The following Thursday, the evening party at the Raquins, as the guests continued to term the household of their hosts, was particularly merry. It was prolonged until half-past eleven, and as Grivet withdrew, he declared that he had never passed such a pleasant time.
Suzanne, who was not very well, never ceased talking to Therese of her pain and joy. Therese appeared to listen to her with great interest, her eyes fixed1, her lips pinched, her head, at moments, bending forward; while her lowering eyelids2 cast a cloud over the whole of her face.
Laurent, for his part, gave uninterrupted attention to the tales of old Michaud and Olivier. These gentlemen never paused, and it was only with difficulty that Grivet succeeded in getting in a word edgeways between a couple of sentences of father and son. He had a certain respect for these two men whom he considered good talkers. On that particular evening, a gossip having taken the place of the usual game, he naively3 blurted4 out that the conversation of the former commissary of police amused him almost as much as dominoes.
During the four years, or thereabouts, that the Michauds and Grivet had been in the habit of passing the Thursday evenings at the Raquins', they had not once felt fatigued5 at these monotonous6 evenings that returned with enervating7 regularity8. Never had they for an instant suspected the drama that was being performed in this house, so peaceful and harmonious9 when they entered it. Olivier, with the jest of a person connected with the police, was in the habit of remarking that the dining-room savoured of the honest man. Grivet, so as to have his say, had called the place the Temple of Peace.
Latterly, on two or three different occasions, Therese explained the bruises10 disfiguring her face, by telling the guests she had fallen down. But none of them, for that matter, would have recognised the marks of the fist of Laurent; they were convinced as to their hosts being a model pair, replete11 with sweetness and love.
The paralysed woman had not made any fresh attempt to reveal to them the infamy12 concealed13 behind the dreary14 tranquillity15 of the Thursday evenings. An eye-witness of the tortures of the murderers, and foreseeing the crisis which would burst out, one day or another, brought on by the fatal succession of events, she at length understood that there was no necessity for her intervention16. And from that moment, she remained in the background allowing the consequences of the murder of Camille, which were to kill the assassins in their turn, to take their course. She only prayed heaven, to grant her sufficient life to enable her to be present at the violent catastrophe17 she foresaw; her only remaining desire was to feast her eyes on the supreme18 suffering that would undo19 Therese and Laurent.
On this particular evening, Grivet went and seated himself beside her, and talked for a long time, he, as usual, asking the questions and supplying the answers himself. But he failed to get even a glance from her. When half-past eleven struck, the guests quickly rose to their feet.
"We are so comfortable with you," said Grivet, "that no one ever thinks of leaving."
"The fact is," remarked Michaud by way of supporting the old clerk, "I never feel drowsy20 here, although I generally go to bed at nine o'clock."
Olivier thought this a capital opportunity for introducing his little joke.
"You see," said he, displaying his yellow teeth, "this apartment savours of honest people: that is why we are so comfortable here."
"This room is the Temple of Peace!"
In the meanwhile, Suzanne, who was putting on her hat, remarked to Therese:
"I will come to-morrow morning at nine o'clock."
"No," hastened to answer the young woman in a strange, troubled tone, "don't come until the afternoon I have an engagement in the morning."
She accompanied the guests into the arcade23, and Laurent also went down with a lamp in his hand. As soon as the married couple were alone, both heaved a sigh of relief. They must have been devoured24 by secret impatience25 all the evening. Since the previous day they had become more sombre, more anxious in presence of one another. They avoided looking at each other, and returned in silence to the dining-room. Their hands gave slight convulsive twitches26, and Laurent was obliged to place the lamp on the table, to avoid letting it fall.
Before putting Madame Raquin to bed they were in the habit of setting the dining-room in order, of preparing a glass of sugar and water for the night, of moving hither and thither27 about the invalid28, until everything was ready.
When they got upstairs on this particular occasion, they sat down an instant with pale lips, and eyes gazing vaguely29 before them. Laurent was the first to break silence:
"Well! Aren't we going to bed?" he inquired, as if he had just started from a dream.
"Yes, yes, we are going to bed," answered Therese, shivering as though she felt a violent chill.
She rose and grasped the water decanter.
"Let it be," exclaimed her husband, in a voice that he endeavoured to render natural, "I will prepare the sugar and water. You attend to your aunt."
He took the decanter of water from the hands of his wife and poured out a glassful. Then, turning half round, he emptied the contents of the small stoneware flagon into the glass at the same time as he dropped a lump of sugar into it. In the meanwhile, Therese had bent30 down before the sideboard, and grasping the kitchen knife sought to slip it into one of the large pockets hanging from her waist.
At the same moment, a strange sensation which comes as a warning note of danger, made the married couple instinctively31 turn their heads. They looked at one another. Therese perceived the flagon in the hands of Laurent, and the latter caught sight of the flash of the blade in the folds of the skirt of his wife.
For a few seconds they examined each other, mute and frigid32, the husband near the table, the wife stooping down before the sideboard. And they understood. Each of them turned icy cold, on perceiving that both had the same thought. And they were overcome with pity and horror at mutually reading the secret design of the other on their agitated34 countenances35.
Madame Raquin, feeling the catastrophe near at hand, watched them with piercing, fixed eyes.
Therese and Laurent, all at once, burst into sobs36. A supreme crisis undid37 them, cast them into the arms of one another, as weak as children. It seemed to them as if something tender and sweet had awakened38 in their breasts. They wept, without uttering a word, thinking of the vile39 life they had led, and would still lead, if they were cowardly enough to live.
Then, at the recollection of the past, they felt so fatigued and disgusted with themselves, that they experienced a huge desire for repose40, for nothingness. They exchanged a final look, a look of thankfulness, in presence of the knife and glass of poison. Therese took the glass, half emptied it, and handed it to Laurent who drank off the remainder of the contents at one draught41. The result was like lightning. The couple fell one atop of the other, struck down, finding consolation42, at last, in death. The mouth of the young woman rested on the scar that the teeth of Camille had left on the neck of her husband.
The corpses43 lay all night, spread out contorted, on the dining-room floor, lit up by the yellow gleams from the lamp, which the shade cast upon them. And for nearly twelve hours, in fact until the following day at about noon, Madame Raquin, rigid33 and mute, contemplated44 them at her feet, overwhelming them with her heavy gaze, and unable to sufficiently45 gorge46 her eyes with the hideous47 sight.
点击收听单词发音
1 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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2 eyelids | |
n.眼睑( eyelid的名词复数 );眼睛也不眨一下;不露声色;面不改色 | |
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3 naively | |
adv. 天真地 | |
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4 blurted | |
v.突然说出,脱口而出( blurt的过去式和过去分词 ) | |
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5 fatigued | |
adj. 疲乏的 | |
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6 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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7 enervating | |
v.使衰弱,使失去活力( enervate的现在分词 ) | |
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8 regularity | |
n.规律性,规则性;匀称,整齐 | |
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9 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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10 bruises | |
n.瘀伤,伤痕,擦伤( bruise的名词复数 ) | |
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11 replete | |
adj.饱满的,塞满的;n.贮蜜蚁 | |
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12 infamy | |
n.声名狼藉,出丑,恶行 | |
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13 concealed | |
a.隐藏的,隐蔽的 | |
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14 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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15 tranquillity | |
n. 平静, 安静 | |
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16 intervention | |
n.介入,干涉,干预 | |
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17 catastrophe | |
n.大灾难,大祸 | |
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18 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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19 undo | |
vt.解开,松开;取消,撤销 | |
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20 drowsy | |
adj.昏昏欲睡的,令人发困的 | |
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21 forestalled | |
v.先发制人,预先阻止( forestall的过去式和过去分词 ) | |
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22 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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23 arcade | |
n.拱廊;(一侧或两侧有商店的)通道 | |
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24 devoured | |
吞没( devour的过去式和过去分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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25 impatience | |
n.不耐烦,急躁 | |
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26 twitches | |
n.(使)抽动, (使)颤动, (使)抽搐( twitch的名词复数 ) | |
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27 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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28 invalid | |
n.病人,伤残人;adj.有病的,伤残的;无效的 | |
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29 vaguely | |
adv.含糊地,暖昧地 | |
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30 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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31 instinctively | |
adv.本能地 | |
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32 frigid | |
adj.寒冷的,凛冽的;冷淡的;拘禁的 | |
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33 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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34 agitated | |
adj.被鼓动的,不安的 | |
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35 countenances | |
n.面容( countenance的名词复数 );表情;镇静;道义支持 | |
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36 sobs | |
啜泣(声),呜咽(声)( sob的名词复数 ) | |
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37 Undid | |
v. 解开, 复原 | |
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38 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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39 vile | |
adj.卑鄙的,可耻的,邪恶的;坏透的 | |
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40 repose | |
v.(使)休息;n.安息 | |
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41 draught | |
n.拉,牵引,拖;一网(饮,吸,阵);顿服药量,通风;v.起草,设计 | |
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42 consolation | |
n.安慰,慰问 | |
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43 corpses | |
n.死尸,尸体( corpse的名词复数 ) | |
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44 contemplated | |
adj. 预期的 动词contemplate的过去分词形式 | |
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45 sufficiently | |
adv.足够地,充分地 | |
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46 gorge | |
n.咽喉,胃,暴食,山峡;v.塞饱,狼吞虎咽地吃 | |
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47 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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