For Charteris was important. Patricia was rereading all the books that Charteris had published, and they engrossed1 her with an augmenting2 admiration3.
But it is unnecessary to dilate4 upon the marvelous and winning pictures of life in Lichfield before the War between the States which Charteris has painted in his novels. "Even as the king of birds that with unwearied wing soars nearest to the sun, yet wears upon his breast the softest down,"—as we learn from no less eminent5 authority than that of the Lichfield Courier-Herald—"so Mr. Charteris is equally expert in depicting6 the derring-do and tenderness of those glorious days of chivalry7, of fair women and brave men, of gentle breeding, of splendid culture and wholesome8 living."
Patricia was not a little puzzled by these books. The traditional Lichfield, she decided9 in the outcome, may very possibly have been just the trick-work of a charlatan's cleverness; but, even in that event, here were the tales of life in Lichfield—ardent, sumptuous10 and fragrant11 throughout with the fragrance12 of love and roses, of rhyme and of youth's lovely fallacies; and for the pot-pourri, if it deserved no higher name, all who believed that living ought to be a uniformly noble transaction could not fail to be grateful eternally.
Esthetic13 values apart—and, indeed, to all such values Patricia accorded a provisional respect—what most impressed her Stapyltonian mind was the fact that these books represented, in a perfectly14 tangible15 way, success. Patricia very heartily16 admired success when it was brevetted as such by the applause of others. And while to be a noted17 stylist, and even to be reasonably sure of annotated18 reissuement for the plaguing of unborn schoolchildren, was all well enough, in an unimportant, high-minded way, Patricia was far more vividly19 impressed by the blunt figures which told how many of John Charteris's books had been bought and paid for. She accepted these figures as his publishers gave them forth20, implicitly21; and she marveled over and took odd joy in these figures. They enabled her to admire Charteris's books without reservation.
By this time Mrs. Ashmeade had managed, in the most natural manner, to tell Patricia a deal concerning Charteris. No halo graced the portrait Mrs. Ashmeade painted…. But, indeed, Patricia now viewed John Charteris, considered as a person, without any particular bias22. She did not especially care—now—what the man had done or had omitted to do.
But the venerable incongruity23 of the writer and his work confronted her intriguingly24. A Charteris writes In Old Lichfield; a Cockney drug-clerk writes The Eve of St. Agnes; a genteel printer evolves a Lovelace; and a cutpurse pens the Ballad25 of Dead Ladies in a brothel. It is manifestly impossible; and it happens.
So here, then, was a knave26 who held, somehow, the keys to a courtlier and nobler world. These tales made living seem a braver business, for all that they were written by a poltroon27. Was it pure posturing28? Patricia, at least, thought it was not. At worst, such dexterous29 maintenance of a pose was hardly despicable, she considered. And, anyhow, she preferred to believe that Charteris had by some miracle put the best of himself into these books, had somehow clarified the abhorrent30 mixture of ability and evil which was John Charteris; and the best in him she found, on this hypothesis, to be a deal more admirable than the best in Rudolph Musgrave.
"It is a part of Jack," she fiercely said. "It is, because I know it is. All this is part of him—as much a part of him as the cowardice31 and the trickery. So I don't really care if he is a liar32 and a coward. I ought to, I suppose. But at the bottom of my heart I admire him. He has made something; he has created these beautiful books, and they will be here when we are all dead. He doesn't leave the world just as he found it. That is the only real cowardice, I think—especially as I am going to do it——"
And later she said, belligerently33: "If I had been a man I could have at least assassinated34 somebody who was prominent. I do wish Rudolph was not such a stick-in-the-mud. And I wish I liked Rudolph better. But on the whole I prefer the physical coward to the moral one. Rudolph simply bores me stiff with his benevolent35 airs. He just walks around the place forgiving me sixty times to the hour, and if he doesn't stop it I am going to slap him."
Thus Patricia.
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1
engrossed
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adj.全神贯注的 | |
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augmenting
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使扩张 | |
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admiration
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n.钦佩,赞美,羡慕 | |
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4
dilate
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vt.使膨胀,使扩大 | |
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eminent
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adj.显赫的,杰出的,有名的,优良的 | |
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6
depicting
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描绘,描画( depict的现在分词 ); 描述 | |
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7
chivalry
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n.骑士气概,侠义;(男人)对女人彬彬有礼,献殷勤 | |
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8
wholesome
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adj.适合;卫生的;有益健康的;显示身心健康的 | |
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9
decided
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adj.决定了的,坚决的;明显的,明确的 | |
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10
sumptuous
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adj.豪华的,奢侈的,华丽的 | |
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11
fragrant
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adj.芬香的,馥郁的,愉快的 | |
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12
fragrance
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n.芬芳,香味,香气 | |
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13
esthetic
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adj.美学的,审美的;悦目的,雅致的 | |
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14
perfectly
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adv.完美地,无可非议地,彻底地 | |
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15
tangible
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adj.有形的,可触摸的,确凿的,实际的 | |
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16
heartily
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adv.衷心地,诚恳地,十分,很 | |
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17
noted
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adj.著名的,知名的 | |
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18
annotated
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v.注解,注释( annotate的过去式和过去分词 ) | |
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19
vividly
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adv.清楚地,鲜明地,生动地 | |
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20
forth
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adv.向前;向外,往外 | |
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21
implicitly
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adv. 含蓄地, 暗中地, 毫不保留地 | |
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22
bias
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n.偏见,偏心,偏袒;vt.使有偏见 | |
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23
incongruity
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n.不协调,不一致 | |
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24
intriguingly
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25
ballad
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n.歌谣,民谣,流行爱情歌曲 | |
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26
knave
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n.流氓;(纸牌中的)杰克 | |
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27
poltroon
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n.胆怯者;懦夫 | |
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28
posturing
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做出某种姿势( posture的现在分词 ) | |
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29
dexterous
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adj.灵敏的;灵巧的 | |
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30
abhorrent
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adj.可恶的,可恨的,讨厌的 | |
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31
cowardice
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n.胆小,怯懦 | |
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32
liar
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n.说谎的人 | |
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33
belligerently
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34
assassinated
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v.暗杀( assassinate的过去式和过去分词 );中伤;诋毁;破坏 | |
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35
benevolent
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adj.仁慈的,乐善好施的 | |
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