Just below us, Madame Prune3’s panels move very badly, creak and make a hideous4 noise in their wornout grooves5.
Ours are somewhat noisy too, for the old house is full of echoes, and there are at least twenty screens to run over long slides in order to close in completely the kind of open hall in which we live. Usually, it is Chrysanthème who undertakes this piece of household work, and a great deal of trouble it gives her, for she often pinches her fingers in the singular awkwardness of her too tiny hands, which never have been accustomed to do any work.
Then comes her toilette for the night. With a certain grace she lets fall the day-dress, and slips on a more simple one of blue cotton, which has the same pagoda6 sleeves, the same shape all but the train, and which she fastens round her waist with a sash of muslin of the same color.
The high head-dress remains7 untouched, it is needless to say — that is, all but the pins, which are taken out and laid beside her in a lacquer box.
Then there is the little silver pipe that must absolutely be smoked before going to sleep; this is one of the customs which most provoke me, but it has to be borne.
Chrysanthème squats8 like a gipsy before a certain square box, made of red wood, which contains a little tobacco-jar, a little porcelain9 stove full of hot embers, and finally a little bamboo pot serving at the same time as ash-tray and cuspidor. (Madame Prune’s smoking-box downstairs, and every smoking-box in Japan, is exactly the same, and contains precisely10 the same objects, arranged in precisely the same manner; and wherever it may be, whether in the house of the rich or the poor, it always lies about somewhere on the floor.)
The word “pipe” is at once too trivial and too big to be applied11 to this delicate silver tube, which is perfectly12 straight and at the end of which, in a microscopic13 receptacle, is placed one pinch of golden tobacco, chopped finer than silken thread.
Two puffs14, or at most three; it lasts scarcely a few seconds, and the pipe is finished. Then tap, tap, tap, tap, the little tube is struck smartly against the edge of the smoking-box to knock out the ashes, which never will fall; and this tapping, heard everywhere, in every house, at every hour of the day or night, quick and droll15 as the scratchings of a monkey, is in Japan one of the noises most characteristic of human life.
“Anata nominase!” (“You must smoke too!") says Chrysanthème.
Having again filled the tiresome16 little pipe, she puts the silver tube to my lips with a bow. Courtesy forbids my refusal; but I find it detestably bitter.
Before laying myself down under the blue mosquito-net, I open two of the panels in the room, one on the side of the silent and deserted17 footpath18, the other on the garden side, overlooking the terraces, so that the night air may breathe upon us, even at the risk of bringing the company of some belated cockchafer, or more giddy moth19.
Our wooden house, with its thin old walls, vibrates at night like a great dry violin, and the slightest noises have a startling resonance20.
Beneath the veranda21 are hung two little AEolian harps22, which, at the least ruffle23 of the breeze running through their blades of grass, emit a gentle tinkling24 sound, like the harmonious25 murmur26 of a brook27; outside, to the very farthest limits of the distance, the cicalas continue their sonorous28 and never-ending concert; over our heads, on the black roof, is heard passing, like a witch’s sabbath, the raging battle, to the death, of cats, rats, and owls29.
Presently, when in the early dawn a fresher breeze, mounting upward from the sea and the deep harbor, reaches us, Chrysanthème rises and slyly shuts the panels I have opened.
Before that, however, she will have risen at least three times to smoke: having yawned like a cat, stretched herself, twisted in every direction her little amber30 arms, and her graceful31 little hands, she sits up resolutely32, with all the waking sighs and broken syllables33 of a child, pretty and fascinating enough; then she emerges from the gauze net, fills her little pipe, and breathes a few puffs of the bitter and unpleasant mixture.
Then comes tap, tap, tap, tap, against the box to shake out the ashes. In the silence of the night it makes quite a terrible noise, which wakes Madame Prune. This is fatal. Madame Prune is at once seized also with a longing34 to smoke which may not be denied; then, to the noise from above, comes an answering tap, tap, tap, tap, from below, exactly like it, exasperating35 and inevitable36 as an echo.

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收听单词发音

1
peculiarities
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n. 特质, 特性, 怪癖, 古怪 | |
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2
imprinted
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v.盖印(imprint的过去式与过去分词形式) | |
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3
prune
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n.酶干;vt.修剪,砍掉,削减;vi.删除 | |
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4
hideous
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adj.丑陋的,可憎的,可怕的,恐怖的 | |
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5
grooves
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n.沟( groove的名词复数 );槽;老一套;(某种)音乐节奏v.沟( groove的第三人称单数 );槽;老一套;(某种)音乐节奏 | |
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6
pagoda
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n.宝塔(尤指印度和远东的多层宝塔),(印度教或佛教的)塔式庙宇 | |
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7
remains
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n.剩余物,残留物;遗体,遗迹 | |
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8
squats
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n.蹲坐,蹲姿( squat的名词复数 );被擅自占用的建筑物v.像动物一样蹲下( squat的第三人称单数 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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9
porcelain
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n.瓷;adj.瓷的,瓷制的 | |
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10
precisely
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adv.恰好,正好,精确地,细致地 | |
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11
applied
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adj.应用的;v.应用,适用 | |
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12
perfectly
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adv.完美地,无可非议地,彻底地 | |
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13
microscopic
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adj.微小的,细微的,极小的,显微的 | |
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14
puffs
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n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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15
droll
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adj.古怪的,好笑的 | |
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16
tiresome
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adj.令人疲劳的,令人厌倦的 | |
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17
deserted
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adj.荒芜的,荒废的,无人的,被遗弃的 | |
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18
footpath
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n.小路,人行道 | |
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19
moth
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n.蛾,蛀虫 | |
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20
resonance
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n.洪亮;共鸣;共振 | |
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21
veranda
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n.走廊;阳台 | |
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22
harps
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abbr.harpsichord 拨弦古钢琴n.竖琴( harp的名词复数 ) | |
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23
ruffle
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v.弄皱,弄乱;激怒,扰乱;n.褶裥饰边 | |
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24
tinkling
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n.丁当作响声 | |
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25
harmonious
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adj.和睦的,调和的,和谐的,协调的 | |
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26
murmur
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n.低语,低声的怨言;v.低语,低声而言 | |
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27
brook
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n.小河,溪;v.忍受,容让 | |
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28
sonorous
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adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
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29
owls
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n.猫头鹰( owl的名词复数 ) | |
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30
amber
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n.琥珀;琥珀色;adj.琥珀制的 | |
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31
graceful
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adj.优美的,优雅的;得体的 | |
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32
resolutely
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adj.坚决地,果断地 | |
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33
syllables
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n.音节( syllable的名词复数 ) | |
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34
longing
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n.(for)渴望 | |
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35
exasperating
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adj. 激怒的 动词exasperate的现在分词形式 | |
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36
inevitable
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adj.不可避免的,必然发生的 | |
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