She waited there until the maid returned; and registered to the woman's credit the discreet6 soft closing of the front-door and afterward7 the well-nigh inaudible swish of the rear door of the dining-room as the maid went back into the kitchen.
"In any event," Patricia largely conceded, "she probably doesn't clash the knives and forks in the pantry after supper, like she was hostile armaments with any number of cutlasses apiece. I remember Rudolph simply couldn't stand it when we had Ethel."
So much was satisfactory. Only—her parlor was so altered!
There was—to give you just her instantaneous first impression—so little in it. Broad spaces of plain color showed everywhere; and Patricia's ideal of what a parlor should be, as befitted the châtelaine of a fine home in Lichfield, had always been the tangled8 elegancies of the front show-window of a Woman's Exchange for Fancy Work. The room had even been repapered—odiously, as she considered; and the shiny floor of it boasted just three inefficient9 rugs, like dingy10 rafts upon a sea of very strong coffee.
Patricia looked in vain for her grandiose11 plush-covered chairs, her immaculate "tidies," and the proud yellow lambrequin, embroidered12 in high relief with white gardenias13, which had formerly14 adorned15 the mantelpiece. The heart of her hungered for her unforgotten and unforgettable "watered-silk" papering wherein white roses bloomed exuberantly16 against a yellow background—which deplorably faded if you did not keep the window-shades down, she remembered—and she wanted back her white thick comfortable carpet which hid the floor completely, so that everywhere you trod upon the buxomest of stalwart yellow roses, each bunch of which was lavishly17 tied with wind-blown ribbons.
Then, too, her cherished spinning-wheel, at least two hundred and fifty years old, which had looked so pretty after she had gilded18 it and added a knot of pink sarsenet, was departed; and gone as well was the mirror-topped table, with its array of china swan and frogs and water-lilies artistically19 grouped about its speckless20 surface. Even her prized engraving21 of "Michael Angelo Buonarotti"—contentedly regarding his just finished Moses, while a pope tiptoed into the room through a side-door—had been removed, with all its splendors22 of red-plush and intricate gilt-framing.
Just here and there, in fine, like a familiar face in a crowd, she could discover some one of her more sedately-colored "parlor ornaments"; and the whole history of it—its donor23 or else its price, the gestures of the shopman, even what sort of weather it was when she and Rudolph found "exactly what I've been looking for" in the shop-window, and the Stapyltonian, haggling24 over the price with which Patricia had bargained—such unimportant details as these now vividly25 awakened26 in recollection…. In fine, this room was not her parlor at all, and in it Patricia was lonely…. Yes, yes, she would be nowadays, the colonel reflected, for he himself had never been in thorough sympathy with all the changes made by Roger's self-assured young wife.
Thus it was with the first floor of the house, through which Patricia strayed with uniform discomfort27. This place was home no longer.
Thus it was with the first floor of the house. Everywhere the equipments were strange, or at best arranged not quite as Patricia would have placed them. Yet they had not any look of being recently purchased. Even that hideous28 stair-carpet was a little worn, she noted, as noiselessly she mounted to the second story.
The house was perfectly29 quiet, save for a tiny shrill30 continuance of melody that somehow seemed only to pierce the silence, not to dispel31 it. Rudolph—of all things!—had in her absence acquired a canary. And everybody knew what an interminable nuisance a canary was.
She entered the front room. It had been her bedroom ever since her marriage. She remembered this as with a gush32 of defiant33 joy.

点击
收听单词发音

1
droll
![]() |
|
adj.古怪的,好笑的 | |
参考例句: |
|
|
2
noted
![]() |
|
adj.著名的,知名的 | |
参考例句: |
|
|
3
meddled
![]() |
|
v.干涉,干预(他人事务)( meddle的过去式和过去分词 ) | |
参考例句: |
|
|
4
transit
![]() |
|
n.经过,运输;vt.穿越,旋转;vi.越过 | |
参考例句: |
|
|
5
parlor
![]() |
|
n.店铺,营业室;会客室,客厅 | |
参考例句: |
|
|
6
discreet
![]() |
|
adj.(言行)谨慎的;慎重的;有判断力的 | |
参考例句: |
|
|
7
afterward
![]() |
|
adv.后来;以后 | |
参考例句: |
|
|
8
tangled
![]() |
|
adj. 纠缠的,紊乱的 动词tangle的过去式和过去分词 | |
参考例句: |
|
|
9
inefficient
![]() |
|
adj.效率低的,无效的 | |
参考例句: |
|
|
10
dingy
![]() |
|
adj.昏暗的,肮脏的 | |
参考例句: |
|
|
11
grandiose
![]() |
|
adj.宏伟的,宏大的,堂皇的,铺张的 | |
参考例句: |
|
|
12
embroidered
![]() |
|
adj.绣花的 | |
参考例句: |
|
|
13
gardenias
![]() |
|
n.栀子属植物,栀子花( gardenia的名词复数 ) | |
参考例句: |
|
|
14
formerly
![]() |
|
adv.从前,以前 | |
参考例句: |
|
|
15
adorned
![]() |
|
[计]被修饰的 | |
参考例句: |
|
|
16
exuberantly
![]() |
|
adv.兴高采烈地,活跃地,愉快地 | |
参考例句: |
|
|
17
lavishly
![]() |
|
adv.慷慨地,大方地 | |
参考例句: |
|
|
18
gilded
![]() |
|
a.镀金的,富有的 | |
参考例句: |
|
|
19
artistically
![]() |
|
adv.艺术性地 | |
参考例句: |
|
|
20
speckless
![]() |
|
adj.无斑点的,无瑕疵的 | |
参考例句: |
|
|
21
engraving
![]() |
|
n.版画;雕刻(作品);雕刻艺术;镌版术v.在(硬物)上雕刻(字,画等)( engrave的现在分词 );将某事物深深印在(记忆或头脑中) | |
参考例句: |
|
|
22
splendors
![]() |
|
n.华丽( splendor的名词复数 );壮丽;光辉;显赫 | |
参考例句: |
|
|
23
donor
![]() |
|
n.捐献者;赠送人;(组织、器官等的)供体 | |
参考例句: |
|
|
24
haggling
![]() |
|
v.讨价还价( haggle的现在分词 ) | |
参考例句: |
|
|
25
vividly
![]() |
|
adv.清楚地,鲜明地,生动地 | |
参考例句: |
|
|
26
awakened
![]() |
|
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
参考例句: |
|
|
27
discomfort
![]() |
|
n.不舒服,不安,难过,困难,不方便 | |
参考例句: |
|
|
28
hideous
![]() |
|
adj.丑陋的,可憎的,可怕的,恐怖的 | |
参考例句: |
|
|
29
perfectly
![]() |
|
adv.完美地,无可非议地,彻底地 | |
参考例句: |
|
|
30
shrill
![]() |
|
adj.尖声的;刺耳的;v尖叫 | |
参考例句: |
|
|
31
dispel
![]() |
|
vt.驱走,驱散,消除 | |
参考例句: |
|
|
32
gush
![]() |
|
v.喷,涌;滔滔不绝(说话);n.喷,涌流;迸发 | |
参考例句: |
|
|
33
defiant
![]() |
|
adj.无礼的,挑战的 | |
参考例句: |
|
|
欢迎访问英文小说网 |