FAIRY TALES

Some solemn and superficial people (for nearly all very superficial people are solemn) have declared that the fairy-tales are immoral¹; they base this upon some accidental circumstances or regrettable incidents in the war between giants and boys, some cases in which the latter indulged in unsympathetic deceptions² or even in practical jokes. The objection, however, is not only false, but very much the reverse of the facts. The fairy-tales are at root not only moral in the sense of being innocent, but moral in the sense of being didactic, moral in the sense of being moralising. It is all very well to talk of the freedom of fairyland, but there was precious little freedom in fairyland by the best official accounts. Mr. W.B. Yeats and other sensitive modern souls, feeling that modern life is about as black a slavery as ever oppressed mankind (they are right enough there), have especially described elfland as a place of utter ease and abandonment—a place where the soul can turn every way at will like the wind. Science denounces the idea of a capricious God; but Mr. Yeats's school suggests that in that world every one is a capricious god. Mr. Yeats himself has said a hundred times in that sad and splendid literary style which makes him the first of all poets now writing in English (I will not say of all English poets, for Irishmen are familiar with the practice of physical assault), he has, I say, called up a hundred times the picture of the terrible freedom of the fairies, who typify the ultimate anarchy³ of art—
"Where nobody grows old or weary or wise,
Where nobody grows old or godly or grave."

But, after all (it is a shocking thing to say), I doubt whether Mr. Yeats really knows the real philosophy of the fairies. He is not simple enough; he is not stupid enough. Though I say it who should not, in good sound human stupidity I would knock Mr. Yeats out any day. The fairies like me better than Mr. Yeats; they can take me in more. And I have my doubts whether this feeling of the free, wild spirits on the crest⁴ of hill or wave is really the central and simple spirit of folk-lore. I think the poets have made a mistake: because the world of the fairy-tales is a brighter and more varied⁵ world than ours, they have fancied it less moral; really it is brighter and more varied because it is more moral. Suppose a man could be born in a modern prison. It is impossible, of course, because nothing human can happen in a modern prison, though it could sometimes in an ancient dungeon⁶. A modern prison is always inhuman⁷, even when it is not inhumane. But suppose a man were born in a modern prison, and grew accustomed to the deadly silence and the disgusting indifference⁸; and suppose he were then suddenly turned loose upon the life and laughter of Fleet Street. He would, of course, think that the literary men in Fleet Street were a free and happy race; yet how sadly, how ironically, is this the reverse of the case! And so again these toiling⁹ serfs in Fleet Street, when they catch a glimpse of the fairies, think the fairies are utterly¹⁰ free. But fairies are like journalists in this and many other respects. Fairies and journalists have an apparent gaiety and a delusive¹¹ beauty. Fairies and journalists seem to be lovely and lawless; they seem to be both of them too exquisite¹² to descend¹³ to the ugliness of everyday duty. But it is an illusion created by the sudden sweetness of their presence. Journalists live under law; and so in fact does fairyland.

If you really read the fairy-tales, you will observe that one idea runs from one end of them to the other—the idea that peace and happiness can only exist on some condition. This idea, which is the core of ethics¹⁴, is the core of the nursery-tales. The whole happiness of fairyland hangs upon a thread, upon one thread. Cinderella may have a dress woven on supernatural looms¹⁵ and blazing with unearthly brilliance¹⁶; but she must be back when the clock strikes twelve. The king may invite fairies to the christening, but he must invite all the fairies or frightful¹⁷ results will follow. Bluebeard's wife may open all doors but one. A promise is broken to a cat, and the whole world goes wrong. A promise is broken to a yellow dwarf¹⁸, and the whole world goes wrong. A girl may be the bride of the God of Love himself if she never tries to see him; she sees him, and he vanishes away. A girl is given a box on condition she does not open it; she opens it, and all the evils of this world rush out at her. A man and woman are put in a garden on condition that they do not eat one fruit: they eat it, and lose their joy in all the fruits of the earth.

This great idea, then, is the backbone¹⁹ of all folk-lore—the idea that all happiness hangs on one thin veto; all positive joy depends on one negative. Now, it is obvious that there are many philosophical²⁰ and religious ideas akin²¹ to or symbolised by this; but it is not with them I wish to deal here. It is surely obvious that all ethics ought to be taught to this fairy-tale tune²²; that, if one does the thing forbidden, one imperils all the things provided. A man who breaks his promise to his wife ought to be reminded that, even if she is a cat, the case of the fairy-cat shows that such conduct may be incautious. A burglar just about to open some one else's safe should be playfully reminded that he is in the perilous²³ posture²⁴ of the beautiful Pandora: he is about to lift the forbidden lid and loosen evils unknown. The boy eating some one's apples in some one's apple tree should be a reminder²⁵ that he has come to a mystical moment of his life, when one apple may rob him of all others. This is the profound morality of fairy-tales; which, so far from being lawless, go to the root of all law. Instead of finding (like common books of ethics) a rationalistic basis for each Commandment, they find the great mystical basis for all Commandments. We are in this fairyland on sufferance; it is not for us to quarrel with the conditions under which we enjoy this wild vision of the world. The vetoes are indeed extraordinary, but then so are the concessions²⁶. The idea of property, the idea of some one else's apples, is a rum idea; but then the idea of there being any apples is a rum idea. It is strange and weird²⁷ that I cannot with safety drink ten bottles of champagne²⁸; but then the champagne itself is strange and weird, if you come to that. If I have drunk of the fairies' drink it is but just I should drink by the fairies' rules. We may not see the direct logical connection between three beautiful silver spoons and a large ugly policeman; but then who in fairy tales ever could see the direct logical connection between three bears and a giant, or between a rose and a roaring beast? Not only can these fairy-tales be enjoyed because they are moral, but morality can be enjoyed because it puts us in fairyland, in a world at once of wonder and of war.

1 immoral   

adj.不道德的，淫荡的，荒淫的，有伤风化的

参考例句：

• She was questioned about his immoral conduct toward her.她被询问过有关他对她的不道德行为的情况。
• It is my belief that nuclear weapons are immoral.我相信使核武器是不邪恶的。

2 deceptions   

欺骗( deception的名词复数 )； 骗术，诡计

参考例句：

• Nobody saw through Mary's deceptions. 无人看透玛丽的诡计。
• There was for him only one trustworthy road through deceptions and mirages. 对他来说只有一条可靠的路能避开幻想和错觉。

3 anarchy   

n.无政府状态；社会秩序混乱，无秩序

参考例句：

• There would be anarchy if we had no police.要是没有警察，社会就会无法无天。
• The country was thrown into a state of anarchy.这国家那时一下子陷入无政府状态。

4 crest   

n.顶点；饰章；羽冠；vt.达到顶点；vi.形成浪尖

参考例句：

• The rooster bristled his crest.公鸡竖起了鸡冠。
• He reached the crest of the hill before dawn.他于黎明前到达山顶。

5 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

6 dungeon   

n.地牢，土牢

参考例句：

• They were driven into a dark dungeon.他们被人驱赶进入一个黑暗的地牢。
• He was just set free from a dungeon a few days ago.几天前，他刚从土牢里被放出来。

7 inhuman   

adj.残忍的，不人道的，无人性的

参考例句：

• We must unite the workers in fighting against inhuman conditions.我们必须使工人们团结起来反对那些难以忍受的工作条件。
• It was inhuman to refuse him permission to see his wife.不容许他去看自己的妻子是太不近人情了。

8 indifference   

n.不感兴趣，不关心，冷淡，不在乎

参考例句：

• I was disappointed by his indifference more than somewhat.他的漠不关心使我很失望。
• He feigned indifference to criticism of his work.他假装毫不在意别人批评他的作品。

9 toiling   

长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉

参考例句：

• The fiery orator contrasted the idle rich with the toiling working classes. 这位激昂的演说家把无所事事的富人同终日辛劳的工人阶级进行了对比。
• She felt like a beetle toiling in the dust. She was filled with repulsion. 她觉得自己像只甲虫在地里挣扎，心中涌满愤恨。

10 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

11 delusive   

adj.欺骗的，妄想的

参考例句：

• Most of the people realized that their scheme was simply a delusive snare.大多数人都认识到他们的诡计不过是一个骗人的圈套。
• Everyone knows that fairy isles are delusive and illusive things,still everyone wishes they were real.明知神山缥缈，却愿其有。

12 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

13 descend   

vt./vi.传下来，下来，下降

参考例句：

• I hope the grace of God would descend on me.我期望上帝的恩惠。
• We're not going to descend to such methods.我们不会沦落到使用这种手段。

14 ethics   

n.伦理学；伦理观，道德标准

参考例句：

• The ethics of his profession don't permit him to do that.他的职业道德不允许他那样做。
• Personal ethics and professional ethics sometimes conflict.个人道德和职业道德有时会相互抵触。

15 looms   

n.织布机( loom的名词复数 )v.隐约出现，阴森地逼近( loom的第三人称单数 )；隐约出现，阴森地逼近

参考例句：

• All were busily engaged,men at their ploughs,women at their looms. 大家都很忙，男的耕田，女的织布。 来自《简明英汉词典》
• The factory has twenty-five looms. 那家工厂有25台织布机。 来自《简明英汉词典》

16 brilliance   

n.光辉，辉煌，壮丽，（卓越的）才华，才智

参考例句：

• I was totally amazed by the brilliance of her paintings.她的绘画才能令我惊歎不已。
• The gorgeous costume added to the brilliance of the dance.华丽的服装使舞蹈更加光彩夺目。

17 frightful   

adj.可怕的；讨厌的

参考例句：

• How frightful to have a husband who snores!有一个发鼾声的丈夫多讨厌啊！
• We're having frightful weather these days.这几天天气坏极了。

18 dwarf   

n.矮子，侏儒，矮小的动植物；vt.使…矮小

参考例句：

• The dwarf's long arms were not proportional to his height.那侏儒的长臂与他的身高不成比例。
• The dwarf shrugged his shoulders and shook his head. 矮子耸耸肩膀，摇摇头。

19 backbone   

n.脊骨，脊柱，骨干；刚毅，骨气

参考例句：

• The Chinese people have backbone.中国人民有骨气。
• The backbone is an articulate structure.脊椎骨是一种关节相连的结构。

20 philosophical   

adj.哲学家的，哲学上的，达观的

参考例句：

• The teacher couldn't answer the philosophical problem.老师不能解答这个哲学问题。
• She is very philosophical about her bad luck.她对自己的不幸看得很开。

21 akin   

adj.同族的，类似的

参考例句：

• She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
• Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。

22 tune   

n.调子；和谐，协调；v.调音，调节，调整

参考例句：

• He'd written a tune,and played it to us on the piano.他写了一段曲子，并在钢琴上弹给我们听。
• The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。

23 perilous   

adj.危险的，冒险的

参考例句：

• The journey through the jungle was perilous.穿过丛林的旅行充满了危险。
• We have been carried in safety through a perilous crisis.历经一连串危机，我们如今已安然无恙。

24 posture   

n.姿势，姿态，心态，态度；v.作出某种姿势

参考例句：

• The government adopted an uncompromising posture on the issue of independence.政府在独立这一问题上采取了毫不妥协的态度。
• He tore off his coat and assumed a fighting posture.他脱掉上衣，摆出一副打架的架势。

25 reminder   

n.提醒物，纪念品；暗示，提示

参考例句：

• I have had another reminder from the library.我又收到图书馆的催还单。
• It always took a final reminder to get her to pay her share of the rent.总是得发给她一份最后催缴通知，她才付应该交的房租。

26 concessions   

n.（尤指由政府或雇主给予的）特许权( concession的名词复数 )；承认；减价；（在某地的）特许经营权

参考例句：

• The firm will be forced to make concessions if it wants to avoid a strike. 要想避免罢工，公司将不得不作出一些让步。
• The concessions did little to placate the students. 让步根本未能平息学生的愤怒。

27 weird   

adj.古怪的，离奇的；怪诞的，神秘而可怕的

参考例句：

• From his weird behaviour,he seems a bit of an oddity.从他不寻常的行为看来，他好像有点怪。
• His weird clothes really gas me.他的怪衣裳简直笑死人。

28 champagne   

n.香槟酒；微黄色

参考例句：

• There were two glasses of champagne on the tray.托盘里有两杯香槟酒。
• They sat there swilling champagne.他们坐在那里大喝香槟酒。