I have noticed one very amusing way in which this is done. I notice the method applied10 to about six of the wealthiest men in England in a book of interviews published by an able and well-known journalist. The flatterer contrives11 to combine strict truth of fact with a vast atmosphere of awe12 and mystery by the simple operation of dealing13 almost entirely in negatives. Suppose you are writing a sympathetic study of Mr. Pierpont Morgan. Perhaps there is not much to say about what he does think, or like, or admire; but you can suggest whole vistas14 of his taste and philosophy by talking a great deal about what he does not think, or like, or admire. You say of him—"But little attracted to the most recent schools of German philosophy, he stands almost as resolutely15 aloof16 from the tendencies of transcendental Pantheism as from the narrower ecstasies17 of Neo-Catholicism." Or suppose I am called upon to praise the charwoman who has just come into my house, and who certainly deserves it much more. I say—"It would be a mistake to class Mrs. Higgs among the followers18 of Loisy; her position is in many ways different; nor is she wholly to be identified with the concrete Hebraism of Harnack." It is a splendid method, as it gives the flatterer an opportunity of talking about something else besides the subject of the flattery, and it gives the subject of the flattery a rich, if somewhat bewildered, mental glow, as of one who has somehow gone through agonies of philosophical19 choice of which he was previously20 unaware21. It is a splendid method; but I wish it were applied sometimes to charwomen rather than only to millionaires.
There is another way of flattering important people which has become very common, I notice, among writers in the newspapers and elsewhere. It consists in applying to them the phrases "simple," or "quiet," or "modest," without any sort of meaning or relation to the person to whom they are applied. To be simple is the best thing in the world; to be modest is the next best thing. I am not so sure about being quiet. I am rather inclined to think that really modest people make a great deal of noise. It is quite self-evident that really simple people make a great deal of noise. But simplicity22 and modesty23, at least, are very rare and royal human virtues24, not to be lightly talked about. Few human beings, and at rare intervals25, have really risen into being modest; not one man in ten or in twenty has by long wars become simple, as an actual old soldier does by [**Note: Apparent typesetting error here in original.] long wars become simple. These virtues are not things to fling about as mere9 flattery; many prophets and righteous men have desired to see these things and have not seen them. But in the description of the births, lives, and deaths of very luxurious26 men they are used incessantly27 and quite without thought. If a journalist has to describe a great politician or financier (the things are substantially the same) entering a room or walking down a thoroughfare, he always says, "Mr. Midas was quietly dressed in a black frock coat, a white waistcoat, and light grey trousers, with a plain green tie and simple flower in his button-hole." As if any one would expect him to have a crimson28 frock coat or spangled trousers. As if any one would expect him to have a burning Catherine wheel in his button-hole.
But this process, which is absurd enough when applied to the ordinary and external lives of worldly people, becomes perfectly29 intolerable when it is applied, as it always is applied, to the one episode which is serious even in the lives of politicians. I mean their death. When we have been sufficiently30 bored with the account of the simple costume of the millionaire, which is generally about as complicated as any that he could assume without being simply thought mad; when we have been told about the modest home of the millionaire, a home which is generally much too immodest to be called a home at all; when we have followed him through all these unmeaning eulogies31, we are always asked last of all to admire his quiet funeral. I do not know what else people think a funeral should be except quiet. Yet again and again, over the grave of every one of those sad rich men, for whom one should surely feel, first and last, a speechless pity—over the grave of Beit, over the grave of Whiteley—this sickening nonsense about modesty and simplicity has been poured out. I well remember that when Beit was buried, the papers said that the mourning-coaches contained everybody of importance, that the floral tributes were sumptuous32, splendid, intoxicating33; but, for all that, it was a simple and quiet funeral. What, in the name of Acheron, did they expect it to be? Did they think there would be human sacrifice—the immolation34 of Oriental slaves upon the tomb? Did they think that long rows of Oriental dancing-girls would sway hither and thither35 in an ecstasy36 of lament37? Did they look for the funeral games of Patroclus? I fear they had no such splendid and pagan meaning. I fear they were only using the words "quiet" and "modest" as words to fill up a page—a mere piece of the automatic hypocrisy38 which does become too common among those who have to write rapidly and often. The word "modest" will soon become like the word "honourable39," which is said to be employed by the Japanese before any word that occurs in a polite sentence, as "Put honourable umbrella in honourable umbrella-stand;" or "condescend40 to clean honourable boots." We shall read in the future that the modest King went out in his modest crown, clad from head to foot in modest gold and attended with his ten thousand modest earls, their swords modestly drawn41. No! if we have to pay for splendour let us praise it as splendour, not as simplicity. When next I meet a rich man I intend to walk up to him in the street and address him with Oriental hyperbole. He will probably run away.
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1 journalism | |
n.新闻工作,报业 | |
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2 straightforward | |
adj.正直的,坦率的;易懂的,简单的 | |
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3 benevolent | |
adj.仁慈的,乐善好施的 | |
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4 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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5 eulogy | |
n.颂词;颂扬 | |
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6 credible | |
adj.可信任的,可靠的 | |
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7 convivial | |
adj.狂欢的,欢乐的 | |
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8 saviour | |
n.拯救者,救星 | |
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9 mere | |
adj.纯粹的;仅仅,只不过 | |
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10 applied | |
adj.应用的;v.应用,适用 | |
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11 contrives | |
(不顾困难地)促成某事( contrive的第三人称单数 ); 巧妙地策划,精巧地制造(如机器); 设法做到 | |
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12 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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13 dealing | |
n.经商方法,待人态度 | |
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14 vistas | |
长条形景色( vista的名词复数 ); 回顾; 展望; (未来可能发生的)一系列情景 | |
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15 resolutely | |
adj.坚决地,果断地 | |
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16 aloof | |
adj.远离的;冷淡的,漠不关心的 | |
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17 ecstasies | |
狂喜( ecstasy的名词复数 ); 出神; 入迷; 迷幻药 | |
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18 followers | |
追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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19 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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20 previously | |
adv.以前,先前(地) | |
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21 unaware | |
a.不知道的,未意识到的 | |
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22 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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23 modesty | |
n.谦逊,虚心,端庄,稳重,羞怯,朴素 | |
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24 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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25 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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26 luxurious | |
adj.精美而昂贵的;豪华的 | |
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27 incessantly | |
ad.不停地 | |
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28 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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29 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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30 sufficiently | |
adv.足够地,充分地 | |
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31 eulogies | |
n.颂词,颂文( eulogy的名词复数 ) | |
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32 sumptuous | |
adj.豪华的,奢侈的,华丽的 | |
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33 intoxicating | |
a. 醉人的,使人兴奋的 | |
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34 immolation | |
n.牺牲品 | |
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35 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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36 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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37 lament | |
n.悲叹,悔恨,恸哭;v.哀悼,悔恨,悲叹 | |
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38 hypocrisy | |
n.伪善,虚伪 | |
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39 honourable | |
adj.可敬的;荣誉的,光荣的 | |
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40 condescend | |
v.俯就,屈尊;堕落,丢丑 | |
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41 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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