Again, in a letter to Sir Charles W. W. Wynn, dated 1819, he says:
“I begin almost to despair of ever seeing more of the Mabinogeon; and yet if some competent Welshman could be found to edit it carefully, with as literal a version as possible, I am sure it might be made worth his while by a subscription9, printing a small edition at a high price, perhaps two hundred at five guineas. I myself would gladly subscribe10 at that price per volume for such an edition of the whole of your genuine remains11 in prose and verse. Till some such collection is made, the ‘gentlemen of Wales’ ought to be prohibited from wearing a leek12; ay, and interdicted13 from toasted cheese also. Your bards14 would have met with better usage if they had been Scotchmen.”
Sharon Turner and Sir Walter Scott also expressed a similar wish for the publication of the Welsh manuscripts. The former took part in an attempt to effect it, through the instrumentality of a Mr. Owen, a Welshman, but, we judge, by what Southey says of him, imperfectly acquainted with English. Southey’s language is “William Owen lent me three parts of the Mabinogeon, delightfully15 translated into so Welsh an idiom and syntax that such a translation is as instructive as an original.” In another letter he adds, “Let Sharon make his language grammatical, but not alter their idiom in the slightest point.”
It is probable Mr. Owen did not proceed far in an undertaking16 which, so executed, could expect but little popular patronage17. It was not till an individual should appear possessed18 of the requisite19 knowledge of the two languages, of enthusiasm sufficient for the task, and of pecuniary20 resources sufficient to be independent of the booksellers and of the reading public, that such a work could be confidently expected. Such an individual has, since Southey’s day and Scott’s, appeared in the person of Lady Charlotte Guest, an English lady united to a gentleman of property in Wales, who, having acquired the language of the principality, and become enthusiastically fond of its literary treasures, has given them to the English reader, in a dress which the printer’s and the engraver’s arts have done their best to adorn21. In four royal octavo volumes containing the Welsh originals, the translation, and ample illustrations from French, German, and other contemporary and affiliated22 literature, the Mabinogeon is spread before us. To the antiquarian and the student of language and ethnology an invaluable23 treasure, it yet can hardly in such a form win its way to popular acquaintance. We claim no other merit than that of bringing it to the knowledge of our readers, of abridging24 its details, of selecting its most attractive portions, and of faithfully preserving throughout the style in which Lady Guest has clothed her legends. For this service we hope that our readers will confess we have laid them under no light obligation.

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1
antiquated
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adj.陈旧的,过时的 | |
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2
perused
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v.读(某篇文字)( peruse的过去式和过去分词 );(尤指)细阅;审阅;匆匆读或心不在焉地浏览(某篇文字) | |
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3
tempt
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vt.引诱,勾引,吸引,引起…的兴趣 | |
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4
plural
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n.复数;复数形式;adj.复数的 | |
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5
Oxford
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n.牛津(英国城市) | |
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6
entirely
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ad.全部地,完整地;完全地,彻底地 | |
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7
specimens
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n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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8
qualified
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adj.合格的,有资格的,胜任的,有限制的 | |
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9
subscription
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n.预订,预订费,亲笔签名,调配法,下标(处方) | |
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10
subscribe
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vi.(to)订阅,订购;同意;vt.捐助,赞助 | |
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11
remains
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n.剩余物,残留物;遗体,遗迹 | |
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12
leek
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n.韭葱 | |
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13
interdicted
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v.禁止(行动)( interdict的过去式和过去分词 );禁用;限制 | |
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14
bards
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n.诗人( bard的名词复数 ) | |
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15
delightfully
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大喜,欣然 | |
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16
undertaking
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n.保证,许诺,事业 | |
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17
patronage
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n.赞助,支援,援助;光顾,捧场 | |
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18
possessed
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adj.疯狂的;拥有的,占有的 | |
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19
requisite
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adj.需要的,必不可少的;n.必需品 | |
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20
pecuniary
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adj.金钱的;金钱上的 | |
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21
adorn
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vt.使美化,装饰 | |
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22
affiliated
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adj. 附属的, 有关连的 | |
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23
invaluable
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adj.无价的,非常宝贵的,极为贵重的 | |
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24
abridging
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节略( abridge的现在分词 ); 减少; 缩短; 剥夺(某人的)权利(或特权等) | |
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