The civilised world was searched; the libraries of all nations were overhauled8 to stock the Library of the Escorial with great books and precious manuscripts. Greece, Arabia, and Palestine con{56}tributed to the Bibliotheca of the kingly scholar, and the collection of volumes was at one time the finest in Europe. Philip himself took the greatest interest in the Library. He worked at the catalogue and annotated9 the list of volumes. The original collection was greatly augmented10 from time to time by the purchases made on the king’s behalf by agents, who travelled in various countries, by the seizure11 of volumes belonging to heretics, and by works presented by loyal and wealthy subjects. Castillo was one of Philip’s book-hunters; the catalogue of Arabic books and documents was prepared by the learned Father Sigüenza.
A suitable repository for the books was erected12 at the Escorial under the supervision13 of Philip. The vaulted14 ceiling was painted by Vicente Carducci, an Italian artist of great distinction, who may be ranked as the chief of the Italian designers employed to embellish15 the Escorial. Carducci’s mural paintings in the Library are perhaps the finest of all the fresco16 works in the building. He was assisted by Tibaldi of Bologna, an artist of meagre talent, who represented Philosophy, Grammar, Arithmetic, Astronomy, and other sciences and certain of the arts, upon his portion of the ceiling.{57}
The Library is well lighted by windows. Even the shelves display the taste of the founder, for they are beautifully carved by Flecha. The tables are of marble and jasper, and the floor is paved with marble. Between the rows of shelves are some portraits of Spanish sovereigns, and among them is Carreño’s picture of Charles II. at the age of fourteen. Pantoja painted the Emperor Charles V. and the portraits of Philip II. and Philip III. The pictures represent the subjects in life-size.
Juan de Herrera, the famous architect of the Escorial, is presented on one of the canvases by an anonymous17 artist. Isabella of Portugal, wife of Charles V., is portrayed18 here, together with another portrait of Charles V. in boyhood, which hangs in the same room. The bust19 of Cicero in the Library was said to have been unearthed20 at Herculaneum.
Upon the entrance to the Library are the words of anathema21 uttered by the Pope upon any one who should dare to purloin22 books from the collection. There have been, however, many losses. The French plundered23 the Library, which, long before the invasion, was devastated24 by the fire of 1671, and from time to time the hand of the pilferer25 has been laid upon many of the volumes.{58}
From a nucleus26 of four thousand volumes, collected by Philip II. and placed in the Escorial, the Library grew in the number of its books, and in the costly27 manuscripts in Arabic and other Eastern tongues. At one period this was the most notable and valuable collection of Arab works in the whole of Europe. The gift of Don Diego de Mendoza’s private library further enriched the collection. Mendoza was Philip’s ambassador to Italy, and a man of wide culture and with a love of books. When the king inherited this splendid library, he satisfied all his ambassador’s creditors28.
Mendoza’s volumes were presented in 1576. They were bound in an unusual manner, one cover being red and the other black, and sometimes the leaf edges are decorated in two colours. Among other donors29 to the Library were Augustin, Archbishop of Tarragona, an eminent30 writer, Ponce de Léon, and Geronimo de Zurita, a historian. The Balearic Islands contributed about three hundred volumes, some of them being the writings of the remarkable31 Raymond Lully. From the Inquisition the Library received about one hundred and forty books. Authors of repute frequently presented their manuscripts to the great collection at the Escorial.{59}
In 1583 a Moorish32 interpreter, in the employment of Philip, was commissioned to buy all the Arab books that he could discover in Granada and Cordova. This bibliographer33, Alonso de Castillo, appears to have devoted34 great labour to the extension of the Library and catalogue-making. About seventy manuscripts in Greek, Hebrew, and Arabic, were presented by Father Montano, who seems to have acted as librarian, though the first to hold that office was Father Juan de San Geronimo.
Philip III. increased the Library by the addition of confiscated35 books seized from Don Ramuz del Prado; and in the reign6 of the same monarch36, the collection of three thousand volumes belonging to the Emperor of Morocco was acquired.
Anticipating the rule of our biggest public library, the British Museum, it was decreed that a copy of every book issued in Spain should be presented to the Escorial. Besides volumes of philosophy, history, theology, science, and poetry, there was a collection of church music in the Library, some of which was composed by the monks37, del Valle, Torrijos, and Cordova. Many of the compositions of the renowned38 choir-master, Antonio Soler, are in the Library.
Among the many valuable manuscripts in the{60} Escorial collection are the Gospels, illuminated39 in gold on vellum. The Missal is bound in red leather and wood, with silver clasps. Bound up with these manuscripts are the ‘Epistles of San Geronimo,’ which are still in splendid preservation40. Philip II. and many other collectors presented several breviaries and illuminated manuscripts to the Library. The relics41 are mostly well preserved, and in some cases the bindings are remarkably42 new in appearance. Some of the manuscripts are in Persian, others are in the Chinese and Arabic languages.
Several of the Latin manuscripts are exceedingly interesting, and date from A.D. 976 and the eleventh century. The Bibles, which number nineteen, are of the fourteenth century, and beautifully bound in parchment. One of the choicest treasures of the Library is the Apocalypse of St. John, richly illustrated43. The Greek manuscripts contain several works of the early Fathers, which have never been printed. Another valuable object is the ancient copy of the Koran, most exquisitely44 written and ornamented45.
The great ‘Chronicle’ of Alfonso is to be seen here, as well as the king’s treatises46 on ‘Hunting,’ ‘Chess,’ and ‘Draughts,’ which contain illustrations and diagrams. A number of old Castilian Bibles,{61} dating from the early part of the fifteenth century, are of especial interest. ‘The Census47 of Spain,’ contributed by Philip II., is also preserved in sundry48 volumes.
Among the sketches49 are works by El Mudo, Tibaldi, and Urbini. A large number of fine engravings and drawings by Michael Angelo, Titian, Raphael, and Albert Dürer form part of the collection of prints in the Library.
The Reading-Room contains over fifty pictures, mostly portraits of little value in the artistic50 sense. An inkstand which belonged to Father Sigüenza is shown here. The most notable treasure is a portrait by the vigorous Zurbarán, perhaps the most distinctively51 Spanish painter of the realistic school. According to Lord Leighton, Francisco de Zurbarán represented ‘all Spain’ in his art.
Among the portraits of illustrious persons are those of Quevedo, Father Sigüenza, Torquemada, Francisco Ximenes, Luis de Gongora, and Cardinal52 Mendoza.
点击收听单词发音
1 monastery | |
n.修道院,僧院,寺院 | |
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2 Founder | |
n.创始者,缔造者 | |
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3 esteemed | |
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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4 supremacy | |
n.至上;至高权力 | |
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5 craving | |
n.渴望,热望 | |
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6 reign | |
n.统治时期,统治,支配,盛行;v.占优势 | |
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7 applied | |
adj.应用的;v.应用,适用 | |
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8 overhauled | |
v.彻底检查( overhaul的过去式和过去分词 );大修;赶上;超越 | |
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9 annotated | |
v.注解,注释( annotate的过去式和过去分词 ) | |
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10 Augmented | |
adj.增音的 动词augment的过去式和过去分词形式 | |
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11 seizure | |
n.没收;占有;抵押 | |
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12 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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13 supervision | |
n.监督,管理 | |
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14 vaulted | |
adj.拱状的 | |
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15 embellish | |
v.装饰,布置;给…添加细节,润饰 | |
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16 fresco | |
n.壁画;vt.作壁画于 | |
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17 anonymous | |
adj.无名的;匿名的;无特色的 | |
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18 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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19 bust | |
vt.打破;vi.爆裂;n.半身像;胸部 | |
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20 unearthed | |
出土的(考古) | |
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21 anathema | |
n.诅咒;被诅咒的人(物),十分讨厌的人(物) | |
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22 purloin | |
v.偷窃 | |
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23 plundered | |
掠夺,抢劫( plunder的过去式和过去分词 ) | |
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24 devastated | |
v.彻底破坏( devastate的过去式和过去分词);摧毁;毁灭;在感情上(精神上、财务上等)压垮adj.毁坏的;极为震惊的 | |
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25 pilferer | |
n.小偷 | |
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26 nucleus | |
n.核,核心,原子核 | |
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27 costly | |
adj.昂贵的,价值高的,豪华的 | |
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28 creditors | |
n.债权人,债主( creditor的名词复数 ) | |
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29 donors | |
n.捐赠者( donor的名词复数 );献血者;捐血者;器官捐献者 | |
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30 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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31 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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32 moorish | |
adj.沼地的,荒野的,生[住]在沼地的 | |
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33 bibliographer | |
书志学家,书目提要编著人 | |
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34 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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35 confiscated | |
没收,充公( confiscate的过去式和过去分词 ) | |
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36 monarch | |
n.帝王,君主,最高统治者 | |
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37 monks | |
n.修道士,僧侣( monk的名词复数 ) | |
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38 renowned | |
adj.著名的,有名望的,声誉鹊起的 | |
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39 illuminated | |
adj.被照明的;受启迪的 | |
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40 preservation | |
n.保护,维护,保存,保留,保持 | |
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41 relics | |
[pl.]n.遗物,遗迹,遗产;遗体,尸骸 | |
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42 remarkably | |
ad.不同寻常地,相当地 | |
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43 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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44 exquisitely | |
adv.精致地;强烈地;剧烈地;异常地 | |
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45 ornamented | |
adj.花式字体的v.装饰,点缀,美化( ornament的过去式和过去分词 ) | |
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46 treatises | |
n.专题著作,专题论文,专著( treatise的名词复数 ) | |
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47 census | |
n.(官方的)人口调查,人口普查 | |
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48 sundry | |
adj.各式各样的,种种的 | |
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49 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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50 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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51 distinctively | |
adv.特殊地,区别地 | |
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52 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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