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Here, for example, is a popular fashion of books with criminals and burglars for heroes and heroines, portrayed11 in the glamour12 of romance. Very well, our satirist, assuming the name of “Ikey Solomons, Esq.,” will take a real criminal, a murderess, and show us the manner of life she leads with her associates. So we have Catherine. Here is another fashion of weaving a fiction about a chevalier d’industrie, a bold, adventurous13, conscienceless fellow who pursues his own pleasure with a swagger, and makes a brave show hide a mean and selfish heart. Very well, a fellow of this kidney shall tell his own story and show himself in his habit as he lives, and as he dies in prison. So we have The Memoirs14 of Barry Lyndon, Esq. Here are innumerable fashions of folly15 and falsehood current not only in high society, but also in the region of respectable mediocrity, and in the “world below-stairs.” Very well, our satirist, under the name of “Jeames Yellowplush,” or “M. Angelo Titmarsh,” or “Fitz-Boodle,” will show them up for us. So we have various bundles of short stories, and skits16, and sketches17 of travel, some of them bubbling over with fun, some
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of them, like Dennis Haggarty’s Wife, touched with quiet pathos18.
The culmination19 of this satiric20 period is The Book of Snobs22, which appeared serially23 in the London Punch, 1845-46. In order to understand the quality and meaning of Thackeray’s satire24—an element which stayed with him all through his writing, though it was later subdued25 to its proper place—we must take the necessary pains to know just what he meant by a “snob21.”
A snob is an unreal person who tries to pass himself off for a real person; a pretender who meanly admires and imitates mean things; an ape of gentility. He is a specific variety of the great genus “Sham26.” Carlyle, the other notable English satirist of the nineteenth century, attacked the whole genus with heavy artillery27. Thackeray, with his light cavalry28 of ridicule, assailed29 the species.
All snobs are shams30, but not all shams are snobs. The specific qualities of the snob are developed only in countries where there are social classes and distinctions, but no insuperable barriers between them. Thus in native India with its immutable31 caste, or
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in Central Africa with its general barbarism, I fancy it must be difficult to discover snobbism32. (Yet I have seen traces of it even among dogs and cats.) But in a country like England or the United States of America, where society is arranged in different stories, with staircases between, snobbism is frequent and flourishing.
The snob is the man who tries to sneak33 up-stairs. He is the surreptitious climber, the person who is ashamed to pass for what he is.
Has he been at an expensive college? He goes home and snubs his old friends with allusions34 to the distinguished35 society he has been keeping. Is he entertaining fashionable strangers? He gives them elaborate and costly36 fare at the most aurivorous hotel, but at home his wife and daughters may starve. He talks about books that he has never read, and pretends to like music that sends him to sleep. At his worst, he says his prayers on the street-corners and reviles37 his neighbour for sins which he himself cherishes in secret.
That is the snob: the particular species of sham whom Thackeray pursues and satirizes38 through all
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his disguises and metamorphoses. He does it unsparingly, yet never—or at least hardly ever—savagely. There is always a strain of good humour in it, and often a touch of fellow-feeling for the man himself, camouflaged39 under his affectations. It may not be worth while—this kind of work. All satire is perishable40. It has no more of the immortal41 in it than the unreality which it aims to destroy. But some shams die hard. And while they live and propagate, the arrows which hit them fairly are not out of date.
Stevenson makes a curious misjudgment of this part of Thackeray’s work, when he says in his essay on “Some Gentlemen in Fiction”:
“Personally [Thackeray] scarce appeals to us as the ideal gentleman; if there were nothing else, perpetual nosing after snobbery42 at least suggests the snob.”
Most true, beloved R. L. S., but did you forget that this is precisely43 what Thackeray himself says? He tells us not to be too quick or absolute in our judgments44; to acknowledge that we have some faults and failings of our own; to remember that
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other people have sometimes hinted at a vein45, a trace, a vestige46 of snobbery in ourselves. Search for truth and speak it; but, above all, no arrogance—faut pas monter sur ses grands chevaux. Have you ever read the end of the lecture on “Charity and Humour”?
“The author ... has been described by The London Times newspaper as a writer of considerable parts, but a dreary47 misanthrope48, who sees no good anywhere, who sees the sky above him green, I think, instead of blue, and only miserable49 sinners around him. So we are, as is every writer and reader I have heard of; so was every being who ever trod this earth, save One. I cannot help telling the truth as I view it, and describing what I see. To describe it otherwise than it seems to me would be falsehood in that calling in which it has pleased Heaven to place me; treason to that conscience which says that men are weak; that truth must be told; that faults must be owned; that pardon must be prayed for; and that Love reigns50 supreme51 over all.”
点击收听单词发音
1 indefatigable | |
adj.不知疲倦的,不屈不挠的 | |
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2 satirist | |
n.讽刺诗作者,讽刺家,爱挖苦别人的人 | |
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3 sweeping | |
adj.范围广大的,一扫无遗的 | |
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4 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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5 condemnation | |
n.谴责; 定罪 | |
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6 maturity | |
n.成熟;完成;(支票、债券等)到期 | |
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7 pretensions | |
自称( pretension的名词复数 ); 自命不凡; 要求; 权力 | |
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8 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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9 humbugs | |
欺骗( humbug的名词复数 ); 虚伪; 骗子; 薄荷硬糖 | |
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10 crooks | |
n.骗子( crook的名词复数 );罪犯;弯曲部分;(牧羊人或主教用的)弯拐杖v.弯成钩形( crook的第三人称单数 ) | |
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11 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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12 glamour | |
n.魔力,魅力;vt.迷住 | |
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13 adventurous | |
adj.爱冒险的;惊心动魄的,惊险的,刺激的 | |
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14 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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15 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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16 skits | |
n.讽刺文( skit的名词复数 );小喜剧;若干;一群 | |
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17 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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18 pathos | |
n.哀婉,悲怆 | |
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19 culmination | |
n.顶点;最高潮 | |
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20 satiric | |
adj.讽刺的,挖苦的 | |
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21 snob | |
n.势利小人,自以为高雅、有学问的人 | |
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22 snobs | |
(谄上傲下的)势利小人( snob的名词复数 ); 自高自大者,自命不凡者 | |
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23 serially | |
adv.连续地,连续刊载地 | |
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24 satire | |
n.讽刺,讽刺文学,讽刺作品 | |
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25 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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26 sham | |
n./adj.假冒(的),虚伪(的) | |
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27 artillery | |
n.(军)火炮,大炮;炮兵(部队) | |
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28 cavalry | |
n.骑兵;轻装甲部队 | |
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29 assailed | |
v.攻击( assail的过去式和过去分词 );困扰;质问;毅然应对 | |
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30 shams | |
假象( sham的名词复数 ); 假货; 虚假的行为(或感情、言语等); 假装…的人 | |
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31 immutable | |
adj.不可改变的,永恒的 | |
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32 snobbism | |
势利 | |
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33 sneak | |
vt.潜行(隐藏,填石缝);偷偷摸摸做;n.潜行;adj.暗中进行 | |
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34 allusions | |
暗指,间接提到( allusion的名词复数 ) | |
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35 distinguished | |
adj.卓越的,杰出的,著名的 | |
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36 costly | |
adj.昂贵的,价值高的,豪华的 | |
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37 reviles | |
v.辱骂,痛斥( revile的第三人称单数 ) | |
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38 satirizes | |
v.讽刺,讥讽( satirize的第三人称单数 ) | |
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39 camouflaged | |
v.隐蔽( camouflage的过去式和过去分词 );掩盖;伪装,掩饰 | |
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40 perishable | |
adj.(尤指食物)易腐的,易坏的 | |
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41 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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42 snobbery | |
n. 充绅士气派, 俗不可耐的性格 | |
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43 precisely | |
adv.恰好,正好,精确地,细致地 | |
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44 judgments | |
判断( judgment的名词复数 ); 鉴定; 评价; 审判 | |
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45 vein | |
n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
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46 vestige | |
n.痕迹,遗迹,残余 | |
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47 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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48 misanthrope | |
n.恨人类的人;厌世者 | |
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49 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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50 reigns | |
n.君主的统治( reign的名词复数 );君主统治时期;任期;当政期 | |
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51 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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