THE LIFE and History of Aesop is involved, like that of Homer, the most famous of Greek poets, in much obscurity. Sardis, the capital of Lydia; Samos, a Greek island; Mesembria, an ancient colony in Thrace; and Cotiaeum, the chief city of a province of Phrygia, contend for the distinction of being the birthplace of Aesop. Although the honor thus claimed cannot be definitely assigned to any one of these places, yet there are a few incidents now generally accepted by scholars as established facts, relating to the birth, life, and death of Aesop. He is, by an almost universal consent, allowed to have been born about the year 620 B.C., and to have been by birth a slave. He was owned by two masters in succession, both inhabitants of Samos, Xanthus and Jadmon, the latter of whom gave him his liberty as a reward for his learning and wit. One of the privileges of a freedman in the ancient republics of Greece, was the permission to take an active interest in public affairs; and Aesop, like the philosophers Phaedo, Menippus, and Epictetus, in later times, raised himself from the indignity1 of a servile condition to a position of high renown2. In his desire alike to instruct and to be instructed, he travelled through many countries, and among others came to Sardis, the capital of the famous king of Lydia, the great patron, in that day, of learning and of learned men. He met at the court of Croesus with Solon, Thales, and other sages3, and is related so to have pleased his royal master, by the part he took in the conversations held with these philosophers, that he applied4 to him an expression which has since passed into a proverb, “The Phrygian has spoken better than all.”
On the invitation of Croesus he fixed5 his residence at Sardis, and was employed by that monarch6 in various difficult and delicate affairs of State. In his discharge of these commissions he visited the different petty republics of Greece. At one time he is found in Corinth, and at another in Athens, endeavouring, by the narration7 of some of his wise fables8, to reconcile the inhabitants of those cities to the administration of their respective rulers Periander and Pisistratus. One of these ambassadorial missions, undertaken at the command of Croesus, was the occasion of his death. Having been sent to Delphi with a large sum of gold for distribution among the citizens, he was so provoked at their covetousness9 that he refused to divide the money, and sent it back to his master. The Delphians, enraged10 at this treatment, accused him of impiety11, and, in spite of his sacred character as ambassador, executed him as a public criminal. This cruel death of Aesop was not unavenged. The citizens of Delphi were visited with a series of calamities12, until they made a public reparation of their crime; and, “The blood of Aesop” became a well — known adage13, bearing witness to the truth that deeds of wrong would not pass unpunished. Neither did the great fabulist lack posthumous14 honors; for a statue was erected15 to his memory at Athens, the work of Lysippus, one of the most famous of Greek sculptors16. Phaedrus thus immortalizes the event:
Aesopo ingentem statuam posuere Attici,
Servumque collocarunt aeterna in basi:
Patere honoris scirent ut cuncti viam;
Nec generi tribui sed virtuti gloriam.
These few facts are all that can be relied on with any degree of certainty, in reference to the birth, life, and death of Aesop. They were first brought to light, after a patient search and diligent17 perusal18 of ancient authors, by a Frenchman, M. Claude Gaspard Bachet de Mezeriac, who declined the honor of being tutor to Louis XIII of France, from his desire to devote himself exclusively to literature. He published his Life of Aesop, Anno Domini 1632. The later investigations19 of a host of English and German scholars have added very little to the facts given by M. Mezeriac. The substantial truth of his statements has been confirmed by later criticism and inquiry20. It remains21 to state, that prior to this publication of M. Mezeriac, the life of Aesop was from the pen of Maximus Planudes, a monk22 of Constantinople, who was sent on an embassy to Venice by the Byzantine Emperor Andronicus the elder, and who wrote in the early part of the fourteenth century. His life was prefixed to all the early editions of these fables, and was republished as late as 1727 by Archdeacon Croxall as the introduction to his edition of Aesop. This life by Planudes contains, however, so small an amount of truth, and is so full of absurd pictures of the grotesque23 deformity of Aesop, of wondrous24 apocryphal25 stories, of lying legends, and gross anachronisms, that it is now universally condemned26 as false, puerile27, and unauthentic. 1 It is given up in the present day, by general consent, as unworthy of the slightest credit.
G.F.T.
1 indignity | |
n.侮辱,伤害尊严,轻蔑 | |
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2 renown | |
n.声誉,名望 | |
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3 sages | |
n.圣人( sage的名词复数 );智者;哲人;鼠尾草(可用作调料) | |
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4 applied | |
adj.应用的;v.应用,适用 | |
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5 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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6 monarch | |
n.帝王,君主,最高统治者 | |
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7 narration | |
n.讲述,叙述;故事;记叙体 | |
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8 fables | |
n.寓言( fable的名词复数 );神话,传说 | |
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9 covetousness | |
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10 enraged | |
使暴怒( enrage的过去式和过去分词 ); 歜; 激愤 | |
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11 impiety | |
n.不敬;不孝 | |
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12 calamities | |
n.灾祸,灾难( calamity的名词复数 );不幸之事 | |
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13 adage | |
n.格言,古训 | |
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14 posthumous | |
adj.遗腹的;父亡后出生的;死后的,身后的 | |
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15 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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16 sculptors | |
雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座 | |
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17 diligent | |
adj.勤勉的,勤奋的 | |
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18 perusal | |
n.细读,熟读;目测 | |
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19 investigations | |
(正式的)调查( investigation的名词复数 ); 侦查; 科学研究; 学术研究 | |
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20 inquiry | |
n.打听,询问,调查,查问 | |
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21 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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22 monk | |
n.和尚,僧侣,修道士 | |
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23 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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24 wondrous | |
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地 | |
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25 apocryphal | |
adj.假冒的,虚假的 | |
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26 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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27 puerile | |
adj.幼稚的,儿童的 | |
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