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“Headlong Hall” and the three novels published along with it in 1837.
All these little publications appeared originally without prefaces. I left them to speak for themselves; and I thought I might very fitly preserve my own impersonality1, having never intruded2 on the personality of others, nor taken any liberties but with public conduct and public opinions. But an old friend assures me, that to publish a book without a preface is like entering a drawing-room without making a bow. In deference3 to this opinion, though I am not quite clear of its soundness, I make my prefatory bow at this eleventh hour.
“Headlong Hall” was written in 1815; “Nightmare Abbey” in 1817; “Maid Marian”, with the exception of the last three chapters, in 1818; “Crotchet Castle” in 1830. I am desirous to note the intervals4, because, at each of those periods, things were true, in great matters and in small, which are true no longer. “Headlong Hall” begins with the Holyhead Mail, and “Crotchet Castle” ends with a rotten borough5. The Holyhead mail no longer keeps the same hours, nor stops at the Capel Cerig Inn, which the progress of improvement has thrown out of the road; and the rotten boroughs6 of 1830 have ceased to exist, though there are some very pretty pocket properties, which are their worthy7 successors. But the classes of tastes, feelings, and opinions, which were successively brought into play in these little tales, remain substantially the same. Perfectibilians, deteriorationists, statu-quo-ites, phrenologists, transcendentalists, political economists8, theorists in all sciences, projectors9 in all arts, morbid10 visionaries, romantic enthusiasts11, lovers of music, lovers of the picturesque12, and lovers of good dinners, march, and will march for ever, parì passu with the march of mechanics, which some facetiously13 call the march of the intellect. The fastidious in old wine are a race that does not decay. Literary violators of the confidences of private life still gain a disreputable livelihood14 and an unenviable notoriety. Match-makers from interest, and the disappointed in love and in friendship, are varieties of which specimens15 are extant. The great principle of the Right of Might is as flourishing now as in the days of Maid Marian: the array of false pretensions16, moral, political, and literary, is as imposing17 as ever: the rulers of the world still feel things in their effects, and never foresee them in their causes: and political mountebanks continue, and will continue, to puff18 nostrums19 and practise legerdemain20 under the eyes of the multitude: following, like the “learned friend” of Crotchet Castle, a course as tortuous21 as that of a river, but in a reverse process; beginning by being dark and deep, and ending by being transparent22.
The Author of “Headlong Hall”.
March 4, 1837.
1 impersonality | |
n.无人情味 | |
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2 intruded | |
n.侵入的,推进的v.侵入,侵扰,打扰( intrude的过去式和过去分词 );把…强加于 | |
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3 deference | |
n.尊重,顺从;敬意 | |
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4 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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5 borough | |
n.享有自治权的市镇;(英)自治市镇 | |
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6 boroughs | |
(尤指大伦敦的)行政区( borough的名词复数 ); 议会中有代表的市镇 | |
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7 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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8 economists | |
n.经济学家,经济专家( economist的名词复数 ) | |
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9 projectors | |
电影放映机,幻灯机( projector的名词复数 ) | |
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10 morbid | |
adj.病的;致病的;病态的;可怕的 | |
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11 enthusiasts | |
n.热心人,热衷者( enthusiast的名词复数 ) | |
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12 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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13 facetiously | |
adv.爱开玩笑地;滑稽地,爱开玩笑地 | |
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14 livelihood | |
n.生计,谋生之道 | |
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15 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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16 pretensions | |
自称( pretension的名词复数 ); 自命不凡; 要求; 权力 | |
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17 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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18 puff | |
n.一口(气);一阵(风);v.喷气,喘气 | |
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19 nostrums | |
n.骗人的疗法,有专利权的药品( nostrum的名词复数 );妙策 | |
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20 legerdemain | |
n.戏法,诈术 | |
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21 tortuous | |
adj.弯弯曲曲的,蜿蜒的 | |
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22 transparent | |
adj.明显的,无疑的;透明的 | |
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