Such must always be the book's interpretation3 by mental indolence. The fact is incontestable; and this fact in itself may be taken as sufficient to establish the inexpediency of publishing The Certain Hour. For that "people will not buy a volume of short stories" is notorious to all publishers. To offset4 the axiom there are no doubt incongruous phenomena—ranging from the continued popularity of the Bible to the present general esteem5 of Mr. Kipling, and embracing the rather unaccountable vogue6 of "O. Henry";—but, none the less, the superstition7 has its force.
Here intervenes the multifariousness of man, pointed8 out somewhere by Mr. Gilbert Chesterton, which enables the individual to be at once a vegetarian9, a golfer, a vestryman, a blond, a mammal, a Democrat10, and an immortal11 spirit. As a rational person, one may debonairly12 consider The Certain Hour possesses as large license13 to look like a volume of short stories as, say, a backgammon-board has to its customary guise14 of a two-volume history; but as an average-novel-reader, one must vote otherwise. As an average-novel-reader, one must condemn15 the very book which, as a seasoned scribbler, one was moved to write through long consideration of the drama already suggested—that immemorial drama of the desire to write perfectly16 of beautiful happenings, and the obscure martyrdom to which this desire solicits17 its possessor.
Now, clearly, the struggle of a special temperament18 with a fixed19 force does not forthwith begin another story when the locale of combat shifts. The case is, rather, as when—with certainly an intervening change of apparel—Pompey fights Caesar at both Dyrrachium and Pharsalus, or as when General Grant successively encounters General Lee at the Wilderness20, Spottsylvania, Cold Harbor and Appomattox. The combatants remain unchanged, the question at issue is the same, the tragedy has continuity. And even so, from the time of Sire Raimbaut to that of John Charteris has a special temperament heart-hungrily confronted an ageless problem: at what cost now, in this fleet hour of my vigor21, may one write perfectly of beautiful happenings?
Thus logic22 urges, with pathetic futility23, inasmuch as we average-novel-readers are profoundly indifferent to both logic and good writing. And always the fact remains24 that to the mentally indolent this book may well seem a volume of disconnected short stories. All of us being more or less mentally indolent, this possibility constitutes a dire25 fault.
Three other damning objections will readily obtrude26 themselves: The Certain Hour deals with past epochs—beginning before the introduction of dinner-forks, and ending at that remote quaint27 period when people used to waltz and two-step—dead eras in which we average-novel-readers are not interested; The Certain Hour assumes an appreciable28 amount of culture and information on its purchaser's part, which we average-novel-readers either lack or, else, are unaccustomed to employ in connection with reading for pastime; and—in our eyes the crowning misdemeanor—The Certain Hour is not "vital."
Having thus candidly29 confessed these faults committed as the writer of this book, it is still possible in human multifariousness to consider their enormity, not merely in this book, but in fictional30 reading-matter at large, as viewed by an average-novel-reader—by a representative of that potent31 class whose preferences dictate32 the nature and main trend of modern American literature. And to do this, it may be, throws no unsalutary sidelight upon the still-existent problem: at what cost, now, may one attempt to write perfectly of beautiful happenings?
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1 permissible | |
adj.可允许的,许可的 | |
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2 naught | |
n.无,零 [=nought] | |
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3 interpretation | |
n.解释,说明,描述;艺术处理 | |
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4 offset | |
n.分支,补偿;v.抵消,补偿 | |
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5 esteem | |
n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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6 Vogue | |
n.时髦,时尚;adj.流行的 | |
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7 superstition | |
n.迷信,迷信行为 | |
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8 pointed | |
adj.尖的,直截了当的 | |
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9 vegetarian | |
n.素食者;adj.素食的 | |
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10 democrat | |
n.民主主义者,民主人士;民主党党员 | |
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11 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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12 debonairly | |
adj.(通常指男人)愉快而自信的 | |
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13 license | |
n.执照,许可证,特许;v.许可,特许 | |
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14 guise | |
n.外表,伪装的姿态 | |
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15 condemn | |
vt.谴责,指责;宣判(罪犯),判刑 | |
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16 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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17 solicits | |
恳请 | |
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18 temperament | |
n.气质,性格,性情 | |
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19 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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20 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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21 vigor | |
n.活力,精力,元气 | |
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22 logic | |
n.逻辑(学);逻辑性 | |
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23 futility | |
n.无用 | |
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24 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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25 dire | |
adj.可怕的,悲惨的,阴惨的,极端的 | |
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26 obtrude | |
v.闯入;侵入;打扰 | |
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27 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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28 appreciable | |
adj.明显的,可见的,可估量的,可觉察的 | |
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29 candidly | |
adv.坦率地,直率而诚恳地 | |
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30 fictional | |
adj.小说的,虚构的 | |
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31 potent | |
adj.强有力的,有权势的;有效力的 | |
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32 dictate | |
v.口授;(使)听写;指令,指示,命令 | |
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