Ardent7 imagination, passion, desire — frequently deceived — produce the figurative style. We do not admit it into history, for too many metaphors are hurtful, not only to perspicuity8, but also to truth, by saying more or less than the thing itself.
In didactic works, this style should be rejected. It is much more out of place in a sermon than in a funeral oration9, because the sermon is a piece of instruction in which the truth is to be announced; while the funeral oration is a declaration in which it is to be exaggerated.
The poetry of enthusiasm, as the epopee and the ode, is that to which this style is best adapted. It is less admissible in tragedy, where the dialogue should be natural as well as elevated; and still less in comedy, where the style must be more simple.
The limits to be set to the figurative style, in each kind, are determined10 by taste. Baltasar Gracian says, that “our thoughts depart from the vast shores of memory, embark11 on the sea of imagination, arrive in the harbor of intelligence, and are entered at the custom house of the understanding.”
This is precisely12 the style of Harlequin. He says to his master, “The ball of your commands has rebounded13 from the racquet of my obedience14.” Must it not be owned that such is frequently that oriental style which people try to admire? Another fault of the figurative style is the accumulating of incoherent figures. A poet, speaking of some philosophers, has called them:
?D’ambitieux pygmées
Qui sur leurs pieds vainement redressés
Et sur des monts d’argumens entassés
De jour en jour superbes Encelades,
Vont redoublant leurs folles escalades.
When philosophers are to be written against, it should be done better. How do ambitious pygmies, reared on their hind15 legs on mountains of arguments, continue escalades? What a false and ridiculous image! What elaborate dulness!
In an allegory by the same author, entitled the “Liturgy of Cytherea,” we find these lines:
De toutes parts, autour de l’inconnue,
Ils vont tomber comme grêle menue,
Moissons des c?urs sur la terre jonchés,
Et des Dieux même à son char16 attachés,
De par3 Venus nous venons cette affaire
Si s’en retourne aux cieux dans son sérail,
En ruminant comment il pourra faire
Pour ramener la brebis au bercail.
Here we have harvests of hearts thrown on the ground like small hail; and among these hearts palpitating on the ground, are gods bound to the car of the unknown; while love, sent by Venus, ruminates17 in his seraglio in heaven, what he shall do to bring back to the fold this lost mutton surrounded by scattered18 hearts. All this forms a figure at once so false, so puerile19, and so incoherent — so disgusting, so extravagant20, so stupidly expressed, that we are astonished that a man, who made good verses of another kind, and was not devoid21 of taste, could write anything so miserably22 bad.
Figures, metaphors, are not necessary in an allegory; what has been invented with imagination may be told with simplicity23. Plato has more allegories than figures; he often expresses them elegantly and without ostentation24.
Nearly all the maxims25 of the ancient orientals and of the Greeks were in the figurative style. All those sentences are metaphors, or short allegories; and in them the figurative style has great effect in rousing the imagination and impressing the memory.
We know that Pythagoras said, “In the tempest adore the echo,” that is, during civil broils26 retire to the country; and “Stir not the fire with the sword,” meaning, do not irritate minds already inflamed27. In every language, there are many common proverbs which are in the figurative style.
点击收听单词发音
1 fable | |
n.寓言;童话;神话 | |
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2 parable | |
n.寓言,比喻 | |
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3 par | |
n.标准,票面价值,平均数量;adj.票面的,平常的,标准的 | |
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4 spouse | |
n.配偶(指夫或妻) | |
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5 metaphorical | |
a.隐喻的,比喻的 | |
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6 metaphors | |
隐喻( metaphor的名词复数 ) | |
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7 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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8 perspicuity | |
n.(文体的)明晰 | |
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9 oration | |
n.演说,致辞,叙述法 | |
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10 determined | |
adj.坚定的;有决心的 | |
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11 embark | |
vi.乘船,着手,从事,上飞机 | |
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12 precisely | |
adv.恰好,正好,精确地,细致地 | |
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13 rebounded | |
弹回( rebound的过去式和过去分词 ); 反弹; 产生反作用; 未能奏效 | |
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14 obedience | |
n.服从,顺从 | |
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15 hind | |
adj.后面的,后部的 | |
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16 char | |
v.烧焦;使...燃烧成焦炭 | |
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17 ruminates | |
v.沉思( ruminate的第三人称单数 );反复考虑;反刍;倒嚼 | |
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18 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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19 puerile | |
adj.幼稚的,儿童的 | |
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20 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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21 devoid | |
adj.全无的,缺乏的 | |
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22 miserably | |
adv.痛苦地;悲惨地;糟糕地;极度地 | |
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23 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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24 ostentation | |
n.夸耀,卖弄 | |
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25 maxims | |
n.格言,座右铭( maxim的名词复数 ) | |
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26 broils | |
v.(用火)烤(焙、炙等)( broil的第三人称单数 );使卷入争吵;使混乱;被烤(或炙) | |
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27 inflamed | |
adj.发炎的,红肿的v.(使)变红,发怒,过热( inflame的过去式和过去分词 ) | |
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