"Madame:—I have found here neither fetes, cavalcades1, gala-days nor Muscovite beauties. What should we do, I beg to know, with these Muscovite beauties? or perhaps I ought to ask, what would they do with us? We live in the woods; our castle is an old, very old one, and in the moonlight it looks like a specter. What I like best about it, is its long and gloomy corridors, through which the wind sweeps freely; but I assure you that I have not yet encountered there a white robe or a plumed3 hat. Only the other evening a bat, who had entered by a broken pane4, brushed my face with its wing and almost put out my candle. This, up to the present time has been my sole adventure. And as for you, sir, know that I am not obliged to resist the fascinations5 of my tyrant6, for the reason that he has not taken the trouble to be fascinating. Know also that I am not bored. I am contented7; I am enjoying the tranquility of mind which comes from a well-defined, well- regulated, and after all, very supportable position. I am no longer compelled to urge my life on before me and to show it the road; it makes its own way, and I follow it as Martin followed his ass2. And then pleasures are not wanting for us,—listen! Our castle is a long series of dilapidated buildings, of which we occupy the only one habitable. I am lodged8 alone in a turret9 which commands a magnificent view, and I have a grand precipice10 under my window. I can say 'my turret,' 'my precipice!' Oh, my poor Parisians, you will never understand all there is in these two words: MY PRECIPICE! 'What is it then but a precipice?' exclaims Madame Lerins. 'It is only a great chasm11.' Ah, yes! Madame, it is 'a great chasm'; but imagine that this morning this chasm was a deep blue, and this evening at sunset it was—stay, of the color of your nasturtiums. I opened my window and put my head out to inhale12 the odor of this admirable precipice, for I have discovered that in the evening precipices14 have an odor. How shall I describe it to you? It is a perfume of rocks scorched15 by the sun, with which mingles16 a subtle aroma17 of dry herbs. The combination is exquisite18.
"The proud rock, of which we occupy the summit and which deserves its name of Vulture's Crag, is bounded at the north as you already know, at the west by a ravine which separates it from a range of hills higher and fantastically jagged, and following the windings19 of the river. This line of hills is not continuous; it is cut by narrow gorges20, which open into the valley and through which the last rays of the sun reach us. The other evening there was a red sunset, and one of these gorges seemed to vomit21 flames; you might have supposed it the mouth of the furnace. Upon the east, from its heights and its terrace, Geierfels overlooks the Rhine, from which it is separated by the main road and a tow-path. At the south it communicates by steep paths with a vast plateau, of which it forms, as it were, the upper story, and which is clothed with a forest of beeches22, and furrowed23 here and there with noisy streams. It is on this side only that our castle is accessible,—and here not to carriages,—even a cart could reach us but with difficulty, and all of our provisions are brought to us upon the backs of men or mules24. Mountains, perpendicular25 rocks, turrets26 overhanging a precipice, grand and somber27 woods, rugged28 paths and brooks29 which fall in cascades30, do not all these, Madame, make this a very wild and very romantic retreat? On the right bank of the Rhine which stretches out under our eyes, it is another thing. Picture to yourself a landscape of infinite sweetness, a great cultivated plain, which rises by imperceptible gradation to the base of a distant chain of mountains, the undulating outlines of which are traced upon the sky in aerial indentations.
"Directly in front of the chateau31, beyond the Rhine, a market town, with neat houses carefully whitewashed32 and with gardens attached, spreads itself around a little cove13, like a fan. Upon the right of this great village a rustic33 church reflects the sun from its tinned spire34; on the left, some large mills show their lazily turning wheels, and behind these mills, the church and the market town, extends the fertile plain which I have just endeavored to describe to you, and which I cannot praise too much. Oh! charming landscape! This afternoon I was occupied in feasting my eyes upon it, when a white goat came to distract my attention, followed at a distance by a little girl whom I suspected of being very pretty; but I forgot them both in watching a steamboat passing up the river towing a flotilla of barges35, covered with awnings37 and attended by their lighters38, and a huge raft laden39 with timber from the Black Forest, manned by fifty or sixty boatmen, some of whom in front, and some in the rear, directed its course with vigorous strokes of the oar40.
"But what pleases me above everything else is, that Geierfels, by its position, is a kind of acoustic41 focus to which all the noises of the valley incessantly42 ascend43. This afternoon, the dull murmuring of the river, the panting respiration44 of the tug-boat, the vibration45 of a bell in a distant church tower, the song of a peasant girl washing her linen46 in a spring, the bleating47 of sheep, the tic tac of the mills, the tinkling48 bells of a long train of mules drawing a barge36 by a rope, the reverberating49 clamors of boatmen stowing casks in their boats—all these various sounds came to my ear in vibrations50 of surprising clearness, when suddenly a gust51 of wind mingled52 them confusedly together, and I could hear but a vague music which seemed to fall from the skies. But a moment afterwards all of these vibrating voices emerged anew from the whirlwind of confused harmony, and each, sonorous53 and distinct, recounted to my enraptured54 heart some episode in the life of man and nature. And then, when night comes, Madame, to all of these noises of the day succeed others more mysterious, more penetrating55, more melancholy56. Do you like the hooting57 of the owl58, Madame? But first, I wonder if you have ever heard it. It is a cry— No, it is not a cry, it is a soft, stifled59 wail60; a monotonous61 and resigned sorrow, which unbosoms itself to the moon and stars. One of these sad birds lodges62 within two steps of me, in the hollow of a tree, and when night comes, he amuses himself by singing a duet with the singing wind. The Rhine plays an accompaniment, and its grave, subdued63 voice furnishes a continuous bass64, whose volume swells65 and falls in rhythmic66 waves. The other evening this concert failed; neither the wind nor the owl was in voice. The Rhine alone grumbled67 beneath; but it arranged a surprise for me and proved that it could make harmony of its own without other aid. Towards midnight a barge carrying a lantern on its prow68 had become detached from the bank and had drifted across the river, and I distinctly heard, or imagined that I heard, the wash of the waves upon the side of the boat, the bubbling of the eddy69 which formed under the stern, the dull sound of the oar when it dipped into the current, and still sweeter, when raised out of it the tender tears which dripped from it drop by drop. This music contrasted strongly with that I had heard the night before at the same hour. The north wind had risen during the evening, and near eleven o'clock it became furious; it filled the air with sad howlings, and increased to a rage that was inexpressible. The weathercocks creaked, the tiles ground against each other, the roof timbers trembled in their mortices, and the walls shook upon their foundations. From time to time a blast would hurl70 itself against my window with wild shrieks71, and from my bed I imagined I could see through the panes72 the bloodshot eyes of a band of famished73 wolves. In the brief intervals74 when this outside tumult75 subsided76, strange murmurs77 came from the interior of the castle; the wainscoting gave forth78 dismal79 creakings;—there was not a crack in the partitions, nor a fissure80 in the ceiling from which did not issue a sigh, or hoarse81 groans82. Then again all this became silent, and I heard only something like a low whispering in the far off corridors, as of phantoms83 murmuring in the darkness as they swept the walls in their flight; then suddenly they seemed to gather up their forces, the floors trembled under their spasmodic tramping, while they clambered in confusion up the staircase which led to my room, throwing themselves over the threshold of my door and uttering indescribable lamentations.
"But enough of this, perhaps you will say; let us now talk a little of your patron: This terrible man, will you believe it, has not inspired me with the antagonism84 which you prophesied85. But in the first place we do not live together from morning to night. The day after my arrival, he sent me a long list of difficult or mutilated passages to interpret and restore. It is a work of time, to which I devote all my afternoons. He has had some of his finest folios sent to my room, and I live in these like a rat in a Dutch cheese. It is true, I pass my mornings in his study, where we hold learned discussions which would edify86 the Academy of Inscriptions87; but to my delight, after nightfall I can dispose of myself as I choose. He has even agreed that, after seven o'clock, I may lock myself in my room, and that no human being under any pretext88 whatever shall come to disturb me there. This privilege M. Leminof granted to me in the most gracious manner, and you can imagine how grateful I am to him for it. I do not mean to say by this that he is an amiable89 man, nor that he cares to be; but he is a man of sense and wit. He understood me at once, and he means to make me serviceable to him. I am like a horse who feels that he carries a skilful90 rider."
点击收听单词发音
1 cavalcades | |
n.骑马队伍,车队( cavalcade的名词复数 ) | |
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2 ass | |
n.驴;傻瓜,蠢笨的人 | |
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3 plumed | |
饰有羽毛的 | |
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4 pane | |
n.窗格玻璃,长方块 | |
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5 fascinations | |
n.魅力( fascination的名词复数 );有魅力的东西;迷恋;陶醉 | |
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6 tyrant | |
n.暴君,专制的君主,残暴的人 | |
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7 contented | |
adj.满意的,安心的,知足的 | |
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8 lodged | |
v.存放( lodge的过去式和过去分词 );暂住;埋入;(权利、权威等)归属 | |
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9 turret | |
n.塔楼,角塔 | |
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10 precipice | |
n.悬崖,危急的处境 | |
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11 chasm | |
n.深坑,断层,裂口,大分岐,利害冲突 | |
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12 inhale | |
v.吸入(气体等),吸(烟) | |
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13 cove | |
n.小海湾,小峡谷 | |
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14 precipices | |
n.悬崖,峭壁( precipice的名词复数 ) | |
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15 scorched | |
烧焦,烤焦( scorch的过去式和过去分词 ); 使(植物)枯萎,把…晒枯; 高速行驶; 枯焦 | |
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16 mingles | |
混合,混入( mingle的第三人称单数 ); 混进,与…交往[联系] | |
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17 aroma | |
n.香气,芬芳,芳香 | |
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18 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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19 windings | |
(道路、河流等)蜿蜒的,弯曲的( winding的名词复数 ); 缠绕( wind的现在分词 ); 卷绕; 转动(把手) | |
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20 gorges | |
n.山峡,峡谷( gorge的名词复数 );咽喉v.(用食物把自己)塞饱,填饱( gorge的第三人称单数 );作呕 | |
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21 vomit | |
v.呕吐,作呕;n.呕吐物,吐出物 | |
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22 beeches | |
n.山毛榉( beech的名词复数 );山毛榉木材 | |
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23 furrowed | |
v.犁田,开沟( furrow的过去式和过去分词 ) | |
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24 mules | |
骡( mule的名词复数 ); 拖鞋; 顽固的人; 越境运毒者 | |
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25 perpendicular | |
adj.垂直的,直立的;n.垂直线,垂直的位置 | |
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26 turrets | |
(六角)转台( turret的名词复数 ); (战舰和坦克等上的)转动炮塔; (摄影机等上的)镜头转台; (旧时攻城用的)塔车 | |
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27 somber | |
adj.昏暗的,阴天的,阴森的,忧郁的 | |
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28 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
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29 brooks | |
n.小溪( brook的名词复数 ) | |
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30 cascades | |
倾泻( cascade的名词复数 ); 小瀑布(尤指一连串瀑布中的一支); 瀑布状物; 倾泻(或涌出)的东西 | |
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31 chateau | |
n.城堡,别墅 | |
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32 whitewashed | |
粉饰,美化,掩饰( whitewash的过去式和过去分词 ) | |
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33 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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34 spire | |
n.(教堂)尖顶,尖塔,高点 | |
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35 barges | |
驳船( barge的名词复数 ) | |
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36 barge | |
n.平底载货船,驳船 | |
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37 awnings | |
篷帐布 | |
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38 lighters | |
n.打火机,点火器( lighter的名词复数 ) | |
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39 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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40 oar | |
n.桨,橹,划手;v.划行 | |
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41 acoustic | |
adj.听觉的,声音的;(乐器)原声的 | |
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42 incessantly | |
ad.不停地 | |
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43 ascend | |
vi.渐渐上升,升高;vt.攀登,登上 | |
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44 respiration | |
n.呼吸作用;一次呼吸;植物光合作用 | |
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45 vibration | |
n.颤动,振动;摆动 | |
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46 linen | |
n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的 | |
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47 bleating | |
v.(羊,小牛)叫( bleat的现在分词 );哭诉;发出羊叫似的声音;轻声诉说 | |
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48 tinkling | |
n.丁当作响声 | |
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49 reverberating | |
回响,回荡( reverberate的现在分词 ); 使反响,使回荡,使反射 | |
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50 vibrations | |
n.摆动( vibration的名词复数 );震动;感受;(偏离平衡位置的)一次性往复振动 | |
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51 gust | |
n.阵风,突然一阵(雨、烟等),(感情的)迸发 | |
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52 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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53 sonorous | |
adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
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54 enraptured | |
v.使狂喜( enrapture的过去式和过去分词 ) | |
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55 penetrating | |
adj.(声音)响亮的,尖锐的adj.(气味)刺激的adj.(思想)敏锐的,有洞察力的 | |
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56 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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57 hooting | |
(使)作汽笛声响,作汽车喇叭声( hoot的现在分词 ); 倒好儿; 倒彩 | |
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58 owl | |
n.猫头鹰,枭 | |
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59 stifled | |
(使)窒息, (使)窒闷( stifle的过去式和过去分词 ); 镇压,遏制; 堵 | |
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60 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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61 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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62 lodges | |
v.存放( lodge的第三人称单数 );暂住;埋入;(权利、权威等)归属 | |
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63 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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64 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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65 swells | |
增强( swell的第三人称单数 ); 肿胀; (使)凸出; 充满(激情) | |
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66 rhythmic | |
adj.有节奏的,有韵律的 | |
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67 grumbled | |
抱怨( grumble的过去式和过去分词 ); 发牢骚; 咕哝; 发哼声 | |
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68 prow | |
n.(飞机)机头,船头 | |
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69 eddy | |
n.漩涡,涡流 | |
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70 hurl | |
vt.猛投,力掷,声叫骂 | |
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71 shrieks | |
n.尖叫声( shriek的名词复数 )v.尖叫( shriek的第三人称单数 ) | |
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72 panes | |
窗玻璃( pane的名词复数 ) | |
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73 famished | |
adj.饥饿的 | |
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74 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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75 tumult | |
n.喧哗;激动,混乱;吵闹 | |
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76 subsided | |
v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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77 murmurs | |
n.低沉、连续而不清的声音( murmur的名词复数 );低语声;怨言;嘀咕 | |
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78 forth | |
adv.向前;向外,往外 | |
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79 dismal | |
adj.阴沉的,凄凉的,令人忧郁的,差劲的 | |
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80 fissure | |
n.裂缝;裂伤 | |
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81 hoarse | |
adj.嘶哑的,沙哑的 | |
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82 groans | |
n.呻吟,叹息( groan的名词复数 );呻吟般的声音v.呻吟( groan的第三人称单数 );发牢骚;抱怨;受苦 | |
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83 phantoms | |
n.鬼怪,幽灵( phantom的名词复数 ) | |
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84 antagonism | |
n.对抗,敌对,对立 | |
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85 prophesied | |
v.预告,预言( prophesy的过去式和过去分词 ) | |
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86 edify | |
v.陶冶;教化;启发 | |
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87 inscriptions | |
(作者)题词( inscription的名词复数 ); 献词; 碑文; 证劵持有人的登记 | |
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88 pretext | |
n.借口,托词 | |
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89 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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90 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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