常激动。
• His hysterical laughter made everybody stunned.他那歇斯底里的笑声使所有的人不知所措。

14 impersonal   

adj.无个人感情的，与个人无关的，非人称的

参考例句：

• Even his children found him strangely distant and impersonal.他的孩子们也认为他跟其他人很疏远，没有人情味。
• His manner seemed rather stiff and impersonal.他的态度似乎很生硬冷淡。

15 quotations   

n.引用( quotation的名词复数 )；[商业]行情（报告）；（货物或股票的）市价；时价

参考例句：

• The insurance company requires three quotations for repairs to the car. 保险公司要修理这辆汽车的三家修理厂的报价单。 来自《简明英汉词典》
• These quotations cannot readily be traced to their sources. 这些引语很难查出出自何处。 来自《现代汉英综合大词典》

16 torrent   

n.激流，洪流；爆发，(话语等的)连发

参考例句：

• The torrent scoured a channel down the hillside. 急流沿着山坡冲出了一条沟。
• Her pent-up anger was released in a torrent of words.她压抑的愤怒以滔滔不绝的话爆发了出来。

17 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

18 strife   

n.争吵，冲突，倾轧，竞争

参考例句：

• We do not intend to be drawn into the internal strife.我们不想卷入内乱之中。
• Money is a major cause of strife in many marriages.金钱是造成很多婚姻不和的一个主要原因。

19 insignificant   

adj.无关紧要的，可忽略的，无意义的

参考例句：

• In winter the effect was found to be insignificant.在冬季，这种作用是不明显的。
• This problem was insignificant compared to others she faced.这一问题与她面临的其他问题比较起来算不得什么。

20 expressive   

adj.表现的，表达…的，富于表情的

参考例句：

• Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
• He had a mobile,expressive,animated face.他有一张多变的，富于表情的，生动活泼的脸。

21 mimicry   

n.（生物）拟态，模仿

参考例句：

• One of his few strengths was his skill at mimicry.他为数不多的强项之一就是善于模仿。
• Language learning usually necessitates conscious mimicry.一般地说，学习语言就要进行有意识的摹仿。