“M. de Voltaire,” said I, “this is the happiest moment of my life. I have been your pupil for twenty years, and my heart is full of joy to see my master.”
“Honour me with your attendance on my course for twenty years more, and promise me that you will bring me my fees at the end of that time.”
“Certainly, if you promise to wait for me.”
This Voltairean sally made all present laugh, as was to be expected, for those who laugh keep one party in countenance1 at the other’s expense, and the side which has the laughter is sure to win; this is the rule of good society.
I was not taken by surprise, and waited to have my revenge.
Just then two Englishmen came in and were presented to him.
“These gentlemen are English,” said Voltaire; “I wish I were.”
I thought the compliment false and out of place; for the gentlemen were obliged to reply out of politeness that they wished they had been French, or if they did not care to tell a lie they would be too confused to tell the truth. I believe every man of honour should put his own nation first.
A moment after, Voltaire turned to me again and said that as I was a Venetian I must know Count Algarotti.
“I know him, but not because I am a Venetian, as seven-eights of my dear countrymen are not even aware of his existence.”
“I should have said, as a man of letters.”
“I know him from having spent two months with him at Padua, seven years ago, and what particularly attracted my attention was the admiration2 he professed3 for M. de Voltaire.”
“That is flattering for me, but he has no need of admiring anyone.”
“If Algarotti had not begun by admiring others, he would never have made a name for himself. As an admirer of Newton he endeavoured to teach the ladies to discuss the theory of light.”
“Has he succeeded?”
“Not as well as M. de Fontenelle in his “Plurality of Worlds;” however, one may say he has succeeded.”
“True. If you see him at Bologna, tell him I am expecting to hear from him about Russia. He can address my letters to my banker, Bianchi, at Milan, and they will be sent on to me.”
“I will not fail to do so if I see him.”
“I have heard that the Italians do not care for his style.”
“No; all that he writes is full of French idioms. His style is wretched.”
“But do not these French turns increase the beauty of your language?”
“They make it insufferable, as French would be mixed with Italian or German even though it were written by M. de Voltaire.”
“You are right; every language should preserve its purity. Livy has been criticised on this account; his Latin is said to be tainted5 with patavinity.”
“When I began to learn Latin, the Abbe Lazzarini told me he preferred Livy to Sallust.”
“The Abbe Lazzarini, author of the tragedy, ‘Ulisse il giovine’? You must have been very young; I wish I had known him. But I knew the Abbe Conti well; the same that was Newton’s friend, and whose four tragedies contain the whole of Roman history.”
“I also knew and admired him. I was young, but I congratulated myself on being admitted into the society of these great men. It seems as if it were yesterday, though it is many years ago; and now in your presence my inferiority does not humiliate6 me. I wish to be the younger son of all humanity.”
“Better so than to be the chief and eldest7. May I ask you to what branch of literature you have devoted8 yourself?”
“To none; but that, perhaps, will come afterwards. In the meantime I read as much as I can, and try to study character on my travels.”
“That is the way to become learned, but the book of humanity is too vast. Reading a history is the easier way.”
“Yes, if history did not lie. One is not sure of the truth of the facts. It is tiring, while the study of the world is amusing. Horace, whom I know by heart, is my guide-book.”
“Algarotti, too, is very fond of Horace. Of course you are fond of poetry?”
“It is my passion.”
“Have you made many sonnets11?”
“Ten or twelve I like, and two or three thousand which in all probability I have not read twice.”
“The Italians are mad after sonnets.”
“Yes; if one can call it a madness to desire to put thought into measured harmony. The sonnet10 is difficult because the thought has to be fitted exactly into the fourteen lines.”
“It is Procrustes’ bed, and that’s the reason you have so few good ones. As for us, we have not one; but that is the fault of our language.”
“And of the French genius, which considers that a thought when extended loses all its force.”
“And you do not think so?”
“Pardon me, it depends on the kind of thought. A witty12 saying, for example, will not make a sonnet; in French or Italian it belongs to the domain13 of epigram.”
“What Italian poet do you like best?”
“Ariosto; but I cannot say I love him better than the others, for he is my only love.”
“You know the others, though?”
“I think I have read them all, but all their lights pale before Ariosto’s. Fifteen years ago I read all you have written against him, and I said that you, would retract14 when you had read his works.”
“I am obliged to you for thinking that I had not read them. As a matter of fact I had done so, but I was young. I knew Italian very imperfectly, and being prejudiced by the learned Italians who adore Tasso I was unfortunate enough to publish a criticism of Ariosto which I thought my own, while it was only the echo of those who had prejudiced me. I adore your Ariosto!”
“Ah! M. de Voltaire, I breathe again. But be good enough to have the work in which you turned this great man into ridicule17 excommunicated.”
“What use would that be? All my books are excommunicated; but I will give you a good proof of my retractation.”
I was astonished! The great man began to recite the two fine passages from the thirty-fourth and thirty-fifth cantos, in which the divine poet speaks of the conversation of Astolpho with St. John and he did it without missing a single life or committing the slightest fault against the laws of prosody19. He then pointed20 out the beauties of the passages with his natural insight and with a great man’s genius. I could not have had anything better from the lips of the most skilled commentators21 in Italy. I listened to him with the greatest attention, hardly daring to breath, and waiting for him to make a mistake, but I had my trouble for nothing. I turned to the company crying that I was more than astonished, and that all Italy should know what I had seen. “And I, sir,” said the great man, “will let all Europe know of the amends22 I owe to the greatest genius our continent has produced.”
Greedy of the praise which he deserved so well, Voltaire gave me the next day his translation which Ariosto begins thus:
“Quindi avvien the tra principi a signori.”
At the end of the recitation which gained the applause of all who heard it, although not one of them knew Italian, Madame Denis, his niece, asked me if I thought the passage her uncle had just recited one of the finest the poet had written.
“Yes, but not the finest.”
“It ought to be; for without it Signor Lodovico would not have gained his apotheosis23.”
“He has been canonised, then? I was not aware of that.”
At these words the laugh, headed by Voltaire, went for Madame Denis. Everybody laughed except myself, and I continued to look perfectly15 serious.
Voltaire was vexed24 at not seeing me laugh like the rest, and asked me the reason.
“Are you thinking,” said he, “of some more than human passage?”
“Yes,” I answered.
“What passage is that?”
“The last thirty-six stanzas26 of the twenty-third canto18, where the poet describes in detail how Roland became mad. Since the world has existed no one has discovered the springs of madness, unless Ariosto himself, who became mad in his old age. These stanzas are terrible, and I am sure they must have made you tremble.”
“Yes, I remember they render love dreadful. I long to read them again.”
“Perhaps the gentleman will be good enough to recite them,” said Madame Denis, with a side-glance at her uncle.
“Willingly,” said I, “if you will have the goodness to listen to me.”
“You have learn them by heart, then, have you?” said Voltaire.
“Yes, it was a pleasure and no trouble. Since I was sixteen, I have read over Ariosto two or three times every year; it is my passion, and the lines naturally become linked in my memory without my having given myself any pains to learn them. I know it all, except his long genealogies27 and his historical tirades28, which fatigue29 the mind and do not touch the heart. It is only Horace that I know throughout, in spite of the often prosaic30 style of his epistles, which are certainly far from equalling Boileau’s.”
“Boileau is often too lengthy31; I admire Horace, but as for Ariosto, with his forty long cantos, there is too much of him.”
“It is fifty-one cantos, M. de Voltaire.”
The great man was silent, but Madame Denis was equal to the occasion.
“Come, come,” said she, “let us hear the thirty-six stanzas which earned the author the title of divine, and which are to make us tremble.”
I then began, in an assured voice, but not in that monotonous32 tone adopted by the Italians, with which the French so justly reproach us. The French would be the best reciters if they were not constrained33 by the rhyme, for they say what they feel better than any other people. They have neither the passionate34 monotonous tone of my fellow- countrymen, nor the sentimentality of the Germans, nor the fatiguing35 mannerisms of the English; to every period they give its proper expression, but the recurrence36 of the same sounds partly spoils their recitation. I recited the fine verses of Ariosto, as if it had been rhythmic37 prose, animating38 it by the sound of my voice and the movements of my eyes, and by modulating39 my intonation40 according to the sentiments with which I wished to inspire my audience. They saw how hardly I could restrain my tears, and every eye was wet; but when I came to the stanza25,
“Poiche allargare il freno al dolor puote,
Che resta solo senza altrui rispetto,
Giu dagli occhi rigando per le gote
Sparge un fiume de lacrime sul petto,”
my tears coursed down my cheeks to such an extent that everyone began to sob41. M. de Voltaire and Madame Denis threw their arms round my neck, but their embraces could not stop me, for Roland, to become mad, had to notice that he was in the same bed in which Angelica had lately been found in the arms of the too fortunate Medor, and I had to reach the next stanza. For my voice of sorrow and wailing42 I substituted the expression of that terror which arose naturally from the contemplation of his fury, which was in its effects like a tempest, a volcano, or an earthquake.
When I had finished I received with a sad air the congratulations of the audience. Voltaire cried,
“I always said so; the secret of drawing tears is to weep one’s self, but they must be real tears, and to shed them the heart must be stirred to its depths. I am obliged to you, sir,” he added, embracing me, “and I promise to recite the same stanzas myself to- morrow, and to weep like you.”
He kept his word.
“It is astonishing,” said Madame Denis, “that intolerant Rome should not have condemned44 the song of Roland.”
“Far from it,” said Voltaire, “Leo X. excommunicated whoever should dare to condemn43 it. The two great families of Este and Medici interested themselves in the poet’s favour. Without that protection it is probable that the one line on the donation of Rome by Constantine to Silvester, where the poet speaks ‘puzza forte’ would have sufficed to put the whole poem under an interdict45.”
“I believe,” said I, “that the line which has excited the most talk is that in which Ariosto throws doubt on the general resurrection. Ariosto,” I added, “in speaking of the hermit46 who would have hindered Rhodomonte from getting possession of Isabella, widow of Zerbin, paints the African, who wearied of the hermit’s sermons, seizes him and throws him so far that he dashes him against a rock, against which he remains47 in a dead swoon, so that ‘che al novissimo di forse fia desto’.”
This ‘forse’ which may possibly have only been placed there as a flower of rhetoric48 or as a word to complete the verse, raised a great uproar49, which would doubtless have greatly amused the poet if he had had time!
“It is a pity,” said Madame Denis, “that Ariosto was not more careful in these hyperbolical expressions.”
“Be quiet, niece, they are full of wit. They are all golden grains, which are dispersed50 throughout the work in the best taste.”
The conversation was then directed towards various topics, and at last we got to the ‘Ecossaise’ we had played at Soleure.
They knew all about it.
M. de Voltaire said that if I liked to play it at his house he would write to M. de Chavigni to send the Lindane, and that he himself would play Montrose. I excused myself by saying that Madame was at Bale and that I should be obliged to go on my journey the next day. At this he exclaimed loudly, aroused the whole company against me, and said at last that he should consider my visit as an insult unless I spared him a week at least of my society.
“Sir,” said I, “I have only come to Geneva to have the honour of seeing you, and now that I have obtained that favour I have nothing more to do.”
“Have you come to speak to me, or for me to speak to you?”
“In a measure, of course, to speak to you, but much more for you to speak to me.”
“Then stay here three days at least; come to dinner every day, and we will have some conversation.”
The invitation was so flattering and pressing that I could not refuse it with a good grace. I therefore accepted, and I then left to go and write.
I had not been back for a quarter of an hour when a syndic of the town, an amiable51 man, whom I had seen at M. de Voltaire’s, and whose name I shall not mention, came and asked me to give him supper. “I was present,” said he, “at your argument with the great man, and though I did not open my mouth I should much like to have an hour’s talk with you.” By way of reply, I embraced him, begging him to excuse my dressing-gown, and telling him that I should be glad if he would spend the whole night with me.
The worthy52 man spent two hours with me, without saying a word on the subject of literature, but to please me he had no need to talk of books, for he was a disciple53 of Epicurus and Socrates, and the evening was spent in telling little stories, in bursts of laughter, and in accounts of the various kinds of pleasure obtainable at Geneva. Before leaving me he asked me to come and sup with him on the following evening, promising54 that boredom55 should not be of the party.
“I shall wait for you,” said I.
“Very good, but don’t tell anyone of the party.”
I promised to follow his instructions.
Next morning, young Fox came to see me with the two Englishmen I had seen at M. de Voltaire’s. They proposed a game of quinze, which I accepted, and after losing fifty louis I left off, and we walked about the town till dinner-time.
We found the Duc de Villars at Delices; he had come there to consult Dr. Tronchin, who had kept him alive for the last ten years.
I was silent during the repast, but at dessert, M. de Voltaire, knowing that I had reasons for not liking56 the Venetian Government, introduced the subject; but I disappointed him, as I maintained that in no country could a man enjoy more perfect liberty than in Venice.
“Yes,” said he, “provided he resigns himself to play the part of a dumb man.”
And seeing that I did not care for the subject, he took me by the arm to his garden, of which, he said, he was the creator. The principal walk led to a pretty running stream.
“’Tis the Rhone,” said he, “which I send into France.”
“It does not cost you much in carriage, at all events,” said I.
He smiled pleasantly and shewed me the principal street of Geneva, and Mont Blanc which is the highest point of the Alps.
Bringing back the conversation to Italian literature, he began to talk nonsense with much wit and learning, but always concluding with a false judgment57. I let him talk on. He spoke58 of Homer, Dante, and Petrarch, and everybody knows what he thought of these great geniuses, but he did himself wrong in writing what he thought. I contented59 myself with saying that if these great men did not merit the esteem60 of those who studied them; it would at all events be a long time before they had to come down from the high place in which the praise of centuries, had placed them.
The Duc de Villars and the famous Tronchin came and joined us. The doctor, a tall fine man, polite, eloquent61 without being a conversationalist, a learned physician, a man of wit, a favourite pupil of Boerhaeve, without scientific jargon62, or charlatanism63, or self-sufficiency, enchanted64 me. His system of medicine was based on regimen, and to make rules he had to be a man of profound science. I have been assured, but can scarcely believe it, that he cured a consumptive patient of a secret disease by means of the milk of an ass9, which he had submitted to thirty strong frictions65 of mercury by four sturdy porters.
As to Villars he also attracted my attention, but in quite a different way to Tronchin. On examining his face and manner I thought I saw before me a woman of seventy dressed as a man, thin and emaciated66, but still proud of her looks, and with claims to past beauty. His cheeks and lips were painted, his eyebrows67 blackened, and his teeth were false; he wore a huge wig68, which, exhaled69 amber70, and at his buttonhole was an enormous bunch of flowers, which touched his chin. He affected71 a gracious manner, and he spoke so softly that it was often impossible to hear what he said. He was excessively polite and affable, and his manners were those of the Regency. His whole appearance was supremely72 ridiculous. I was told that in his youth he was a lover of the fair sex, but now that he was no longer good for anything he had modestly made himself into a woman, and had four pretty pets in his employ, who took turns in the disgusting duty of warming his old carcase at night.
Villars was governor of Provence, and had his back eaten up with cancer. In the course of nature he should have been buried ten years ago, but Tronchin kept him alive with his regimen and by feeding the wounds on slices of veal73. Without this the cancer would have killed him. His life might well be called an artificial one.
I accompanied M. de Voltaire to his bedroom, where he changed his wig and put on another cap, for he always wore one on account of the rheumatism74 to which he was subject. I saw on the table the Summa of St. Thomas, and among other Italian poets the ‘Secchia Rapita’ of Tassoni.
“This,” said Voltaire, “is the only tragicomic poem which Italy has. Tassoni was a monk75, a wit and a genius as well as a poet.”
“I will grant his poetical77 ability but not his learning, for he ridiculed78 the system of Copernicus, and said that if his theories were followed astronomers79 would not be able to calculate lunations or eclipses.”
“Where does he make that ridiculous remark?”
“In his academical discourses81.”
“I have not read them, but I will get them.”
He took a pen and noted82 the name down, and said —
“But Tassoni has criticised Petrarch very ingeniously.”
“Yes, but he has dishonoured83 taste and literature, like Muratori.”
“Here he is. You must allow that his learning is immense.”
“Est ubi peccat.”
Voltaire opened a door, and I saw a hundred great files full of papers.
“That’s my correspondence,” said he. “You see before you nearly fifty thousand letters, to which I have replied.”
“Have you a copy of your answers?”
“Of a good many of them. That’s the business of a servant of mine, who has nothing else to do.”
“I know plenty of booksellers who would give a good deal to get hold of your answers.
“Yes; but look out for the booksellers when you publish anything, if you have not yet begun; they are greater robbers than Barabbas.”
“I shall not have anything to do with these gentlemen till I am an old man.”
“Then they will be the scourge84 of your old age.”
Thereupon I quoted a Macaronic verse by Merlin Coccaeus.
“Where’s that from?”
“It’s a line from a celebrated85 poem in twenty-four cantos.”
“Celebrated?”
“Yes; and, what is more, worthy of being celebrated; but to appreciate it one must understand the Mantuan dialect.”
“I could make it out, if you could get me a copy.”
“I shall have the honour of presenting you with one to-morrow.”
“You will oblige me extremely.”
We had to leave his room and spend two hours in the company, talking over all sorts of things. Voltaire displayed all the resources of his brilliant and fertile wit, and charmed everyone in spite of his sarcastic86 observations which did not even spare those present, but he had an inimitable manner of lancing a sarcasm87 without wounding a person’s feelings. When the great man accompanied his witticisms88 with a graceful89 smile he could always get a laugh.
He kept up a notable establishment and an excellent table, a rare circumstance with his poetic76 brothers, who are rarely favourites of Plutus as he was. He was then sixty years old, and had a hundred and twenty thousand francs a year. It has been said maliciously90 that this great man enriched himself by cheating his publishers; whereas the fact was that he fared no better than any other author, and instead of duping them was often their dupe. The Cramers must be excepted, whose fortune he made. Voltaire had other ways of making money than by his pen; and as he was greedy of fame, he often gave his works away on the sole condition that they were to be printed and published. During the short time I was with him, I was a witness of such a generous action; he made a present to his bookseller of the “Princess of Babylon,” a charming story which he had written in three days.
My epicurean syndic was exact to his appointment, and took me to a house at a little distance where he introduced me to three young ladies, who, without being precisely91 beautiful, were certainly ravishing. Two of them were sisters. I had an easy and pleasant welcome, and from their intellectual appearance and gay manners I anticipated a delightful92 evening, and I was not disappointed. The half hour before supper was passed in conversation, decent but without restraint, and during supper, from the hints the syndic gave me, I guessed what would happen after dessert.
It was a hot evening, and on the pretext93 of cooling ourselves, we undressed so as to be almost in a state of nature. What an orgy we had! I am sorry I am obliged to draw a veil over the most exciting details. In the midst of our licentious94 gaiety, whilst we were heated by love, champagne95, and a discourse80 of an exciting nature, I proposed to recite Grecourt’s ‘Y Gyec’. When I had finished the voluptuous96 poem, worthy of an abbe’s pen, I saw that the eyes of the three beauties were all aflame, and said —
“Ladies, if you like, I will shew you all three, one after the other, why the sentence, ‘Gaudeant bene nati’, was uttered”; and without waiting for their reply, I succeeded in making them happy. The syndic was radiant, he was pleased at having given me a present entirely97 to my taste; and I fancied that the entertainment was not displeasing98 to the three Graces, who were kept low by the Sybarite, as his powers were almost limited to desires. The girls lavished100 their thanks on me, while I endeavoured to assure them of my gratitude101; but they leapt for joy when they heard the syndic asking me to come next day.
As he was taking me back to my inn I told him how great a pleasure he had given me, and he said he had brought up the three jewels himself.
“You,” he added, “are the only man besides myself they know. You shall see them again, but I beg you will take care not to leave anything behind you, for in this town of prejudices that would be a great misfortune for them and for me.”
“You are always moderate in your enjoyment102, then?” I said to him.
“Unfortunately, that is no merit as far as I am concerned. I was born for the service of love, and Venus has punished me for worshipping her when I was too young.”
After a good night’s sleep I awoke in an active mood, and began to write a letter to Voltaire in blank verse, which cost me four times the pains that rhymed verses would have done. I sent it to him with the poem of Theophile Falengue, but I made a mistake in doing so, as I might have known he would not care for it; one cannot appreciate what one does not understand. I then went to Mr. Fox, where I found the two Englishmen who offered me my revenge. I lost a hundred Louis, and was glad to see them set out for Lausanne.
The syndic had told me that the three young ladies belonged to respectable families, but were not rich. I puzzled my head to think of some useful present I might make them without offending them, and at last I hit on a plan of the most ridiculous nature, as the reader will see. I went to a jeweller and told him to make me three golden balls, each of two ounces in weight.
At noon I went to M. de Voltaire’s. He was not to be seen, but Madame Denis consoled me for his absence. She had wit, learning without pretension103, taste, and a great hatred104 for the King of Prussia, whom she called a villain105. She asked about my beautiful housekeeper106, and congratulated me on having married her to a respectable man. Although I feel now that she was quite right, I was far from thinking so then; the impression was too fresh on my mind. Madame Denis begged me to tell her how I had escaped from The Leads, but as the story was rather a long one I promised to satisfy her another time.
M. de Voltaire did not dine with us; he appeared, however, at five o’clock, holding a letter in his hand.
“Do you know,” said he, “the Marquis Albergati Capacelli, senator of Bologna, and Count Paradisi?”
“I do not know Paradisi, but I know Albergati by sight and by reputation; he is not a senator, but one of the Forty, who at Bologna are Fifty.”
“Dear me! That seems rather a riddle107!”
“Do you know him?”
“No, but he has sent me Goldoni’s ‘Theatre,’ the translation of my Tancred, and some Bologna sausages, and he says he will come and see me.”
“He will not come; he is not such a fool.”
“How a fool? Would there be anything foolish in coming to see me?”
“Certainly not, as far as you are concerned; but very much so far his own sake.”
“Would you mind telling me why?”
“He knows what he would lose; for he enjoys the idea you seem to have of him, and if he came you would see his nothingness, and good-bye to the illusion. He is a worthy man with six thousand sequins a year, and a craze for the theatre. He is a good actor enough, and has written several comedies in prose, but they are fit neither for the study nor the stage.”
“You certainly give him a coat which does not make him look any bigger.”
“I assure you it is not quite small enough.”
“But tell me how he can belong to the Forty and the Fifty?”
“Just as at Bale noon is at eleven.”
“I understand; just as your Council of Ten is composed of seventeen members.”
“Exactly; but the cursed Forty of Bologna are men of another kind.”
“Why cursed?”
“Because they are not subject to the fisc, and are thus enabled to commit whatever crimes they like with perfect impunity108; all they have got to do is to live outside the state borders on their revenues.”
“That is a blessing109, and not a curse; but let me return to our subject. I suppose the Marquis Albergati is a man of letters?”
“He writes well enough, but he is fond of the sound of his own voice, his style is prolix110, and I don’t think he has much brains.”
“He is an actor, I think you said?”
“Yes, and a very good one, above all, when he plays the lover’s part in one of his own plays.”
“Is he a handsome man?”
“Yes, on the stage, but not elsewhere; his face lacks expression.”
“But his plays give satisfaction?”
“Not to persons who understand play writing; they would be hissed111 if they were intelligible112.”
“And what do you think of Goldoni?”
“I have the highest opinion of him. Goldoni is the Italian Moliere.”
“Why does he call himself poet to the Duke of Parma?”
“No doubt to prove that a wit as well as a fool has his weak points; in all probability the duke knows nothing about it. He also calls himself a barrister, though he is such only in his own imagination. Goldoni is a good play writer, and nothing more. Everybody in Venice knows me for his friend, and I can therefore speak of him with authority. He does not shine in society, and in spite of the fine satire113 of his works he is a man of an extremely gentle disposition114.”
“So I have been told. He is poor, and wants to leave Venice. The managers of the theatres where they play his pieces will not like that.”
“People talked about getting him a pension, but the project has been relegated115 to the Greek Kalends, as they said that if he had a pension he would write no more.”
“Cumae refused to give a pension to Homer, for fear that all the blind men would ask for a pension.”
We spent a pleasant day, and he thanked me heartily116 for the copy of the Macaronicon, which he promised to read. He introduced me to a Jesuit he had in his household, who was called Adam, and he added, after telling me his name, “not the first Adam.” I was told afterwards that Voltaire used to play backgammon with him, and when he lost he would throw the dice16 and the box at his head. If Jesuits were treated like that all the world over, perhaps we should have none but inoffensive Jesuits at last, but that happy time is still far off.
I had scarcely got to my inn in the evening when I received my three golden balls, and as soon as the syndic came we set off to renew our voluptuous orgy. On the way he talked about modesty117, and said —
“That feeling which prevents our shewing those parts which we have been taught to cover from our childhood, may often proceed from virtue118, but is weaker than the force of education, as it cannot resist an attack when the attacking party knows what he is about. I think the easiest way to vanquish119 modesty is to ignore its presence, to turn it into ridicule, to carry it by storm. Victory is certain. The hardihood of the assailer subdues120 the assailed121, who usually only wishes to be conquered, and nearly always thanks you for your victory.
“Clement of Alexandria, a learned man and a philosopher, has remarked that the modesty which appears so deeply rooted in women’s hearts really goes no farther than the clothes they wear, and that when these are plucked off no trace of it remains.”
We found the three girls lightly clad and sitting on a large sopha, and we sat down opposite to them. Pleasant talk and a thousand amorous122 kisses occupied the half hour just before supper, and our combat did not begin till we had eaten a delicious repast, washed down with plenty of champagne.
We were sure of not being interrupted by the maid and we put ourselves at our ease, whilst our caresses123 became more lively and ardent124. The syndic, like a careful man, drew a packet of fine French letters from his pocket, and delivered a long eulogium on this admirable preservative125 from an accident which might give rise to a terrible and fruitless repentance126. The ladies knew them, and seemed to have no objection to the precaution; they laughed heartily to see the shape these articles took when they were blown out. But after they had amused themselves thus for some time, I said,
“My dear girls, I care more for your honour than your beauty; but do not think I am going to shut myself in a piece of dead skin to prove that I am alive. Here,” I added, drawing out the three golden balls, “is a surer and less disagreeable way of securing you from any unpleasant consequences. After fifteen years’ experience I can assure you that with these golden balls you can give and take without running the least risk. For the future you will have no need of those humiliating sheaths. Trust in me and accept this little present from a Venetian who adores you.”
“We are very grateful,” said the elder of the two sisters, “but how are these pretty balls used?”
“The ball has to be at the rear of the temple of love, whilst the amorous couple are performing the sacrifice. The antipathy127 communicated to the metal by its being soaked for a certain time in an alkaline solution prevents impregnation.”
“But,” said the cousin, “one must take great care that the ball is not shaken out by the motion before the end of the sacrifice.”
“You needn’t be afraid of that if you place yourself in a proper position.”
“Let us see how it’s done,” said the syndic, holding a candle for me to put the ball in place.
The charming cousin had gone too far to turn back; she had to submit to the operation. I placed the ball in such a position that it could not fall out before I was in; however, it fell out towards the end, just as we were separating. The victim perceived that I had taken her in. However, she said nothing, picked up the ball, and challenged the two sisters to submit to the pleasant experiment, to which they lent themselves with the greatest interest; while the syndic, who had no faith in the virtues128 of the metal, contented himself with looking on. After half an hour’s rest I began again, without balls, assuring them that I would be careful, and I kept my word, without depriving them of the pleasure in the slightest degree.
When it was time to part, these girls, who had formerly129 been scantily130 provided for, threw their arms round my neck, overwhelmed me with caresses, and declared how much they owed me. The syndic told them that I was going in two days, and suggested that they should make me stay a day longer in Geneva, and I made this sacrifice joyfully131. The worthy syndic had an engagement on the following day, and I sorely needed a holiday myself. He took me back to my inn, thanking me almost as heartily as his charming nymphs.
After having enjoyed a calm and refreshing132 sleep ten hours, I felt myself able to enjoy the delightful society of M. de Voltaire. I went to his house, but I was disappointed in my hopes, as it pleased the great man to be in a fault-finding and sarcastic mood the whole day. He knew I had to leave on the morrow.
He began by thanking me at table for my present of Merlin Coccaeus.
“You certainly gave it me with good intentions,” said he, “but I owe you no thanks for praising it so highly, as you made me lose four hours in reading nonsense.”
I felt my hair stand on end, but I mastered my emotions, and told him quietly enough that one day, perhaps, he would find himself obliged to praise the poem more highly than I had done. I quoted several instances of the insufficiency of a first perusal133.
“That’s true,” said he; “but as for your Merlin, I will read him no more. I have put him beside Chapelain’s ‘Pucelle’.”
“Which pleases all the critics, in spite of its bad versification, for it is a good poem, and Chapelain was a real poet though he wrote bad verses. I cannot overlook his genius.”
My freedom must have shocked him, and I might have guessed it when he told me he had put the ‘Macaronicon’ beside the ‘Pucelle’. I knew that there was a poem of the same title in circulation, which passed for Voltaire’s; but I also knew that he disavowed it, and I thought that would make him conceal134 the vexation my explanation must have caused him. It was not so, however; he contradicted me sharply, and I closed with him.
“Chapelain,” said I, “has the merit of having rendered his subject-matter pleasant, without pandering135 to the tastes of his readers by saying things shocking to modesty and piety136. So thinks my master Crebillon:”
“Crebillon! You cite a weighty authority. But how is my friend Crebillon your master, may I ask?”
“He taught me to speak French in less than two years, and as a mark of my gratitude I translated his Radamiste into Italian Alexandrines. I am the first Italian who has dared to use this metre in our language.”
“The first? I beg your pardon, as that honour belongs to my friend Pierre Jacques Martelli.”
“I am sorry to be obliged to tell you that you are making a mistake.”
“Why, I have his works, printed at Bologna, in my room!”
“I don’t deny that, I am only talking about the metre used by Martelli. What you are thinking of must be verses of fourteen syllables138; without alternative masculine and feminine rhymes. However, I confess that he thinks he has imitated the French Alexandrines, and his preface made me explode with laughter. Did you read it?”
“Read it? I always read prefaces, and Martelli proves there that his verses have the same effect in Italian as our Alexandrine verses have in French.”
“Exactly, that’s what’s so amusing. The worthy man is quite mistaken, and I only ask you to listen to what I have to say on the subject. Your masculine verse has only twelve poetic syllables, and the feminine thirteen. All Martelli’s lines have fourteen syllables, except those that finish with a long vowel139, which at the end of a line always counts as two syllables. You will observe that the first hemistitch in Martelli always consists of seven syllables, while in French it only has six. Your friend Pierre Jacques was either stone deaf or very hard of hearing.”
“Then you have followed our theory of versification rigorously.”
“Just so, in spite of the difficulty, as nearly all our words end with a short syllable137.”
“What reception has been accorded to your innovation?”
“It has not been found pleasing, because nobody knows how to recite my verses; but I hope to triumph when I deliver them myself before our literary clubs.”
“Do you remember any of your version of the Radamiste?”
“I remember it all.”
“You have a wonderful memory; I should be glad to hear it.”
I began to recite the same scene that I had recited to Crebillon ten years before, and I thought M. de Voltaire listened with pleasure.
“It doesn’t strike one as at all harsh,” said he.
This was the highest praise he would give me. In his turn the great man recited a passage from Tancred which had not as yet been published, and which was afterwards considered, and rightly, as a masterpiece.
We should have got on very well if we had kept to that, but on my quoting a line of Horace to praise one of his pieces, he said that Horace was a great master who had given precepts140 which would never be out of date. Thereupon I answered that he himself had violated one of them, but that he had violated it grandly.
“Which is that?”
“You do not write, ‘Contentus paucis lectoribus’.”
“If Horace had had to combat the hydra-headed monster of superstition141, he would have written as I have written — for all the world.”
“It seems to me that you might spare yourself the trouble of combating what you will never destroy.”
“That which I cannot finish others will, and I shall always have the glory of being the first in the field.”
“Very good; but supposing you succeed in destroying superstition, what are you going to put in its place?”
“I like that. If I deliver the race of man from a wild beast which is devouring143 it, am I to be asked what I intend to put in its place?”
“It does not devour142 it; on the contrary, it is necessary to its existence.”
“Necessary to its existence! That is a horrible blasphemy144, the falsity of which will be seen in the future. I love the human race; I would fain see men like myself, free and happy, and superstition and freedom cannot go together. Where do you find an enslaved and yet a happy people?”
“You wish, then, to see the people sovereign?”
“God forbid! There must be a sovereign to govern the masses.”
“In that case you must have superstition, for without it the masses will never obey a mere145 man decked with the name of monarch146.”
“I will have no monarch; the word expresses despotism, which I hate as I do slavery.”
“What do you mean, then? If you wish to put the government in the hands of one man, such a man, I maintain, will be a monarch.”
“I would have a sovereign ruler of a free people, of which he is the chief by an agreement which binds147 them both, which would prevent him from becoming a tyrant148.”
“Addison will tell you that such a sovereign is a sheer impossibility. I agree with Hobbes, of two evils choose the least. A nation without superstition would be a nation of philosophers, and philosophers would never obey. The people will only be happy when they are crushed and down-trodden, and bound in chains.”
“This is horrible; and you are of the people yourself. If you have read my works you must have seen how I shew that superstition is the enemy of kings.”
“Read your works? I have read and re-read them, especially in places where I have differed from you. Your ruling passion is the love of humanity. ‘Est ubi peccas’. This blinds you. Love humanity, but love it as it is. It is not fit to receive the blessings149 you would lavish99 on it, and which would only make it more wretched and perverse150. Leave men their devouring monster, it is dear to them. I have never laughed so heartily as at Don Quixote assailed by the galley-slaves whom his generosity151 had set free.”
“I am sorry that you have such a bad opinion of your fellow- creatures. And by the way, tell me whether there is freedom in Venice.”
“As much as can be expected under an aristocracy. Our liberty is not so great as that which the English enjoy, but we are content.”
“Even under The Leads?”
“My imprisonment152 was certainly despotic; but as I had knowingly abused my liberty I am satisfied that the Government was within its rights in shutting me up without the usual formalities.”
“All the same, you made your escape.”
“I used my rights as they had used theirs.”
“Very good! But as far as I can see, no one in Venice is really free.”
“That may be; but you must agree that the essence of freedom consists in thinking you have it.”
“I shall not agree to that so easily. You and I see liberty from very different points of view. The aristocrats153, the members of the Government even, are not free at Venice; for example, they cannot travel without permission.”
“True, but that is a restriction154 of their own making to preserve their power. Would you say that a Bernese is not free, because he is subject to the sumptuary laws, which he himself had made.”
“Well, well, I wish the people made the laws everywhere.”
After this lively answer, he abruptly155 asked me what part I came from.
“From Roche,” said I. “I should have been very sorry to leave Switzerland without seeing the famous Haller. In my travels I render homage156 to my learned contemporaries, and you come the last and best.”
“You must have liked Haller.”
“I spent three of the happiest days of my life with him.”
“I congratulate you. He is a great man and worthy of all honour.”
“I think as you do, and I am glad to hear you doing him justice; I am sorry he was not so just towards you.”
“Well, you see we may be both of us mistaken.”
At this reply, the quickness of which constituted its chief merit, everybody present began to laugh and applaud.
No more was said of literature, and I became a silent actor till M. de Voltaire retired157, when I approached Madame Denis, and asked her if she had any commands for me at Rome. I went home well pleased at having compelled the giant of intellect to listen to reason, as I then thought foolishly enough; but there was a rankling158 feeling left in my heart against him which made me, ten years later, criticise4 all he had written.
I am sorry now for having done so, though on reading my censures159 over again I find that in many places I was right. I should have done better, however, to have kept silence, to have respected his genius, and to have suspected my own opinions. I should have considered that if it had not been for those quips and cranks which made me hate him on the third day, I should have thought him wholly sublime160. This thought alone should have silenced me, but an angry man always thinks himself right. Posterity161 on reading my attack will rank me among the Zoyluses, and the humble162 apology I now make to the great man’s shades may not be read.
If we meet in the halls of Pluto163, the more peccant parts of our mortal nature purged164 away, all will be made up; he will receive my heartfelt apologies, and he will be my friend, I his sincere admirer.
I spent part of the night and the whole of the following day in writing down my conversations with Voltaire, and they amounted nearly to a volume, of which I have only given a mere abridgment165. Towards the evening my Epicurean syndic called on me, and we went to sup with the three nymphs, and for five hours we indulged in every species of wantonness, in which I had a somewhat fertile imagination. On leaving I promised to call on them again on my return from Rome, and I kept my word. I set out the next day, after dining with the syndic, who accompanied me as far as Anneci, where I spent the night. Next day I dined at Aix, with the intention of lying at Chamberi, but my destiny ordered otherwise.
Aix is a villainous hole where the mineral waters attract people of fashion towards the end of the summer — a circumstance of which I was then ignorant. I dined hastily, wishing to set out immediately for Chamberi, when in the middle of my repast a crowd of fashionable people burst into the room. I looked at them without stirring, replying with an inclination166 of the head to the bows which some of them made me. I soon discovered from their conversation that they had all come to take the waters. A gentleman of a fine presence came up to me and asked if I were going to Turin; I answered that my way was to Marseilles.
Their dinner was served, and everybody sat down. Among them I noticed several pleasant-looking ladies, with gentlemen who were either their husbands or their lovers. I concluded that I might find some amusement with them, as they all spoke French with that easy tone of good society which is so attractive, and I felt that I should be inclined to stay without much pressing, for that day at all events.
I finished my dinner before the company had come to the end of their first course, and as my coach could not go for another hour I went up to a pretty woman, and complimented her on the good the waters of Aix seemed to have done her, for her appetite made all who looked at her feel hungry.
“I challenge you to prove that you are speaking the truth,” said she, with a smile. I sat down next to her, and she gave me a nice piece of the roast which I ate as if I had been fasting.
While I was talking with the lady, and eating the morsels167 she gave me, I heard a voice saying that I was in the abbe’s place, and another voice replying that the abbe had been gone for half an hour.
“Why has he gone?” asked a third, “he said he was going to stay here for another week.” At this there was some whispering, but the departure of an abbe had nothing interesting in it for me, and I continued eating and talking. I told Le Duc, who was standing168 behind my chair, to get me some champagne. I offered the lady some, she accepted, and everyone began to call for champagne. Seeing my neighbour’s spirits rising, I proceeded to make love to her, and asked her if she were always as ready to defy those who paid their court to her.
“So many of them,” she answered, “are not worthy the trouble.”
She was pretty and quick-witted, and I took a fancy to her, and wished for some pretext on which I could put off my departure, and chance came to my aid.
“The place next to you was conveniently empty,” said a lady to my neighbour who was drinking with me.
“Very conveniently, for my neighbour wearied me.”
“Had he no appetite?” said I.
“Gamesters only have an appetite for money.”
“Usually, but your power is extraordinary; for I have never made two dinners on one day before now.”
“Only out of pride; as I am sure you will eat no supper.”
“Let us make a bet on it.”
“We will; we will bet the supper.”
“All right.”
All the guests began to clap, and my fair neighbour blushed with pleasure. I ordered Le Duc to tell my coachman that I should not be going till the next day.
“It is my business,” said the lady, “to order the supper.”
“Yes, you are right; for he who pays, orders. My part will be to oppose you to the knife, and if I eat as much as you I shall be the winner.”
“Very good.”
At the end of dinner, the individual who had addressed me before called for cards, and made a small bank of faro. He put down twenty- five Piedmontese pistoles, and some silver money to amuse the ladies — altogether it amounted nearly to forty louis. I remained a spectator during the first deal, and convinced myself that the banker played very well.
Whilst he was getting ready for the second deal, the lady asked me why I did not play. I whispered to her that she had made me lose my appetite for money. She repaid this compliment with a charming smile.
After this declaration, feeling myself entitled to play, I put down forty louis, and lost them in two deals. I got up, and on the banker saying very politely that he was sorry for my loss, I replied that it was a mere nothing, but that I always made it a rule never to risk a sum of money larger than the bank. Somebody then asked me if I knew a certain Abbe Gilbert.
“I knew a man of that name,” said I, “at Paris; he came from Lyons, and owes me a pair of ears, which I mean to cut off his head when I meet him.”
My questioner made no reply to this, and everybody remained silent, as if nothing had been said. From this I concluded that the abbe aforesaid must be the same whose place I had occupied at dinner. He had doubtless seen me on my arrival and had taken himself off. This abbe was a rascal169 who had visited me at Little Poland, to whom I had entrusted170 a ring which had cost me five thousand florins in Holland; next day the scoundrel had disappeared.
When everybody had left the table, I asked Le Duc if I were well lodged171.
“No,” said he; “would you like to see your room?”
He took me to a large room, a hundred paces from the inn, whose sole furniture consisted of its four walls, all the other rooms being occupied. I complained vainly to the inn-keeper, who said,
“It’s all I can offer you, but I will have a good bed, a table, and chairs taken there.”
I had to content myself with it, as there was no choice.
“You will sleep in my room,” said I to Le Duc, “take care to provide yourself with a bed, and bring my baggage in.”
“What do you think of Gilbert, sir?” said my Spaniard; “I only recognized him just as he was going, and I had a lively desire to take him by the back of his neck.”
“You would have done well to have satisfied that desire.”
“I will, when I see him again.”
As I was leaving my big room, I was accosted172 politely by a man who said he was glad to be my neighbour, and offered to take me to the fountain if I were going there. I accepted his offer. He was a tall fair man, about fifty years old; he must once have been handsome, but his excessive politeness should have made me suspect him; however, I wanted somebody to talk to, and to give me the various pieces of information I required. On the way he informed me of the condition of the people I had seen, and I learnt that none of them had come to Aix for the sake of the waters.
“I am the only one,” said he, “who takes them out of necessity. I am consumptive; I get thinner every day, and if the waters don’t do me any good I shall not last much longer.”
So all the others have only come here for amusement’s sake?”
“And to game, sir, for they are all professional gamesters.”
“Are they French?”
“They are all from Piedmont or Savoy; I am the only Frenchman here.”
“What part of France do you come from?”
“From Lorraine; my father, who is eighty years old, is the Marquis Desarmoises. He only keeps on living to spite me, for as I married against his wishes he has disinherited me. However, as I am his only son, I shall inherit his property after his death, in spite of him. My house is at Lyons, but I never go there, as I have the misfortune to be in love with my eldest daughter, and my wife watches us so closely as to make my courtship hopeless.”
“That is very fine; otherwise, I suppose, your daughter would take pity on her amorous papa?”
“I daresay, for she is very fond of me, and has an excellent heart.”
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1
countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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professed
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| 公开声称的，伪称的，已立誓信教的 | |
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4
criticise
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| v.批评，评论；非难 | |
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5
tainted
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| adj.腐坏的；污染的；沾污的；感染的v.使变质( taint的过去式和过去分词 )；使污染；败坏；被污染，腐坏，败坏 | |
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humiliate
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| v.使羞辱，使丢脸[同]disgrace | |
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eldest
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| adj.最年长的，最年老的 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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ass
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| n.驴；傻瓜，蠢笨的人 | |
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10
sonnet
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| n.十四行诗 | |
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sonnets
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| n.十四行诗( sonnet的名词复数 ) | |
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12
witty
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| adj.机智的，风趣的 | |
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13
domain
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| n.(活动等)领域，范围；领地，势力范围 | |
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14
retract
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| vt.缩回，撤回收回，取消 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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dice
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| n.骰子；vt.把（食物）切成小方块，冒险 | |
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ridicule
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| v.讥讽，挖苦；n.嘲弄 | |
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canto
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| n.长篇诗的章 | |
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prosody
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| n.诗体论，作诗法 | |
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pointed
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| adj.尖的，直截了当的 | |
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commentators
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| n.评论员( commentator的名词复数 )；时事评论员；注释者；实况广播员 | |
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amends
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| n. 赔偿 | |
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apotheosis
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| n.神圣之理想；美化；颂扬 | |
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vexed
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| adj.争论不休的；（指问题等）棘手的；争论不休的问题；烦恼的v.使烦恼( vex的过去式和过去分词 )；使苦恼；使生气；详细讨论 | |
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stanza
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| n.（诗）节，段 | |
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stanzas
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| 节，段( stanza的名词复数 ) | |
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genealogies
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| n.系谱，家系，宗谱( genealogy的名词复数 ) | |
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tirades
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| 激烈的长篇指责或演说( tirade的名词复数 ) | |
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fatigue
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| n.疲劳，劳累 | |
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prosaic
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| adj.单调的，无趣的 | |
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lengthy
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| adj.漫长的，冗长的 | |
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monotonous
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| adj.单调的，一成不变的，使人厌倦的 | |
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constrained
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| adj.束缚的,节制的 | |
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passionate
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| adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的 | |
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fatiguing
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| a.使人劳累的 | |
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recurrence
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| n.复发，反复，重现 | |
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rhythmic
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| adj.有节奏的，有韵律的 | |
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animating
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| v.使有生气( animate的现在分词 )；驱动；使栩栩如生地动作；赋予…以生命 | |
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modulating
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| 调整( modulate的现在分词 )； （对波幅、频率的）调制； 转调； 调整或改变（嗓音）的音调 | |
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intonation
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| n.语调，声调；发声 | |
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sob
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| n.空间轨道的轰炸机；呜咽，哭泣 | |
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42
wailing
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| v.哭叫，哀号( wail的现在分词 )；沱 | |
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condemn
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| vt.谴责，指责；宣判(罪犯)，判刑 | |
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condemned
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| adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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45
interdict
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| v.限制；禁止；n.正式禁止；禁令 | |
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46
hermit
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| n.隐士，修道者；隐居 | |
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47
remains
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| n.剩余物，残留物；遗体，遗迹 | |
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48
rhetoric
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| n.修辞学，浮夸之言语 | |
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49
uproar
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| n.骚动，喧嚣，鼎沸 | |
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50
dispersed
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| adj. 被驱散的, 被分散的, 散布的 | |
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51
amiable
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| adj.和蔼可亲的，友善的，亲切的 | |
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52
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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53
disciple
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| n.信徒，门徒，追随者 | |
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54
promising
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| adj.有希望的，有前途的 | |
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55
boredom
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| n.厌烦，厌倦，乏味，无聊 | |
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56
liking
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| n.爱好；嗜好；喜欢 | |
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57
judgment
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| n.审判；判断力，识别力，看法，意见 | |
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58
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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59
contented
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| adj.满意的，安心的，知足的 | |
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60
esteem
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| n.尊敬，尊重；vt.尊重，敬重；把…看作 | |
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61
eloquent
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| adj.雄辩的，口才流利的；明白显示出的 | |
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62
jargon
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| n.术语，行话 | |
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63
charlatanism
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| n.庸医术，庸医的行为 | |
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64
enchanted
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| adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词 | |
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65
frictions
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| n.摩擦( friction的名词复数 )；摩擦力；冲突；不和 | |
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66
emaciated
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| adj.衰弱的，消瘦的 | |
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67
eyebrows
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| 眉毛( eyebrow的名词复数 ) | |
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68
wig
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| n.假发 | |
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69
exhaled
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| v.呼出，发散出( exhale的过去式和过去分词 )；吐出（肺中的空气、烟等），呼气 | |
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70
amber
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| n.琥珀；琥珀色；adj.琥珀制的 | |
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71
affected
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| adj.不自然的，假装的 | |
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72
supremely
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| adv.无上地，崇高地 | |
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73
veal
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| n.小牛肉 | |
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74
rheumatism
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| n.风湿病 | |
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75
monk
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| n.和尚，僧侣，修道士 | |
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76
poetic
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| adj.富有诗意的，有诗人气质的，善于抒情的 | |
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77
poetical
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| adj.似诗人的；诗一般的；韵文的；富有诗意的 | |
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78
ridiculed
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| v.嘲笑，嘲弄，奚落( ridicule的过去式和过去分词 ) | |
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79
astronomers
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| n.天文学者，天文学家( astronomer的名词复数 ) | |
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80
discourse
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| n.论文，演说；谈话；话语；vi.讲述，著述 | |
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81
discourses
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| 论文( discourse的名词复数 )； 演说； 讲道； 话语 | |
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82
noted
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| adj.著名的，知名的 | |
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83
dishonoured
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| a.不光彩的，不名誉的 | |
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84
scourge
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| n.灾难，祸害；v.蹂躏 | |
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85
celebrated
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| adj.有名的，声誉卓著的 | |
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86
sarcastic
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| adj.讥讽的，讽刺的，嘲弄的 | |
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87
sarcasm
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| n.讥讽，讽刺，嘲弄，反话 （adj.sarcastic） | |
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88
witticisms
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| n.妙语，俏皮话( witticism的名词复数 ) | |
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89
graceful
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| adj.优美的，优雅的；得体的 | |
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90
maliciously
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| adv.有敌意地 | |
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91
precisely
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| adv.恰好，正好，精确地，细致地 | |
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92
delightful
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| adj.令人高兴的，使人快乐的 | |
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93
pretext
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| n.借口，托词 | |
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94
licentious
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| adj.放纵的，淫乱的 | |
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95
champagne
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| n.香槟酒；微黄色 | |
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96
voluptuous
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| adj.肉欲的，骄奢淫逸的 | |
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97
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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98
displeasing
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| 不愉快的，令人发火的 | |
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99
lavish
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| adj.无节制的；浪费的；vt.慷慨地给予，挥霍 | |
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100
lavished
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| v.过分给予，滥施( lavish的过去式和过去分词 ) | |
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101
gratitude
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| adj.感激，感谢 | |
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102
enjoyment
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| n.乐趣；享有；享用 | |
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103
pretension
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| n.要求；自命，自称；自负 | |
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104
hatred
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| n.憎恶，憎恨，仇恨 | |
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105
villain
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| n.反派演员，反面人物；恶棍；问题的起因 | |
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106
housekeeper
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| n.管理家务的主妇，女管家 | |
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107
riddle
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| n.谜，谜语，粗筛；vt.解谜，给…出谜，筛，检查，鉴定，非难，充满于；vi.出谜 | |
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108
impunity
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| n.(惩罚、损失、伤害等的)免除 | |
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109
blessing
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| n.祈神赐福；祷告；祝福，祝愿 | |
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110
prolix
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| adj.罗嗦的；冗长的 | |
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111
hissed
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| 发嘶嘶声( hiss的过去式和过去分词 )； 发嘘声表示反对 | |
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112
intelligible
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| adj.可理解的，明白易懂的，清楚的 | |
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113
satire
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| n.讽刺，讽刺文学，讽刺作品 | |
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114
disposition
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| n.性情，性格；意向，倾向；排列，部署 | |
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115
relegated
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| v.使降级( relegate的过去式和过去分词 )；使降职；转移；把…归类 | |
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116
heartily
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| adv.衷心地，诚恳地，十分，很 | |
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117
modesty
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| n.谦逊，虚心，端庄，稳重，羞怯，朴素 | |
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118
virtue
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| n.德行，美德；贞操；优点；功效，效力 | |
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119
vanquish
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| v.征服，战胜；克服；抑制 | |
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120
subdues
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| 征服( subdue的第三人称单数 )； 克制； 制服 | |
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121
assailed
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| v.攻击( assail的过去式和过去分词 )；困扰；质问；毅然应对 | |
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122
amorous
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| adj.多情的；有关爱情的 | |
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123
caresses
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| 爱抚，抚摸( caress的名词复数 ) | |
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124
ardent
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| adj.热情的，热烈的，强烈的，烈性的 | |
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125
preservative
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| n.防腐剂；防腐料；保护料；预防药 | |
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126
repentance
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| n.懊悔 | |
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127
antipathy
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| n.憎恶；反感，引起反感的人或事物 | |
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128
virtues
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| 美德( virtue的名词复数 )； 德行； 优点； 长处 | |
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129
formerly
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| adv.从前，以前 | |
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130
scantily
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| adv.缺乏地；不充足地；吝啬地；狭窄地 | |
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131
joyfully
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| adv. 喜悦地, 高兴地 | |
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132
refreshing
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| adj.使精神振作的，使人清爽的，使人喜欢的 | |
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133
perusal
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| n.细读，熟读；目测 | |
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134
conceal
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| v.隐藏，隐瞒，隐蔽 | |
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135
pandering
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| v.迎合（他人的低级趣味或淫欲）( pander的现在分词 )；纵容某人；迁就某事物 | |
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136
piety
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| n.虔诚，虔敬 | |
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137
syllable
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| n.音节；vt.分音节 | |
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138
syllables
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| n.音节( syllable的名词复数 ) | |
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139
vowel
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| n.元音；元音字母 | |
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140
precepts
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| n.规诫，戒律，箴言( precept的名词复数 ) | |
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141
superstition
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| n.迷信，迷信行为 | |
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142
devour
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| v.吞没；贪婪地注视或谛听，贪读；使着迷 | |
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143
devouring
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| 吞没( devour的现在分词 )； 耗尽； 津津有味地看； 狼吞虎咽地吃光 | |
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144
blasphemy
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| n.亵渎，渎神 | |
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145
mere
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| adj.纯粹的；仅仅，只不过 | |
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146
monarch
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| n.帝王，君主，最高统治者 | |
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147
binds
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| v.约束( bind的第三人称单数 )；装订；捆绑；（用长布条）缠绕 | |
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148
tyrant
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| n.暴君，专制的君主，残暴的人 | |
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149
blessings
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| n.（上帝的）祝福( blessing的名词复数 )；好事；福分；因祸得福 | |
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150
perverse
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| adj.刚愎的；坚持错误的，行为反常的 | |
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151
generosity
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| n.大度，慷慨，慷慨的行为 | |
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152
imprisonment
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| n.关押，监禁，坐牢 | |
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153
aristocrats
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| n.贵族( aristocrat的名词复数 ) | |
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154
restriction
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| n.限制，约束 | |
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155
abruptly
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| adv.突然地，出其不意地 | |
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156
homage
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| n.尊敬，敬意，崇敬 | |
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157
retired
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| adj.隐退的，退休的，退役的 | |
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158
rankling
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| v.（使）痛苦不已，（使）怨恨不已( rankle的现在分词 ) | |
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159
censures
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| v.指责，非难，谴责( censure的第三人称单数 ) | |
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160
sublime
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| adj.崇高的，伟大的；极度的，不顾后果的 | |
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161
posterity
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| n.后裔，子孙，后代 | |
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162
humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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163
Pluto
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| n.冥王星 | |
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164
purged
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| 清除（政敌等）( purge的过去式和过去分词 )； 涤除（罪恶等）； 净化（心灵、风气等）； 消除（错事等）的不良影响 | |
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165
abridgment
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| n.删节，节本 | |
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166
inclination
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| n.倾斜；点头；弯腰；斜坡；倾度；倾向；爱好 | |
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167
morsels
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| n.一口( morsel的名词复数 )；（尤指食物）小块，碎屑 | |
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168
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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169
rascal
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| n.流氓；不诚实的人 | |
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170
entrusted
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| v.委托，托付( entrust的过去式和过去分词 ) | |
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171
lodged
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| v.存放( lodge的过去式和过去分词 )；暂住；埋入；（权利、权威等）归属 | |
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172
accosted
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| v.走过去跟…讲话( accost的过去式和过去分词 )；跟…搭讪；（乞丐等）上前向…乞讨；（妓女等）勾搭 | |
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