Introduction

Among so many effective and artistic¹ tales, it is difficult to give a preference to one over all the rest. Yet, certainly, even amid Verne’s remarkable² works, his “Off on a Comet” must be given high rank. Perhaps this story will be remembered when even “Round the World in Eighty Days” and “Michael Strogoff” have been obliterated³ by centuries of time. At least, of the many books since written upon the same theme as Verne’s, no one has yet succeeded in equaling or even approaching it.

In one way “Off on a Comet” shows a marked contrast to Verne’s earlier books. Not only does it invade a region more remote than even the “Trip to the Moon,” but the author here abandons his usual scrupulously⁴ scientific attitude. In order that he may escort us through the depths of immeasurable space, show us what astronomy really knows of conditions there and upon the other planets, Verne asks us to accept a situation frankly⁵ impossible. The earth and a comet are brought twice into collision without mankind in general, or even our astronomers⁶, becoming conscious of the fact. Moreover several people from widely scattered⁷ places are carried off by the comet and returned uninjured. Yet further, the comet snatches for the convenience of its travelers, both air and water. Little, useful tracts⁸ of earth are picked up and, as it were, turned over and clapped down right side up again upon the comet’s surface. Even ships pass uninjured through this remarkable somersault. These events all belong frankly to the realm of fairyland.

If the situation were reproduced in actuality, if ever a comet should come into collision with the earth, we can conceive two scientifically possible results. If the comet were of such attenuation⁹, such almost infinitesimal mass as some of these celestial¹⁰ wanderers seem to be, we can imagine our earth self-protective and possibly unharmed. If, on the other hand, the comet had even a hundredth part of the size and solidity and weight which Verne confers upon his monster so as to give his travelers a home — in that case the collision would be unspeakably disastrous¹¹ — especially to the unlucky individuals who occupied the exact point of contact.

But once granted the initial and the closing extravagance, the departure and return of his characters, the alpha and omega of his tale, how closely the author clings to facts between! How closely he follows, and imparts to his readers, the scientific probabilities of the universe beyond our earth, the actual knowledge so hard won by our astronomers! Other authors who, since Verne, have told of trips through the planetary and stellar universe have given free rein¹² to fancy, to dreams of what might be found. Verne has endeavored to impart only what is known to exist.

In the same year with “Off on a Comet,” 1877, was published also the tale variously named and translated as “The Black Indies,” “The Underground City,” and “The Child of the Cavern¹³.” This story, like “Round the World in Eighty Days” was first issued in “feuilleton” by the noted¹⁴ Paris newspaper “Le Temps.” Its success did not equal that of its predecessor¹⁵ in this style. Some critics indeed have pointed¹⁶ to this work as marking the beginning of a decline in the author’s power of awaking interest. Many of his best works were, however, still to follow. And, as regards imagination and the elements of mystery and awe¹⁷, surely in the “Underground City” with its cavern world, its secret, undiscoverable, unrelenting foe¹⁸, the “Harfang,” bird of evil omen¹⁹, and the “fire maidens” of the ruined castle, surely with all these “imagination” is anything but lacking.

From the realistic side, the work is painstaking²⁰ and exact as all the author’s works. The sketches²¹ of mines and miners, their courage and their dangers, their lives and their hopes, are carefully studied. So also is the emotional aspect of the deeps under ground, the blackness, the endless wandering passages, the silence, and the awe.

1 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

2 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

3 obliterated   

v.除去( obliterate的过去式和过去分词 )；涂去；擦掉；彻底破坏或毁灭

参考例句：

• The building was completely obliterated by the bomb. 炸弹把那座建筑物彻底摧毁了。
• He began to drink, drank himself to intoxication, till he slept obliterated. 他一直喝，喝到他快要迷糊地睡着了。 来自《简明英汉词典》

4 scrupulously   

adv.一丝不苟地；小心翼翼地，多顾虑地

参考例句：

• She toed scrupulously into the room. 她小心翼翼地踮着脚走进房间。 来自辞典例句
• To others he would be scrupulously fair. 对待别人，他力求公正。 来自英汉非文学 - 文明史

5 frankly   

adv.坦白地，直率地；坦率地说

参考例句：

• To speak frankly, I don't like the idea at all.老实说，我一点也不赞成这个主意。
• Frankly speaking, I'm not opposed to reform.坦率地说，我不反对改革。

6 astronomers   

n.天文学者，天文学家( astronomer的名词复数 )

参考例句：

• Astronomers can accurately foretell the date,time,and length of future eclipses. 天文学家能精确地预告未来日食月食的日期、时刻和时长。 来自《简明英汉词典》
• Astronomers used to ask why only Saturn has rings. 天文学家们过去一直感到奇怪，为什么只有土星有光环。 来自《简明英汉词典》

7 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

8 tracts   

大片土地( tract的名词复数 )； 地带； （体内的）道； （尤指宣扬宗教、伦理或政治的）短文

参考例句：

• vast tracts of forest 大片大片的森林
• There are tracts of desert in Australia. 澳大利亚有大片沙漠。

9 attenuation   

n.变薄；弄细；稀薄化；减少

参考例句：

• The attenuation distance and transmittance are connected together, they influence each other. 衰减距离attenuation)和能见度(transmittance)是联系在一起的，并相互影响。 来自互联网
• Attenuation of light is in the form of absorption. 光是以吸收的形式衰减。 来自辞典例句

10 celestial   

adj.天体的；天上的

参考例句：

• The rosy light yet beamed like a celestial dawn.玫瑰色的红光依然象天上的朝霞一样绚丽。
• Gravity governs the motions of celestial bodies.万有引力控制着天体的运动。

11 disastrous   

adj.灾难性的，造成灾害的；极坏的，很糟的

参考例句：

• The heavy rainstorm caused a disastrous flood.暴雨成灾。
• Her investment had disastrous consequences.She lost everything she owned.她的投资结果很惨，血本无归。

12 rein   

n.疆绳，统治，支配；vt.以僵绳控制，统治

参考例句：

• The horse answered to the slightest pull on the rein.只要缰绳轻轻一拉,马就作出反应。
• He never drew rein for a moment till he reached the river.他一刻不停地一直跑到河边。

13 cavern   

n.洞穴，大山洞

参考例句：

• The cavern walls echoed his cries.大山洞的四壁回响着他的喊声。
• It suddenly began to shower,and we took refuge in the cavern.天突然下起雨来，我们在一个山洞里避雨。

14 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

15 predecessor   

n.前辈，前任

参考例句：

• It will share the fate of its predecessor.它将遭受与前者同样的命运。
• The new ambassador is more mature than his predecessor.新大使比他的前任更成熟一些。

16 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

17 awe   

n.敬畏，惊惧；vt.使敬畏，使惊惧

参考例句：

• The sight filled us with awe.这景色使我们大为惊叹。
• The approaching tornado struck awe in our hearts.正在逼近的龙卷风使我们惊恐万分。

18 foe   

n.敌人，仇敌

参考例句：

• He knew that Karl could be an implacable foe.他明白卡尔可能会成为他的死敌。
• A friend is a friend;a foe is a foe;one must be clearly distinguished from the other.敌是敌，友是友，必须分清界限。

19 omen   

n.征兆，预兆；vt.预示

参考例句：

• The superstitious regard it as a bad omen.迷信的人认为那是一种恶兆。
• Could this at last be a good omen for peace?这是否终于可以视作和平的吉兆了？

20 painstaking   

adj.苦干的；艰苦的，费力的，刻苦的

参考例句：

• She is not very clever but she is painstaking.她并不很聪明，但肯下苦功夫。
• Through years of our painstaking efforts,we have at last achieved what we have today.大家经过多少年的努力，才取得今天的成绩。

21 sketches   

n.草图( sketch的名词复数 )；素描；速写；梗概

参考例句：

• The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
• You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》