In this sense we find an equal aptitude1 to be affected2 in a soft and delicate manner; and how far sweet or beautiful sounds agree with our descriptions of beauty in other senses, the experience of every one must decide. Milton has described this species of music in one of his juvenile3 poems.18 I need not say that Milton was perfectly4 well versed5 in that art; and that no man had a finer ear, with a happier manner of expressing the affections of one sense by metaphors6 taken from another. The description is as follows:—
“And ever against eating cares,
Lap me in soft Lydian airs;
In notes with many a winding7 bout8
Of linked sweetness long drawn9 out;
With wanton heed10, and giddy cunning,
The melting voice through mazes11 running;
Untwisting all the chains that tie
The hidden soul of harmony.”
Let us parallel this with the softness, the winding surface, the unbroken continuance, the easy gradation of the beautiful in other things; and all the diversities of the several senses, with all their several affections, will rather help to throw lights from one another to finish one clear, consistent idea of the whole, than to obscure it by their intricacy and variety.
To the above-mentioned description I shall add one or two remarks. The first is; that the beautiful in music will not hear that loudness and strength of sounds, which may be used to raise other passions; nor notes which are shrill12, or harsh, or deep; it agrees best with such as are clear, even, smooth, and weak. The second is; that great variety, and quick transitions from one measure or tone to another, are contrary to the genius of the beautiful in music. Such19 transitions often excite mirth, or other sudden or tumultuous passions; but not that sinking, that melting, that languor13, which is the characteristical effect of the beautiful as it regards every sense. The passion excited by beauty is in fact nearer to a species of melancholy14, than to jollity and mirth. I do not here mean to confine music to any one species of notes, or tones, neither is it an art in which I can say I have any great skill. My sole design in this remark is to settle a consistent idea of beauty. The infinite variety of the affections of the soul will suggest to a good head, and skilful15 ear, a variety of such sounds as are fitted to raise them. It can be no prejudice to this, to clear and distinguish some few particulars that belong to the same class, and are consistent with each other, from the immense crowd of different and sometimes contradictory16 ideas, that rank vulgarly under the standard of beauty. And of these it is my intention to mark such only of the leading points as show the conformity17 of the sense of hearing with all the other senses, in the article of their pleasures.
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1 aptitude | |
n.(学习方面的)才能,资质,天资 | |
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2 affected | |
adj.不自然的,假装的 | |
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3 juvenile | |
n.青少年,少年读物;adj.青少年的,幼稚的 | |
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4 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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5 versed | |
adj. 精通,熟练 | |
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6 metaphors | |
隐喻( metaphor的名词复数 ) | |
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7 winding | |
n.绕,缠,绕组,线圈 | |
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8 bout | |
n.侵袭,发作;一次(阵,回);拳击等比赛 | |
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9 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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10 heed | |
v.注意,留意;n.注意,留心 | |
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11 mazes | |
迷宫( maze的名词复数 ); 纷繁复杂的规则; 复杂难懂的细节; 迷宫图 | |
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12 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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13 languor | |
n.无精力,倦怠 | |
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14 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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15 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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16 contradictory | |
adj.反驳的,反对的,抗辩的;n.正反对,矛盾对立 | |
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17 conformity | |
n.一致,遵从,顺从 | |
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