Has nature intended to excite compassion7 in us at the sight of these tears, which soften8 us and lead us to help those who shed them? The female savage9 is as strongly determined10 to assist her child who cries, as a lady of the court would be, and perhaps more so, because she has fewer distractions11 and passions.
Everything in the animal body has, no doubt, its object. The eyes, particularly, have mathematical relations so evident, so demonstrable, so admirable with the rays of light; this mechanism12 is so divine, that I should be tempted13 to take for the delirium14 of a high fever, the audacity15 of denying the final causes of the structure of our eyes. The use of tears appears not to have so determined and striking an object; but it is probable that nature caused them to flow in order to excite us to pity.
There are women who are accused of weeping when they choose. I am not at all surprised at their talent. A lively, sensible, and tender imagination can fix upon some object, on some melancholy recollection, and represent it in such lively colors as to draw tears; which happens to several performers, and particularly to actresses on the stage.
Women who imitate them in the interior of their houses, join to this talent the little fraud of appearing to weep for their husbands, while they really weep for their lovers. Their tears are true, but the object of them is false.
It is impossible to affect tears without a subject, in the same manner as we can affect to laugh. We must be sensibly touched to force the lachrymal gland to compress itself, and to spread its liquor on the orbit of the eye; but the will alone is required to laugh.
We demand why the same man, who has seen with a dry eye the most atrocious events, and even committed crimes with sang-froid, will weep at the theatre at the representation of similar events and crimes? It is, that he sees them not with the same eyes; he sees them with those of the author and the actor. He is no longer the same man; he was barbarous, he was agitated16 with furious passions, when he saw an innocent woman killed, when he stained himself with the blood of his friend; he became a man again at the representation of it. His soul was filled with a stormy tumult17; it is now tranquil18 and void, and nature re-entering it, he sheds virtuous19 tears. Such is the true merit, the great good of theatrical20 representation, which can never be effected by the cold declamation21 of an orator22 paid to tire an audience for an hour.
The capitoul David, who, without emotion, saw and caused the innocent Calas to die on the wheel, would have shed tears at seeing his own crime in a well-written and well-acted tragedy. Pope has elegantly said this in the prologue23 to Addison’s Cato:
Tyrants24 no more their savage nature kept,
And foes25 to virtue26 wondered how they wept.

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收听单词发音

1
melancholy
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n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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2
limpid
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adj.清澈的,透明的 | |
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briny
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adj.盐水的;很咸的;n.海洋 | |
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4
gland
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n.腺体,(机)密封压盖,填料盖 | |
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5
descends
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v.下来( descend的第三人称单数 );下去;下降;下斜 | |
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texture
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n.(织物)质地;(材料)构造;结构;肌理 | |
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7
compassion
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n.同情,怜悯 | |
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8
soften
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v.(使)变柔软;(使)变柔和 | |
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9
savage
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adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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10
determined
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adj.坚定的;有决心的 | |
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11
distractions
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n.使人分心的事[人]( distraction的名词复数 );娱乐,消遣;心烦意乱;精神错乱 | |
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12
mechanism
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n.机械装置;机构,结构 | |
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13
tempted
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v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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14
delirium
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n. 神智昏迷,说胡话;极度兴奋 | |
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15
audacity
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n.大胆,卤莽,无礼 | |
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16
agitated
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adj.被鼓动的,不安的 | |
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17
tumult
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n.喧哗;激动,混乱;吵闹 | |
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18
tranquil
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adj. 安静的, 宁静的, 稳定的, 不变的 | |
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19
virtuous
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adj.有品德的,善良的,贞洁的,有效力的 | |
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20
theatrical
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adj.剧场的,演戏的;做戏似的,做作的 | |
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21
declamation
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n. 雄辩,高调 | |
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22
orator
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n.演说者,演讲者,雄辩家 | |
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23
prologue
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n.开场白,序言;开端,序幕 | |
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24
tyrants
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专制统治者( tyrant的名词复数 ); 暴君似的人; (古希腊的)僭主; 严酷的事物 | |
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25
foes
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敌人,仇敌( foe的名词复数 ) | |
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26
virtue
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n.德行,美德;贞操;优点;功效,效力 | |
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