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The Last Ride Together; heroically in Colombe’s Birthday; in the form of a paradox6 in The Statue and the Bust7; as a personal experience in By the Fireside, One Word More, and at the end of the prelude8 to The Ring and the Book.
“For life, with all it yields of joy and woe9
And hope and fear, ...
Is just our chance o’ the prize of learning love.”
But it must be confessed that he does not often say it as clearly, as quietly, as beautifully as in Love Among the Ruins. For his chosen method is dramatic and his natural manner is psychological. So ardently10 does he follow this method, so entirely11 does he give himself up to this manner that his style
“is subdued12
To what it works in, like the dyer’s hand.”
In the dedicatory note to Sordello, written in 1863, he says “My stress lay in the incidents in the development of a soul; little else is worth study.” He felt intensely
“How the world is made for each of us!
How all we perceive and know in it
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Tends to some moment’s product thus,
When a soul declares itself—to wit,
By its fruit, the thing it does!”
In One Word More he describes his own poetry with keen insight:
“Love, you saw me gather men and women,
Live or dead or fashioned by my fancy,
Enter each and all and use their service,
Speak from every mouth,—the speech a poem.”
It is a mistake to say that Browning is a metaphysical poet: he is a psychological poet. His interest does not lie in the abstract problems of time and space, mind and matter, divinity and humanity. It lies in the concrete problems of opportunity and crisis, flesh and spirit, man the individual and God the person. He is an anatomist of souls.
“Take the least man of all mankind, as I;
Look at his head and heart, find how and why
He differs from his fellows utterly13.”[14]
But his way of finding out this personal equation is not by observation and reflection. It is by throwing himself into the character and making it reveal
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itself by intricate self-analysis or by impulsive14 action. What his poetry lacks is the temperate15 zone. He has the arctic circle of intellect and the tropics of passion. But he seldom enters the intermediate region of sentiment, reflection, sympathy, equable and prolonged feeling. Therefore it is that few of his poems have the power of “sinking inward from thought to thought” as Wordsworth’s do. They surprise us, rouse us, stimulate16 us, more than they rest us. He does not penetrate17 with a mild and steady light through the portals of the human heart, making them transparent18. He flings them wide open suddenly, and often the gates creak on their hinges. He is forever tying Gordian knots in the skein of human life and cutting them with the sword of swift action or intense passion. His psychological curiosity creates the difficulties, his intuitive optimism solves them.
点击收听单词发音
1 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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2 creed | |
n.信条;信念,纲领 | |
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3 tragically | |
adv. 悲剧地,悲惨地 | |
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4 blot | |
vt.弄脏(用吸墨纸)吸干;n.污点,污渍 | |
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5 sentimentally | |
adv.富情感地 | |
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6 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
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7 bust | |
vt.打破;vi.爆裂;n.半身像;胸部 | |
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8 prelude | |
n.序言,前兆,序曲 | |
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9 woe | |
n.悲哀,苦痛,不幸,困难;int.用来表达悲伤或惊慌 | |
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10 ardently | |
adv.热心地,热烈地 | |
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11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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12 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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13 utterly | |
adv.完全地,绝对地 | |
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14 impulsive | |
adj.冲动的,刺激的;有推动力的 | |
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15 temperate | |
adj.温和的,温带的,自我克制的,不过分的 | |
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16 stimulate | |
vt.刺激,使兴奋;激励,使…振奋 | |
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17 penetrate | |
v.透(渗)入;刺入,刺穿;洞察,了解 | |
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18 transparent | |
adj.明显的,无疑的;透明的 | |
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