‘Miss Hayward have gone out, ma’am,’ Baker said.
‘Oh, has she? I had something to say to her. (She would not have Baker think that it was because of Captain Bellendea
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n’s visit that she wanted Joyce.) Ask her to come to me in the drawing-room the moment she comes in.’
‘I will, ma’am,’ said Baker, with stolid10 gravity; but he chuckled11 when his mistress, much put out, turned towards the drawing-room door. He knew very well why Joyce was so urgently wanted. ‘He ‘ave come up to the scratch at last,’ Baker said to himself.
Captain Bellendean stood by himself upon the Persian rug before the fire. He was in a very restless mood. There was something in this warm, soft afternoon atmosphere, the sense of domestic calm, the composure of settled life, which was like an insufficient12 opiate, exciting instead of calming. He was not in a comfortable or happy state of mind. The last time he had been here he was at the height of warm and spontaneous love, bewitched by the presence of the girl who had transported him out of all his bachelor reluctances and defences. This is perhaps a strange way in which to speak of the lover. It is the woman who is supposed to defend herself, to hold back with reluctance13, either real or assumed. However, it is one of the enlightenments of our age to recognise that there are two sides to that question. Norman Bellendean had not made up his mind to marry when he took possession of his estate. He did not want even to take possession of his estate; he would have preferred that his father should have held it in his place a few years longer, until he felt more disposed to settle down. But that had not suited Mr. Bellendean’s ideas or plans: and Norman, fresh from India, and with a natural desire after the pleasant experiences of a rich young man’s untrammelled career at home, found himself at once introduced into the responsibilities of an estate and the bondage15 of a conspicuous16 position much against his will. But he had set his face against the natural results. He knew that it was expected of him that he should marry and ‘settle down.’ He had an idea even that his neighbours had kindly17 selected for him a certain number of eligible18 young ladies among whom he would be expected to make his choice. To be sure nobody could force him to make any such choice. He was free as the air to choose elsewhere, or not to choose at all. But the consciousness that this was what was expected of him chafed19 the young man. He was coy at first like a girl, on his defence, yet sometimes, with laughter and shame, became conscious of his own little coquetries, and felt how ludicrous was the situation altogether. And then he fled to town, to the excitements of the season, to take his share, for the first time, in that whirl and hurry of entertainment and assembling together which we call
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society. And then—but this was the thing unaccountable in the midst of so many things which he saw through and understood—he fell in love; and before he knew, was on the eve of asking to share his fortunes, and to ‘settle down’ with him at Bellendean, the girl who had been, a few months before, the village schoolmistress there.
Norman had fallen in love honestly, spontaneously, without any preparation or arrière-pensée. He had neither said to himself that this was the one woman for him, or that she was altogether out of the question for him being what she was. Before he had begun to suspect it, the thing was done. He had thought it was the river, the rowing, the greater simplicity20 and freedom of the merry party, something in the summer air that was itself delicious as an escape out of London, before he found out that it was Joyce. He had indeed just found out that it was Joyce on the last occasion, when he walked with her home from the garden-party at Sir Sam’s. He had found it out, and in the rush and flood of feeling had told her—he scarcely knew what. He tried to recollect21 after what he had said, and he could not. He knew that she had not responded; that she had kept him at arm’s-length; and that when he had rushed away, unable to bear the constraint22 of other people’s society while it was she—she only—whom he wanted, he had said he would come back. The recollection was all confused, disturbed, made uncertain even by excessive thinking over and attempts to remember every detail. And then he had been called away, and it was not possible for him to go back; and then cold afterthought had seized upon him in his heat of love. She had made no reply—what she had said had been ‘No,’ though he did not believe that she had meant the final ‘No’ which would annihilate23 all his pretensions24. He had known that she did not mean that: he had seen in her something of the flood of feeling which had overwhelmed himself. He had gone up to town with his heart throbbing25 and his head swimming, in anticipation26 of what would happen when he went back. That was not how a man felt when he expected the ‘No’ which would make an end of all.
But he did not come back—for the moment could not, being called back to Bellendean; and then—did not. Why? Because of the chill of the afterthought which took possession of him; because he remembered, not immediately but after a time, who Joyce was. She was his old Colonel’s daughter, it was true, who was a match for any gentleman. Yes, a match for any gentleman. Colonel Hayward’s daughter, a distinguished27 soldier, a man who was as good as the best. Under royalty28, Colonel Haywar
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d’s daughter might have married any one—no man daring to have said that it was a mésalliance. But then at Bellendean she was the village schoolmistress. Nobody knew much about Colonel Hayward, though they had all heard the story; but everybody knew Joyce. He was aware, for he had heard it talked of, that for Joyce herself it was hard to throw off the habits of her previous existence; and that she was wounded even when told that she must no longer say Miss Greta, and must submit to be treated on a footing of equality by the lady to whom she had looked up. He remembered all this with an acute sense of pain, when he had time to think. That his wife should still have these instincts of inferiority; that she should wish to say Miss Greta; that she should look up to his step-mother as to a being of a superior kind—he grew hot and red at the thought. His wife! It was impossible—it could not be.
These thoughts chilled him to his very heart, and stopped the flood of love which was carrying him away. And many other thoughts came in to add to them. Norman himself was not well known in his county. There was a slight feeling against him as a man who had (though quite innocently on his part) supplanted29 his own father. He wanted a wife who should be unquestionable, who should be popular—able to help him to the full acquisition of his proper standing30 in the place. And if he were to bring home to be the mistress of Bellendean a girl whom everybody knew indeed, but knew as Joyce the schoolmistress!—his heart sank within him at that thought, which was suggested by several concurring31 things; by his step-mother, who, without mentioning Joyce, had laid the state of affairs very clearly before him, and by other incidental remarks and occurrences which supported her view. All these things disturbed his mind greatly. And he had occupations, perhaps arranged for the purpose, to keep him at home. And Greta’s home was at hand, where there was always a sympathetic listener for everything he wanted to say. He did not speak to Greta of Joyce, but Greta spoke32 of her freely, always with love and admiration33, which soothed34 him, yet at the same time diverted his thoughts a little in affectionate gratitude35 and approval of this generous little creature, who combined everything that was most desirable in a wife, just as Joyce combined everything that was least desirable. And then there were the poor couple in the village, whom Norman went religiously to see at first, to tell them about their lost child; then with a hunger of the heart that could not be satisfied, to talk about her. He never asked himself how he would like to have this old couple, so excellent, so blameless
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—worthy of all respect, and more than respect—at Bellendean, calling its mistress J’yce, and weeping over her; but the thought, of which he was ashamed, shot across his mind like lightning every time he heard their name.
These things worked in his mind and made him miserable36. His step-mother talked to him of marrying, and of the necessity of making a wise choice to establish his position; and Greta met him at every corner—either he was invited to her father’s house, or she came to see her dear aunt Margaret. The girl was entirely37 innocent of any conspiracy38 in the matter; but Norman was her hero, and it was scarcely possible for her to conceal39 her interest in him—her joy when he came, her regret when he went away. It was not difficult for him to discover that in everybody’s opinion Greta was the fittest of wives for him. He could not shut his eyes to the fact that it was so. If he had never seen Joyce, if he had never entered that enchanted40 country in which she dwelt, never floated on that magic river, never strayed in that garden of dreams—never met and parted—then Greta would have been his bride. She would have come to Bellendean so naturally and simply, with such a carrying out of all good wishes for its new lord, that the marriage would have been pronounced by all to be one of those made in heaven.
But now another image had come in. Sometimes he would wish in his distress41 that it had never done so—that he had never seen her: but that did not change the fact that she had come in and changed everything. The conflict had grown harder every day. Then he had gone to the Highlands, to the moors42, and there the struggle took another form. His demon43, his other self, who maintained the controversy44 with him, began to put it before Norman that he had ‘behaved badly’ to Joyce. Perhaps—we know so little about these demons45 or dæmons, who are continually interfering46 in our affairs, making and meddling47, and have so little light as to their motives—perhaps that most secret of companions meant to deter48 him by the shame of that bad behaviour from going near Joyce again. But if so, he calculated without his host. For Norman, in a blaze of shame and self-indignation which drove him like a fiery49 wind, hurried straight off to London, on the spot, to see Joyce instantly and put himself right.
It was in this mood that he arrived, and found himself in the familiar scene of his summer romance, under grey twilight skies, and in the cosy50 empty room, lighted with the red firelight, silent, comfortable, full of the poetry of domestic life, which is different from the poetry of the river and the garden. He knew that Mrs.
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Hayward had gone to look for Joyce, and that she would not come back to disturb the tête-à-tête, but would leave them together, as mothers seemed to do, with an instinct of what is coming. He would rather have met Joyce unawares without any warning, without any possibility of a concerted meeting of which the parents should be in the secret. It annoyed him to think that she would be warned, that along with the sudden intimation that he was there, there would be a word of advice or at least a look, to show her what was expected of her. This added to his restlessness as he stood before the red glow of the fire changing from one foot to the other, anxious, impatient, yet feeling that the chill fit, the mental ague which alternated with the fever, might be on its way. He heard little movements in the house—some one walking overhead—some one running upstairs—a voice sounding faintly calling some one. Was Joyce reluctant then to come? Was she angry with him for not returning sooner? Was she displeased51 with the warning given her, and unwilling52 to come down to him in the empty drawing-room while everybody knew what must take place there? It would be like her to refuse. It would be what he should expect of her; but in what a position would it place him!—a lover understood yet undeclared, whose object was unmistakable, yet who was not to be allowed to carry it out. His heart began to beat, partly with anger, partly with suspense53, partly with love. Would not she come? He was so impatient that he could have seized her and shaken her in exasperation54 and excitement; and yet he could not but grumble55 in his moustache, that by Jove she was right, and that it was just what he would have expected of Joyce.
Presently, however, the sounds outside became more audible, and he made out that it was the Colonel’s step which was coming towards the drawing-room. ‘Captain Bellendean!’ Colonel Hayward was saying; ‘why didn’t you bring him to the library? Why, Norman, my fine fellow! how do you do?—I’m delighted to see you; but why that ass14 should have sent you in here in the dark—I can’t see you a bit—is more than any mortal could divine—when he knew the ladies were out, and I was sitting by myself.’
‘I came in with Mrs. Hayward. I assure you it wasn’t the man’s fault.’
‘Oh, well, if Elizabeth knows. She’ll be down immediately, no doubt. Bring us some light, Baker. Yes, yes, the firelight is very pretty, but I always like to see to talk. Come up about business, Bellendean?’
‘Yes,’ said Norman, with a little hesitation56. ‘I may say it is business, though not quite what is usually called by that name.
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’
‘I thought so. Nothing else would bring one of you young fellows to town at this time of the year. Tell your mistress, Baker, we are waiting for her to give us some tea. Mrs. Bellendean was here yesterday to bid us good-bye; or perhaps I should say to bid good-bye to Joyce: for I think we came a long way after Joyce in her estimation, my wife and I.’
‘I hope,’ said Bellendean, with a catch in his breath, ‘that Miss Hayward—is quite well.’
‘Oh yes, she is very well. I have thought sometimes that this air didn’t suit her—it’s a great change from the North. It gave me great pleasure, however, to find, when we were talking the other day, that she likes it on the whole. She has a wonderfully pretty way of expressing herself. I should like to tell you a thing she said to me. I was questioning her on this subject, anxious to get her true sentiments. And she said, “You are my home, father."—Eh, don’t you think it was pretty? Well, I’m an old fool—it brought the water to my eyes. Hush58, here’s Elizabeth; she says I am like a child with a new toy. I bore everybody with my stories of Joyce.’
‘It would not be easy to bore me—on that subject.’
These last words were drowned by the entrance of Mrs. Hayward. She had taken off her things, leaving it to her husband to entertain the visitor. Joyce’s absence annoyed her exceedingly. It was quite unusual, and seemed a sort of climax59 of misfortune—or perversity60: perversity was the view to which Mrs. Hayward inclined.
‘I don’t know what can have become of Joyce,’ she said, after she had poured out tea for the gentlemen. ‘She is never out at this hour. It is getting dark, too late for her to be out.’
‘Are you anxious, my dear?’ cried the Colonel, rising. ‘Bless me! it is always you who think of everything. I’ll go at once and bring her home.’
‘Nonsense, Henry!—there is nothing to be anxious about. She has stayed somewhere for tea. Last time we saw you, Captain Bellendean, you expected to return to town—earlier than this. I suppose you had still a good deal to arrange before your father and Mrs. Bellendean left you to your own devices?’
‘I have been very busy,’ said Bellendean in a subdued61 tone, which the Colonel did not understand.
‘He has come up about business now,’ said Colonel Hayward; ‘and very dull you will find it, Bellendean, I don’t doubt, though I am told that more people come to London at this time of the
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year than used to do so. You must run down as often as you can and look us up—as you did in summer, you know——’
‘Summer and winter are two very different things,’ said Mrs. Hayward; ‘and Captain Bellendean feels that, Henry. In summer there’s the river, you know, and—other things.’
‘The other things,’ said Norman with an effort, ‘last all the year through; and they are more important even than the river.’
Captain Bellendean was very ill at ease. He had not thought of these surroundings at all, nor of any questions that might be put to him on the subject of his long delay, nor of anything indeed but Joyce. It had been comparatively easy in the outdoor summer life to secure an interview with her. Now as he looked round him, and saw Mrs. Hayward seat herself in her habitual chair by her habitual table, with that air of settled and permanent possession which the mistress of a house has in her own corner, and the Colonel thrown back in a larger chair on the other side, a sense of being surrounded and shut in came upon him. Joyce was not here, which took all the meaning out of his coming; but if she had been here between this pair to whom she belonged, what could he have said to her? Colonel Hayward’s daughter surrounded by all the fortifications of life was a different thing from Joyce,—the girl whom to love and seek was a sort of social crime. There was no question here of a tremendous social downfall, of the mésalliance and mistake against which he had been warned. He had fully57 understood that side of the question, and it had chilled him even in his heat of love. Now the tables were turned; it was he who was suspected and disapproved62 of, and from whom the parents were defending their daughter. This unexpected drawback chilled him still more.
Norman sat for a long time in that exceedingly comfortable, warm, beautifully furnished room, with his old Colonel, for whom he had the greatest respect, and the Colonel’s commander, the much-famed Elizabeth, over whose name he had jested, but of whose personality he had always been a little afraid. He sat and made conversation, or rather listened to that which went on across him, growing more and more embarrassed and uncomfortable. He seemed to hear doors opening and closing all over the house, but Joyce never appeared; and footsteps in the hall and on the stairs, but no sign of her coming. His head began to get confused with the contrariety and annoyance63. Fate and Mrs. Hayward seemed to have joined the conspiracy against him, in which everybody was at Bellendean—and, as he now blushed to think, he had not expected any contrariety here. He had thought—coxcomb that he
{362}
was!—that here he would be master of the situation. He had thought he knew that Joyce would not say him nay64. The shy glance, the rising colour, even the startled opposition65 to his half-spoken love-making on their last interview, had given him an assurance that Joyce was not indifferent. But even this assurance came back upon him with a keen sense of shame and wounded vanity. He had been a fool. How could he tell what she would say to him, while here were the father and mother talking, perhaps keeping her out of sight, at least securing that even if she came nothing could be said? And she did not come—though it seemed to Captain Bellendean that hours had elapsed since he entered the drawing-room in the firelight, and imagined to himself the little comedy, the mother seeking the daughter, hurrying her downstairs and into the arms of the waiting lover. He realised with the most stinging shame that he had imagined that—though the reality was so different, so ludicrously different, he tried to say with a laugh at himself—so painfully different, as he felt in his heart.
After a long time he rose. ‘I am afraid it is getting late. I must not lose—the next train. I have—something to do in town,’ he said.
‘Go! without your dinner!’ said the Colonel, in his cheerful ignorance. ‘No, no, you must not think of that. And Joyce would be disappointed not to see you. Tell him, my dear, he must stay to dinner at least. We don’t let old friends go like this.’
‘I am afraid I must go,’ said Norman, with the stony66 air of a departing Englishman, always uneasy lest he should be made to change his resolution. He was offended, wounded, shamed by the difference between the reality and his imagination. ‘I—have a great deal to do in town—and the little time——’
‘Then you are leaving again soon?’ Mrs. Hayward said. She had risen from her chair at once as if to give him no excuse for changing his mind; though that was not what she meant.
‘But we must see him again, Elizabeth. No, no, I’ll take no denial. Why, Joyce will be distressed67 not to see you. You must come another day and stay to dinner. It is a long time since we have had a good talk,’ cried the Colonel. ‘I want to hear all your plans. Come, come, Bellendean, there’s no getting off it. You must come another day.’
He was turned all the wrong way. He had come with great strain of purpose, feeling all the magnitude of the step before him, knowing the sacrifice that was involved as well as the gain. And nothing at all had come of it, not even a recognition on the part of
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the spectators of the immense importance of what he had been about to do. ‘I am afraid it’s impossible,’ he said, with stony looks; and then there came over him a sudden vision of Joyce in all her sweetness. Joyce, the only poetry he had ever felt, the only romance that had ever revealed itself to him. Was he to give her up for this? ‘Perhaps,’ he added, ‘if you are disengaged on Thursday.’ His tone was ungracious, but his heart gave a leap, belying68 the outward stolidity69 of disappointment and half offence.
‘Thursday, or any day,’ cried the Colonel, in his hospitality. ‘You don’t think we should count any trumpery70 little engagement against a visit from you! Well, that’s better—that’s better, Bellendean; and good-bye, my dear fellow; you’ll have a run for the train, if you must go.’
The Colonel came out bareheaded to the door to hasten the departure of the guest to whom it was so indispensable not to lose the train. He stood there for a moment looking at his watch in the light of the lamp in the hall. ‘It is all he will do to catch it,’ he said; ‘but he has good long legs of his own, which is better than a cab when you’re in a hurry. Shut the door, Baker, there’s a dreadful draught71. Why, Jenkinson, is that you? You’ve brought my girl home, like a good fellow. And, Joyce, my dear, you’ve come five minutes too late. Norman Bellendean has just darted72 off to catch his train.
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1
genial
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| adj.亲切的，和蔼的，愉快的，脾气好的 | |
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2
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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4
vacancy
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| n.（旅馆的）空位，空房，（职务的）空缺 | |
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luxurious
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| adj.精美而昂贵的；豪华的 | |
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6
habitual
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| adj.习惯性的；通常的，惯常的 | |
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7
leisurely
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| adj.悠闲的；从容的，慢慢的 | |
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8
baker
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| n.面包师 | |
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doze
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| v.打瞌睡；n.打盹，假寐 | |
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10
stolid
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| adj.无动于衷的，感情麻木的 | |
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11
chuckled
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| 轻声地笑( chuckle的过去式和过去分词 ) | |
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insufficient
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| adj.(for，of)不足的，不够的 | |
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reluctance
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| n.厌恶，讨厌，勉强，不情愿 | |
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14
ass
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| n.驴；傻瓜，蠢笨的人 | |
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15
bondage
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| n.奴役，束缚 | |
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conspicuous
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| adj.明眼的，惹人注目的；炫耀的，摆阔气的 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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eligible
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| adj.有条件被选中的；(尤指婚姻等)合适(意)的 | |
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19
chafed
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| v.擦热（尤指皮肤）( chafe的过去式 )；擦痛；发怒；惹怒 | |
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simplicity
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| n.简单，简易；朴素；直率，单纯 | |
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recollect
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| v.回忆，想起，记起，忆起，记得 | |
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constraint
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| n.(on)约束，限制；限制(或约束)性的事物 | |
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annihilate
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| v.使无效；毁灭；取消 | |
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pretensions
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| 自称( pretension的名词复数 )； 自命不凡； 要求； 权力 | |
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throbbing
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| a. 跳动的,悸动的 | |
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anticipation
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| n.预期，预料，期望 | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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royalty
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| n.皇家，皇族 | |
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29
supplanted
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| 把…排挤掉，取代( supplant的过去式和过去分词 ) | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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concurring
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| 同时发生的，并发的 | |
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32
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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34
soothed
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| v.安慰( soothe的过去式和过去分词 )；抚慰；使舒服；减轻痛苦 | |
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gratitude
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| adj.感激，感谢 | |
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miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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conspiracy
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| n.阴谋，密谋，共谋 | |
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conceal
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| v.隐藏，隐瞒，隐蔽 | |
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enchanted
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| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
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41
distress
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| n.苦恼，痛苦，不舒适；不幸；vt.使悲痛 | |
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42
moors
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| v.停泊，系泊（船只）( moor的第三人称单数 ) | |
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43
demon
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| n.魔鬼，恶魔 | |
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controversy
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| n.争论，辩论，争吵 | |
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45
demons
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| n.恶人( demon的名词复数 )；恶魔；精力过人的人；邪念 | |
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interfering
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| adj. 妨碍的 动词interfere的现在分词 | |
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meddling
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| v.干涉，干预（他人事务）( meddle的现在分词 ) | |
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deter
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| vt.阻止，使不敢，吓住 | |
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fiery
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| adj.燃烧着的，火红的；暴躁的；激烈的 | |
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cosy
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| adj.温暖而舒适的，安逸的 | |
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displeased
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| a.不快的 | |
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unwilling
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| adj.不情愿的 | |
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suspense
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| n.（对可能发生的事）紧张感，担心，挂虑 | |
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exasperation
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| n.愤慨 | |
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grumble
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| vi.抱怨；咕哝；n.抱怨，牢骚；咕哝，隆隆声 | |
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hesitation
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| n.犹豫，踌躇 | |
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fully
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| adv.完全地，全部地，彻底地；充分地 | |
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hush
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| int.嘘，别出声；n.沉默，静寂；v.使安静 | |
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climax
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| n.顶点；高潮；v.(使)达到顶点 | |
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perversity
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| n.任性；刚愎自用 | |
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subdued
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| adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词 | |
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disapproved
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| v.不赞成( disapprove的过去式和过去分词 ) | |
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annoyance
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| n.恼怒，生气，烦恼 | |
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nay
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| adv.不；n.反对票，投反对票者 | |
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opposition
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| n.反对，敌对 | |
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stony
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| adj.石头的，多石头的，冷酷的，无情的 | |
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distressed
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| 痛苦的 | |
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68
belying
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| v.掩饰，与…不符，使…失望；掩饰( belie的现在分词 )；证明（或显示）…为虚假；辜负；就…扯谎 | |
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stolidity
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| n.迟钝，感觉麻木 | |
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trumpery
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| n.无价值的杂物；adj.（物品）中看不中用的 | |
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draught
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| n.拉，牵引，拖；一网（饮，吸，阵)；顿服药量，通风；v.起草，设计 | |
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darted
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| v.投掷，投射( dart的过去式和过去分词 )；向前冲，飞奔 | |
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