AMPLIFICATION.

It is pretended that amplification¹ is a fine figure of rhetoric²; perhaps, however, it would be more reasonable to call it a defect. In saying all that we should say, we do not amplify³; and if after saying this we amplify, we say too much. To place a good or bad action in every light is not to amplify; but to go farther than this is to exaggerate and become wearisome.

Prizes were formerly⁴ given in colleges for amplification. This was indeed teaching the art of being diffuse⁵. It would, perhaps, have been better to have given the fewest words, and thus teach the art of speaking with greater force and energy. But while we avoid amplification, let us beware of dryness.

I have heard professors teach that certain passages in “Virgil” are amplifications, as, for instance, the following:

Nox erat, et placidum carpebant fessa soporem

Corpora per terras, silv?que et saeva quierunt

?quora; quum medio volvuntur sidera lapsu;

Quum tacet omnis ager, pecudes, pietaeque volucres;

Quaeque lacus late liquidos, quaeque aspera dumis

Rura tenant⁶, somno positae sub nocte silenti

Lenibant curas, et corda oblita laborum:

At non infelix animi Ph?nissa.

’Twas dead of night, when weary bodies close

Their eyes in balmy sleep and soft repose⁷:

The winds no longer whisper through the woods,

Nor murmuring tides disturb the gentle floods;

The stars in silent order moved around,

And peace, with downy wings, was brooding on the ground.

The flocks and herds⁸, and parti-colored fowl⁹,

Which haunt the woods and swim the weedy pool,

Stretched on the quiet earth securely lay,

Forgetting the past labors¹⁰ of the day.

All else of Nature’s common gift partake;

Unhappy Dido was alone awake.

— Dryden.

If the long description of the reign¹¹ of sleep throughout all nature did not form an admirable contrast with the cruel inquietude of Dido, these lines would be no other than a puerile¹² amplification; it is the words At non infelix animi Ph?nissa —“Unhappy Dido,” etc., which give them their charm.

That beautiful ode of Sappho’s which paints all the symptoms of love, and which has been happily translated into every cultivated language, would doubtless have been less touching¹³ had Sappho been speaking of any other than herself; it might then have been considered as an amplification.

The description of the tempest in the first book of the “?neid” is not an amplification; it is a true picture of all that happens in a tempest; there is no idea repeated, and repetition is the vice¹⁴ of all which is merely amplification.

The finest part on the stage in any language is that of Phèdre (Ph?dra). Nearly all that she says would be tiresome¹⁵ amplification if any other was speaking of Ph?dra’s passion.

Athenes me montra mon superbe ennemie;

Je le vis, je rougis, je plais, à sa vue;

Un trouble s’éleva dans mon ame éperdue;

Mes yeux ne voyaient plus, je ne pouvais parler,

Je sentis tout¹⁶ mon corps¹⁷ et transir et br?ler;

Je reconnus Venus et ses traits rédoubtables,

D’un sang qu’elle poursuit tormens inévitables.

Yes; — Athens showed me my proud enemy;

I saw him — blushed — turned pale; —

A sudden trouble came upon my soul —

My eyes grew dim — my tongue refused its office —

I burned — and shivered; — through my trembling frame

Venus in all her dreadful power I felt,

Shooting through every vein¹⁸ a separate pang¹⁹.

It is quite clear that since Athens showed her her proud enemy Hippolytus, she saw Hippolytus; if she blushed and turned pale, she was doubtless troubled. It would have been a pleonasm, a redundancy, if a stranger had been made to relate the loves of Ph?dra; but it is Ph?dra, enamored and ashamed of her passion — her heart is full — everything escapes her:

Ut vidi, ut perii, ut me malus abstulit error.

Je le vis, je rougis, je palis, à sa vue.

I saw him — blushed — turned pale. —

What can be a better imitation of Virgil?

Mes yeux ne voyaient plus, je ne pouvais parler;

Je sentis tout mon corps et transir et br?ler;

My eyes grew dim — my tongue refused its office;

I burned — and shivered;

What can be a finer imitation of Sappho?

These lines, though imitated, flow as from their first source; each word moves and penetrates²⁰ the feeling heart; this is not amplification; it is the perfection of nature and of art.

The following is, in my opinion, an instance of amplification, in a modern tragedy, which nevertheless has great beauties. Tydeus is at the court of Argos; he is in love with a sister of Electra; he laments²¹ the fall of his friend Orestes and of his father; he is divided betwixt his passion for Electra and his desire of vengeance²²; while in this state of care and perplexity he gives one of his followers²³ a long description of a tempest, in which he had been shipwrecked some time before.

Tu sais ce qu’en ces lieux nous venions entreprendre;

Tu sais que Palamède, avant que de s’y rendre,

Ne voulut point tenter son retour dans Argos,

Qu’il n’e?t interroge l’oracle²⁵ de Délos.

à de si justes soins on souscrivit sans peine;

Nous part?mes, comblés des bienfaits de Thyrrène;

Tout nous favorisait; nous voyageames longtems

Au gré de nos désirs, bien plus qu’au gré des vents²⁶;

Mais, signala?t bient?t toute son inconstance,

Le mer en un moment se mutine et s’élance;

L’air mugit, le jour fuit, une épaisse vapeur

Couvre d’un voile affreux les vagues en fureur;

La foudre, éclairante seule une nuit si profonde,

à sillons redoublés ouvre le ciel et l’onde,

Et comme un tourbillon, embrassant nos vaisseaux,

Semble en sources de feu bouillonner sur les eaux;

Les vagues quelquefois, nous portant sur leurs cimes,

Nous font rouler après sous de vastes ab?mes,

Ou les éclairs pressés, pénétrans avec nous,

Dans des gouffres de feu semblaient nous plonger tous;

Le pilote effrayé, que la flamme environne,

Aux rochers qu’il fuyait lui-meme s’abandonne;

à travers les écueils notre vaisseau pousse,

Se brise, et nage enfin sur les eaux dispersées.

Thou knowest what purpose brought us to these shores;

Thou knowest that Palamed would not attempt

Again to set his foot within these walls

Until he’d questioned Delos’ oracle.

To his just care we readily subscribed²⁷;

We sailed, and favoring gales²⁸ at first appeared

To announce a prosperous voyage;

Long time we held our course, and held it rather

As our desires than as the winds impelled²⁹;

But the inconstant ocean heaved at last

Its treacherous³⁰ bosom³¹; howling blasts arose;

The heavens were darkened; vapors³² black and dense³³

Spread o’er the furious waves a frightful³⁴ veil,

Pierced only by the thunderbolts, which clove³⁵

The waters and the firmament³⁶ at once,

And whirling round our ship, in horrid³⁷ sport

Chased one another o’er the boiling surge;

Now rose we on some watery³⁸ mountain’s summit,

Now with the lightning plunged³⁹ into a gulf⁴⁰

That seemed to swallow all. Our pilot, struck

Powerless by terror, ceased to steer⁴¹, and left us

Abandoned to those rocks we dreaded⁴² most;

Soon did our vessel⁴³ dash upon their points,

And swim in scattered⁴⁴ fragments on the billows.

In this description we see the poet wishing to surprise his readers with the relation of a shipwreck²⁴, rather than the man who seeks to avenge⁴⁵ his father and his friend — to kill the tyrant⁴⁶ of Argos, but who is at the same time divided between love and vengeance.

Several men of taste, and among others the author of “Telemachus,” have considered the relation of the death of Hippolytus, in Racine, as an amplification; long recitals⁴⁸ were the fashion at that time. The vanity of actors make them wish to be listened to, and it was then the custom to indulge them in this way. The archbishop of Cambray says that Theramenes should not, after Hippolytus’ catastrophe⁴⁹, have strength to speak so long; that he gives too ample a description of the monster’s threatening horns, his saffron scales, etc.; that he should say in broken accents, Hippolytus is dead — a monster has destroyed him — I beheld⁵⁰ it.

I shall not enter on a defence of the threatening horns, etc.; yet this piece of criticism, which has been so often repeated, appears to me to be unjust. You would have Theramenes say nothing more than Hippolytus is killed — I saw him die — all is over. This is precisely⁵¹ what he does say; Hippolyte n’est plus! (Hippolytus is no more!) His father exclaims aloud; and Theramenes, on recovering his senses, says:

J’ai vu des mortels périr le plus amiable⁵²,

I have seen the most amiable of mortals perish,

and adds this line, so necessary and so affecting yet so agonizing⁵³ for Theseus:

Et j’ose dire⁵⁴ encore, Seigneur, le moins coupable.

And, Sire, I may truly add, the most innocent.

The gradations are fully⁵⁵ observed; each shade is accurately⁵⁶ distinguished⁵⁷. The wretched father asks what God — what sudden thunder-stroke has deprived him of his son. He has not courage to proceed; he is mute with grief; he awaits the dreadful recital⁴⁷, and the audience awaits it also. Theramenes must answer; he is asked for particulars; he must give them.

Was it for him who had made Mentor⁵⁸ and all the rest of his personages discourse⁵⁹ at such length, sometimes even tediously; was it for him to shut the mouth of Theramenes? Who among the spectators would not listen to him? Who would not enjoy the melancholy⁶⁰ pleasure of hearing the circumstance of Hippolytus’ death? Who would have so much as three lines struck out? This is no vain description of a storm unconnected with the piece; no ill-written amplification; it is the purest diction, the most affecting language; in short, it is Racine. Amplification, declamation⁶¹, and exaggeration were at all times the faults of the Greeks, excepting Demosthenes and Aristotle.

There have been absurd pieces of poetry on which time has set the stamp of almost universal approbation⁶², because they were mixed with brilliant flashes which threw a glare over their imperfections, or because the poets who came afterward⁶³ did nothing better. The rude beginnings of every art acquire a greater celebrity⁶⁴ than the art in perfection; he who first played the fiddle⁶⁵ was looked upon as a demigod, while Rameau had only enemies. In fine, men, generally going with the stream, seldom judge for themselves, and purity of taste is almost as rare as talent.

At the present day, most of our sermons, funeral orations⁶⁶, set discourses⁶⁷, and harangues⁶⁸ in certain ceremonies, are tedious amplifications — strings⁶⁹ of commonplace expressions repeated again and again a thousand times. These discourses are only supportable when rarely heard. Why speak when you have nothing new to say? It is high time to put a stop to this excessive waste of words, and therefore we conclude our article.

1 amplification   

n.扩大，发挥

参考例句：

• The voice of despair may be weak and need amplification.绝望的呼声可能很微弱，需要扩大。
• Some of them require further amplification.其中有些内容需进一步详细阐明。

2 rhetoric   

n.修辞学，浮夸之言语

参考例句：

• Do you know something about rhetoric?你懂点修辞学吗？
• Behind all the rhetoric,his relations with the army are dangerously poised.在冠冕堂皇的言辞背后，他和军队的关系岌岌可危。

3 amplify   

vt.放大，增强；详述，详加解说

参考例句：

• The new manager wants to amplify the company.新经理想要扩大公司。
• Please amplify your remarks by giving us some examples.请举例详述你的话。

4 formerly   

adv.从前，以前

参考例句：

• We now enjoy these comforts of which formerly we had only heard.我们现在享受到了过去只是听说过的那些舒适条件。
• This boat was formerly used on the rivers of China.这船从前航行在中国内河里。

5 diffuse   

v.扩散；传播；adj.冗长的；四散的，弥漫的

参考例句：

• Direct light is better for reading than diffuse light.直射光比漫射光更有利于阅读。
• His talk was so diffuse that I missed his point.他的谈话漫无边际，我抓不住他的要点。

6 tenant   

n.承租人；房客；佃户；v.租借，租用

参考例句：

• The tenant was dispossessed for not paying his rent.那名房客因未付房租而被赶走。
• The tenant is responsible for all repairs to the building.租户负责对房屋的所有修理。

7 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

8 herds   

兽群( herd的名词复数 )； 牧群； 人群； 群众

参考例句：

• Regularly at daybreak they drive their herds to the pasture. 每天天一亮他们就把牲畜赶到草场上去。
• There we saw herds of cows grazing on the pasture. 我们在那里看到一群群的牛在草地上吃草。

9 fowl   

n.家禽，鸡，禽肉

参考例句：

• Fowl is not part of a traditional brunch.禽肉不是传统的早午餐的一部分。
• Since my heart attack,I've eaten more fish and fowl and less red meat.自从我患了心脏病后，我就多吃鱼肉和禽肉，少吃红色肉类。

10 labors   

v.努力争取(for)( labor的第三人称单数 )；苦干；详细分析；（指引擎）缓慢而困难地运转

参考例句：

• He was tiresome in contending for the value of his own labors. 他老为他自己劳动的价值而争强斗胜，令人生厌。 来自辞典例句
• Farm labors used to hire themselves out for the summer. 农业劳动者夏季常去当雇工。 来自辞典例句

11 reign   

n.统治时期，统治，支配，盛行；v.占优势

参考例句：

• The reign of Queen Elizabeth lapped over into the seventeenth century.伊丽莎白王朝延至17世纪。
• The reign of Zhu Yuanzhang lasted about 31 years.朱元璋统治了大约三十一年。

12 puerile   

adj.幼稚的，儿童的

参考例句：

• The story is simple,even puerile.故事很简单，甚至有些幼稚。
• Concert organisers branded the group's actions as puerile.音乐会的组织者指称该乐队的行为愚蠢幼稚。

13 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

14 vice   

n.坏事；恶习；[pl.]台钳，老虎钳；adj.副的

参考例句：

• He guarded himself against vice.他避免染上坏习惯。
• They are sunk in the depth of vice.他们堕入了罪恶的深渊。

15 tiresome   

adj.令人疲劳的，令人厌倦的

参考例句：

• His doubts and hesitations were tiresome.他的疑惑和犹豫令人厌烦。
• He was tiresome in contending for the value of his own labors.他老为他自己劳动的价值而争强斗胜，令人生厌。

16 tout   

v.推销，招徕；兜售；吹捧，劝诱

参考例句：

• They say it will let them tout progress in the war.他们称这将有助于鼓吹他们在战争中的成果。
• If your case studies just tout results,don't bother requiring registration to view them.如果你的案例研究只是吹捧结果，就别烦扰别人来注册访问了。

17 corps   

n.(通信等兵种的)部队；(同类作的)一组

参考例句：

• The medical corps were cited for bravery in combat.医疗队由于在战场上的英勇表现而受嘉奖。
• When the war broke out,he volunteered for the Marine Corps.战争爆发时，他自愿参加了海军陆战队。

18 vein   

n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络

参考例句：

• The girl is not in the vein for singing today.那女孩今天没有心情唱歌。
• The doctor injects glucose into the patient's vein.医生把葡萄糖注射入病人的静脉。

19 pang   

n.剧痛，悲痛，苦闷

参考例句：

• She experienced a sharp pang of disappointment.她经历了失望的巨大痛苦。
• She was beginning to know the pang of disappointed love.她开始尝到了失恋的痛苦。

20 penetrates   

v.穿过( penetrate的第三人称单数 )；刺入；了解；渗透

参考例句：

• This is a telescope that penetrates to the remote parts of the universe. 这是一架能看到宇宙中遥远地方的望远镜。 来自《简明英汉词典》
• The dust is so fine that it easily penetrates all the buildings. 尘土极细，能极轻易地钻入一切建筑物。 来自辞典例句

21 laments   

n.悲恸，哀歌，挽歌( lament的名词复数 )v.（为…）哀悼，痛哭，悲伤( lament的第三人称单数 )

参考例句：

• In the poem he laments the destruction of the countryside. 在那首诗里他对乡村遭到的破坏流露出悲哀。
• In this book he laments the slight interest shown in his writings. 在该书中他慨叹人们对他的著作兴趣微弱。 来自辞典例句

22 vengeance   

n.报复，报仇，复仇

参考例句：

• He swore vengeance against the men who murdered his father.他发誓要向那些杀害他父亲的人报仇。
• For years he brooded vengeance.多年来他一直在盘算报仇。

23 followers   

追随者( follower的名词复数 )； 用户； 契据的附面； 从动件

参考例句：

• the followers of Mahatma Gandhi 圣雄甘地的拥护者
• The reformer soon gathered a band of followers round him. 改革者很快就获得一群追随者支持他。

24 shipwreck   

n.船舶失事，海难

参考例句：

• He walked away from the shipwreck.他船难中平安地脱险了。
• The shipwreck was a harrowing experience.那次船难是一个惨痛的经历。

25 oracle   

n.神谕，神谕处，预言

参考例句：

• In times of difficulty,she pray for an oracle to guide her.在困难的时候，她祈祷神谕来指引她。
• It is a kind of oracle that often foretells things most important.它是一种内生性神谕，常常能预言最重要的事情。

26 vents   

（气体、液体等进出的）孔、口( vent的名词复数 )； （鸟、鱼、爬行动物或小哺乳动物的）肛门； 大衣等的)衩口； 开衩

参考例句：

• He always vents his anger on the dog. 他总是拿狗出气。
• The Dandelion Patch is the least developed of the four active vents. “蒲公英区”在这四个活裂口中是发育最差的一个。

27 subscribed   

v.捐助( subscribe的过去式和过去分词 )；签署，题词；订阅；同意

参考例句：

• It is not a theory that is commonly subscribed to. 一般人并不赞成这个理论。 来自《简明英汉词典》
• I subscribed my name to the document. 我在文件上签了字。 来自《简明英汉词典》

28 gales   

龙猫

参考例句：

• I could hear gales of laughter coming from downstairs. 我能听到来自楼下的阵阵笑声。
• This was greeted with gales of laughter from the audience. 观众对此报以阵阵笑声。

29 impelled   

v.推动、推进或敦促某人做某事( impel的过去式和过去分词 )

参考例句：

• He felt impelled to investigate further. 他觉得有必要作进一步调查。
• I feel impelled to express grave doubts about the project. 我觉得不得不对这项计划深表怀疑。 来自《简明英汉词典》

30 treacherous   

adj.不可靠的，有暗藏的危险的；adj.背叛的，背信弃义的

参考例句：

• The surface water made the road treacherous for drivers.路面的积水对驾车者构成危险。
• The frozen snow was treacherous to walk on.在冻雪上行走有潜在危险。

31 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

32 vapors   

n.水汽，水蒸气，无实质之物( vapor的名词复数 )；自夸者；幻想 [药]吸入剂 [古]忧郁（症）v.自夸，（使）蒸发( vapor的第三人称单数 )

参考例句：

• His emotions became vague and shifted about like vapors. 他的心情则如同一团雾气，变幻无常，捉摸不定。 来自辞典例句
• They have hysterics, they weep, they have the vapors. 他们歇斯底里，他们哭泣，他们精神忧郁。 来自辞典例句

33 dense   

a.密集的，稠密的，浓密的；密度大的

参考例句：

• The general ambushed his troops in the dense woods. 将军把部队埋伏在浓密的树林里。
• The path was completely covered by the dense foliage. 小路被树叶厚厚地盖了一层。

34 frightful   

adj.可怕的；讨厌的

参考例句：

• How frightful to have a husband who snores!有一个发鼾声的丈夫多讨厌啊！
• We're having frightful weather these days.这几天天气坏极了。

35 clove   

n.丁香味

参考例句：

• If tired,smell a whiff of clove oil and it will wake you up.如果疲倦，闻上一点丁香油将令人清醒。
• A sweet-smell comes from roses and clove trees.丁香与玫瑰的香味扑鼻而来。

36 firmament   

n.苍穹；最高层

参考例句：

• There are no stars in the firmament.天空没有一颗星星。
• He was rich,and a rising star in the political firmament.他十分富有，并且是政治高层一颗冉冉升起的新星。

37 horrid   

adj.可怕的；令人惊恐的；恐怖的；极讨厌的

参考例句：

• I'm not going to the horrid dinner party.我不打算去参加这次讨厌的宴会。
• The medicine is horrid and she couldn't get it down.这种药很难吃，她咽不下去。

38 watery   

adj.有水的，水汪汪的；湿的，湿润的

参考例句：

• In his watery eyes there is an expression of distrust.他那含泪的眼睛流露出惊惶失措的神情。
• Her eyes became watery because of the smoke.因为烟熏，她的双眼变得泪汪汪的。

39 plunged   

v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降

参考例句：

• The train derailed and plunged into the river. 火车脱轨栽进了河里。
• She lost her balance and plunged 100 feet to her death. 她没有站稳，从100英尺的高处跌下摔死了。

40 gulf   

n.海湾；深渊，鸿沟；分歧，隔阂

参考例句：

• The gulf between the two leaders cannot be bridged.两位领导人之间的鸿沟难以跨越。
• There is a gulf between the two cities.这两座城市间有个海湾。

41 steer   

vt.驾驶，为…操舵；引导；vi.驾驶

参考例句：

• If you push the car, I'll steer it.如果你来推车，我就来驾车。
• It's no use trying to steer the boy into a course of action that suits you.想说服这孩子按你的方式行事是徒劳的。

42 dreaded   

adj.令人畏惧的；害怕的v.害怕，恐惧，担心( dread的过去式和过去分词)

参考例句：

• The dreaded moment had finally arrived. 可怕的时刻终于来到了。
• He dreaded having to spend Christmas in hospital. 他害怕非得在医院过圣诞节不可。 来自《用法词典》

43 vessel   

n.船舶；容器，器皿；管，导管，血管

参考例句：

• The vessel is fully loaded with cargo for Shanghai.这艘船满载货物驶往上海。
• You should put the water into a vessel.你应该把水装入容器中。

44 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

45 avenge   

v.为...复仇，为...报仇

参考例句：

• He swore to avenge himself on the mafia.他发誓说要向黑手党报仇。
• He will avenge the people on their oppressor.他将为人民向压迫者报仇。

46 tyrant   

n.暴君，专制的君主，残暴的人

参考例句：

• The country was ruled by a despotic tyrant.该国处在一个专制暴君的统治之下。
• The tyrant was deaf to the entreaties of the slaves.暴君听不到奴隶们的哀鸣。

47 recital   

n.朗诵，独奏会，独唱会

参考例句：

• She is going to give a piano recital.她即将举行钢琴独奏会。
• I had their total attention during the thirty-five minutes that my recital took.在我叙述的35分钟内，他们完全被我吸引了。

48 recitals   

n.独唱会( recital的名词复数 )；独奏会；小型音乐会、舞蹈表演会等；一系列事件等的详述

参考例句：

• His recitals have earned him recognition as a talented performer. 他的演奏会使他赢得了天才演奏家的赞誉。 来自《简明英汉词典》
• Her teachers love her playing, and encourage her to recitals. 她的老师欣赏她的演奏，并鼓励她举办独奏会。 来自互联网

49 catastrophe   

n.大灾难，大祸

参考例句：

• I owe it to you that I survived the catastrophe.亏得你我才大难不死。
• This is a catastrophe beyond human control.这是一场人类无法控制的灾难。

50 beheld   

v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟

参考例句：

• His eyes had never beheld such opulence. 他从未见过这样的财富。 来自《简明英汉词典》
• The soul beheld its features in the mirror of the passing moment. 灵魂在逝去的瞬间的镜子中看到了自己的模样。 来自英汉文学 - 红字

51 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

52 amiable   

adj.和蔼可亲的，友善的，亲切的

参考例句：

• She was a very kind and amiable old woman.她是个善良和气的老太太。
• We have a very amiable companionship.我们之间存在一种友好的关系。

53 agonizing   

adj.痛苦难忍的；使人苦恼的v.使极度痛苦；折磨(agonize的ing形式)

参考例句：

• I spent days agonizing over whether to take the job or not. 我用了好些天苦苦思考是否接受这个工作。
• his father's agonizing death 他父亲极度痛苦的死

54 dire   

adj.可怕的，悲惨的，阴惨的，极端的

参考例句：

• There were dire warnings about the dangers of watching too much TV.曾经有人就看电视太多的危害性提出严重警告。
• We were indeed in dire straits.But we pulled through.那时我们的困难真是大极了，但是我们渡过了困难。

55 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

56 accurately   

adv.准确地，精确地

参考例句：

• It is hard to hit the ball accurately.准确地击中球很难。
• Now scientists can forecast the weather accurately.现在科学家们能准确地预报天气。

57 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

58 mentor   

n.指导者，良师益友；v.指导

参考例句：

• He fed on the great ideas of his mentor.他以他导师的伟大思想为支撑。
• He had mentored scores of younger doctors.他指导过许多更年轻的医生。

59 discourse   

n.论文，演说；谈话；话语；vi.讲述，著述

参考例句：

• We'll discourse on the subject tonight.我们今晚要谈论这个问题。
• He fell into discourse with the customers who were drinking at the counter.他和站在柜台旁的酒客谈了起来。

60 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

61 declamation   

n. 雄辩，高调

参考例句：

• Declamation is a traditional Chinese teaching method.诵读教学是我国传统的语文教学方法。
• Were you present at the declamation contest of Freshmen?大一的朗诵比赛你参加了没有？

62 approbation   

n.称赞；认可

参考例句：

• He tasted the wine of audience approbation.他尝到了像酒般令人陶醉的听众赞许滋味。
• The result has not met universal approbation.该结果尚未获得普遍认同。

63 afterward   

adv.后来；以后

参考例句：

• Let's go to the theatre first and eat afterward. 让我们先去看戏，然后吃饭。
• Afterward,the boy became a very famous artist.后来，这男孩成为一个很有名的艺术家。

64 celebrity   

n.名人，名流；著名，名声，名望

参考例句：

• Tom found himself something of a celebrity. 汤姆意识到自己已小有名气了。
• He haunted famous men, hoping to get celebrity for himself. 他常和名人在一起, 希望借此使自己获得名气。

65 fiddle   

n.小提琴；vi.拉提琴；不停拨弄，乱动

参考例句：

• She plays the fiddle well.她小提琴拉得好。
• Don't fiddle with the typewriter.不要摆弄那架打字机了。

66 orations   

n.（正式仪式中的）演说，演讲( oration的名词复数 )

参考例句：

• The young official added a genuine note of emotion amid the pompous funeral orations. 这位年轻的高级官员，在冗长的葬礼演讲中加了一段充满感情的话。 来自辞典例句
• It has to go down as one of the great orations of all times. 它去作为一个伟大的演讲所有次。 来自互联网

67 discourses   

论文( discourse的名词复数 )； 演说； 讲道； 话语

参考例句：

• It is said that his discourses were very soul-moving. 据说他的讲道词是很能动人心灵的。
• I am not able to repeat the excellent discourses of this extraordinary man. 这位异人的高超言论我是无法重述的。

68 harangues   

n.高谈阔论的长篇演讲( harangue的名词复数 )v.高谈阔论( harangue的第三人称单数 )

参考例句：

• "This so aggravated Hitler's pent-up feelings that he burst forth into one of his old harangues. 这下可激发了希特勒憋在心里的情绪，他居然故伎重演，破口大骂起来。 来自名作英译部分
• There is, however, a new self-confidence these days in China's familiar harangues anything it deems sovereign. 然而近来中国在针对认为涉及到其主权问题的说辞上表现出一种新的自信。 来自互联网

69 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。