‘Granny, I am going to help you as I have always done.’
‘This is nae wark for you, and I’ll no’ let you touch it,’ said the old woman, with a sudden stamp of her foot on the ground. ‘I’ll no’ let you touch it! do ye hear me, Joyce? As long as you are here, you sall just do what I say.’
The girl retreated, almost overawed by the passion in the old woman’s eyes; and then there was silence in the cottage, broken only by the sound of Janet’s movements, as she cleared away everything, and moved about with her quick short step from one place to another. Joyce sat down beside the writing-table, which was her own especial domain4, and the quietness of impassioned suspense5 fell upon the little house. The scent6 of the mignonette still came in through the window from the little garden behind; but the door was shut, that no cheerful interruption, no passing neighbour with friendly salutations, pausing for a minute’s gossip, might disturb the breathless silence. They both expected—but knew not what: whether some fairy chariot to carry Joyce away, some long-lost relatives hurrying to take her to their arms, or some one merely coming to reveal to them who she was,—to tell her that she belonged to some great house, and was the child of some
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injured princess. Strangely enough, neither of them suspected the real state of affairs. Janet divined that Mrs. Hayward had something to do with it, but Joyce had not even seen Mrs. Hayward; and the Colonel was to her an old friend who had known and probably loved her mother—but no more.
Thus they waited, not saying a word, devoured8 by a silent excitement, listening for some one coming, imagining steps that stopped at the door, and carriage-wheels that never came any nearer, but not communicating to each other what they thought. When Janet’s clearing away was over, she still found things to do to keep her in movement. On ordinary occasions, when the work was done, she would sit down in the big chair by the window with the door open (it was natural that the door should be open at all seasons), and take up the big blue-worsted stocking which she was always knitting for Peter. And if Joyce was busy, Janet would nod to her friends as they passed, and point with her thumb over her shoulder to show the need of quiet, which did not hinder a little subdued9 talk, all the more pleasant for being thus kept in check. ‘She’s aye busy,’ the passers-by would say, with looks of admiring wonder. ‘Oh ay, she’s aye busy; there was never the like of her for learning. She’s just never done,’ the proud old woman would say, with a pretence10 at impatience11. How proud she had been of all her nursling’s wonderful ways! But now Janet could not sit down. She flung her stocking into a corner out of her way. She could not bear to see or speak to any one: the vicinity of other people was of itself an offence to her. If only she could quench12 with the sound of her steps those of the messenger of fate who was coming; if only she could keep him out for ever, and defend the treasure in her house behind that closed door!
The same suppressed fever of suspense was in Joyce’s mind, but in a different sense. With her all was impatience and longing13. When would they come? though she knew not whom or what she looked for. When would this silence of fate be broken? The loud ticking of the clock filled the little house with a sound quite out of proportion to its importance, beating out the little lives of men with a methodical slow regularity14, every minute taking so long; and the quick short steps of her old guardian15 never coming to an end, still bustling16 about when Joyce knew there was no longer anything to do, provoked her almost beyond bearing. So long as this went on, how could she hear them coming to the door?
They both started violently when at last there fell a sharp stroke, as of the end of a whip, on the closed door. It came as
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suddenly, and, to their exaggerated fancy, as solemnly, as the very stroke of fate: but it was only a footman from Bellendean, on horseback, with a note, which he almost flung at Janet as she opened the door, stopping Joyce, who sprang forward to do it. ‘Na, you’ll never open to a flunkey,’ cried the old woman, with a sort of desperation in her tone, pushing back the girl, whose cheeks she could see were flaming and her eyes blazing. Janet would not give up the note till she had hunted for her spectacles and put them on, and turned it over in her hand. ‘Oh ay, it’s to you after a’,’ she said; ‘I might have kent that,—and no a very ceevil direction. “Miss Joyce,” nothing but Miss Joyce: and its nae name when you come to think on’t—no’ like Marg’et or Mary. It’s as if it was your last name.’
‘Granny,’ said Joyce, in great excitement, ‘we are to go to the House immediately, to see Mrs. Bellendean.’
‘We—are to gang? Gang then,’ said Janet; ‘naebody keeps ye. So far as I can judge, what with one call and another, you’re there ‘maist every day.’
‘But never, never on such a day as this! And you are to come too. Granny, I’ll get you your shawl and your bonnet17.’
‘Bide a moment. What for are ye in such a hurry? I’m no at Mrs. Bellendean’s beck and call, to go and come as she pleases. You can go yoursel’, as you’ve done many a time before.’
‘Granny,’ cried Joyce, putting her arm, though the old woman resisted, round Janet’s shoulders, ‘you’ll not refuse me? Think what it may be,—to hear about my mother—and who I am—and whom I belong to.’
‘Ay,’ said Janet bitterly; ‘to hear when you’re to drive away in your grand carridge, and leave the house that’s aye been your shelter desolate18; to fix the moment when them that have been father and mother to ye are to be but twa puir servant-bodies, and belang to ye nae mair!’
‘Granny!’ cried Joyce, in consternation19, drawing Janet’s face towards her, stooping over the little resisting figure.
‘Dinna put your airms about me. Do you ken2 what I’ll be for you the morn?—your auld20 nurse—a puir auld body that will be nothing to you. Oh, and that’s maybe just what should be for a leddy like you. You were aye a leddy from the beginning, and I might have kent if my een hadna been blinded. I aye said to Peter, “Haud a loose grip,” but, eh! I never took it to mysel’.’
‘Granny,’ cried Joyce, ‘do you think if the Queen herself were my mother,—if I were the Princess Royal, and everything at my beck and call,—do you think I could ever forsake21 you?
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’
‘Oh, how do I ken?’ cried Janet, still resisting the soft compulsion which was in Joyce’s arms; ‘and how can I tell what ye will be let do? You will no’ be your ain mistress as ye have been here. Ye will have to conform to other folks’ ways. Ye will have to do what’s becoming to your rank and your place in the world. If ye think that an auld wife in Bellendean village and an auld ploughman on the laird’s farm will be let come near ye——’
‘Granny, granny!’ cried Joyce, as Janet’s voice, overcome by her own argument, sank into an inarticulate murmur22 broken by sobs,—‘granny, granny! what have I done to make you think I have no heart?—and to give me up, and refuse to stand by me even before there’s a thing proved.’
‘Me!—refuse to stand by ye?’
‘That is just what you are doing—or at least it is what you are saying you will do; but as you never did an unkind thing in your life——’
‘Oh, many a one, many a one,’ cried the old woman. ‘I’ve just an unregenerate heart—but no’ to my ain.’
‘As you never did an unkind thing in your life,’ cried Joyce, out of breath, for she had hurried in the meantime to the aumry—the great oak cupboard which filled one side of the room—and made a rapid raid therein. ‘I have brought you your bonnet and your shawl.’
She proceeded to fold the big Paisley shawl as Janet wore it, with a large point descending23 to the hem7 of the old woman’s gown, and to put it round her shoulders. And then the large black satin bonnet, like the hood24 of a small carriage, was tied over Janet’s cap. It is true she wore only the cotton gown, her everyday garment, but the heavy folds of the shawl almost covered it, and Janet was thus equipped for any grandeur25 that might happen, and very well dressed in her own acceptation of the word. When these solemn garments were produced she struggled no more.
But though the ice was partially26 broken, there was very little said between them as they went up the avenue. Joyce’s heart went bounding before her, forestalling27 the disclosure, making a hundred mad suggestions. She forgot all the circumstances,—where she was going, and even the unwilling28 companion by her side, who plodded29 along, scarcely able to keep up with her, her face altogether invisible within the shadow of the big bonnet, which stooped forward like the head of some curious uncouth30 flower. Poor old Janet! the girl’s head was full of a romance
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more thrilling than any romance she had ever read; but Janet’s was tragedy, far deeper, sounding every depth of despair, rising to every height of self-abnegation. And Peter! poor old Peter, who had no suspicion of anything, whom she had always adjured31 to keep a loose grip, and to whom ‘the bit lassie’ was as the light of his eyes. Not only her own desolation, but his also, Janet would have to bear. She had no heart to speak, but plodded along, scarcely even seeing Joyce by her side, ruminating32 heavily, turning over everything in her mind, with her eyes fixed33 upon the ground under the shadow of the black bonnet. ‘Oh, haud a loose grip!’ she had said it to Peter, but she had not laid her own advice to heart.
There were two or three servants in the hall when Joyce went up the steps, leading, against her will, the old woman with her, who would fain have stolen round to the servants’ entrance as ‘mair becoming.’ And the butler and the footman looked very important, and were strangely respectful, having heard Colonel Hayward’s oration34, or such echo of it as had been wafted35 to the servants’ hall. ‘This way, this way, Miss Joyce,’ the butler said, with a little emphasis, though he had known her all his life, and seldom used such extreme civility of address. ‘This way, Janet.’ They were taken across the hall, where Janet, roused and wondering, saw visions of other people glancing eagerly at Joyce, and at her own little figure, stiff as if under mail in the panoply36 of that great shawl—to Mrs. Bellendean’s room. There a little party of agitated37 people were gathered together. Mrs. Hayward seated very square, with her feet firm on the carpet: Mrs. Bellendean leaning over her writing-table, with a very nervous look: the Colonel standing38 against the big window, which exaggerated his outline, but made his features undiscernible. Janet made them a sort of curtsey as she went in, but held her head high, rather defiant39 than humble40. For why should she be humble, she who had all the right on her side, and who owed nobody anything? It was they who should be humble to her if they were going to take away her child. But she could not but say the gentleman was very civil. He put out a chair for her. As she said afterwards, not the little cane41 one that Mr. Brown, the butler, thought good enough, but a muckle soft easy-chair, a’ springs and cushions, like the one his wife was sitting in. He didna seem to think that was ower good for the like of her. Joyce did not sit down at all. She stood with her hand upon Mrs. Bellendean’s table, looking into the agitated face of the lady to whom she had always looked up as her best friend.
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‘You have got something to tell me?’ said Joyce, her voice trembling a little. ‘About my mother—about my—people?’
‘Yes, Joyce.’
The girl said nothing more. She did not so much as look at Mrs. Hayward, who sat nervously42 still, not making a movement. Joyce supported herself upon the back of the writing-table, which had a range of little drawers and pigeon-holes. She stood up, straight and tall, the flexible lines of her slim figure swaying a little, her hands clasped upon the upper ledge43. Her hands were not, perhaps, very white in comparison with the hands of the young ladies who did nothing; but, coming out of her dark dress, which had no ornament44 of any kind, these hands clasped together looked like ivory or mother-of-pearl, and seemed to give out light. And then there was an interval45 of tremulous silence. Old Janet, watching them all with the keenest scrutiny46, said to herself, ‘Will nobody speak?’
‘Joyce,’ Mrs. Bellendean said at last, with a trembling voice, ‘it will be a great, great change for you. You are a wise, good girl; you will not let it alter you to those who—deserve all your gratitude47. My dear, it is a wonderful thing to think of. I can but think the hand of Heaven is in it.’ Here the poor lady, who had been speaking in slow and laboured tones, struggling against her emotion, became almost inaudible, and stopped, while old Janet, wringing48 her hands, cried out without knowing she did so, ‘Oh, will naebody put us out o’ our agony? Oh, will naebody tell us the truth?’
The Colonel made a step forward, then went back again. His child, his dead wife’s child, filled him with awe3. The thought of going up to her, taking her into his arms, which would have been the natural thing which he had meant to do, appalled49 him as he stood and looked at her, a young lady whom he did not know. What would she say or think? There had been nothing to lead up to it, as there was when he had met her in the morning, and when his heart had gone forth50 to her. Now anxiety and a sort of alarm mingled51 with his emotion. What would she think? his daughter—and yet a young lady whom he did not know? ‘Elizabeth?’ he said tremulously, but he could say no more.
‘Young lady,’ said another voice behind, with a touch of impatience in it,— ‘Joyce: it appears I must tell, though I have never seen you before.’
Joyce had all but turned her back upon this lady, who, she thought, could have nothing to do with her. She turned round
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with a little start, and fixed her eyes upon the new speaker. It was curious that a stranger should tell her—one who had nothing to do with it. The little woman rose up, not a distinguished52 figure, looking commonplace to the girl’s excited eyes, who felt almost impatient, annoyed by this interference. ‘Joyce,’ Mrs. Hayward repeated again, ‘we don’t even know each other, but we shall have a great deal to do with each other, and I hope—I hope we shall get on. Your poor mother—was Colonel Hayward’s first wife before he married me. He is not to blame, for he never knew. Joyce: your name is Joyce Hayward. You are my husband’s daughter. Your father stands there. I don’t know why he doesn’t come forward. He is the best man that ever was born. You will love him when you know him—— I don’t know why he doesn’t come forward,’ cried his wife, in great agitation53. She made herself a sudden stop, caught Joyce by the arm, and raising herself on tiptoe gave the girl a quick kiss on the cheek. ‘I am your step-mother, and I hope—I hope that we will get on.’
Joyce stood like a figure turned to stone. She felt the world whirling round her as if she were coming down, down some wonderful fall, too giddy and sickening to estimate. The colour and the eagerness went out of her face. She took no notice of Mrs. Hayward, whose interference at this strange moment she did not seem to understand, although she understood clearly all that she said. Her eyes were fixed, staring at the man there against the window, who was her father. Her father! Her heart had been very soft to him this morning, when she believed he was her mother’s friend: but her father!—this was not how she had figured her father. He stood against the light, his outline all wavering and trembling, making a hesitating step towards her, then stopping again. Colonel Hayward was more agitated than words could say. Oh, if he had but taken her in his arms in the morning when his heart was full! He came forward slowly, faltering54, not knowing what to say. When he had come close to her, he put out his hands. ‘Joyce!’ he said, ‘you are your mother’s living image: I saw it from the first; have you—have you nothing—to say to me?’
‘Sir,’ said Joyce, making no advance, ‘my mother—must have had much to complain of—from you.’
His hands, which he had held out, with a quiver in them, fell to his sides. ‘Much to complain of,’ he said, with a tremulous astonishment55; ‘much—to complain of!’
A murmur of voices sounded in Joyce’s ears; they sounded like the hum of the bees, or anything else inarticulate, with
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mingled tones of remonstrance56, anger, entreaty57: even old Janet’s quavering voice joined in. To hear the girl defying a gentleman, the Captain’s colonel, a grand soldier officer, took away the old woman’s breath.
‘You left her to die,’ cried Joyce, her soft voice fierce in excitement, ‘all alone in a strange place. Why was she alone at such a time, when she had a husband to care for her? You left her to die—and never asked after her for twenty years: never asked—till her child was a grown-up woman with other—other parents, and another home—of her own.’
‘Oh, dinna speak to the gentleman like that!’ cried old Janet, getting up with difficulty from her easy-chair. ‘Oh, Joyce, Joyce!’ cried Mrs. Bellendean. Mrs. Hayward said nothing, but she came up to the indignant young figure in the centre of this group, and laid an imperative58 hand upon her arm. Joyce shook it off. She did not know what she was doing. An immense disappointment, horror, anger with fate and all about her, surged up in her heart, and gave force to the passion of indignant feeling of which, amid all her thinkings on the subject, she had never been conscious before. She turned away from the three women who surrounded her, each remonstrating59 in her way, and confronted once more the man—the father—whose great fault perhaps was that he was not the father whom the excited girl looked for, and that the disillusion60 was more than she could bear.
Colonel Hayward came to himself a little as he looked at her, and recovered some spirit. ‘I don’t blame you,’ he said, ‘for thinking so. No, Elizabeth, don’t blame her. I was in India. Short of deserting, I couldn’t get home.’
‘Why didn’t you desert, then,’ cried the girl in a flush of nervous passion, ‘rather than let her die?’ Then she turned round upon Janet, who stood behind, burdened with her great shawl, and threw herself upon the old woman’s shoulder. ‘Oh granny, granny, take me home, take me home again! for I have nothing to do here, nor among these strange folk,’ she cried.
点击收听单词发音
1 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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2 ken | |
n.视野,知识领域 | |
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3 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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4 domain | |
n.(活动等)领域,范围;领地,势力范围 | |
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5 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
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6 scent | |
n.气味,香味,香水,线索,嗅觉;v.嗅,发觉 | |
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7 hem | |
n.贴边,镶边;vt.缝贴边;(in)包围,限制 | |
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8 devoured | |
吞没( devour的过去式和过去分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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9 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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10 pretence | |
n.假装,作假;借口,口实;虚伪;虚饰 | |
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11 impatience | |
n.不耐烦,急躁 | |
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12 quench | |
vt.熄灭,扑灭;压制 | |
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13 longing | |
n.(for)渴望 | |
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14 regularity | |
n.规律性,规则性;匀称,整齐 | |
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15 guardian | |
n.监护人;守卫者,保护者 | |
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16 bustling | |
adj.喧闹的 | |
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17 bonnet | |
n.无边女帽;童帽 | |
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18 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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19 consternation | |
n.大为吃惊,惊骇 | |
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20 auld | |
adj.老的,旧的 | |
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21 forsake | |
vt.遗弃,抛弃;舍弃,放弃 | |
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22 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
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23 descending | |
n. 下行 adj. 下降的 | |
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24 hood | |
n.头巾,兜帽,覆盖;v.罩上,以头巾覆盖 | |
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25 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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26 partially | |
adv.部分地,从某些方面讲 | |
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27 forestalling | |
v.先发制人,预先阻止( forestall的现在分词 ) | |
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28 unwilling | |
adj.不情愿的 | |
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29 plodded | |
v.沉重缓慢地走(路)( plod的过去式和过去分词 );努力从事;沉闷地苦干;缓慢进行(尤指艰难枯燥的工作) | |
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30 uncouth | |
adj.无教养的,粗鲁的 | |
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31 adjured | |
v.(以起誓或诅咒等形式)命令要求( adjure的过去式和过去分词 );祈求;恳求 | |
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32 ruminating | |
v.沉思( ruminate的现在分词 );反复考虑;反刍;倒嚼 | |
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33 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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34 oration | |
n.演说,致辞,叙述法 | |
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35 wafted | |
v.吹送,飘送,(使)浮动( waft的过去式和过去分词 ) | |
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36 panoply | |
n.全副甲胄,礼服 | |
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37 agitated | |
adj.被鼓动的,不安的 | |
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38 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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39 defiant | |
adj.无礼的,挑战的 | |
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40 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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41 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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42 nervously | |
adv.神情激动地,不安地 | |
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43 ledge | |
n.壁架,架状突出物;岩架,岩礁 | |
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44 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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45 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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46 scrutiny | |
n.详细检查,仔细观察 | |
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47 gratitude | |
adj.感激,感谢 | |
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48 wringing | |
淋湿的,湿透的 | |
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49 appalled | |
v.使惊骇,使充满恐惧( appall的过去式和过去分词)adj.惊骇的;丧胆的 | |
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50 forth | |
adv.向前;向外,往外 | |
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51 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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52 distinguished | |
adj.卓越的,杰出的,著名的 | |
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53 agitation | |
n.搅动;搅拌;鼓动,煽动 | |
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54 faltering | |
犹豫的,支吾的,蹒跚的 | |
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55 astonishment | |
n.惊奇,惊异 | |
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56 remonstrance | |
n抗议,抱怨 | |
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57 entreaty | |
n.恳求,哀求 | |
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58 imperative | |
n.命令,需要;规则;祈使语气;adj.强制的;紧急的 | |
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59 remonstrating | |
v.抗议( remonstrate的现在分词 );告诫 | |
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60 disillusion | |
vt.使不再抱幻想,使理想破灭 | |
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