Some of them were like Royal Academicians of a certain kind. They never startled you by a touch of originality11, by a fresh audacity12 of inspiration. They were safe, very safe. They went about solemnly in the assurance of their consecrated13 and empty reputation. Names are odious14, but I remember one of them who might have been their very president, the P.R.A. of the sea-craft. His weather-beaten and handsome face, his portly presence, his shirt-fronts and broad cuffs15 and gold links, his air of bluff16 distinction, impressed the humble17 beholders (stevedores, tally18 clerks, tide-waiters) as he walked ashore19 over the gangway of his ship lying at the Circular Quay20 in Sydney. His voice was deep, hearty21, and authoritative22 — the voice of a very prince amongst sailors. He did everything with an air which put your attention on the alert and raised your expectations, but the result somehow was always on stereotyped23 lines, unsuggestive, empty of any lesson that one could lay to heart. He kept his ship in apple-pie order, which would have been seamanlike24 enough but for a finicking touch in its details. His officers affected25 a superiority over the rest of us, but the boredom26 of their souls appeared in their manner of dreary27 submission28 to the fads29 of their commander. It was only his apprenticed30 boys whose irrepressible spirits were not affected by the solemn and respectable mediocrity of that artist. There were four of these youngsters: one the son of a doctor, another of a colonel, the third of a jeweller; the name of the fourth was Twentyman, and this is all I remember of his parentage. But not one of them seemed to possess the smallest spark of gratitude31 in his composition. Though their commander was a kind man in his way, and had made a point of introducing them to the best people in the town in order that they should not fall into the bad company of boys belonging to other ships, I regret to say that they made faces at him behind his back, and imitated the dignified32 carriage of his head without any concealment33 whatever.
This master of the fine art was a personage and nothing more; but, as I have said, there was an infinite diversity of temperament amongst the masters of the fine art I have known. Some were great impressionists. They impressed upon you the fear of God and Immensity — or, in other words, the fear of being drowned with every circumstance of terrific grandeur34. One may think that the locality of your passing away by means of suffocation35 in water does not really matter very much. I am not so sure of that. I am, perhaps, unduly36 sensitive, but I confess that the idea of being suddenly spilt into an infuriated ocean in the midst of darkness and uproar37 affected me always with a sensation of shrinking distaste. To be drowned in a pond, though it might be called an ignominious38 fate by the ignorant, is yet a bright and peaceful ending in comparison with some other endings to one’s earthly career which I have mentally quaked at in the intervals39 or even in the midst of violent exertions40.
But let that pass. Some of the masters whose influence left a trace upon my character to this very day, combined a fierceness of conception with a certitude of execution upon the basis of just appreciation41 of means and ends which is the highest quality of the man of action. And an artist is a man of action, whether he creates a personality, invents an expedient42, or finds the issue of a complicated situation.
There were masters, too, I have known, whose very art consisted in avoiding every conceivable situation. It is needless to say that they never did great things in their craft; but they were not to be despised for that. They were modest; they understood their limitations. Their own masters had not handed the sacred fire into the keeping of their cold and skilful43 hands. One of those last I remember specially44, now gone to his rest from that sea which his temperament must have made a scene of little more than a peaceful pursuit. Once only did he attempt a stroke of audacity, one early morning, with a steady breeze, entering a crowded roadstead. But he was not genuine in this display which might have been art. He was thinking of his own self; he hankered after the meretricious45 glory of a showy performance.
As, rounding a dark, wooded point, bathed in fresh air and sunshine, we opened to view a crowd of shipping46 at anchor lying half a mile ahead of us perhaps, he called me aft from my station on the forecastle head, and, turning over and over his binoculars47 in his brown hands, said: “Do you see that big, heavy ship with white lower masts? I am going to take up a berth48 between her and the shore. Now do you see to it that the men jump smartly at the first order.”
I answered, “Ay, ay, sir,” and verily believed that this would be a fine performance. We dashed on through the fleet in magnificent style. There must have been many open mouths and following eyes on board those ships — Dutch, English, with a sprinkling of Americans and a German or two — who had all hoisted49 their flags at eight o’clock as if in honour of our arrival. It would have been a fine performance if it had come off, but it did not. Through a touch of self-seeking that modest artist of solid merit became untrue to his temperament. It was not with him art for art’s sake: it was art for his own sake; and a dismal50 failure was the penalty he paid for that greatest of sins. It might have been even heavier, but, as it happened, we did not run our ship ashore, nor did we knock a large hole in the big ship whose lower masts were painted white. But it is a wonder that we did not carry away the cables of both our anchors, for, as may be imagined, I did not stand upon the order to “Let go!” that came to me in a quavering, quite unknown voice from his trembling lips. I let them both go with a celerity which to this day astonishes my memory. No average merchantman’s anchors have ever been let go with such miraculous51 smartness. And they both held. I could have kissed their rough, cold iron palms in gratitude if they had not been buried in slimy mud under ten fathoms52 of water. Ultimately they brought us up with the jibboom of a Dutch brig poking53 through our spanker — nothing worse. And a miss is as good as a mile.
But not in art. Afterwards the master said to me in a shy mumble54, “She wouldn’t luff up in time, somehow. What’s the matter with her?” And I made no answer.
Yet the answer was clear. The ship had found out the momentary55 weakness of her man. Of all the living creatures upon land and sea, it is ships alone that cannot be taken in by barren pretences56, that will not put up with bad art from their masters.
点击收听单词发音
1 braced | |
adj.拉牢的v.支住( brace的过去式和过去分词 );撑牢;使自己站稳;振作起来 | |
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2 outstripping | |
v.做得比…更好,(在赛跑等中)超过( outstrip的现在分词 ) | |
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3 outlet | |
n.出口/路;销路;批发商店;通风口;发泄 | |
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4 peculiarities | |
n. 特质, 特性, 怪癖, 古怪 | |
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5 temperament | |
n.气质,性格,性情 | |
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6 infinitely | |
adv.无限地,无穷地 | |
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7 pictorially | |
绘画般地 | |
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8 vocation | |
n.职业,行业 | |
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9 sincerity | |
n.真诚,诚意;真实 | |
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10 temperaments | |
性格( temperament的名词复数 ); (人或动物的)气质; 易冲动; (性情)暴躁 | |
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11 originality | |
n.创造力,独创性;新颖 | |
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12 audacity | |
n.大胆,卤莽,无礼 | |
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13 consecrated | |
adj.神圣的,被视为神圣的v.把…奉为神圣,给…祝圣( consecrate的过去式和过去分词 );奉献 | |
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14 odious | |
adj.可憎的,讨厌的 | |
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15 cuffs | |
n.袖口( cuff的名词复数 )v.掌打,拳打( cuff的第三人称单数 ) | |
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16 bluff | |
v.虚张声势,用假象骗人;n.虚张声势,欺骗 | |
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17 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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18 tally | |
n.计数器,记分,一致,测量;vt.计算,记录,使一致;vi.计算,记分,一致 | |
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19 ashore | |
adv.在(向)岸上,上岸 | |
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20 quay | |
n.码头,靠岸处 | |
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21 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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22 authoritative | |
adj.有权威的,可相信的;命令式的;官方的 | |
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23 stereotyped | |
adj.(指形象、思想、人物等)模式化的 | |
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24 seamanlike | |
海员般的,熟练水手似的 | |
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25 affected | |
adj.不自然的,假装的 | |
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26 boredom | |
n.厌烦,厌倦,乏味,无聊 | |
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27 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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28 submission | |
n.服从,投降;温顺,谦虚;提出 | |
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29 fads | |
n.一时的流行,一时的风尚( fad的名词复数 ) | |
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30 apprenticed | |
学徒,徒弟( apprentice的过去式和过去分词 ) | |
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31 gratitude | |
adj.感激,感谢 | |
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32 dignified | |
a.可敬的,高贵的 | |
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33 concealment | |
n.隐藏, 掩盖,隐瞒 | |
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34 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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35 suffocation | |
n.窒息 | |
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36 unduly | |
adv.过度地,不适当地 | |
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37 uproar | |
n.骚动,喧嚣,鼎沸 | |
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38 ignominious | |
adj.可鄙的,不光彩的,耻辱的 | |
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39 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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40 exertions | |
n.努力( exertion的名词复数 );费力;(能力、权力等的)运用;行使 | |
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41 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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42 expedient | |
adj.有用的,有利的;n.紧急的办法,权宜之计 | |
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43 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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44 specially | |
adv.特定地;特殊地;明确地 | |
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45 meretricious | |
adj.华而不实的,俗艳的 | |
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46 shipping | |
n.船运(发货,运输,乘船) | |
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47 binoculars | |
n.双筒望远镜 | |
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48 berth | |
n.卧铺,停泊地,锚位;v.使停泊 | |
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49 hoisted | |
把…吊起,升起( hoist的过去式和过去分词 ) | |
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50 dismal | |
adj.阴沉的,凄凉的,令人忧郁的,差劲的 | |
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51 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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52 fathoms | |
英寻( fathom的名词复数 ) | |
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53 poking | |
n. 刺,戳,袋 vt. 拨开,刺,戳 vi. 戳,刺,捅,搜索,伸出,行动散慢 | |
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54 mumble | |
n./v.喃喃而语,咕哝 | |
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55 momentary | |
adj.片刻的,瞬息的;短暂的 | |
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56 pretences | |
n.假装( pretence的名词复数 );作假;自命;自称 | |
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