FAIRY MUSIC.

The evil influence of the fairy glance does not kill, but it throws the object into a death-like trance, in which the real body is carried off to some fairy mansion¹, while a log of wood, or some ugly, deformed² creature is left in its place, clothed with the shadow of the stolen form. Young women, remarkable⁴ for beauty, young men, and handsome children, are the chief victims of the fairy stroke. The girls are wedded⁵ to fairy chiefs, and the young men to fairy queens; and if the mortal children do not turn out well, they are sent back, and others carried off in their place. It is sometimes possible, by the spells of a powerful fairy-man, to bring back a living being from Fairy-land. But they are never quite the same after. They have always a spirit-look, especially if they have listened to the fairy music. For the fairy music is soft and low and plaintive⁶, with a fatal charm for mortal ears.

One day a gentleman entered a cabin in the County Clare, and saw a young girl about twenty seated by the fire, chanting a melancholy⁷ song, without settled words or music. On inquiry⁸ he30 was told she had once heard the fairy harp⁹, and those who hear it lose all memory of love or hate, and forget all things, and never more have any other sound in their ears save the soft music of the fairy harp, and when the spell is broken, they die.

It is remarkable that the Irish national airs—plaintive, beautiful, and unutterably pathetic—should so perfectly¹⁰ express the spirit of the Céol-Sidhe (the fairy music), as it haunts the fancy of the people and mingles¹¹ with all their traditions of the spirit world. Wild and capricious as the fairy nature, these delicate harmonies, with their mystic, mournful rhythm, seem to touch the deepest chords of feeling, or to fill the sunshine with laughter, according to the mood of the players; but, above all things, Irish music is the utterance¹² of a Divine sorrow; not stormy or passionate¹³, but like that of an exiled spirit, yearning¹⁴ and wistful, vague and unresting; ever seeking the unattainable, ever shadowed, as it were, with memories of some lost good, or some dim foreboding of a coming fate—emotions that seem to find their truest expression in the sweet, sad, lingering wail¹⁵ of the pathetic minor¹⁶ in a genuine Irish air. There is a beautiful phrase in one of the ancient manuscripts descriptive of the wonderful power of Irish music over the sensitive human organization: “Wounded men were soothed¹⁷ when they heard it, and slept; and women in travail¹⁸ forgot their pains.” There are legends concerning the subtle charm of the fairy music and dance, when the mortal under their influence seems to move through the air with “the naked, fleshless feet of the spirit,” and is lulled¹⁹ by the ecstasy²⁰ of the cadence²¹ into forgetfulness of all things, and sometimes into the sleep of death.
THE FAIRY DANCE.

The following story is from the Irish, as told by a native of one of the Western Isles²², where the primitive²³ superstitions²⁴ have still all the freshness of young life.

One evening late in November, which is the month when spirits have most power over all things, as the prettiest girl in all the island was going to the well for water, her foot slipped and she fell. It was an unlucky omen³, and when she got up and looked round it seemed to her as if she were in a strange place, and all around her was changed as if by enchantment²⁵. But at some distance she saw a great crowd gathered round a blazing fire, and she was drawn²⁶ slowly on towards them, till at last she stood in the very midst of the people; but they kept silence, looking fixedly²⁷ at her; and she was afraid, and tried to turn and leave them, but she could not. Then a beautiful youth, like a prince, with a red31 sash, and a golden band on his long yellow hair, came up and asked her to dance.

“It is a foolish thing of you, sir, to ask me to dance,” she said, “when there is no music.”

Then he lifted his hand and made a sign to the people, and instantly the sweetest music sounded near her and around her, and the young man took her hand, and they danced and danced till the moon and the stars went down, but she seemed like one floating on the air, and she forgot everything in the world except the dancing, and the sweet low music, and her beautiful partner.

At last the dancing ceased, and her partner thanked her, and invited her to supper with the company. Then she saw an opening in the ground, and a flight of steps, and the young man, who seemed to be the king amongst them all, led her down, followed by the whole company. At the end of the stairs they came upon a large hall, all bright and beautiful with gold and silver and lights; and the table was covered with everything good to eat, and wine was poured out in golden cups for them to drink. When she sat down they all pressed her to eat the food and to drink the wine; and as she was weary after the dancing, she took the golden cup the prince handed to her, and raised it to her lips to drink. Just then, a man passed close to her, and whispered—

“Eat no food, and drink no wine, or you will never reach your home again.”

So she laid down the cup, and refused to drink. On this they were angry, and a great noise arose, and a fierce, dark man stood up, and said—

“Whoever comes to us must drink with us.”

And he seized her arm, and held the wine to her lips, so that she almost died of fright. But at that moment a red-haired man came up, and he took her by the hand and led her out.

“You are safe for this time,” he said. “Take this herb, and hold it in your hand till you reach home, and no one can harm you.” And he gave her a branch of a plant called the Athair-Luss (the ground ivy).4

This she took, and fled away along the sward in the dark night; but all the time she heard footsteps behind her in pursuit. At last she reached home and barred the door, and went to bed, when a great clamour arose outside, and voices were heard crying to her—

“The power we had over you is gone through the magic of the herb; but wait—when you dance again to the music on the hill, you will stay with us for evermore, and none shall hinder.”

However, she kept the magic branch safely, and the fairies never troubled her more; but it was long and long before the32 sound of the fairy music left her ears which she had danced to that November night on the hillside with her fairy lover.

1 mansion   

n.大厦，大楼；宅第

参考例句：

• The old mansion was built in 1850.这座古宅建于1850年。
• The mansion has extensive grounds.这大厦四周的庭园广阔。

2 deformed   

adj.畸形的；变形的；丑的，破相了的

参考例句：

• He was born with a deformed right leg.他出生时右腿畸形。
• His body was deformed by leprosy.他的身体因为麻风病变形了。

3 omen   

n.征兆，预兆；vt.预示

参考例句：

• The superstitious regard it as a bad omen.迷信的人认为那是一种恶兆。
• Could this at last be a good omen for peace?这是否终于可以视作和平的吉兆了？

4 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

5 wedded   

adj.正式结婚的；渴望…的，执著于…的v.嫁，娶，（与…）结婚( wed的过去式和过去分词 )

参考例句：

• She's wedded to her job. 她专心致志于工作。
• I was invited over by the newly wedded couple for a meal. 我被那对新婚夫妇请去吃饭。 来自《简明英汉词典》

6 plaintive   

adj.可怜的，伤心的

参考例句：

• Her voice was small and plaintive.她的声音微弱而哀伤。
• Somewhere in the audience an old woman's voice began plaintive wail.观众席里，一位老太太伤心地哭起来。

7 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

8 inquiry   

n.打听，询问，调查，查问

参考例句：

• Many parents have been pressing for an inquiry into the problem.许多家长迫切要求调查这个问题。
• The field of inquiry has narrowed down to five persons.调查的范围已经缩小到只剩5个人了。

9 harp   

n.竖琴；天琴座

参考例句：

• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。
• He played an Irish melody on the harp.他用竖琴演奏了一首爱尔兰曲调。

10 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

11 mingles   

混合，混入( mingle的第三人称单数 )； 混进，与…交往[联系]

参考例句：

• He rarely mingles with persons of his own rank in society. 他几乎不与和他身份相同的人交往。
• The distant rumbling of the guns mingles with our marching song. 枪的深邃长声与我们行进歌混合。

12 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

13 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

14 yearning   

a.渴望的；向往的；怀念的

参考例句：

• a yearning for a quiet life 对宁静生活的向往
• He felt a great yearning after his old job. 他对过去的工作有一种强烈的渴想。

15 wail   

vt./vi.大声哀号，恸哭；呼啸，尖啸

参考例句：

• Somewhere in the audience an old woman's voice began plaintive wail.观众席里，一位老太太伤心地哭起来。
• One of the small children began to wail with terror.小孩中的一个吓得大哭起来。

16 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

17 soothed   

v.安慰( soothe的过去式和过去分词 )；抚慰；使舒服；减轻痛苦

参考例句：

• The music soothed her for a while. 音乐让她稍微安静了一会儿。
• The soft modulation of her voice soothed the infant. 她柔和的声调使婴儿安静了。 来自《现代英汉综合大词典》

18 travail   

n.阵痛；努力

参考例句：

• Mothers know the travail of giving birth to a child.母亲们了解分娩时的痛苦。
• He gained the medal through his painful travail.他通过艰辛的努力获得了奖牌。

19 lulled   

vt.使镇静，使安静（lull的过去式与过去分词形式）

参考例句：

• They lulled her into a false sense of security. 他们哄骗她，使她产生一种虚假的安全感。 来自《简明英汉词典》
• The movement of the train lulled me to sleep. 火车轻微的震动催我进入梦乡。 来自《简明英汉词典》

20 ecstasy   

n.狂喜，心醉神怡，入迷

参考例句：

• He listened to the music with ecstasy.他听音乐听得入了神。
• Speechless with ecstasy,the little boys gazed at the toys.小孩注视着那些玩具，高兴得说不出话来。

21 cadence   

n.（说话声调的）抑扬顿挫

参考例句：

• He delivered his words in slow,measured cadences.他讲话缓慢而抑扬顿挫、把握有度。
• He liked the relaxed cadence of his retired life.他喜欢退休生活的悠闲的节奏。

22 isles   

岛( isle的名词复数 )

参考例句：

• the geology of the British Isles 不列颠群岛的地质
• The boat left for the isles. 小船驶向那些小岛。

23 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

24 superstitions   

迷信，迷信行为( superstition的名词复数 )

参考例句：

• Old superstitions seem incredible to educated people. 旧的迷信对于受过教育的人来说是不可思议的。
• Do away with all fetishes and superstitions. 破除一切盲目崇拜和迷信。

25 enchantment   

n.迷惑，妖术，魅力

参考例句：

• The beauty of the scene filled us with enchantment.风景的秀丽令我们陶醉。
• The countryside lay as under some dread enchantment.乡村好像躺在某种可怖的魔法之下。

26 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

27 fixedly   

adv.固定地；不屈地，坚定不移地

参考例句：

• He stared fixedly at the woman in white. 他一直凝视着那穿白衣裳的女人。 来自《简明英汉词典》
• The great majority were silent and still, looking fixedly at the ground. 绝大部分的人都不闹不动，呆呆地望着地面。 来自英汉文学 - 双城记