Having thus run through the causes of the sublime with reference to all the senses, my first observation (Sect5. 7) will be found very nearly true; that the sublime is an idea belonging to self-preservation; that it is, therefore, one of the most affecting we have; that its strongest emotion is an emotion of distress7; and that no pleasure14 from a positive cause belongs to it. Numberless examples, besides those mentioned, might be brought in support of these truths, and many perhaps useful consequences drawn8 from them —
Sed fugit interea, fugit irrevocabile tempus,
Singula dum capti circumvectamur amore.
FOOTNOTES:
2 Part I. sect. 3, 4, 7.
3 Part IV. sect. 3, 4, 5, 6.
4 Part IV. sect. 14, 15, 16.
5 Part V.
6 Part I. sect. 7.
7 Vide Part III. sect. 21.
8 Part IV. sect. 9.
9 Part IV. sect. 11.
10 Part IV. sect. 13.
11 Mr. Addison, in the Spectators concerning the pleasures of the imagination, thinks it is because in the rotund at one glance you see half the building. This I do not imagine to be the real cause.
12 Part IV. sect. 4, 5, 6.
13 Sect. 3.
14 Vide Part I. sect. 6.
点击收听单词发音
1 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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2 anguish | |
n.(尤指心灵上的)极度痛苦,烦恼 | |
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3 torment | |
n.折磨;令人痛苦的东西(人);vt.折磨;纠缠 | |
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4 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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5 sect | |
n.派别,宗教,学派,派系 | |
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6 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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7 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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8 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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