Fixing his attention at first upon the humblest examples of the power of the human heart to resist unfriendly circumstances, as in Resolution and Independence, and to endure sufferings and trials, as in Margaret and Michael, he grew into a new conception of the right nobility. He saw that it was not necessary to make a great overturning of society before the individual man could begin to
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fulfil his destiny. “What then remains6?” he cries—
“To seek
Those helps for his occasion ever near
Who lacks not will to use them; vows7, renewed
On the first motion of a holy thought;
Vigils of contemplation; praise; and prayer—
A stream, which, from the fountain of the heart,
Issuing however feebly, nowhere flows
Without access of unexpected strength.
But, above all, the victory is sure
For him, who seeking faith by virtue8, strives
To yield entire submission9 to the law
Of conscience—conscience reverenced10 and obeyed,
As God’s most intimate presence in the soul,
And his most perfect image in the world.”
If we would hear this message breathed in tones of lyric11 sweetness, as to the notes of a silver harp12, we may turn to Wordsworth’s poems on the Skylark,—
“Type of the wise who soar, but never roam;
True to the kindred points of Heaven and Home.”
If we would hear it proclaimed with grandeur, as by a solemn organ; or with martial13 ardour, as by a ringing trumpet14, we may read the Ode to Duty or The Character of the Happy Warrior15, two of the noblest and most weighty poems that Wordsworth
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ever wrote. There is a certain distinction and elevation16 about his moral feelings which makes them in themselves poetic17. In his poetry beauty is goodness and goodness is beauty.
But I think it is in the Sonnets19 that this element of Wordsworth’s poetry finds the broadest and most perfect expression. For here he sweeps upward from the thought of the freedom and greatness of the individual man to the vision of nations and races emancipated20 and ennobled by loyalty21 to the right. How pregnant and powerful are his phrases! “Plain living and high thinking.” “The homely22 beauty of the good old cause.” “A few strong instincts and a few plain rules.” “Man’s unconquerable mind.” “By the soul only, the Nations shall be great and free.” The whole series of Sonnets addressed to Liberty, published in 1807, is full of poetic and prophetic fire. But none among them burns with a clearer light, none is more characteristic of him at his best, than that which is entitled London, 1802.
“Milton! thou should’st be living at this hour;
England hath need of thee; she is a fen23
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Of stagnant24 waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower25,
Have forfeited26 their ancient English dower
Of inward happiness. We are selfish men;
Oh! raise us up; return to us again;
And give us manners, virtue, freedom, power.
Thy soul was like a Star, and dwelt apart;
Thou had’st a voice whose sound was like the sea:
Pure as the naked heavens, majestic27, free,
So didst thou travel on life’s common way
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.”
This sonnet18 embraces within its “scanty plot of ground” the roots of Wordsworth’s strength. Here is his view of nature in the kinship between the lonely star and the solitary28 soul. Here is his recognition of life’s common way as the path of honour, and of the lowliest duties as the highest. Here is his message that manners and virtue must go before freedom and power. And here is the deep spring and motive29 of all his work, in the thought that joy, inward happiness, is the dower that has been lost and must be regained30.
Here then I conclude this chapter on Wordsworth. There are other things that might well be said about
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him, indeed that would need to be said if this were intended for a complete estimate of his influence. I should wish to speak of the deep effect which his poetry has had upon the style of other poets, breaking the bondage31 of “poetic diction” and leading the way to a simpler and more natural utterance32. I should need to touch upon his alleged33 betrayal of his early revolutionary principles in politics, and to show, (if a paradox34 may be pardoned), that he never had them and that he always kept them. He never forsook35 liberty; he only changed his conception of it. He saw that the reconstruction36 of society must be preceded by reconstruction of the individual. Browning’s stirring lyric, The Lost Leader,—
“Just for a handful of silver he left us,
Just for a ribbon to stick in his coat,”—
may have been written with Wordsworth in mind, but it was a singularly infelicitous37 suggestion of a remarkably38 good poem.
All of these additions would be necessary if this estimate were intended to be complete. But it is not, and so let it stand.
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If we were to choose a motto for Wordsworth’s poetry it might be this: “Rejoice, and again I say unto you, rejoice.” And if we looked farther for a watchword, we might take it from that other great poet, Isaiah, standing39 between the fierce radicals40 and sullen41 conservatives of Israel, and saying,
“In quietness and confidence shall be your strength,
In rest and in returning ye shall be saved.”
点击收听单词发音
1 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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2 obedience | |
n.服从,顺从 | |
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3 fidelity | |
n.忠诚,忠实;精确 | |
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4 serenely | |
adv.安详地,宁静地,平静地 | |
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5 consolation | |
n.安慰,慰问 | |
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6 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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7 vows | |
誓言( vow的名词复数 ); 郑重宣布,许愿 | |
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8 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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9 submission | |
n.服从,投降;温顺,谦虚;提出 | |
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10 reverenced | |
v.尊敬,崇敬( reverence的过去式和过去分词 );敬礼 | |
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11 lyric | |
n.抒情诗,歌词;adj.抒情的 | |
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12 harp | |
n.竖琴;天琴座 | |
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13 martial | |
adj.战争的,军事的,尚武的,威武的 | |
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14 trumpet | |
n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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15 warrior | |
n.勇士,武士,斗士 | |
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16 elevation | |
n.高度;海拔;高地;上升;提高 | |
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17 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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18 sonnet | |
n.十四行诗 | |
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19 sonnets | |
n.十四行诗( sonnet的名词复数 ) | |
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20 emancipated | |
adj.被解放的,不受约束的v.解放某人(尤指摆脱政治、法律或社会的束缚)( emancipate的过去式和过去分词 ) | |
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21 loyalty | |
n.忠诚,忠心 | |
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22 homely | |
adj.家常的,简朴的;不漂亮的 | |
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23 fen | |
n.沼泽,沼池 | |
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24 stagnant | |
adj.不流动的,停滞的,不景气的 | |
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25 bower | |
n.凉亭,树荫下凉快之处;闺房;v.荫蔽 | |
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26 forfeited | |
(因违反协议、犯规、受罚等)丧失,失去( forfeit的过去式和过去分词 ) | |
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27 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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28 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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29 motive | |
n.动机,目的;adv.发动的,运动的 | |
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30 regained | |
复得( regain的过去式和过去分词 ); 赢回; 重回; 复至某地 | |
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31 bondage | |
n.奴役,束缚 | |
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32 utterance | |
n.用言语表达,话语,言语 | |
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33 alleged | |
a.被指控的,嫌疑的 | |
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34 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
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35 forsook | |
forsake的过去式 | |
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36 reconstruction | |
n.重建,再现,复原 | |
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37 infelicitous | |
adj.不适当的 | |
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38 remarkably | |
ad.不同寻常地,相当地 | |
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39 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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40 radicals | |
n.激进分子( radical的名词复数 );根基;基本原理;[数学]根数 | |
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41 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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