From the small front gallery or verandah the incline ran [434]down pretty swiftly, and displayed to the eye a panorama8 which might in truth be called magnificent. Immediately beneath this verandah lay the mountain-slope; at first bald and bare, with huge weather-worn boulders10 scattered11 about here and there, and a few stunted12 shrubs. Between these a narrow pathway ran winding13 down. In its tortuous14 course it seemed to rival the brook15, as, twisting and bubbling and splashing and foaming16, it went merrily and swiftly dancing down its fantastically-cut bed. As gradually the slope ran down to the valley, the vegetable kingdom began to assert itself more and more. At first there appeared dwarf17 trees with curiously18 twisted trunks and strangely gnarled branches, these, in their turn, gave way to the more luxuriant representatives of the realm of Silvanus, and these again gradually merged19 into a rich plantation20 of fruit-bearing trees, above which the tall cocoa-nut palms reared their feathered heads waving and nodding to the breeze. Beyond this, at the foot of the mountain, lay the little dessa Ajo, snugly21 embowered in a mass of glossy22 foliage23. Very pleasant to look at from the eminence24 were the dwellings26 of the native villagers with their neat brown roofs and bright yellow fences peeping here and there through the rich verdure, reflected in the waters of the Kali Djetis, which forms the western boundary of the dessa; and which, at that point, makes a majestic27 sweep before emptying itself by a wide mouth into the Indian Ocean.
The view of that ocean still further enhanced the beauty of the grand panorama which lay stretched out in front of the little hut. On a fine calm day the deep-blue expanse of water extended far—endlessly far—away to the horizon, glittering under the rays of the tropical sun like a metallic28 mirror; while numerous fishing boats, with their white but quaintly-shaped sails, hovered29 about the Moeara Djetis, and skimmed like birds over the glassy surface. When, however, the South-East trade was blowing stiffly, and the flood-tide helped to raise the waves, the aspect of the ocean was entirely30 changed. Then not a single boat was to be seen; but heavy breakers came tumbling in, and, as these reached the mouth of the river, and met the body of downflowing mountain water, they would tower up and roll along steadily31 for awhile as a huge wall of solid blue, then curl over into mighty crests32, and finally break into a foam-sheet of dazzling whiteness. This magnificent spectacle, a kind of prororoca on a small scale, could be watched from the verandah in its minutest details. [435]
The hut itself was but a very poor little dwelling25; constructed, as those places generally are, of such primitive33 materials as bamboo and atap. It consisted indeed merely of four walls and a roof. It had a door in front and behind, which gave access to a small verandah, while, in the side-walls, two square shutters34 did duty for windows. Whether or not the space within was divided into separate apartments we cannot tell. There are secrets into which a novelist must not venture to pry35; and there are feelings which, even he, must know how to respect. It may be his duty—his painful duty—to introduce his readers to an opium-den, and reveal to them the horrors it conceals36, if, by so doing, he may reasonably hope to do something to cure a crying evil; but he ought not, without sufficient reason, to invade the sacred rights of privacy by throwing open to his readers a cottage wherein—
But, modest as was the little building which stood there lonely and deserted37 on that mountain slope, and poor as was its outward appearance, yet there existed a very marked difference between it and the other cabins, the dwellings of the dessa people, far down at the foot of the mountain. The difference consisted herein, that it was scrupulously38 neat and clean, and bore no trace whatever of the slovenliness39 and general want of cleanliness which is too often the characteristic of the houses of the ordinary Javanese villager. The Javanese, indeed, are an Eastern race. As such they have certain points in common with all the other branches of the great Oriental family, whether we call them Moors40, Hindoos, Arabs, Chinese, Egyptians, Berbers, aye, or even Greeks, Italians, or Spaniards. The entire house from top to bottom, from the roof of fresh nipah leaves to the hedge of yellow bamboo hurdle41, looked bright and clean. The small plot of ground in front was carefully laid out as a trim garden with well kept paths and pretty bits of green lawn. The flower-beds also, and the ornamental42 shrubs, which grew around, spoke44 of careful tending, while an impenetrable hedge of the conyza indica enclosed the entire nook. At the back of the house lay a patch of grass, evidently used as a drying ground, for several articles of female apparel, such as slendangs, sarongs, and the like, were hanging on ropes stretched over bamboo poles, and fluttered in the breeze.
In the front gallery a single flower-pot was conspicuous45, a thing very seldom found in any Javanese house, in which flowered a magnificent “Devoniensis” in full bloom; and close [436]by stood a native loom46, at which a young girl was seated cross-legged on a low bamboo stool.
Wholly intent upon her work, she is plying47 the shuttle with nimble fingers. As novelist, we are, to some extent, a privileged being, and may venture to draw near though we would not intrude48 into the little house. The girl is so deeply absorbed in her task that we have leisure, unperceived, to examine the further contents of the verandah; but specially49 to watch its solitary50 occupant. That she has for some considerable time been hard at work, the reel tells us; for it already contains quite a thick roll of tissue, the result of her day’s toil51; so does, likewise, the spinning-wheel, which stands hard by, ready to supply the shuttle with thread as soon as it may need replenishing.
As regards the girl herself, she is, just now, bending forward over her work so that we cannot catch even a glimpse of her features. Her dress, consisting of a simple jacket of light-blue cotton, and the sarong made of some dark-coloured material, with a gay flowering pattern, proclaim her to be a Javanese. So also do the hands and such parts of the face and neck as we are able to see, by their brownish yellow tint52. So again does the hair which is combed away smooth from the forehead and rolled up at the back of the head in a thick heavy kondeh or plait.
Aye, but—that kondeh, however carefully it may have been plaited and fastened up, yet it at once awakens53 our curiosity. Little rebellious54 locks have here and there strayed away, and very unlike the stiff straight hair of full-bred Javanese beauties, they curl and cluster lovingly around the plait, while the shorter hair under the kondeh also forms crisp little curls which cast a dark shade over the light-brown neck.
Our suspicion is strengthened when, by the side of the little stool, our eye lights upon a pair of tiny slippers56. These slippers are not remarkable57 in any way, they are of the simplest make and wholly devoid58 of ornament43; but it strikes us at once that in Java girls or women hardly ever wear such things, and then—more remarkable still—their size and shape point to the fact that the owner’s feet in no way correspond to the broad, splay feet of the natives.
As we stand wondering and losing ourselves in surmises59, the weaving girl very slightly changes her position, and one snow-white toe comes peeping out from under her sarong. The [437]startling difference of colour betrays the secret at once: She is a nonna!
Wholly unconscious of our proximity60 the girl looks up and casts a single glance at the fair view stretched out before her—she utters a deep sigh and—
“That face,” we murmur inwardly, “where have we seen that pretty face?”
We have, however, no time to collect our thoughts, for, the next moment as the young girl is again bowing her head to resume her work, a quick light footstep is heard on the path which leads to Ajo. The girl looks up, evidently scared at the unusual sound, she peers anxiously forward and then, almost bereft61 of the power of speech by the suddenness of the surprise, she gasps62 forth63 the cry, “Dalima!”
Yes, it is indeed Dalima who, with nimble step, has crossed the garden and is now running up to the verandah. The weaving-girl starts up from her stool, and before her unexpected visitor has time to mount the three steps, the pair are locked in each other’s embrace and forming, as it were, but one exclamation64 we hear the words:
“Nana!”
“Dalima!”
Now the mystery is cleared up, now we recognize at once both the one and the other. That weaving girl is Anna van Gulpendam and the other is poor Dalima whom we followed in her anxious and painful search as far as Karang Anjer when we lost sight of her until now.
“Where have you come from?” asked Anna, as again and again she clasped the Javanese girl to her breast.
“To-day I came from the dessa Ajo,” archly replied Dalima.
“What brought you there?”
“Well, I came from the dessa Pringtoetoel, that’s where I was yesterday.”
“But,” continued Anna, “what business had you there?”
“The day before that,” resumed Dalima not heeding65 the interruption, “I was at Gombong and the day before that again at Karang Anjer.”
“At Karang Anjer?” exclaimed Anna. “What induced you to go there?”
“To look for my Nana,” was the reply.
“To look for me? Is that why you have come all the way from Santjoemeh? Have you undertaken so long a journey to look for me?—and in your condition too!” [438]
Anna spoke these last words with some hesitation66, while the furtive67 glance she cast at the poor girl’s figure left no doubt as to her meaning.
“Yes, Nana,” replied Dalima very quietly and without the least trace of confusion. “As soon as ever I left the prison, thanks to the aid of the young judge,” continued she, as she fixed68 one penetrating69 look upon Anna who felt the blood fly up to her cheeks at the words, “I went to look after my mother. Thanks again to toean Nerekool, I found her and the children well provided for. My next thought was for my Nana. The toean had told me that the nonna was no longer staying at Karang Anjer but had left, and had vanished without leaving a trace behind her. I thought I could guess why. I knew how lonely, how forsaken70, how utterly71 miserable72 my dear Nana must feel. An irresistible73 longing74 came over me—the longing you know of a young woman in my situation—” she added with a faint sad smile, “to go at once and look for Nana so that I might be of some service to her. I started and—”
“Does toean van Nerekool know of all this?” asked Anna much alarmed.
“No, Nana, he knows nothing whatever about it.”
“You did not tell him what you were going to do?”
“No, Nana, I did not.”
“Might you not perhaps have dropped some hint to Mr. van Nerekool, or may be to your mother? Do, Dalima, try and remember!”
“No, I have not given toean Charles the slightest hint of my intention. I told my mother that I was going to seek for you.”
“Where?” asked Anna.
“Well, Nana, at Karang Anjer.”
“But you knew that you would not find me at Karang Anjer?”
“Oh, I knew that; but I wanted to see Mrs. Steenvlak. I thought she would be sure to tell me where you had gone.”
“Did you go to Mrs. Steenvlak?” inquired Anna,
“Yes, Nana.”
“And—?”
“I could learn nothing from her. The njonja confessed that she knew where you were; but she refused to tell me—she said she had promised not to let anyone know.”
Anna drew a deep sigh of relief.
“But how then did you manage to find me, Dalima?” she asked. [439]
“Well, Nana, how shall I tell you that? It is such a long story. I have been wandering about in all directions, I have made inquiries75 everywhere. I asked at the posting-houses, at the loerahs of each dessa I passed through. I questioned the gardoes and the stall-keepers on the road. In fact I asked everywhere and everybody. In my wanderings, at length I happened to come to the dessa Pembanan.”
“Yes,” resumed Dalima, “that’s where I found the first trace. You took a cup of coffee there at a stall while you had to wait for the pole of your sedan to be repaired.”
Anna glanced down uneasily at her yellow-stained hands.
“Oh! it is no use looking at your hands,” continued Dalima with a smile. “The old stall-keeper has sharp eyes and the stain could hardly deceive her. She guessed at once that you were either a nonna or a princess.”
“Well, go on!” sighed Anna.
“You asked her how far Pembanan was from the dessas Sikaja and Pringtoetoel—did you not?”
“Yes, that is so,” replied Anna.
“Very well, then, that clue I have followed, up hill and down dale.”
“Poor, poor dear girl!” cried Anna, as with tears in her eyes she again clasped Dalima to her breast. “Poor child! such a journey, and in your condition, too! Yes, now I see how worn and weary you look!”
“Oh, that’s nothing!” cried Dalima cheerfully, “that’s nothing, I am strong enough, Nana, don’t trouble yourself about that.
“At Pringtoetoel,” she continued, “I got further information. There they told me that you had gone on to the dessa Ajo. When I got there I found the very sedan in which you had travelled—it was stowed away in the loerah’s grounds—and they told me that you had a house built for yourself up here—How very pretty!”
As she said this Dalima looked around; and an involuntary sigh escaped from her lips, a sigh which contrasted strangely with her spoken words. The Javanese girl could not help comparing this wretched little tenement77 with the stately Residential78 palace at Santjoemeh.
Hitherto the conversation had been carried on standing79, the girls half leaning upon, half embracing one another. Said [440]Anna, who perfectly80 understood the meaning of that sigh and wished to break the train of Dalima’s thoughts:
“Come, let us sit down, you must be dead-tired, poor Dalima.”
So saying she resumed her seat on the little bench while Dalima, as in days gone by, squatted81 down on the mat at Anna’s feet and laid her head lovingly in her mistress’s lap. Then the conversation flowed on as briskly as before.
“No, Nana,” said Dalima, “I am not the least tired. I arrived yesterday morning, very early, at Ajo and have had plenty of time for rest.”
“But now,” resumed Anna, “do tell me something about yourself, about your own affairs, about the trial and all that.”
Thereupon followed the story with which our readers are acquainted. We need hardly add that in the telling of it van Nerekool’s name was by no means forgotten. Dalima’s deep gratitude82 to her benefactor83 would not allow her for an instant to neglect his interests. It even seemed as if that gentleman’s name was introduced into her story more frequently than the narrative84 strictly85 required. So much so that Anna could not help saying:
“Will you assure me, will you swear, that it was not at Mr. van Nerekool’s suggestion that you have undertaken this journey in quest of me?”
“Yes, Nana, I will swear it,” replied Dalima readily and with the utmost candour.
“And now,” continued Anna, “you must make me another promise, and that is that you will never in any way whatever, let him know that you have succeeded in finding me.”
Dalima made no reply. For a few moments she hesitated.
“Now listen to me, Dalima,” resumed Anna very firmly, “if you will not make me that promise, and promise it most solemnly, then we must part. You will have to leave me and I shall go elsewhere. Heaven only knows where I shall go to!”
One instant the Javanese girl looked up at her companion incredulously—then seeing that Anna was in downright earnest she exclaimed:
“Not stay with you, Nana! Oh! do not say so. I who have travelled so far to be with you. You cannot mean it. Not stay with you? But that can never be. I have left my parents, my friends, my home, my all—only to be close to you—and now you talk of parting!”
“No, no!” cried Anna, who was in reality no less deeply moved than her companion; “no, no, very far from it. Above all things I wish to keep you here with me; but you must promise that you will not let anyone know where I am hiding—will you promise that?”
Dalima flung herself weeping into her mistress’s arms:
“Oh, that is nothing,” cried Anna, “never mind that; I have got used to it.”
“He loves you so dearly, so tenderly,” pleaded the baboe.
“Not another word on that subject, Dalima,” said Anna, very sternly; “you cannot possibly understand how insurmountable a barrier there exists between Mr. van Nerekool and myself. There can never be a question of marriage between us, let me tell you that once and for all.”
“Will you make that promise, Dalima?” insisted Anna.
“I owe him so much,” sobbed Dalima, “I am so anxious to make him happy.”
“You would be doing him the greatest wrong, Dalima.”
“Wrong?” cried the baboe, “how so? by bringing him to you; oh, Nana!”
“Once again, I say not another word on that subject,” cried Anna; and then, taking her companion’s hand she continued: “Now, Dalima, give me your hand—so, that is right; now you will give me your promise, will you not?”
“It makes my heart ache to think of it,” sobbed Dalima, “but if you will have it so, I must obey. I give you my promise.”
“That’s a good girl,” said Anna cheerfully, but with a painful smile. “Now I am glad that you have come, for you will be able to help me, oh! ever so much. Look what a splendid striped material I have here on the loom.”
“Do you make those things, yourself, Nana?” asked Dalima in pitying accents, “you, the daughter of a kandjeng toean Resident?”
“Now, Dalima,” said Anna sadly, “that is another subject you must never mention. Not a soul knows me here. They do not so much as suspect that I am a white woman. They take me for a Solo princess who has been banished91 by her father—you told me so yourself—Oh! there are such funny stories about that, the one funnier than the other. You see [442]that name of poetri is of the greatest use to me. The good dessa-folk look upon me as a kind of supernatural being and it protects me from all danger. Why even the old woman who sells my goods takes me for a relative of the Queen of the South, and can get much better prices for me than the things would otherwise fetch.”
“Do you sell those ‘kains’ you make, Nana?” exclaimed Dalima, folding her hands in sorrowful wonder, “you, the child of a kandjeng toean?”
“But Dalima,” replied Anna, with a smile, “that child of a kandjeng toean, as you call her, must eat like other mortals. Come, I must get on with my work, we have wasted too much time already in talking. That kain polèng mas has been ordered and I must get it done as soon as possible.”
So Anna set to work again at the loom. Dalima, for a little while, sat watching her with tearful eyes; but presently she jumped up, took the spinning-wheel and placed it close to the loom so that they could continue their conversation without allowing their hands to be idle, and then began industriously92 to spin. So clever did she show herself at the wheel that Anna gave her an approving nod and said:
“That’s right; now I shall have some real help and we shall get on famously. Nothing kept me back so much as that continual spinning every time my spool93 was empty.”
“Oh, but,” said Dalima, with a smile, and not without a touch of pride, “I can do a good deal more than spinning. You will see I can take my turn at the loom as well. I am a particularly good hand at painting on linen94.”
“Indeed, I am glad to hear that; then you will be of the greatest use to me; for I must confess I am as yet rather awkward at it though I have improved very much since I began. Before we go and get dinner ready I must show you some of my productions in that line.”
Thus chatting, the girls went on working diligently95 for another couple of hours until it became time to go to the kitchen. In that department also, everything was poor enough. It required no very elaborate cookery-book to prepare their simple meal. Dalima would not allow her Nana to have any hand whatever in the cooking. She took the basket of raw rice, ran to the brook which flowed hard by, thoroughly96 washed the grains until the water ran off clear through the basket. Then she put the koekoesan on the fire in a dangdang, wrapped a little salt fish with herbs and Spanish pepper in pisang leaves [443]to make pèpèsan ikan, and roasted them slightly over the glowing coal fire. Next she toasted a few strips of meat and had everything ready long before the rice was done.
“Now, Nana,” she asked as she looked around, “where is our table and the table-linen? I want to lay the cloth.”
“You forget, it seems, Dalima, that I have turned Javanese. If I wish to remain unknown, I must conform, in every respect, to the manners and customs of our dessa-people There is my table and these are my knife and fork.”
Thus saying, Anna pointed97 downwards98 to the pandan mat which covered the floor and then held up her taper99 fingers.
Dalima heaved a deep sigh.
“But, Nana,” she asked, “can it be necessary for you to work and to live thus? Have you then no money at all?”
“Money!” replied Anna, who retained all her pride in the midst of her adversity, “I have plenty of money, I am very well off, I might indeed call myself rich for one in my position. But you must not forget that I am in hiding; and that if I did not work and did not live exactly like the natives, they would begin to suspect me and then my hiding-place would very soon be discovered. Moreover, who can tell what the future may have in store; the day may come when that money which I now so carefully hoard100, though you may perhaps think me stingy, may be of the greatest use to us?”
“Oh, Nana!” cried the baboe, as she strove to put in a word.
But Anna would have no arguments.
“Come, come,” said she, “let us change the subject. While the rice is boiling, come and see how I have been getting on with my painting.”
She took Dalima into the back-gallery where stood several frames on which were stretched the tissues she had woven and which showed the process of painting in all its stages. On one of them the piece of linen was as yet pure white and the flowers which were to be painted were only lightly traced upon it. Another frame showed the designs partly covered with wax, so as to protect these parts from the action of the dye. On a third again the ground colour had been applied101 and the wax had been removed from such portions of the design as were to receive the next coat of paint. Neatly102 arranged around stood the small pots of colours, of indigo103, of red paint, of brown paint, of yellow paint, and so forth.
All these things Dalima surveyed with the critical eye of an expert and she highly approved of the arrangements. She took [444]up a saucer which held the wax, and having held it to the fire, she proceeded, by means of a little tube, to pour the melted substance on one of the drawings and so gave proof of her skill in that kind of work.
“You see, Nana!” she cried, triumphantly104, “you see how useful I shall be to you! I shall also teach you how to use the ‘aboe Kesambi’ (ashes of the Scheichera trijaga), I don’t see any about here—then you will see how vastly your flowers will improve in colour and softness.”
Thus then had baboe Dalima found a home on the slope of the Goenoeng Poleng. Thus she was again united to the young mistress to whom she was attached with a fervour of devotion which is not uncommon105 among Javanese servants. Both girls toiled106 and moiled together. Anna insisted upon taking her full share in all the drudgery107 of the little housekeeping—and whatever objections the baboe might strive to make, Anna would share and share alike. In Dalima she had acquired not a servant; but a true and faithful companion and friend, and a comforter and supporter in the time of her bitter trial. How long was that peaceful life to last—?
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mighty
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| adj.强有力的；巨大的 | |
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nucleus
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| n.核，核心，原子核 | |
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scantily
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| adv.缺乏地；不充足地；吝啬地；狭窄地 | |
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shrubs
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| 灌木( shrub的名词复数 ) | |
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arable
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| adj.可耕的，适合种植的 | |
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prospect
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| n.前景，前途；景色，视野 | |
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dreariness
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| 沉寂，可怕，凄凉 | |
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panorama
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| n.全景，全景画，全景摄影，全景照片[装置] | |
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immediate
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| adj.立即的；直接的，最接近的；紧靠的 | |
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boulders
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| n.卵石( boulder的名词复数 )；巨砾；（受水或天气侵蚀而成的）巨石；漂砾 | |
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scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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stunted
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winding
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| n.绕，缠，绕组，线圈 | |
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tortuous
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| adj.弯弯曲曲的，蜿蜒的 | |
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brook
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| n.小河，溪；v.忍受，容让 | |
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foaming
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| adj.布满泡沫的；发泡 | |
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dwarf
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| n.矮子，侏儒，矮小的动植物；vt.使…矮小 | |
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curiously
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| adv.有求知欲地；好问地；奇特地 | |
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merged
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| （使）混合( merge的过去式和过去分词 )； 相融； 融入； 渐渐消失在某物中 | |
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plantation
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| n.种植园，大农场 | |
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snugly
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| adv.紧贴地；贴身地；暖和舒适地；安适地 | |
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glossy
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foliage
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| n.叶子，树叶，簇叶 | |
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eminence
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| n.卓越，显赫；高地，高处；名家 | |
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dwelling
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dwellings
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majestic
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metallic
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hovered
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| 鸟( hover的过去式和过去分词 )； 靠近（某事物）； （人）徘徊； 犹豫 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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steadily
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| adv.稳定地；不变地；持续地 | |
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crests
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| v.到达山顶（或浪峰）( crest的第三人称单数 )；到达洪峰，达到顶点 | |
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primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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shutters
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| 百叶窗( shutter的名词复数 )； （照相机的）快门 | |
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35
pry
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| vi.窥(刺)探，打听；vt.撬动(开，起) | |
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36
conceals
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| v.隐藏，隐瞒，遮住( conceal的第三人称单数 ) | |
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37
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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38
scrupulously
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| adv.一丝不苟地；小心翼翼地，多顾虑地 | |
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39
slovenliness
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40
moors
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| v.停泊，系泊（船只）( moor的第三人称单数 ) | |
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41
hurdle
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| n.跳栏，栏架；障碍，困难；vi.进行跨栏赛 | |
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42
ornamental
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| adj.装饰的；作装饰用的；n.装饰品；观赏植物 | |
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43
ornament
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| v.装饰，美化；n.装饰，装饰物 | |
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44
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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45
conspicuous
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| adj.明眼的，惹人注目的；炫耀的，摆阔气的 | |
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46
loom
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| n.织布机，织机；v.隐现，(危险、忧虑等)迫近 | |
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47
plying
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| v.使用（工具）( ply的现在分词 )；经常供应（食物、饮料）；固定往来；经营生意 | |
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48
intrude
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| vi.闯入；侵入；打扰，侵扰 | |
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49
specially
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| adv.特定地；特殊地；明确地 | |
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50
solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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51
toil
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| vi.辛劳工作，艰难地行动；n.苦工，难事 | |
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52
tint
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| n.淡色，浅色；染发剂；vt.着以淡淡的颜色 | |
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53
awakens
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| v.（使）醒( awaken的第三人称单数 )；（使）觉醒；弄醒；（使）意识到 | |
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54
rebellious
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| adj.造反的，反抗的，难控制的 | |
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55
murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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56
slippers
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| n. 拖鞋 | |
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57
remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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58
devoid
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| adj.全无的，缺乏的 | |
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59
surmises
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| v.臆测，推断( surmise的第三人称单数 )；揣测；猜想 | |
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proximity
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| n.接近，邻近 | |
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bereft
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| adj.被剥夺的 | |
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62
gasps
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| v.喘气( gasp的第三人称单数 )；喘息；倒抽气；很想要 | |
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63
forth
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| adv.向前；向外，往外 | |
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exclamation
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| n.感叹号，惊呼，惊叹词 | |
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heeding
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| v.听某人的劝告，听从( heed的现在分词 ) | |
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hesitation
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| n.犹豫，踌躇 | |
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furtive
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| adj.鬼鬼崇崇的，偷偷摸摸的 | |
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fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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penetrating
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| adj.（声音）响亮的，尖锐的adj.（气味）刺激的adj.（思想）敏锐的，有洞察力的 | |
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Forsaken
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| adj. 被遗忘的, 被抛弃的 动词forsake的过去分词 | |
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utterly
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| adv.完全地，绝对地 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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irresistible
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| adj.非常诱人的，无法拒绝的，无法抗拒的 | |
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longing
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| n.（for）渴望 | |
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75
inquiries
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| n.调查( inquiry的名词复数 )；疑问；探究；打听 | |
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76
agitation
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| n.搅动；搅拌；鼓动，煽动 | |
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77
tenement
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| n.公寓；房屋 | |
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78
residential
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| adj.提供住宿的；居住的；住宅的 | |
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79
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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81
squatted
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| v.像动物一样蹲下( squat的过去式和过去分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。 | |
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82
gratitude
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| adj.感激，感谢 | |
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83
benefactor
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| n. 恩人，行善的人，捐助人 | |
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84
narrative
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| n.叙述，故事；adj.叙事的，故事体的 | |
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85
strictly
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| adv.严厉地，严格地；严密地 | |
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86
sobs
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| 啜泣（声），呜咽（声）( sob的名词复数 ) | |
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87
stifled
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| （使）窒息， （使）窒闷( stifle的过去式和过去分词 )； 镇压，遏制； 堵 | |
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88
miserably
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| adv.痛苦地；悲惨地；糟糕地；极度地 | |
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89
sobbed
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| 哭泣，啜泣( sob的过去式和过去分词 )； 哭诉，呜咽地说 | |
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90
sobbing
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| <主方>Ⅰ adj.湿透的 | |
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91
banished
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| v.放逐，驱逐( banish的过去式和过去分词 ) | |
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92
industriously
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93
spool
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| n.（缠录音带等的）卷盘（轴）；v.把…绕在卷轴上 | |
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94
linen
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| n.亚麻布，亚麻线，亚麻制品；adj.亚麻布制的，亚麻的 | |
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95
diligently
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| ad.industriously;carefully | |
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96
thoroughly
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| adv.完全地，彻底地，十足地 | |
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97
pointed
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| adj.尖的，直截了当的 | |
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98
downwards
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| adj./adv.向下的（地），下行的（地） | |
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99
taper
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| n.小蜡烛，尖细，渐弱；adj.尖细的；v.逐渐变小 | |
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100
hoard
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| n./v.窖藏，贮存，囤积 | |
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101
applied
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| adj.应用的；v.应用，适用 | |
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102
neatly
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| adv.整洁地，干净地，灵巧地，熟练地 | |
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103
indigo
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| n.靛青，靛蓝 | |
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104
triumphantly
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| ad.得意洋洋地；得胜地；成功地 | |
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105
uncommon
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| adj.罕见的，非凡的，不平常的 | |
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106
toiled
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| 长时间或辛苦地工作( toil的过去式和过去分词 )； 艰难缓慢地移动，跋涉 | |
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107
drudgery
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| n.苦工，重活，单调乏味的工作 | |
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