We spend our first surplus of Utopian money in the reorganisation of our wardrobes upon more Utopian lines; we develop acquaintance with several of our fellow workers, and of those who share our table at the inn. We pass insensibly into acquaintanceships and the beginnings of friendships. The World Utopia, I say, seems for a time to be swallowing me up. At the thought of detail it looms9 too big for me. The question of government, of its sustaining ideas, of race, and the wider future, hang like the arch of the sky over these daily incidents, very great indeed, but very remote. These people about me are everyday people, people not so very far from the minimum wage, accustomed much as the everyday people of earth are accustomed to take their world as they find it. Such enquiries as I attempt are pretty obviously a bore to them, pass outside their range as completely as Utopian speculation10 on earth outranges a stevedore11 or a member of Parliament or a working plumber12. Even the little things of daily life interest them in a different way. So I get on with my facts and reasoning rather slowly. I find myself looking among the pleasant multitudes of the streets for types that promise congenial conversation.
My sense of loneliness is increased during this interlude by the better social success of the botanist13. I find him presently falling into conversation with two women who are accustomed to sit at a table near our own. They wear the loose, coloured robes of soft material that are the usual wear of common adult Utopian women; they are both dark and sallow, and they affect amber14 and crimson15 in their garments. Their faces strike me as a little unintelligent, and there is a faint touch of aged17" target="_blank">middle-aged16 coquetry in their bearing that I do not like. Yet on earth we should consider them women of exceptional refinement18. But the botanist evidently sees in this direction scope for the feelings that have wilted19 a little under my inattention, and he begins that petty intercourse20 of a word, of a slight civility, of vague enquiries and comparisons that leads at last to associations and confidences. Such superficial confidences, that is to say, as he finds satisfactory.
This throws me back upon my private observations.
The general effect of a Utopian population is vigour21. Everyone one meets seems to be not only in good health but in training; one rarely meets fat people, bald people, or bent22 or grey. People who would be obese23 or bent and obviously aged on earth are here in good repair, and as a consequence the whole effect of a crowd is livelier and more invigorating than on earth. The dress is varied24 and graceful25; that of the women reminds one most of the Italian fifteenth century; they have an abundance of soft and beautifully-coloured stuffs, and the clothes, even of the poorest, fit admirably. Their hair is very simply but very carefully and beautifully dressed, and except in very sunny weather they do not wear hats or bonnets26. There is little difference in deportment between one class and another; they all are graceful and bear themselves with quiet dignity, and among a group of them a European woman of fashion in her lace and feathers, her hat and metal ornaments27, her mixed accumulations of “trimmings,” would look like a barbarian28 tricked out with the miscellaneous plunder29 of a museum. Boys and girls wear much the same sort of costume — brown leather shoes, then a sort of combination of hose and close-fitting trousers that reaches from toe to waist, and over this a beltless jacket fitting very well, or a belted tunic30. Many slender women wear the same sort of costume. We should see them in it very often in such a place as Lucerne, as they returned from expeditions in the mountains. The older men would wear long robes very frequently, but the greater proportion of the men would go in variations of much the same costume as the children. There would certainly be hooded31 cloaks and umbrellas for rainy weather, high boots for mud and snow, and cloaks and coats and furry32 robes for the winter. There would be no doubt a freer use of colour than terrestrial Europe sees in these days, but the costume of the women at least would be soberer and more practical, and (in harmony with our discussion in the previous chapter) less differentiated33 from the men’s.
But these, of course, are generalisations. These are the mere34 translation of the social facts we have hypotheticated into the language of costume. There will be a great variety of costume and no compulsions. The doubles of people who are naturally foppish35 on earth will be foppish in Utopia, and people who have no natural taste on earth will have inartistic equivalents. Everyone will not be quiet in tone, or harmonious36, or beautiful. Occasionally, as I go through the streets to my work, I shall turn round to glance again at some robe shot with gold embroidery37, some slashing38 of the sleeves, some eccentricity39 of cut, or some discord40 or untidiness. But these will be but transient flashes in a general flow of harmonious graciousness; dress will have scarcely any of that effect of disorderly conflict, of self-assertion qualified41 by the fear of ridicule42, that it has in the crudely competitive civilisations of earth.
I shall have the seeker’s attitude of mind during those few days at Lucerne. I shall become a student of faces. I shall be, as it were, looking for someone. I shall see heavy faces, dull faces, faces with an uncongenial animation43, alien faces, and among these some with an immediate quality of appeal. I should see desirable men approaching me, and I should think; “Now, if I were to speak to you?” Many of these latter I should note wore the same clothing as the man who spoke44 to us at Wassen; I should begin to think of it as a sort of uniform. . . .
Then I should see grave-faced girls, girls of that budding age when their bearing becomes delusively45 wise, and the old deception46 of my youth will recur47 to me; “Could you and I but talk together?” I should think. Women will pass me lightly, women with open and inviting48 faces, but they will not attract me, and there will come beautiful women, women with that touch of claustral preoccupation which forbids the thought of any near approach. They are private and secret, and I may not enter, I know, into their thoughts. . . .
I go as often as I can to the seat by the end of old Kapelbrucke, and watch the people passing over.
I shall find a quality of dissatisfaction throughout all these days. I shall come to see this period more and more distinctly as a pause, as a waiting interlude, and the idea of an encounter with my double, which came at first as if it were a witticism49, as something verbal and surprising, begins to take substance. The idea grows in my mind that after all this is the “someone” I am seeking, this Utopian self of mine. I had at first an idea of a grotesque50 encounter, as of something happening in a looking glass, but presently it dawns on me that my Utopian self must be a very different person from me. His training will be different, his mental content different. But between us there will be a strange link of essential identity, a sympathy, an understanding. I find the thing rising suddenly to a preponderance in my mind. I find the interest of details dwindling51 to the vanishing point. That I have come to Utopia is the lesser52 thing now; the greater is that I have come to meet myself.
I spend hours trying to imagine the encounter, inventing little dialogues. I go alone to the Bureau to find if any news has come to hand from the Great Index in Paris, but I am told to wait another twenty-four hours. I cease absolutely to be interested in anything else, except so far as it leads towards intercourse with this being who is to be at once so strangely alien and so totally mine.
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1 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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2 machinery | |
n.(总称)机械,机器;机构 | |
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3 distinguished | |
adj.卓越的,杰出的,著名的 | |
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4 sweeping | |
adj.范围广大的,一扫无遗的 | |
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5 complexity | |
n.复杂(性),复杂的事物 | |
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6 formulate | |
v.用公式表示;规划;设计;系统地阐述 | |
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7 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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8 irrelevant | |
adj.不恰当的,无关系的,不相干的 | |
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9 looms | |
n.织布机( loom的名词复数 )v.隐约出现,阴森地逼近( loom的第三人称单数 );隐约出现,阴森地逼近 | |
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10 speculation | |
n.思索,沉思;猜测;投机 | |
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11 stevedore | |
n.码头工人;v.装载货物 | |
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12 plumber | |
n.(装修水管的)管子工 | |
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13 botanist | |
n.植物学家 | |
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14 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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15 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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16 middle-aged | |
adj.中年的 | |
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17 aged | |
adj.年老的,陈年的 | |
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18 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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19 wilted | |
(使)凋谢,枯萎( wilt的过去式和过去分词 ) | |
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20 intercourse | |
n.性交;交流,交往,交际 | |
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21 vigour | |
(=vigor)n.智力,体力,精力 | |
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22 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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23 obese | |
adj.过度肥胖的,肥大的 | |
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24 varied | |
adj.多样的,多变化的 | |
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25 graceful | |
adj.优美的,优雅的;得体的 | |
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26 bonnets | |
n.童帽( bonnet的名词复数 );(烟囱等的)覆盖物;(苏格兰男子的)无边呢帽;(女子戴的)任何一种帽子 | |
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27 ornaments | |
n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
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28 barbarian | |
n.野蛮人;adj.野蛮(人)的;未开化的 | |
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29 plunder | |
vt.劫掠财物,掠夺;n.劫掠物,赃物;劫掠 | |
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30 tunic | |
n.束腰外衣 | |
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31 hooded | |
adj.戴头巾的;有罩盖的;颈部因肋骨运动而膨胀的 | |
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32 furry | |
adj.毛皮的;似毛皮的;毛皮制的 | |
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33 differentiated | |
区分,区别,辨别( differentiate的过去式和过去分词 ); 区别对待; 表明…间的差别,构成…间差别的特征 | |
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34 mere | |
adj.纯粹的;仅仅,只不过 | |
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35 foppish | |
adj.矫饰的,浮华的 | |
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36 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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37 embroidery | |
n.绣花,刺绣;绣制品 | |
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38 slashing | |
adj.尖锐的;苛刻的;鲜明的;乱砍的v.挥砍( slash的现在分词 );鞭打;割破;削减 | |
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39 eccentricity | |
n.古怪,反常,怪癖 | |
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40 discord | |
n.不和,意见不合,争论,(音乐)不和谐 | |
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41 qualified | |
adj.合格的,有资格的,胜任的,有限制的 | |
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42 ridicule | |
v.讥讽,挖苦;n.嘲弄 | |
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43 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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44 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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45 delusively | |
adv.困惑地,欺瞒地 | |
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46 deception | |
n.欺骗,欺诈;骗局,诡计 | |
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47 recur | |
vi.复发,重现,再发生 | |
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48 inviting | |
adj.诱人的,引人注目的 | |
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49 witticism | |
n.谐语,妙语 | |
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50 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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51 dwindling | |
adj.逐渐减少的v.逐渐变少或变小( dwindle的现在分词 ) | |
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52 lesser | |
adj.次要的,较小的;adv.较小地,较少地 | |
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