OUT of the darkest depths of life, where vice1 and crime and misery2 abound3, comes the Byron of the twentieth century, the poet of the vagabond and the proletariat, Maxim4 Gorky. Not like the beggar, humbly5 imploring6 for a crust in the name of the Lord, nor like the jeweller displaying his precious stones to dazzle and tempt7 the eye, he comes to the world,— nay8, in accents of Tyrtaeus this commoner of Nizhni Novgorod spurs on his troops of freedom-loving heroes to conquer, as it were, the placid9, self- satisfied literatures of to-day, and bring new life to pale, bloodless frames.
Like Byron’s impassioned utterances10, “borne on the tones of a wild and quite artless melody,” is Gorky’s mad, unbridled, powerful voice, as he sings of the “madness of the brave,” of the barefooted dreamers, who are proud of their idleness, who possess nothing and fear nothing, who are gay in their misery, though miserable11 in their joy.
Gorky’s voice is not the calm, cultivated, well-balanced voice of Chekhov, the Russian De Maupassant, nor even the apostolic, well- meaning, but comparatively faint voice of Tolstoy, the preacher: it is the roaring of a lion, the crash of thunder. In its elementary power is the heart. rending12 cry of a sincere but suffering soul that saw the brutality13 of life in all its horrors, and now flings its experiences into the face of the world with unequalled sympathy and the courage of a giant.
For Gorky, above all, has courage; he dares to say that he finds the vagabond, the outcast of society, more sublime14 and significant than society itself.
His Bosyak, the symbolic15 incarnation of the Over-man, is as naive16 and as bold as a child — or as a genius. In the vehement17 passions of the magnanimous, compassionate18 hero in tatters, in the aristocracy of his soul, and in his constant thirst for Freedom, Gorky sees the rebellious19 and irreconcilable20 spirit of man, of future man,— in these he sees something beautiful, something powerful, something monumental, and is carried away by their strange psychology21. For the barefooted dreamer’s life is Gorky’s life, his ideals are Gorky’s ideals, his pleasures and pains, Gorky’s pleasures and pains.
And Gorky, though broken in health now, buffeted22 by the storms of fate, bruised23 and wounded in the battle-field of life, still like Byron and like Lermontov,
“— seeks the storm As though the storm contained repose24.”
And in a leonine voice he cries defiantly25:
“Let the storm rage with greater force and fury!”
HERMAN BERNSTEIN.
September 20, 1901.
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1
vice
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n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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2
misery
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n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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3
abound
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vi.大量存在;(in,with)充满,富于 | |
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maxim
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n.格言,箴言 | |
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humbly
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adv. 恭顺地,谦卑地 | |
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imploring
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恳求的,哀求的 | |
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tempt
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vt.引诱,勾引,吸引,引起…的兴趣 | |
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8
nay
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adv.不;n.反对票,投反对票者 | |
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9
placid
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adj.安静的,平和的 | |
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10
utterances
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n.发声( utterance的名词复数 );说话方式;语调;言论 | |
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11
miserable
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adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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12
rending
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v.撕碎( rend的现在分词 );分裂;(因愤怒、痛苦等而)揪扯(衣服或头发等);(声音等)刺破 | |
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13
brutality
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n.野蛮的行为,残忍,野蛮 | |
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14
sublime
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adj.崇高的,伟大的;极度的,不顾后果的 | |
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15
symbolic
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adj.象征性的,符号的,象征主义的 | |
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16
naive
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adj.幼稚的,轻信的;天真的 | |
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17
vehement
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adj.感情强烈的;热烈的;(人)有强烈感情的 | |
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18
compassionate
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adj.有同情心的,表示同情的 | |
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19
rebellious
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adj.造反的,反抗的,难控制的 | |
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20
irreconcilable
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adj.(指人)难和解的,势不两立的 | |
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21
psychology
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n.心理,心理学,心理状态 | |
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22
buffeted
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反复敲打( buffet的过去式和过去分词 ); 连续猛击; 打来打去; 推来搡去 | |
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23
bruised
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[医]青肿的,瘀紫的 | |
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24
repose
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v.(使)休息;n.安息 | |
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25
defiantly
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adv.挑战地,大胆对抗地 | |
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