again I had a visitor, four days into unbroken solitude1, a reporter this time, flamboyantly2 bald and somewhat dwarfish3, dressed in sagging5 khaki, drifts of hair from outlying parts of his head adorning6 the frames of his silver-tinted glasses, an emblem7 on the sleeve of his battle jacket — running dog news service.
"Where do you want to sit?"
"Your manager told us you were approachable," he said. "We've known for seventy-two hours where you were located but we didn't want to make a move until we got ahold of Globke. We don't operate mass-media-crash-style. We wanted Globke's version of your frame of mind in terms of were you or were you not approachable. Ill take this chair and we can put the tape recorder right here."
"No tape," I said.
"That's what we anticipated."
"No notes either."
"No notes?"
"Note-taking's out."
"You want some kind of accuracy, don't you?"
"No," I said.
"Then what do you want?"
"Make it all up. Go home and write whatever you want and then send it out on the wires. Make it up. Whatever you write will be true."
"We know it's asking a lot to expect an interview, even a brief one, which is what we assure you is what we want, but maybe a statement will have to do. Will you give us a statement?"
"A statement about what?"
"Anything at all," he said. "Just absolutely anything. For instance the rumors9. What about the rumors?"
"They're all true."
"Okay, but what about authorities in Belgium?"
"Does Globke have Belgium under contract? If Globke doesn't have it under contract, whatever it is, I'd be guilty of malfeasance in discussing it publicly."
"Authorities in Belgium want to question you about your alleged10 financial involvement in a planeload of arms confiscated11 in Brussels that was supposedly on its way to either this or that trouble-spot, depending on which rumor8 you believe."
"Do you know what the word malfeasance means? This is a word that carries tremendous weight in a court of law. Much more weight than misfeasance or non-feasance."
"Okay, but what about the damage to your vocal12 chords from the continuous strain and the story that you'll never perform in public again?"
"You decide, "I said. "Whatever you write will be true. I'll confirm every word."
"Okay, but what about Azarian? Azarian says he's reorganizing the group along less radical13 musical lines. Will you make a statement about that?"
"Yes," I said.
"What's your statement?"
"Azarian has been horribly disfigured in a gruesome accident. His face is being reconstructed with skin and bone taken from the faces of volunteers. His voice is not his voice. It belongs to a donor14. What Azarian seems to be saying is really being said by another person's vocal chords."
"That's the other thing. An accident. You were in an accident and you're hidden away in some rich private clinic in south central Maryland. The accident thing was interesting to us, ideologically15. An accident for somebody like you is the equivalent of prison for a revolutionary. We were kind of rooting for an accident. Which is, wow, really weird16. But that's what happens. You get into guerrilla ideology17, you find yourself trying to handle some pretty unwholesome thoughts."
"There's no such region as south central Maryland."
"Okay, but listen to this on the subject of accidents. We got a tip from I won't say what source that your manager was about to leak word of an accident. We figure he wanted to co-opt all the other accidents. He wanted exclusive rights to your accident. Anyway his story had you half-dead when a schooner18 piled into some rocks during a storm off the coast of Peru. First you're missing and presumed drowned. Then you're half-dead aboard a rescue vessel19. And Peru does have a coast because I was there two years ago Christmas. But he dropped the idea for whatever reason. This is pretty sophisticated stuff, Bucky. I mean there's rumor, there's counter-rumor, there's manipulation, and there's, you know, this ultra-morbid promotional activity. What's it all mean?"
"The plain man of business is gone from the earth."
"Before I forget," he said, "we'd like to add your name to a list of sponsors that we use on all correspondence pertaining20 to the black captive insurrection fund. The other names are on this sheet. Should I leave it and you can get back to us or do you want to look at it now? It's up to you .whatever you want me to do with it."
"Tear it in four equal pieces," I said.
"Okay, can we get on to some more statements now?"
"I don't think so, no."
"We'd like a short statement about your present whereabouts."
I'm wherever you want me to be."
"We know where you are at this point. We want to know what you're doing here."
"Nothing."
"But why here?" he said. "Will you make a statement about that?"
"You know where you are in New York. You're in New York. It's New York. This fact is inescapable. In other places I didn't always know where I was. What is this, Ohio or Japan? I wanted to be in one place. An identifiable place."
"Okay, but you've got a studio-equipped house in the mountains and it's almost inaccessible21 to anybody who doesn't have a detailed22 map. We still don't see why you're here rather than there. You've lived there. It must be identifiable."
"How tall are you?" I said.
"Six feet even."
"Incredible."
"I hunch. I can't help it. I've always hunched24."
"It's really a studio-equipped mountain," I said. "There is no house as such. There's the facsimile of a house. There's the pictorial25 mode of a house. Exactly what my house in the mountains would look like if I had a house and there were mountains. My present state of mind doesn't accommodate the existence of mountains. I am in a plains mood."
"Can we discuss your personal life?" he said.
"Sure we can. I won't be here while we're discussing it because I'm going out now. But you go right ahead. Everything you report will be true. I'll personally vouch26 for every syllable27."
"Your manager told us you were approachable."
"That wasn't Globke you talked to. That was the facsimile of Globke. Transparanoia markets facsimiles. Everybody under contract has his or her facsimile. It's one of the terms in the standard contract. Once you sign the contract, you're obliged to live up to the terms. This is basic to a sound contractual relationship. At this precise moment in duplicate time, Bucky Wunderlick is having his toenails clipped in the Waldorf Towers. You've been conducting an interview with his facsimile."
I could see myself reflected in his glasses as I rose from my bowl-shaped chair and moved slowly backward toward the door. He raised an arm in shaggy homage28.
"Peace."
"War."
1 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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2 flamboyantly | |
adv.艳丽地、奢华地、绚丽地。 | |
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3 dwarfish | |
a.像侏儒的,矮小的 | |
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4 dwarf | |
n.矮子,侏儒,矮小的动植物;vt.使…矮小 | |
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5 sagging | |
下垂[沉,陷],松垂,垂度 | |
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6 adorning | |
修饰,装饰物 | |
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7 emblem | |
n.象征,标志;徽章 | |
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8 rumor | |
n.谣言,谣传,传说 | |
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9 rumors | |
n.传闻( rumor的名词复数 );[古]名誉;咕哝;[古]喧嚷v.传闻( rumor的第三人称单数 );[古]名誉;咕哝;[古]喧嚷 | |
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10 alleged | |
a.被指控的,嫌疑的 | |
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11 confiscated | |
没收,充公( confiscate的过去式和过去分词 ) | |
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12 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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13 radical | |
n.激进份子,原子团,根号;adj.根本的,激进的,彻底的 | |
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14 donor | |
n.捐献者;赠送人;(组织、器官等的)供体 | |
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15 ideologically | |
adv. 意识形态上地,思想上地 | |
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16 weird | |
adj.古怪的,离奇的;怪诞的,神秘而可怕的 | |
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17 ideology | |
n.意识形态,(政治或社会的)思想意识 | |
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18 schooner | |
n.纵帆船 | |
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19 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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20 pertaining | |
与…有关系的,附属…的,为…固有的(to) | |
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21 inaccessible | |
adj.达不到的,难接近的 | |
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22 detailed | |
adj.详细的,详尽的,极注意细节的,完全的 | |
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23 hunch | |
n.预感,直觉 | |
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24 hunched | |
(常指因寒冷、生病或愁苦)耸肩弓身的,伏首前倾的 | |
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25 pictorial | |
adj.绘画的;图片的;n.画报 | |
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26 vouch | |
v.担保;断定;n.被担保者 | |
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27 syllable | |
n.音节;vt.分音节 | |
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28 homage | |
n.尊敬,敬意,崇敬 | |
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