We carvers — who are the riffraff of Utopia — work in a long shed together, nominally3 by time; we must keep at the job for the length of the spell, but we are expected to finish a certain number of toys for each spell of work. The rules of the game as between employer and employed in this particular industry hang on the wall behind us; they are drawn4 up by a conference of the Common Council of Wages Workers with the employers, a common council which has resulted in Utopia from a synthesis of the old Trades unions, and which has become a constitutional power; but any man who has skill or humour is presently making his own bargain with our employer more or less above that datum5 line.
Our employer is a quiet blue-eyed man with a humorous smile. He dresses wholly in an indigo6 blue, that later we come to consider a sort of voluntary uniform for Utopian artists. As he walks about the workshop, stopping to laugh at this production or praise that, one is reminded inevitably7 of an art school. Every now and then he carves a little himself or makes a sketch8 or departs to the machinery to order some change in the rough shapes it is turning out. Our work is by no means confined to animals. After a time I am told to specialise in a comical little Roman-nosed pony9; but several of the better paid carvers work up caricature images of eminent10 Utopians. Over these our employer is most disposed to meditate11, and from them he darts12 off most frequently to improve the type.
It is high summer, and our shed lies open at either end. On one hand is a steep mountain side down which there comes, now bridging a chasm13, now a mere14 straight groove15 across a meadow, now hidden among green branches, the water-slide that brings our trees from the purple forest overhead. Above us, but nearly hidden, hums the machine shed, but we see a corner of the tank into which, with a mighty16 splash, the pine trees are delivered. Every now and then, bringing with him a gust17 of resinous18 smell, a white-clad machinist will come in with a basketful of crude, unwrought little images, and will turn them out upon the table from which we carvers select them.
(Whenever I think of Utopia that faint and fluctuating smell of resin19 returns to me, and whenever I smell resin, comes the memory of the open end of the shed looking out upon the lake, the blue-green lake, the boats mirrored in the water, and far and high beyond floats the atmospheric20 fairyland of the mountains of Glarus, twenty miles away.)
The cessation of the second and last spell of work comes about midday, and then we walk home, through this beautiful intricacy of a town to our cheap hotel beside the lake.
We should go our way with a curious contentment, for all that we were earning scarcely more than the minimum wage. We should have, of course, our uneasiness about the final decisions of that universal eye which has turned upon us, we should have those ridiculous sham21 numbers on our consciences; but that general restlessness, that brooding stress that pursues the weekly worker on earth, that aching anxiety that drives him so often to stupid betting, stupid drinking, and violent and mean offences will have vanished out of mortal experience.
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1 machinery | |
n.(总称)机械,机器;机构 | |
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2 attain | |
vt.达到,获得,完成 | |
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3 nominally | |
在名义上,表面地; 应名儿 | |
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4 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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5 datum | |
n.资料;数据;已知数 | |
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6 indigo | |
n.靛青,靛蓝 | |
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7 inevitably | |
adv.不可避免地;必然发生地 | |
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8 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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9 pony | |
adj.小型的;n.小马 | |
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10 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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11 meditate | |
v.想,考虑,(尤指宗教上的)沉思,冥想 | |
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12 darts | |
n.掷飞镖游戏;飞镖( dart的名词复数 );急驰,飞奔v.投掷,投射( dart的第三人称单数 );向前冲,飞奔 | |
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13 chasm | |
n.深坑,断层,裂口,大分岐,利害冲突 | |
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14 mere | |
adj.纯粹的;仅仅,只不过 | |
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15 groove | |
n.沟,槽;凹线,(刻出的)线条,习惯 | |
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16 mighty | |
adj.强有力的;巨大的 | |
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17 gust | |
n.阵风,突然一阵(雨、烟等),(感情的)迸发 | |
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18 resinous | |
adj.树脂的,树脂质的,树脂制的 | |
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19 resin | |
n.树脂,松香,树脂制品;vt.涂树脂 | |
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20 atmospheric | |
adj.大气的,空气的;大气层的;大气所引起的 | |
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21 sham | |
n./adj.假冒(的),虚伪(的) | |
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