Section VII

The real effects of fitness.

When I excluded proportion and fitness from any share in beauty, I did not by any means intend to say that they were of no value, or that they ought to be disregarded in works of art. Works of art are the proper sphere of their power; and here it is that they have their full effect. Whenever the wisdom of our Creator intended that we should be affected¹ with anything, he did not confide² the execution of his design to the languid and precarious³ operation of our reason; but he endued⁴ it with powers and properties that prevent the understanding, and even the will; which, seizing upon the senses and imagination, captivate the soul, before the understanding is ready either to join with them, or to oppose them. It is by a long deduction⁵, and much study, that we discover the adorable wisdom of God in his works: when we discover it the effect is very different, not only in the manner of acquiring it, but in its own nature, from that which strikes us without any preparation from the sublime⁶ or the beautiful. How different is the satisfaction of an anatomist, who discovers the use of the muscles and of the skin, the excellent contrivance of the one for the various movements of the body, and the wonderful texture⁷ of the other, at once a general covering, and at once a general outlet⁸ as well as inlet; how different is this from the affection which possesses an ordinary man at the sight of a delicate, smooth skin, and all the other parts of beauty, which require no investigation⁹ to be perceived! In the former case, whilst we look up to the Maker¹⁰ with admiration¹¹ and praise, the object which causes it may be odious¹² and distasteful; the latter very often so touches us by its power on the imagination, that we examine but little into the artifice¹³ of its contrivance; and we have need of a strong effort of our reason to disentangle our minds from the allurements¹⁴ of the object, to a consideration of that wisdom which invented so powerful a machine. The effect of proportion and fitness, at least so far as they proceed from a mere¹⁵ consideration of the work itself, produce approbation¹⁶, the acquiescence¹⁷ of the understanding, but not love, nor any passion of that species. When we examine the structure of a watch, when we come to know thoroughly¹⁸ the use of every part of it, satisfied as we are with the fitness of the whole, we are far enough from perceiving anything like beauty in the watch-work itself; but let us look on the case, the labor¹⁹ of some curious artist in engraving²⁰, with little or no idea of use, we shall have a much livelier idea of beauty than we ever could have had from the watch itself, though the masterpiece of Graham. In beauty, as I said, the effect is previous to any knowledge of the use; but to judge of proportion, we must know the end for which any work is designed. According to the end, the proportion varies. Thus there is one proportion of a tower, another of a house; one proportion of a gallery, another of a hall, another of a chamber²¹. To judge of the proportions of these, you must be first acquainted with the purposes for which they were designed. Good sense and experience acting²² together, find out what is fit to be done in every work of art. We are rational creatures, and in all our works we ought to regard their end and purpose; the gratification of any passion, how innocent soever, ought only to be of secondary consideration. Herein is placed the real power of fitness and proportion; they operate on the understanding considering them, which approves the work and acquiesces²³ in it. The passions, and the imagination which principally raises them, have here very little to do. When a room appears in its original nakedness, bare walls and a plain ceiling: let its proportion be ever so excellent, it pleases very little; a cold approbation is the utmost we can reach; a much worse proportioned room with elegant mouldings and fine festoons, glasses, and other merely ornamental²⁴ furniture, will make the imagination revolt against the reason; it will please much more than the naked proportion of the first room, which the understanding has so much approved, as admirably fitted for its purposes. What I have here said and before concerning proportion, is by no means to persuade people absurdly to neglect the idea of use in the works of art. It is only to show that these excellent things, beauty and proportion, are not the same; not that they should either of them be disregarded.

1 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

2 confide   

v.向某人吐露秘密

参考例句：

• I would never readily confide in anybody.我从不轻易向人吐露秘密。
• He is going to confide the secrets of his heart to us.他将向我们吐露他心里的秘密。

3 precarious   

adj.不安定的，靠不住的；根据不足的

参考例句：

• Our financial situation had become precarious.我们的财务状况已变得不稳定了。
• He earned a precarious living as an artist.作为一个艺术家，他过得是朝不保夕的生活。

4 endued   

v.授予，赋予（特性、才能等）( endue的过去式和过去分词 )

参考例句：

• She is endued with wisdom from above. 她有天赋的智慧。 来自《现代英汉综合大词典》
• He is endued with a spirit of public service. 他富有为公众服务的精神。 来自辞典例句

5 deduction   

n.减除，扣除，减除额；推论，推理，演绎

参考例句：

• No deduction in pay is made for absence due to illness.因病请假不扣工资。
• His deduction led him to the correct conclusion.他的推断使他得出正确的结论。

6 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

7 texture   

n.(织物)质地；(材料)构造；结构；肌理

参考例句：

• We could feel the smooth texture of silk.我们能感觉出丝绸的光滑质地。
• Her skin has a fine texture.她的皮肤细腻。

8 outlet   

n.出口/路；销路；批发商店；通风口；发泄

参考例句：

• The outlet of a water pipe was blocked.水管的出水口堵住了。
• Running is a good outlet for his energy.跑步是他发泄过剩精力的好方法。

9 investigation   

n.调查，调查研究

参考例句：

• In an investigation,a new fact became known, which told against him.在调查中新发现了一件对他不利的事实。
• He drew the conclusion by building on his own investigation.他根据自己的调查研究作出结论。

10 maker   

n.制造者，制造商

参考例句：

• He is a trouble maker，You must be distant with him.他是个捣蛋鬼，你不要跟他在一起。
• A cabinet maker must be a master craftsman.家具木工必须是技艺高超的手艺人。

11 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

12 odious   

adj.可憎的，讨厌的

参考例句：

• The judge described the crime as odious.法官称这一罪行令人发指。
• His character could best be described as odious.他的人格用可憎来形容最贴切。

13 artifice   

n.妙计，高明的手段；狡诈，诡计

参考例句：

• The use of mirrors in a room is an artifice to make the room look larger.利用镜子装饰房间是使房间显得大一点的巧妙办法。
• He displayed a great deal of artifice in decorating his new house.他在布置新房子中表现出富有的技巧。

14 allurements   

n.诱惑( allurement的名词复数 )；吸引；诱惑物；有诱惑力的事物

参考例句：

• The big cities are full of allurements on which to spend money. 大城市充满形形色色诱人花钱的事物。 来自《简明英汉词典》

15 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

16 approbation   

n.称赞；认可

参考例句：

• He tasted the wine of audience approbation.他尝到了像酒般令人陶醉的听众赞许滋味。
• The result has not met universal approbation.该结果尚未获得普遍认同。

17 acquiescence   

n.默许；顺从

参考例句：

• The chief inclined his head in sign of acquiescence.首领点点头表示允许。
• This is due to his acquiescence.这是因为他的默许。

18 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

19 labor   

n.劳动，努力，工作，劳工；分娩；vi.劳动，努力，苦干；vt.详细分析；麻烦

参考例句：

• We are never late in satisfying him for his labor.我们从不延误付给他劳动报酬。
• He was completely spent after two weeks of hard labor.艰苦劳动两周后，他已经疲惫不堪了。

20 engraving   

n.版画；雕刻（作品）；雕刻艺术；镌版术v.在（硬物）上雕刻（字，画等）( engrave的现在分词 )；将某事物深深印在（记忆或头脑中）

参考例句：

• He collected an old engraving of London Bridge. 他收藏了一张古老的伦敦桥版画。 来自辞典例句
• Some writing has the precision of a steel engraving. 有的字体严谨如同钢刻。 来自辞典例句

21 chamber   

n.房间，寝室；会议厅；议院；会所

参考例句：

• For many,the dentist's surgery remains a torture chamber.对许多人来说，牙医的治疗室一直是间受刑室。
• The chamber was ablaze with light.会议厅里灯火辉煌。

22 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

23 acquiesces   

v.默认，默许( acquiesce的第三人称单数 )

参考例句：

24 ornamental   

adj.装饰的；作装饰用的；n.装饰品；观赏植物

参考例句：

• The stream was dammed up to form ornamental lakes.溪流用水坝拦挡起来,形成了装饰性的湖泊。
• The ornamental ironwork lends a touch of elegance to the house.铁艺饰件为房子略添雅致。