chapter 14

 Let us now imagine the one great Cyclopean eye of Socrates fixed¹ on tragedy, that eye in which the fine frenzy² of artistic³ enthusiasm had never glowed—let us think how it was denied to this eye to gaze with pleasure into the Dionysian abysses—what could it not but see in the "sublime⁴ and greatly lauded⁵" tragic⁶ art, as Plato called it? Something very absurd, with causes that seemed to be without effects, and effects apparently⁷ without causes; the whole, moreover, so motley and diversified⁸ that it could not but be repugnant to a thoughtful mind, a dangerous incentive⁹, however, to sensitive and irritable¹⁰ souls. We know what was the sole kind of poetry which he comprehended: the ?sopian fable¹¹: and he did this no doubt with that smiling complaisance¹² with which the good honest Gellert sings the praise of poetry in the fable of the bee and the hen:—

"Du siehst an mir, wozu sie nützt,

Dem, der nicht viel Verstand besitzt,

Die Wahrheit durch ein Bild zu sagen."[18]

But then it seemed to Socrates that tragic art did not even "tell the truth": not to mention the fact that it addresses itself to him who "hath but little wit"; consequently not to the philosopher: a twofold reason why it should be avoided. Like[Pg 108] Plato, he reckoned it among the seductive arts which only represent the agreeable, not the useful, and hence he required of his disciples¹³ abstinence and strict separation from such unphilosophical allurements¹⁵; with such success that the youthful tragic poet Plato first of all burned his poems to be able to become a scholar of Socrates. But where unconquerable native capacities bore up against the Socratic maxims¹⁶, their power, together with the momentum¹⁷ of his mighty¹⁸ character, still sufficed to force poetry itself into new and hitherto unknown channels.

An instance of this is the aforesaid Plato: he, who in the condemnation¹⁹ of tragedy and of art in general certainly did not fall short of the na?ve cynicism of his master, was nevertheless constrained²⁰ by sheer artistic necessity to create a form of art which is inwardly related even to the then existing forms of art which he repudiated²¹. Plato's main objection to the old art—that it is the imitation of a phantom,[19] and hence belongs to a sphere still lower than the empiric world—could not at all apply to the new art: and so we find Plato endeavouring to go beyond reality and attempting to represent the idea which underlies²² this pseudo-reality. But Plato, the thinker, thereby²³ arrived by a roundabout road just at the point where he had always been at home as poet, and from which Sophocles and all the old artists had solemnly protested against that objection. If tragedy absorbed into itself all the[Pg 109] earlier varieties of art, the same could again be said in an unusual sense of Platonic²⁴ dialogue, which, engendered²⁵ by a mixture of all the then existing forms and styles, hovers²⁶ midway between narrative²⁷, lyric²⁸ and drama, between prose and poetry, and has also thereby broken loose from the older strict law of unity²⁹ of linguistic³⁰ form; a movement which was carried still farther by the cynic writers, who in the most promiscuous³¹ style, oscillating to and fro betwixt prose and metrical forms, realised also the literary picture of the "raving³² Socrates" whom they were wont³³ to represent in life. Platonic dialogue was as it were the boat in which the shipwrecked ancient poetry saved herself together with all her children: crowded into a narrow space and timidly obsequious³⁴ to the one steersman, Socrates, they now launched into a new world, which never tired of looking at the fantastic spectacle of this procession. In very truth, Plato has given to all posterity³⁵ the prototype of a new form of art, the prototype of the novel which must be designated as the infinitely³⁶ evolved ?sopian fable, in which poetry holds the same rank with reference to dialectic philosophy as this same philosophy held for many centuries with reference to theology: namely, the rank of ancilla. This was the new position of poetry into which Plato forced it under the pressure of the demon-inspired Socrates.

Here philosophic¹⁴ thought overgrows art and compels it to cling close to the trunk of dialectics. The Apollonian tendency has chrysalised in the logical schematism; just as something analogous[Pg 110] in the case of Euripides (and moreover a translation of the Dionysian into the naturalistic emotion) was forced upon our attention. Socrates, the dialectical hero in Platonic drama, reminds us of the kindred nature of the Euripidean hero, who has to defend his actions by arguments and counter-arguments, and thereby so often runs the risk of forfeiting³⁷ our tragic pity; for who could mistake the optimistic element in the essence of dialectics, which celebrates a jubilee³⁸ in every conclusion, and can breathe only in cool clearness and consciousness: the optimistic element, which, having once forced its way into tragedy, must gradually overgrow its Dionysian regions, and necessarily impel³⁹ it to self-destruction—even to the death-leap into the bourgeois⁴⁰ drama. Let us but realise the consequences of the Socratic maxims: "Virtue⁴¹ is knowledge; man only sins from ignorance; he who is virtuous⁴² is happy": these three fundamental forms of optimism involve the death of tragedy. For the virtuous hero must now be a dialectician; there must now be a necessary, visible connection between virtue and knowledge, between belief and morality; the transcendental justice of the plot in ?schylus is now degraded to the superficial and audacious principle of poetic⁴³ justice with its usual deus ex machina.

How does the chorus, and, in general, the entire Dionyso-musical substratum of tragedy, now appear in the light of this new Socrato-optimistic stage-world? As something accidental, as a readily dispensable reminiscence of the origin[Pg 111] of tragedy; while we have in fact seen that the chorus can be understood only as the cause of tragedy, and of the tragic generally. This perplexity with respect to the chorus first manifests itself in Sophocles—an important sign that the Dionysian basis of tragedy already begins to disintegrate⁴⁴ with him. He no longer ventures to entrust⁴⁵ to the chorus the main share of the effect, but limits its sphere to such an extent that it now appears almost co-ordinate with the actors, just as if it were elevated from the orchestra into the scene: whereby of course its character is completely destroyed, notwithstanding that Aristotle countenances⁴⁶ this very theory of the chorus. This alteration⁴⁷ of the position of the chorus, which Sophocles at any rate recommended by his practice, and, according to tradition, even by a treatise⁴⁸, is the first step towards the annihilation of the chorus, the phases of which follow one another with alarming rapidity in Euripides, Agathon, and the New Comedy. Optimistic dialectics drives, music out of tragedy with the scourge⁴⁹ of its syllogisms: that is, it destroys the essence of tragedy, which can be explained only as a manifestation⁵⁰ and illustration of Dionysian states, as the visible symbolisation of music, as the dream-world of Dionysian ecstasy⁵¹.

If, therefore, we are to assume an anti-Dionysian tendency operating even before Socrates, which received in him only an unprecedentedly⁵² grand expression, we must not shrink from the question as to what a phenomenon like that of Socrates indicates: whom in view of the[Pg 112] Platonic dialogues we are certainly not entitled to regard as a purely⁵³ disintegrating⁵⁴, negative power. And though there can be no doubt whatever that the most immediate⁵⁵ effect of the Socratic impulse tended to the dissolution of Dionysian tragedy, yet a profound experience of Socrates' own life compels us to ask whether there is necessarily only an antipodal relation between Socratism and art, and whether the birth of an "artistic Socrates" is in general something contradictory⁵⁶ in itself.

For that despotic logician⁵⁷ had now and then the feeling of a gap, or void, a sentiment of semi-reproach, as of a possibly neglected duty with respect to art. There often came to him, as he tells his friends in prison, one and the same dream-apparition, which kept constantly repeating to him: "Socrates, practise music." Up to his very last days he solaces⁵⁸ himself with the opinion that his philosophising is the highest form of poetry, and finds it hard to believe that a deity⁵⁹ will remind him of the "common, popular music." Finally, when in prison, he consents to practise also this despised music, in order thoroughly⁶⁰ to unburden his conscience. And in this frame of mind he composes a poem on Apollo and turns a few ?sopian fables⁶¹ into verse. It was something similar to the demonian warning voice which urged him to these practices; it was because of his Apollonian insight that, like a barbaric king, he did not understand the noble image of a god and was in danger of sinning against a deity—through ignorance. The prompting voice of the Socratic[Pg 113] dream-vision is the only sign of doubtfulness as to the limits of logical nature. "Perhaps "—thus he had to ask himself—"what is not intelligible⁶² to me is not therefore unreasonable⁶³? Perhaps there is a realm of wisdom from which the logician is banished⁶⁴? Perhaps art is even a necessary correlative of and supplement to science?"

1 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

2 frenzy   

n.疯狂，狂热，极度的激动

参考例句：

• He was able to work the young students up into a frenzy.他能激起青年学生的狂热。
• They were singing in a frenzy of joy.他们欣喜若狂地高声歌唱。

3 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

4 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

5 lauded   

v.称赞，赞美( laud的过去式和过去分词 )

参考例句：

• They lauded the former president as a hero. 他们颂扬前总统为英雄。 来自辞典例句
• The nervy feats of the mountaineers were lauded. 登山者有勇气的壮举受到赞美。 来自辞典例句

6 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

7 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

8 diversified   

adj.多样化的，多种经营的v.使多样化，多样化( diversify的过去式和过去分词 )；进入新的商业领域

参考例句：

• The college biology department has diversified by adding new courses in biotechnology. 该学院生物系通过增加生物技术方面的新课程而变得多样化。 来自《简明英汉词典》
• Take grain as the key link, develop a diversified economy and ensure an all-round development. 以粮为纲，多种经营，全面发展。 来自《现代汉英综合大词典》

9 incentive   

n.刺激；动力；鼓励；诱因；动机

参考例句：

• Money is still a major incentive in most occupations.在许多职业中，钱仍是主要的鼓励因素。
• He hasn't much incentive to work hard.他没有努力工作的动机。

10 irritable   

adj.急躁的；过敏的；易怒的

参考例句：

• He gets irritable when he's got toothache.他牙一疼就很容易发脾气。
• Our teacher is an irritable old lady.She gets angry easily.我们的老师是位脾气急躁的老太太。她很容易生气。

11 fable   

n.寓言；童话；神话

参考例句：

• The fable is given on the next page. 这篇寓言登在下一页上。
• He had some motive in telling this fable. 他讲这寓言故事是有用意的。

12 complaisance   

n.彬彬有礼，殷勤，柔顺

参考例句：

• She speaks with complaisance.她说话彬彬有礼。
• His complaisance leaves a good impression on her.他的彬彬有礼给她留下了深刻的印象。

13 disciples   

n.信徒( disciple的名词复数 )；门徒；耶稣的信徒；（尤指）耶稣十二门徒之一

参考例句：

• Judas was one of the twelve disciples of Jesus. 犹大是耶稣十二门徒之一。 来自《简明英汉词典》
• "The names of the first two disciples were --" “最初的两个门徒的名字是——” 来自英汉文学 - 汤姆历险

14 philosophic   

adj.哲学的，贤明的

参考例句：

• It was a most philosophic and jesuitical motorman.这是个十分善辩且狡猾的司机。
• The Irish are a philosophic as well as a practical race.爱尔兰人是既重实际又善于思想的民族。

15 allurements   

n.诱惑( allurement的名词复数 )；吸引；诱惑物；有诱惑力的事物

参考例句：

• The big cities are full of allurements on which to spend money. 大城市充满形形色色诱人花钱的事物。 来自《简明英汉词典》

16 maxims   

n.格言，座右铭( maxim的名词复数 )

参考例句：

• Courts also draw freely on traditional maxims of construction. 法院也自由吸收传统的解释准则。 来自英汉非文学 - 行政法
• There are variant formulations of some of the maxims. 有些准则有多种表达方式。 来自辞典例句

17 momentum   

n.动力，冲力，势头；动量

参考例句：

• We exploit the energy and momentum conservation laws in this way.我们就是这样利用能量和动量守恒定律的。
• The law of momentum conservation could supplant Newton's third law.动量守恒定律可以取代牛顿第三定律。

18 mighty   

adj.强有力的；巨大的

参考例句：

• A mighty force was about to break loose.一股巨大的力量即将迸发而出。
• The mighty iceberg came into view.巨大的冰山出现在眼前。

19 condemnation   

n.谴责; 定罪

参考例句：

• There was widespread condemnation of the invasion. 那次侵略遭到了人们普遍的谴责。
• The jury's condemnation was a shock to the suspect. 陪审团宣告有罪使嫌疑犯大为震惊。

20 constrained   

adj.束缚的,节制的

参考例句：

• The evidence was so compelling that he felt constrained to accept it. 证据是那样的令人折服，他觉得不得不接受。
• I feel constrained to write and ask for your forgiveness. 我不得不写信请你原谅。

21 repudiated   

v.（正式地）否认( repudiate的过去式和过去分词 )；拒绝接受；拒绝与…往来；拒不履行（法律义务）

参考例句：

• All slanders and libels should be repudiated. 一切诬蔑不实之词，应予推倒。 来自《现代汉英综合大词典》
• The Prime Minister has repudiated racist remarks made by a member of the Conservative Party. 首相已经驳斥了一个保守党成员的种族主义言论。 来自辞典例句

22 underlies   

v.位于或存在于（某物）之下( underlie的第三人称单数 )；构成…的基础（或起因），引起

参考例句：

• I think a lack of confidence underlies his manner. 我认为他表现出的态度是因为他缺乏信心。 来自《简明英汉词典》
• Try to figure out what feeling underlies your anger. 努力找出你的愤怒之下潜藏的情感。 来自辞典例句

23 thereby   

adv.因此，从而

参考例句：

• I have never been to that city,,ereby I don't know much about it.我从未去过那座城市，因此对它不怎么熟悉。
• He became a British citizen,thereby gaining the right to vote.他成了英国公民，因而得到了投票权。

24 platonic   

adj.精神的；柏拉图（哲学）的

参考例句：

• Their friendship is based on platonic love.他们的友情是基于柏拉图式的爱情。
• Can Platonic love really exist in real life?柏拉图式的爱情，在现实世界里到底可能吗？

25 engendered   

v.产生（某形势或状况），造成，引起( engender的过去式和过去分词 )

参考例句：

• The issue engendered controversy. 这个问题引起了争论。
• The meeting engendered several quarrels. 这次会议发生了几次争吵。 来自《简明英汉词典》

26 hovers   

鸟( hover的第三人称单数 )； 靠近（某事物）； （人）徘徊； 犹豫

参考例句：

• A hawk hovers in the sky. 一只老鹰在天空盘旋。
• A hen hovers her chicks. 一只母鸡在孵小鸡。

27 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

28 lyric   

n.抒情诗，歌词；adj.抒情的

参考例句：

• This is a good example of Shelley's lyric poetry.这首诗是雪莱抒情诗的范例。
• His earlier work announced a lyric talent of the first order.他的早期作品显露了一流的抒情才华。

29 unity   

n.团结，联合，统一；和睦，协调

参考例句：

• When we speak of unity,we do not mean unprincipled peace.所谓团结，并非一团和气。
• We must strengthen our unity in the face of powerful enemies.大敌当前，我们必须加强团结。

30 linguistic   

adj.语言的，语言学的

参考例句：

• She is pursuing her linguistic researches.她在从事语言学的研究。
• The ability to write is a supreme test of linguistic competence.写作能力是对语言能力的最高形式的测试。

31 promiscuous   

adj.杂乱的，随便的

参考例句：

• They were taking a promiscuous stroll when it began to rain.他们正在那漫无目的地散步，突然下起雨来。
• Alec know that she was promiscuous and superficial.亚历克知道她是乱七八糟和浅薄的。

32 raving   

adj.说胡话的；疯狂的，怒吼的；非常漂亮的；令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话；疯话adv.胡言乱语地；疯狂地

参考例句：

• The man's a raving lunatic. 那个男子是个语无伦次的疯子。
• When I told her I'd crashed her car, she went stark raving bonkers. 我告诉她我把她的车撞坏了时，她暴跳如雷。

33 wont   

adj.习惯于；v.习惯；n.习惯

参考例句：

• He was wont to say that children are lazy.他常常说小孩子们懒惰。
• It is his wont to get up early.早起是他的习惯。

34 obsequious   

adj.谄媚的，奉承的，顺从的

参考例句：

• He looked at the two ladies with an obsequious air.他看着两位太太,满脸谄媚的神情。
• He was obsequious to his superiors,but he didn't get any favor.他巴结上司，但没得到任何好处。

35 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

36 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

37 forfeiting   

（因违反协议、犯规、受罚等）丧失，失去( forfeit的现在分词 )

参考例句：

• In his eyes, giving up his job and forfeiting his wages amounted practically to suicide. 辞事，让工钱，在祥子看就差不多等于自杀。 来自汉英文学 - 骆驼祥子
• That would be acknowledging the Railroad's ownership right away-forfeiting their rights for good. 这一来不是就等于干脆承认铁路公司的所有权-永久放弃他们自己的主权吗？

38 jubilee   

n.周年纪念；欢乐

参考例句：

• They had a big jubilee to celebrate the victory.他们举行盛大的周年纪念活动以祝贺胜利。
• Every Jubilee,to take the opposite case,has served a function.反过来说，历次君主巡幸，都曾起到某种作用。

39 impel   

v.推动；激励，迫使

参考例句：

• Financial pressures impel the firm to cut back on spending.财政压力迫使公司减少开支。
• The progress in science and technical will powerfully impel the education's development.科学和技术的进步将有力地推动教育的发展。

40 bourgeois   

adj./n.追求物质享受的(人)；中产阶级分子

参考例句：

• He's accusing them of having a bourgeois and limited vision.他指责他们像中产阶级一样目光狭隘。
• The French Revolution was inspired by the bourgeois.法国革命受到中产阶级的鼓励。

41 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

42 virtuous   

adj.有品德的，善良的，贞洁的，有效力的

参考例句：

• She was such a virtuous woman that everybody respected her.她是个有道德的女性，人人都尊敬她。
• My uncle is always proud of having a virtuous wife.叔叔一直为娶到一位贤德的妻子而骄傲。

43 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

44 disintegrate   

v.瓦解，解体，（使）碎裂，（使）粉碎

参考例句：

• The older strata gradually disintegrate.较老的岩层渐渐风化。
• The plane would probably disintegrate at that high speed.飞机以那么高速飞行也许会四分五裂。

45 entrust   

v.信赖，信托，交托

参考例句：

• I couldn't entrust my children to strangers.我不能把孩子交给陌生人照看。
• They can be entrusted to solve major national problems.可以委托他们解决重大国家问题。

46 countenances   

n.面容( countenance的名词复数 )；表情；镇静；道义支持

参考例句：

• 'stood apart, with countenances of inflexible gravity, beyond what even the Puritan aspect could attain." 站在一旁，他们脸上那种严肃刚毅的神情，比清教徒们还有过之而无不及。 来自英汉 - 翻译样例 - 文学
• The light of a laugh never came to brighten their sombre and wicked countenances. 欢乐的光芒从来未照亮过他们那阴郁邪恶的面孔。 来自辞典例句

47 alteration   

n.变更，改变；蚀变

参考例句：

• The shirt needs alteration.这件衬衣需要改一改。
• He easily perceived there was an alteration in my countenance.他立刻看出我的脸色和往常有些不同。

48 treatise   

n.专著；(专题)论文

参考例句：

• The doctor wrote a treatise on alcoholism.那位医生写了一篇关于酗酒问题的论文。
• This is not a treatise on statistical theory.这不是一篇有关统计理论的论文。

49 scourge   

n.灾难，祸害；v.蹂躏

参考例句：

• Smallpox was once the scourge of the world.天花曾是世界的大患。
• The new boss was the scourge of the inefficient.新老板来了以后，不称职的人就遭殃了。

50 manifestation   

n.表现形式；表明；现象

参考例句：

• Her smile is a manifestation of joy.她的微笑是她快乐的表现。
• What we call mass is only another manifestation of energy.我们称之为质量的东西只是能量的另一种表现形态。

51 ecstasy   

n.狂喜，心醉神怡，入迷

参考例句：

• He listened to the music with ecstasy.他听音乐听得入了神。
• Speechless with ecstasy,the little boys gazed at the toys.小孩注视着那些玩具，高兴得说不出话来。

52 unprecedentedly   

adv.空前地

参考例句：

• The National-Day celebration this year was an unprecedentedly great occasion. 今年国庆日庆祝仪式空前盛大。
• "This is undoubtedly a good one," the teacher insisted. "Unprecedentedly good! Just listen -- " 洋教师说，“这文章写得当然好，而且绝妙无比，你们听——” 来自汉英文学 - 散文英译

53 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

54 disintegrating   

v.（使）破裂[分裂，粉碎]，（使）崩溃( disintegrate的现在分词 )

参考例句：

• As a poetic version of a disintegrating world, this one pleased him. 作为世界崩溃论在文学上的表现，他非常喜欢这个学说。 来自辞典例句
• Soil animals increase the speed of litter breakdown by disintegrating tissue. 土壤动物通过分解组织，加速落叶层降解的速度。 来自辞典例句

55 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

56 contradictory   

adj.反驳的，反对的，抗辩的；n.正反对，矛盾对立

参考例句：

• The argument is internally contradictory.论据本身自相矛盾。
• What he said was self-contradictory.他讲话前后不符。

57 logician   

n.逻辑学家

参考例句：

• Mister Wu Feibai is a famous Mohist and logician in Chinese modern and contemporary history. 伍非百先生是中国近、现代著名的墨学家和逻辑学家。 来自互联网

58 solaces   

n.安慰，安慰物( solace的名词复数 )

参考例句：

• Next to love, it is the one thing which solaces and delights. 除了爱情，也就数这事能给人安慰，令人愉快了。 来自英汉文学 - 嘉莉妹妹
• A lover can never have enough of the solaces of his beloved. 来自所爱之人的安慰再多，情人也不嫌。 来自互联网

59 deity   

n.神，神性；被奉若神明的人(或物)

参考例句：

• Many animals were seen as the manifestation of a deity.许多动物被看作神的化身。
• The deity was hidden in the deepest recesses of the temple.神藏在庙宇壁龛的最深处。

60 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

61 fables   

n.寓言( fable的名词复数 )；神话，传说

参考例句：

• Some of Aesop's Fables are satires. 《伊索寓言》中有一些是讽刺作品。 来自《现代英汉综合大词典》
• Little Mexican boys also breathe the American fables. 墨西哥族的小孩子对美国神话也都耳濡目染。 来自辞典例句

62 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

63 unreasonable   

adj.不讲道理的，不合情理的，过度的

参考例句：

• I know that they made the most unreasonable demands on you.我知道他们对你提出了最不合理的要求。
• They spend an unreasonable amount of money on clothes.他们花在衣服上的钱太多了。

64 banished   

v.放逐，驱逐( banish的过去式和过去分词 )

参考例句：

• He was banished to Australia, where he died five years later. 他被流放到澳大利亚，五年后在那里去世。
• He was banished to an uninhabited island for a year. 他被放逐到一个无人居住的荒岛一年。 来自《简明英汉词典》