CHAPTER XIV TIBETAN CULTURE

 The Tibetans are a very simple folk, though not without a very definite civilisation¹ of their own. Art and music exist in all nations, if the art be merely the fashioning of utensils³, and the music be the crudest of rhythms played on a tom-tom. Yet in Tibet the rudimentary music and art associated with so many Eastern races is carried a stage farther, and what is in wilder people merely natural instinct has become in Tibet a definite culture. For I presume that culture is merely organised art, and certainly on that criterion the Tibetan is to some extent cultured.

He is a fine architect, and many of his houses have a simple stateliness which raises them in artistic⁴ value high above the average dwelling-house of most other Oriental countries, to say nothing of our own garden suburbs. The Monasteries⁵ of Tibet are still more imposing⁶, and some of them are real objects of beauty, for the dignified⁷ simplicity⁸ of the buildings themselves is combined with an elaborate and often beautiful decoration of windows and cornices. The Tibetans have learned the true principles of decoration—they do not cover the surfaces of their buildings with unnecessary ornament⁹, but reserve the wooden parts alone for elaboration. The cornices are often intricate in workmanship, 314but throughout the great principle of design is carried to perfection—the principle that all ornament should be founded on utility. Thus economy in the use of scrolls¹⁰ is combined with the multiplication¹¹ of brackets, supports, and rafter-ends, so that the whole is satisfying to the eye as being beautiful, rather than useless. Considerable Chinese influence is shown in their decorative¹² art, but the Tibetans have a personal, or rather national, touch which distinguishes their work in all branches of art from the Chinese. In painting, too, the influence of China, and very occasionally of India, is felt: though through it all the refined austerity of the better-class Tibetan shines unmistakably. The older pictures, nearly always of sacred subjects, are drawn¹³ with consummate¹⁴ skill, coloured with great taste, and in the matter of design rank much higher than the contemporary art of India. But, alas¹⁵! the story of painting in Tibet is the same as it is everywhere in this commercial world of ours; the modern Tibetan picture is worthless, careless and meretricious¹⁶. No doubt the demand for “native art” at the bazaars¹⁷ of Darjeeling and other places around has caused this deterioration¹⁸ of what was once a fine and noble art; pictures which used to be the life-work of devoted¹⁹ lamas and conscientious²⁰ hermits²¹ are now “dashed off” to satisfy the capacious maw of the tasteless traveller. Though Tibet is still in measure “The Forbidden Land,” yet the tentacles²² of commercialism cannot but penetrate²³ between its bars, and the same thing is now happening to Tibet as happened to Europe last century and 315produced oleographs and official artists. It seems almost as if man by nature does bad work only when he is working for reward.

 

Religious Banners in Shekar Monastery²⁴.

This is a mere² flashlight sketch²⁵ of the art of Tibet, for details of which other books must be consulted; but the music of Tibet will be described more fully²⁶, for two reasons—first, that no accurate record of it has to my knowledge been obtained until now, and second, that the writer is himself particularly fond of music, which he believes to be the highest of the arts.

Just as in Europe to-day we have both the traditional folk-song and the highly organised orchestral music, so in Tibet both these forms of the art exist. The two are also more or less interdependent in Tibet, while in Western nations each often goes its own way without the other.

The airs sung by the Tibetan people are usually simple, short, and oft-repeated. They are nearly always in the pentatonic scale, represented best to the general reader by the black notes of the piano. Most isolated²⁷ races evolve this scale at some time during their history, and the tunes²⁹ of the Highlands of Scotland, the Forests of Central Africa, the Appalachians of America, and the Tibetans are all in this scale.[8]

8.  Sir Walford Davies has pointed³⁰ out that, starting (on the black notes) from A flat, and using only the perfect fifth, this scale is very soon developed. From A flat one gets E flat and D flat, each a fifth away; from D flat one obtains G flat, a fifth down, and from E flat a fifth upwards³¹ gives us B flat. Thus we get the five notes of the scale by a simple series of fifths, the fifth being the most perfect interval³² in music, and the one which will appeal most readily to a primitive³³ people.

316A typical well-known pentatonic tune²⁸ is “Over the Sea to Skye.” Those who know, for instance, the songs of the Western Highlands, will be able to appreciate the cheerful and non-Oriental character of the tunes of Tibet, which are more akin³⁴ to those of Russia and Eastern Europe than to the music of China or India. This general spirit of the music which the Tibetans play or sing points to a common origin of the folk-tunes of Tibet and Russia. It seems probable that in Turkestan was the real origin of this music, which very likely spread eastwards³⁵ into Tibet and westwards into Russia; or if Turkestan is not the country of origin of the music, it may be the musical link between Russia and Tibet. The tunes of Nepal, as sung by our coolies, are many of them of a similar nature to those of Tibet, though more often the whole major or minor³⁶ scale is used, giving them often a strangely European sound; some of the Nepalese airs have a jolly lilt and swing; others in the minor key have quite a haunting beauty; and they too are quite unlike the music of the plains of India with its rather pointless wailing³⁷ characteristics.[9]

9.  A more technical article on the subject of Tibetan Music, with musical quotations³⁸, will be found in the Musical Times for February 1, 1923.

In Tibet, then, the folk-tunes are simple, short, and emphatically not such “good tunes” as the airs of Nepal. But, in addition to the songs of the peasants and beggars, there is the more highly-organised and orchestrated music of the monasteries. This is usually played with three 317groups of instruments—first and foremost the percussion³⁹; drums of all sizes from those made of a human skull⁴⁰ to others 3 and 4 feet in diameter, and cymbals⁴¹ of great resonance⁴² and good tone, coming often from China. The cymbals are taken very seriously, and each different way of clashing them has a special name and a special religious significance. The hard-worked percussion department keeps up a continuous rhythm throughout the performance of a devil-dance or other musical festival; and to its strenuous⁴³ and often sinister⁴⁴ efforts are added from time to time the sounds of the two groups of wind instruments. The first of these, playing airs which often possess great charm, are the double-reed oboes, about twice as long as our European oboe, and very often provided with equidistant holes, rendering⁴⁵ them incapable⁴⁶ of playing save in the scale of whole tones (or a close approximation to it). The second and larger wind instrument is the long straight trumpet⁴⁷, 8 to 12 feet long, of which the fundamental note is almost continuously blown. Most monasteries have two of these, about one tone apart in pitch; but as the longer of the two is blown so as to play its first overtone, while the fundamental note is played on the other, a drone bass⁴⁸ of a minor seventh is the resulting sound. This adds to the sinister impressiveness of the music, and provides an effective accompaniment to the quaint⁴⁹ tunes of the oboe-like instruments. At a devil-dance performance, the orchestra plays for a whole day, or perhaps two, almost without rest either for itself or for its listeners.

318In addition to these instruments, a fairly civilised violin is used in Tibet, especially by wandering beggar minstrels. This is about two-thirds as long as our violin, and has four strings⁵⁰, tuned⁵¹ A,D,A,D, in that order. The bow has two hanks of hair, one of which passes between the first and second strings, while the other goes between the third and fourth. Thus, by pressing the bow in one direction the two A strings are sounded, producing a reinforced note (i.e. two notes in unison); by pressing the bow in the other direction the sound of the D strings is obtained. The strings converge⁵² towards the top of the instrument, so that they can all be fingered at once. The Tibetans become very agile⁵³ with their fingers, and I have heard very skilful⁵⁴ performances of rapid, jolly dance-tunes by wandering minstrels; these tunes, like the songs of the peasants, are usually in the pentatonic scale.

One more instrument must be mentioned—the trumpet made from a human thigh-bone. This is not very commonly used in the larger monasteries, but occasionally sounds a note in the ritual of the worship of smaller villages.

1 civilisation   

n.文明，文化，开化，教化

参考例句：

• Energy and ideas are the twin bases of our civilisation.能源和思想是我们文明的两大基石。
• This opera is one of the cultural totems of Western civilisation.这部歌剧是西方文明的文化标志物之一。

2 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

3 utensils   

器具，用具，器皿( utensil的名词复数 )； 器物

参考例句：

• Formerly most of our household utensils were made of brass. 以前我们家庭用的器皿多数是用黄铜做的。
• Some utensils were in a state of decay when they were unearthed. 有些器皿在出土时已经残破。

4 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

5 monasteries   

修道院( monastery的名词复数 )

参考例句：

• In ancient China, there were lots of monasteries. 在古时候，中国有许多寺院。
• The Negev became a religious center with many monasteries and churches. 内格夫成为许多庙宇和教堂的宗教中心。

6 imposing   

adj.使人难忘的，壮丽的，堂皇的，雄伟的

参考例句：

• The fortress is an imposing building.这座城堡是一座宏伟的建筑。
• He has lost his imposing appearance.他已失去堂堂仪表。

7 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。

8 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

9 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

10 scrolls   

n.（常用于录写正式文件的）纸卷( scroll的名词复数 )；卷轴；涡卷形（装饰）；卷形花纹v.（电脑屏幕上）从上到下移动（资料等），卷页( scroll的第三人称单数 )；（似卷轴般）卷起；（像展开卷轴般地）将文字显示于屏幕

参考例句：

• Either turn it off or only pick up selected stuff like wands, rings and scrolls. 把他关掉然后只捡你需要的物品，像是魔杖(wand)，戒指(rings)和滚动条(scrolls)。 来自互联网
• Ancient scrolls were found in caves by the Dead Sea. 死海旁边的山洞里发现了古代的卷轴。 来自辞典例句

11 multiplication   

n.增加，增多，倍增；增殖，繁殖；乘法

参考例句：

• Our teacher used to drum our multiplication tables into us.我们老师过去老是让我们反覆背诵乘法表。
• The multiplication of numbers has made our club building too small.会员的增加使得我们的俱乐部拥挤不堪。

12 decorative   

adj.装饰的，可作装饰的

参考例句：

• This ware is suitable for decorative purpose but unsuitable for utility.这种器皿中看不中用。
• The style is ornate and highly decorative.这种风格很华丽，而且装饰效果很好。

13 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

14 consummate   

adj.完美的；v.成婚；使完美 [反]baffle

参考例句：

• The restored jade burial suit fully reveals the consummate skill of the labouring people of ancient China.复原后的金缕玉衣充分显示出中国古代劳动人民的精湛工艺。
• The actor's acting is consummate and he is loved by the audience.这位演员技艺精湛，深受观众喜爱。

15 alas   

int.唉(表示悲伤、忧愁、恐惧等)

参考例句：

• Alas!The window is broken!哎呀！窗子破了！
• Alas,the truth is less romantic.然而，真理很少带有浪漫色彩。

16 meretricious   

adj.华而不实的，俗艳的

参考例句：

• A wooden building painted to look like marble is meretricious.一座漆得像大理石般的木制建筑物外表是美丽的。
• Her room was painted in meretricious technicolour.她的房间刷着俗艳的颜色。

17 bazaars   

（东方国家的）市场( bazaar的名词复数 )； 义卖； 义卖市场； （出售花哨商品等的）小商品市场

参考例句：

• When the sky chooses, glory can rain into the Chandrapore bazaars. 如果天公有意，昌德拉卜的集市也会大放光彩。
• He visited the shops and bazaars. 他视察起各色铺子和市场来。

18 deterioration   

n.退化；恶化；变坏

参考例句：

• Mental and physical deterioration both occur naturally with age. 随着年龄的增长，心智和体力自然衰退。
• The car's bodywork was already showing signs of deterioration. 这辆车的车身已经显示出了劣化迹象。

19 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

20 conscientious   

adj.审慎正直的，认真的，本着良心的

参考例句：

• He is a conscientious man and knows his job.他很认真负责，也很懂行。
• He is very conscientious in the performance of his duties.他非常认真地履行职责。

21 hermits   

（尤指早期基督教的）隐居修道士，隐士，遁世者( hermit的名词复数 )

参考例句：

• In the ancient China,hermits usually lived in hamlets. 在古代中国，隐士们通常都住在小村子里。
• Some Buddhist monks live in solitude as hermits. 有些和尚在僻静处隐居。

22 tentacles   

n.触手( tentacle的名词复数 )；触角；触须；触毛

参考例句：

• Tentacles of fear closed around her body. 恐惧的阴影笼罩着她。
• Many molluscs have tentacles. 很多软体动物有触角。 来自《简明英汉词典》

23 penetrate   

v.透(渗)入；刺入，刺穿；洞察，了解

参考例句：

• Western ideas penetrate slowly through the East.西方观念逐渐传入东方。
• The sunshine could not penetrate where the trees were thickest.阳光不能透入树木最浓密的地方。

24 monastery   

n.修道院，僧院，寺院

参考例句：

• They found an icon in the monastery.他们在修道院中发现了一个圣像。
• She was appointed the superior of the monastery two years ago.两年前她被任命为这个修道院的院长。

25 sketch   

n.草图；梗概；素描；v.素描；概述

参考例句：

• My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
• I will send you a slight sketch of the house.我将给你寄去房屋的草图。

26 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

27 isolated   

adj.与世隔绝的

参考例句：

• His bad behaviour was just an isolated incident. 他的不良行为只是个别事件。
• Patients with the disease should be isolated. 这种病的患者应予以隔离。

28 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

29 tunes   

n.曲调，曲子( tune的名词复数 )v.调音( tune的第三人称单数 )；调整；（给收音机、电视等）调谐；使协调

参考例句：

• a potpourri of tunes 乐曲集锦
• When things get a bit too much, she simply tunes out temporarily. 碰到事情太棘手时，她干脆暂时撒手不管。 来自《简明英汉词典》

30 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

31 upwards   

adv.向上，在更高处...以上

参考例句：

• The trend of prices is still upwards.物价的趋向是仍在上涨。
• The smoke rose straight upwards.烟一直向上升。

32 interval   

n.间隔，间距；幕间休息，中场休息

参考例句：

• The interval between the two trees measures 40 feet.这两棵树的间隔是40英尺。
• There was a long interval before he anwsered the telephone.隔了好久他才回了电话。

33 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

34 akin   

adj.同族的，类似的

参考例句：

• She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
• Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。

35 eastwards   

adj.向东方（的），朝东（的）；n.向东的方向

参考例句：

• The current sets strongly eastwards.急流迅猛东去。
• The Changjiang River rolls on eastwards.长江滚滚向东流。

36 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

37 wailing   

v.哭叫，哀号( wail的现在分词 )；沱

参考例句：

• A police car raced past with its siren wailing. 一辆警车鸣着警报器飞驰而过。
• The little girl was wailing miserably. 那小女孩难过得号啕大哭。

38 quotations   

n.引用( quotation的名词复数 )；[商业]行情（报告）；（货物或股票的）市价；时价

参考例句：

• The insurance company requires three quotations for repairs to the car. 保险公司要修理这辆汽车的三家修理厂的报价单。 来自《简明英汉词典》
• These quotations cannot readily be traced to their sources. 这些引语很难查出出自何处。 来自《现代汉英综合大词典》

39 percussion   

n.打击乐器；冲突，撞击；震动，音响

参考例句：

• In an orchestra,people who play percussion instruments sit at the back.在管弦乐队中，演奏打击乐器的人会坐在后面。
• Percussion of the abdomen is often omitted.腹部叩诊常被省略。

40 skull   

n.头骨；颅骨

参考例句：

• The skull bones fuse between the ages of fifteen and twenty-five.头骨在15至25岁之间长合。
• He fell out of the window and cracked his skull.他从窗子摔了出去，跌裂了颅骨。

41 cymbals   

pl.铙钹

参考例句：

• People shouted, while the drums and .cymbals crashed incessantly. 人声嘈杂，锣鼓不停地大响特响。 来自汉英文学 - 家（1-26） - 家（1-26）
• The dragon dance troupe, beating drums and cymbals, entered the outer compound. 龙灯随着锣鼓声进来，停在二门外的大天井里。 来自汉英文学 - 家（1-26） - 家（1-26）

42 resonance   

n.洪亮；共鸣；共振

参考例句：

• Playing the piano sets up resonance in those glass ornaments.一弹钢琴那些玻璃饰物就会产生共振。
• The areas under the two resonance envelopes are unequal.两个共振峰下面的面积是不相等的。

43 strenuous   

adj.奋发的，使劲的；紧张的；热烈的，狂热的

参考例句：

• He made strenuous efforts to improve his reading. 他奋发努力提高阅读能力。
• You may run yourself down in this strenuous week.你可能会在这紧张的一周透支掉自己。

44 sinister   

adj.不吉利的，凶恶的，左边的

参考例句：

• There is something sinister at the back of that series of crimes.在这一系列罪行背后有险恶的阴谋。
• Their proposals are all worthless and designed out of sinister motives.他们的建议不仅一钱不值，而且包藏祸心。

45 rendering   

n.表现，描写

参考例句：

• She gave a splendid rendering of Beethoven's piano sonata.她精彩地演奏了贝多芬的钢琴奏鸣曲。
• His narrative is a super rendering of dialect speech and idiom.他的叙述是方言和土语最成功的运用。

46 incapable   

adj.无能力的，不能做某事的

参考例句：

• He would be incapable of committing such a cruel deed.他不会做出这么残忍的事。
• Computers are incapable of creative thought.计算机不会创造性地思维。

47 trumpet   

n.喇叭，喇叭声；v.吹喇叭，吹嘘

参考例句：

• He plays the violin, but I play the trumpet.他拉提琴，我吹喇叭。
• The trumpet sounded for battle.战斗的号角吹响了。

48 bass   

n.男低音(歌手)；低音乐器；低音大提琴

参考例句：

• He answered my question in a surprisingly deep bass.他用一种低得出奇的声音回答我的问题。
• The bass was to give a concert in the park.那位男低音歌唱家将在公园中举行音乐会。

49 quaint   

adj.古雅的，离奇有趣的，奇怪的

参考例句：

• There were many small lanes in the quaint village.在这古香古色的村庄里，有很多小巷。
• They still keep some quaint old customs.他们仍然保留着一些稀奇古怪的旧风俗。

50 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。

51 tuned   

adj.调谐的，已调谐的v.调音( tune的过去式和过去分词 )；调整；（给收音机、电视等）调谐；使协调

参考例句：

• The resort is tuned in to the tastes of young and old alike. 这个度假胜地适合各种口味，老少皆宜。
• The instruments should be tuned up before each performance. 每次演出开始前都应将乐器调好音。 来自《简明英汉词典》

52 converge   

vi.会合；聚集，集中；(思想、观点等)趋近

参考例句：

• The results converge towards this truth.其结果趋近于这个真理。
• Parallel lines converge at infinity.平行线永不相交。

53 agile   

adj.敏捷的，灵活的

参考例句：

• She is such an agile dancer!她跳起舞来是那么灵巧！
• An acrobat has to be agile.杂技演员必须身手敏捷。

54 skilful   

(=skillful)adj.灵巧的，熟练的

参考例句：

• The more you practise,the more skilful you'll become.练习的次数越多，熟练的程度越高。
• He's not very skilful with his chopsticks.他用筷子不大熟练。