The fresh aspect of this familiar story which I propose to consider is the study of the women who moulded or marred13 the succeeding Emperors in their failure to arrest, if not their guilt14 in accelerating, the progress of Rome’s disease. Woman had her part in the making, as well as the unmaking, of Rome. In the earlier days, when her work was confined within the walls of the home, no consul15 ever guided the momentous16 fortune of Rome, no soldier ever bore its eagles to the bounds of the world, but some woman had taught his lips to frame the syllables17 of his national creed18. However, long before the commencement of our era, the thought and the power of the Roman woman went out into the larger world of public life; and when the Empire is founded, when the control of the State’s mighty19 resources is entrusted20 to the hands of a single ruler, the wife of the monarch21 may share his power, and assuredly shares his interest for us. Even as mere22 women of Rome, as single figures and types rising to the luminous23 height of the throne out of the dark and indistinguishable crowd, they deserve to be passed in review.
Some such review we have, no doubt, in the two great works which spread the panorama24 of Imperial Rome before the eyes of English readers. In the graceful25 and restrained chapters of Merivale we find the earlier Empresses delineated with no less charm than learning. In the more genial26 and voluptuous27 narrative28 of Gibbon we may, at intervals29, follow the fortunes and appreciate the character of the later Empresses. But, no matter how nice a skill in grouping the historian may have, his stage is too crowded either for us to pick out the single character with proper distinctness, or for him to appraise30 it with entire accuracy. The fleeting31 glimpses of the Empresses which we catch, as the splendid panorama passes before us, must3 be blended in a fuller and steadier picture. The tramp and shock of armies, the wiles32 of statesmen, the social revolutions, which absorb the historian, must fall into the background, that the single figure may be seen in full contour. When this is done it will be found that there are many judgments33 on the Empresses, both in Merivale and Gibbon, which the biographer will venture to question.
For the study of the earlier Empresses the English reader will find much aid in Mr. Baring-Gould’s “Tragedy of the C?sars” (1892). Here again, however, though the Empresses are drawn34 with discriminating35 freshness and full knowledge, they are constantly merging36 in the great crowd of characters. The aim of the present work is to place them in the full foreground, and to continue the survey far beyond the limits of Mr. Baring-Gould’s work. It differs also in this latter respect from Stahr’s brilliant “Kaiser-Frauen,” which is, in fact, now almost unobtainable; and especially from V. Silvagni’s recent work, of unhappy title, “L’Impero e le Donne dei Cesari,” which merely includes slight and familiar sketches37 of four Empresses in a general study of the period.
The work differs in quite another way from the learned and entertaining book of the old French writer Roergas de Serviez, of which an early English translation has recently been republished under the title “The Roman Empresses, or the History of the Lives and Secret Intrigues38 of the Wives of the Twelve C?sars”—an improper39 title, because the work is far from confined to the wives of the C?sars. The work is an industrious40 compilation41 of original references to the Empresses, interwoven with considerable art, so as to construct harmonious42 pictures, and adorned43 with much charm and piquancy44 of phrase, if some hollowness of sentiment. But it is so intent upon entertaining us that it frequently sacrifices accuracy to that admirable aim. Serviez has not invented any substantial episode, but he has encircled the facts with the most charming imaginative haloes, and where the authorities differ, as they frequently do, he has not hesitated to grant his verdict to the writer4 who most picturesquely45 impeaches46 the virtue47 of one of his Empresses. Roergas de Serviez was a gentleman of Languedoc in the days of the “grand monarque.” His Empresses and princesses reflect too faithfully the frail48 character of the ladies at the Court of Louis XIV. For him the most reliable writer is the one who betrays least inclination49 to seek virtue in courtly ladies.
It need hardly be said that the present writer is indebted to these authors, to the learned Tillemont, and to others who will be named in the course of the work. But this study is based on a careful examination of all the references to the Empresses in the Latin and Greek authorities, with such further aid as is afforded by coins, statues, inscriptions50, and the incidental research of commentators52. We shall consider, as we proceed, the varying authority of these writers. We shall find in them defects which impose a heavy responsibility on the writer whose aim it is to restore those faded and delicate portraits of the Empresses, over which later artists have spread their sharper and more crudely coloured figures. One may, however, say at once that it is not contemplated53 to urge any very revolutionary change in the current estimate of the character of most of them. If a few romantic adventures must be honestly discarded, we shall find Messalina still flaunting54 her vices56 in the palace, Agrippina still pursuing her more masculine ambition, Popp?a still representing the gaily-decked puppet of that luxurious57 world, and Zenobia, in glittering helmet, still giving resonant58 commands to her troops.
But it will be well, before we introduce the first, and one of the best and greatest of the Empresses, to glance at the development of Roman life which prepared the way for woman to so exalted59 a dignity. The condition of woman in early Rome has often been restored. We see the female infant, her fate trembling in the hand of man from the moment when her eyes open to the light, brought before the despotic father for the decision of her fate. With a glance at the little white frame he will say whether5 she shall be cast out, to be gathered by the merchants in human flesh, or suffered to breed the next generation of citizens. We follow her through her guarded girlhood, as she learns to spin and weave, and see her passing from the tyranny of father to the tyranny of husband at an age when the modern girl has hardly begun to glance nervously60 at marriage as a remote and mystic experience. We then find her, not indeed so narrowly confined as her Greek sister, yet little more than the servant of her husband. Public feeling, it is true, mitigated61 the harsher features, and forbade the graver consequences, of this ancient tradition. For many centuries divorce was unknown at Rome. Yet woman’s horizon was limited to her home, while her husband boasted of his share in controlling the Commonwealth’s increasing life.
In the second century before Christ we find symptoms of revolt. The wealthier women of Rome resent the curtailing62 of their finery by the Oppian Law, now that the war is over (195 B.C.). Old-fashioned Senators are dismayed to find them holding a public meeting, besetting63 all the approaches to the Senate, demanding their votes, and even invading the houses of the Tribunes and coercing64 them to withdraw their opposition65. The truth is that Rome has changed, and the women feel the pervading66 change. The passage of the victorious67 Roman through the cities of the East had corrupted68 the patriarchal virtues69. Roman officers could not gaze unmoved on the surviving memorials of the culture of Athens, or make festival in the drowsy70 chambers71 of Corinthian courtesans or the licentious72 groves73 of Daphne, without altering their ideal of life. The splendour of Eastern wisdom and vice55 made pale the old standard of Roman virtus. The vast wealth extorted74 from the subdued75 provinces swelled76 the pride of patrician77 families until they disdainfully burst the narrow walls of their fathers’ homes. The hills of Rome began to shine with marble mansions78, framed in shady and spacious79 gardens, from which contemptuous patrician eyes looked down on the sordid80 and idle crowds in the valleys of the6 Subura and the Velabrum. Rome aspired81 to have its art and its letters.
Roman women were not content to be secluded82 from the new culture, and could not escape the stimulation83 of their new world. The Roman husband must be kept away from the accomplished84 courtesans of Greece and the voluptuous sirens of Asia by finding no lesser85 attractions in his wife. So the near horizon of woman’s mind rolled outward. An inscription51 found at Lanuvium, where the Empress Livia had a villa86, shows that the little provincial87 town had a curia mulierum, a women’s debating club. The walls of Pompeii, when the shroud88 of lava89 had been removed from its scorched90 face, bore election-addresses signed by women. The world was mirrored in Rome, and few minds could retain their primitive91 simplicity92 as they contemplated that seductive picture.
By the beginning of the first century of the older era the women of Rome had ample opportunity for culture and for political influence. In the great conflicts of the time their names are chronicled as the inspirers of many of the chief actors. They rise and fall with the cause of the Senate or the cause of the People. They unite culture with character, public interest with beauty and motherhood. At last the conflicting parties disappear one by one, and a young commander, Octavian, the great-nephew of Julius C?sar, gathers up the power they relinquish93. A youth of delicate and singularly graceful features, of refined and thoughtful, rather than assertive94, appearance, he hears that C?sar has made him heir to his wealth and his opportunities; he goes boldly to Rome, adroitly95 uses its forces to destroy those who had slain96 C?sar, forces Mark Antony to share the rule of the world with him and Lepidus, and then destroys Lepidus and Mark Antony. It is at this point, when he returns to Rome from his last victories, when the whole world wonders whether he will keep the power he has gathered or meekly97 place it in the hands of the Senate, that the story opens.
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1 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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2 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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3 bracing | |
adj.令人振奋的 | |
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4 eastward | |
adv.向东;adj.向东的;n.东方,东部 | |
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5 westward | |
n.西方,西部;adj.西方的,向西的;adv.向西 | |
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6 northward | |
adv.向北;n.北方的地区 | |
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7 malady | |
n.病,疾病(通常做比喻) | |
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8 vigour | |
(=vigor)n.智力,体力,精力 | |
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9 overcast | |
adj.阴天的,阴暗的,愁闷的;v.遮盖,(使)变暗,包边缝;n.覆盖,阴天 | |
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10 fumes | |
n.(强烈而刺激的)气味,气体 | |
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11 decrepit | |
adj.衰老的,破旧的 | |
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12 dishonoured | |
a.不光彩的,不名誉的 | |
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13 marred | |
adj. 被损毁, 污损的 | |
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14 guilt | |
n.犯罪;内疚;过失,罪责 | |
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15 consul | |
n.领事;执政官 | |
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16 momentous | |
adj.重要的,重大的 | |
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17 syllables | |
n.音节( syllable的名词复数 ) | |
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18 creed | |
n.信条;信念,纲领 | |
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19 mighty | |
adj.强有力的;巨大的 | |
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20 entrusted | |
v.委托,托付( entrust的过去式和过去分词 ) | |
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21 monarch | |
n.帝王,君主,最高统治者 | |
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22 mere | |
adj.纯粹的;仅仅,只不过 | |
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23 luminous | |
adj.发光的,发亮的;光明的;明白易懂的;有启发的 | |
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24 panorama | |
n.全景,全景画,全景摄影,全景照片[装置] | |
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25 graceful | |
adj.优美的,优雅的;得体的 | |
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26 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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27 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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28 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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29 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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30 appraise | |
v.估价,评价,鉴定 | |
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31 fleeting | |
adj.短暂的,飞逝的 | |
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32 wiles | |
n.(旨在欺骗或吸引人的)诡计,花招;欺骗,欺诈( wile的名词复数 ) | |
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33 judgments | |
判断( judgment的名词复数 ); 鉴定; 评价; 审判 | |
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34 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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35 discriminating | |
a.有辨别能力的 | |
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36 merging | |
合并(分类) | |
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37 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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38 intrigues | |
n.密谋策划( intrigue的名词复数 );神秘气氛;引人入胜的复杂情节v.搞阴谋诡计( intrigue的第三人称单数 );激起…的好奇心 | |
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39 improper | |
adj.不适当的,不合适的,不正确的,不合礼仪的 | |
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40 industrious | |
adj.勤劳的,刻苦的,奋发的 | |
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41 compilation | |
n.编译,编辑 | |
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42 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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43 adorned | |
[计]被修饰的 | |
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44 piquancy | |
n.辛辣,辣味,痛快 | |
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45 picturesquely | |
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46 impeaches | |
v.控告(某人)犯罪( impeach的第三人称单数 );弹劾;对(某事物)怀疑;提出异议 | |
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47 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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48 frail | |
adj.身体虚弱的;易损坏的 | |
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49 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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50 inscriptions | |
(作者)题词( inscription的名词复数 ); 献词; 碑文; 证劵持有人的登记 | |
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51 inscription | |
n.(尤指石块上的)刻印文字,铭文,碑文 | |
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52 commentators | |
n.评论员( commentator的名词复数 );时事评论员;注释者;实况广播员 | |
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53 contemplated | |
adj. 预期的 动词contemplate的过去分词形式 | |
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54 flaunting | |
adj.招摇的,扬扬得意的,夸耀的v.炫耀,夸耀( flaunt的现在分词 );有什么能耐就施展出来 | |
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55 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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56 vices | |
缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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57 luxurious | |
adj.精美而昂贵的;豪华的 | |
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58 resonant | |
adj.(声音)洪亮的,共鸣的 | |
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59 exalted | |
adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
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60 nervously | |
adv.神情激动地,不安地 | |
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61 mitigated | |
v.减轻,缓和( mitigate的过去式和过去分词 ) | |
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62 curtailing | |
v.截断,缩短( curtail的现在分词 ) | |
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63 besetting | |
adj.不断攻击的v.困扰( beset的现在分词 );不断围攻;镶;嵌 | |
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64 coercing | |
v.迫使做( coerce的现在分词 );强迫;(以武力、惩罚、威胁等手段)控制;支配 | |
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65 opposition | |
n.反对,敌对 | |
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66 pervading | |
v.遍及,弥漫( pervade的现在分词 ) | |
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67 victorious | |
adj.胜利的,得胜的 | |
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68 corrupted | |
(使)败坏( corrupt的过去式和过去分词 ); (使)腐化; 引起(计算机文件等的)错误; 破坏 | |
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69 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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70 drowsy | |
adj.昏昏欲睡的,令人发困的 | |
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71 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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72 licentious | |
adj.放纵的,淫乱的 | |
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73 groves | |
树丛,小树林( grove的名词复数 ) | |
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74 extorted | |
v.敲诈( extort的过去式和过去分词 );曲解 | |
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75 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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76 swelled | |
增强( swell的过去式和过去分词 ); 肿胀; (使)凸出; 充满(激情) | |
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77 patrician | |
adj.贵族的,显贵的;n.贵族;有教养的人;罗马帝国的地方官 | |
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78 mansions | |
n.宅第,公馆,大厦( mansion的名词复数 ) | |
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79 spacious | |
adj.广阔的,宽敞的 | |
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80 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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81 aspired | |
v.渴望,追求( aspire的过去式和过去分词 ) | |
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82 secluded | |
adj.与世隔绝的;隐退的;偏僻的v.使隔开,使隐退( seclude的过去式和过去分词) | |
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83 stimulation | |
n.刺激,激励,鼓舞 | |
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84 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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85 lesser | |
adj.次要的,较小的;adv.较小地,较少地 | |
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86 villa | |
n.别墅,城郊小屋 | |
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87 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
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88 shroud | |
n.裹尸布,寿衣;罩,幕;vt.覆盖,隐藏 | |
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89 lava | |
n.熔岩,火山岩 | |
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90 scorched | |
烧焦,烤焦( scorch的过去式和过去分词 ); 使(植物)枯萎,把…晒枯; 高速行驶; 枯焦 | |
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91 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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92 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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93 relinquish | |
v.放弃,撤回,让与,放手 | |
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94 assertive | |
adj.果断的,自信的,有冲劲的 | |
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95 adroitly | |
adv.熟练地,敏捷地 | |
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96 slain | |
杀死,宰杀,杀戮( slay的过去分词 ); (slay的过去分词) | |
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97 meekly | |
adv.温顺地,逆来顺受地 | |
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