One day they had taken the boat that she had seen pass so often under her windows. She was not afraid of being recognized. Her danger was not great, and, since she was in love, she had lost prudence4. They saw shores which little by little grew gay, escaping the dusty aridity5 of the suburbs; they went by islands with bouquets6 of trees shading taverns7, and innumerable boats tied under willows8. They debarked at Bas-Meudon. As she said she was warm and thirsty, he made her enter a wine-shop. It was a building with wooden galleries, which solitude9 made to appear larger, and which slept in rustic10 peace, waiting for Sunday to fill it with the laughter of girls, the cries of boatmen, the odor of fried fish, and the smoke of stews11.
They went up the creaking stairway, shaped like a ladder, and in a first-story room a maid servant brought wine and biscuits to them. On the mantelpiece, at one of the corners of the room, was an oval mirror in a flower-covered frame. Through the open window one saw the Seine, its green shores, and the hills in the distance bathed with warm air. The trembling peace of a summer evening filled the sky, the earth, and the water.
Therese looked at the running river. The boat passed on the water, and when the wake which it left reached the shore it seemed as if the house rocked like a vessel12.
“I like the water,” said Therese. “How happy I am!”
Their lips met.
Lost in the enchanted13 despair of love, time was not marked for them except by the cool plash of the water, which at intervals14 broke under the half-open window. To the caressing15 praise of her lover she replied:
“It is true I was made for love. I love myself because you love me.”
Certainly, he loved her; and it was not possible for him to explain to himself why he loved her with ardent piety16, with a sort of sacred fury. It was not because of her beauty, although it was rare and infinitely17 precious. She had exquisite18 lines, but lines follow movement, and escape incessantly19; they are lost and found again; they cause aesthetic20 joys and despair. A beautiful line is the lightning which deliciously wounds the eyes. One admires and one is surprised. What makes one love is a soft and terrible force, more powerful than beauty. One finds one woman among a thousand whom one wants always. Therese was that woman whom one can not leave or betray.
She exclaimed, joyfully21:
“I never shall be forsaken22?”
She asked why he did not make her bust23, since he thought her beautiful.
“Why? Because I am an ordinary sculptor24, and I know it; which is not the faculty25 of an ordinary mind. But if you wish to think that I am a great artist, I will give you other reasons. To create a figure that will live, one must take the model like common material from which one will extract the beauty, press it, crush it, and obtain its essence. There is nothing in you that is not precious to me. If I made your bust I should be servilely attached to these things which are everything to me because they are something of you. I should stubbornly attach myself to the details, and should not succeed in composing a finished figure.”
She looked at him astonished.
He continued:
“From memory I might. I tried a pencil sketch26.” As she wished to see it, he showed it to her. It was on an album leaf, a very simple sketch. She did not recognize herself in it, and thought he had represented her with a kind of soul that she did not have.
“Ah, is that the way in which you see me? Is that the way in which you love me?”
He closed the album.
“No; this is only a note. But I think the note is just. It is probable you do not see yourself exactly as I see you. Every human creature is a different being for every one that looks at it.”
He added, with a sort of gayety:
“In that sense one may say one woman never belonged to two men. That is one of Paul Vence’s ideas.”
“I think it is true,” said Therese.
It was seven o’clock. She said she must go. Every day she returned home later. Her husband had noticed it. He had said: “We are the last to arrive at all the dinners; there is a fatality27 about it!” But, detained every day in the Chamber28 of Deputies, where the budget was being discussed, and absorbed by the work of a subcommittee of which he was the chairman, state reasons excused Therese’s lack of punctuality. She recalled smilingly a night when she had arrived at Madame Garain’s at half-past eight. She had feared to cause a scandal. But it was a day of great affairs. Her husband came from the Chamber at nine o’clock only, with Garain. They dined in morning dress. They had saved the Ministry29.
Then she fell into a dream.
“When the Chamber shall be adjourned30, my friend, I shall not have a pretext31 to remain in Paris. My father does not understand my devotion to my husband which makes me stay in Paris. In a week I shall have to go to Dinard. What will become of me without you?”
She clasped her hands and looked at him with a sadness infinitely tender. But he, more sombre, said:
“It is I, Therese, it is I who must ask anxiously, What will become of me without you? When you leave me alone I am assailed32 by painful thoughts; black ideas come and sit in a circle around me.”
She asked him what those ideas were.
He replied:
“My beloved, I have already told you: I have to forget you with you. When you are gone, your memory will torment33 me. I have to pay for the happiness you give me.”
点击收听单词发音
1 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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2 delightfully | |
大喜,欣然 | |
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3 stony | |
adj.石头的,多石头的,冷酷的,无情的 | |
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4 prudence | |
n.谨慎,精明,节俭 | |
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5 aridity | |
n.干旱,乏味;干燥性;荒芜 | |
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6 bouquets | |
n.花束( bouquet的名词复数 );(酒的)芳香 | |
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7 taverns | |
n.小旅馆,客栈,酒馆( tavern的名词复数 ) | |
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8 willows | |
n.柳树( willow的名词复数 );柳木 | |
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9 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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10 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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11 stews | |
n.炖煮的菜肴( stew的名词复数 );烦恼,焦虑v.炖( stew的第三人称单数 );煨;思考;担忧 | |
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12 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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13 enchanted | |
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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14 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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15 caressing | |
爱抚的,表现爱情的,亲切的 | |
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16 piety | |
n.虔诚,虔敬 | |
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17 infinitely | |
adv.无限地,无穷地 | |
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18 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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19 incessantly | |
ad.不停地 | |
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20 aesthetic | |
adj.美学的,审美的,有美感 | |
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21 joyfully | |
adv. 喜悦地, 高兴地 | |
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22 Forsaken | |
adj. 被遗忘的, 被抛弃的 动词forsake的过去分词 | |
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23 bust | |
vt.打破;vi.爆裂;n.半身像;胸部 | |
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24 sculptor | |
n.雕刻家,雕刻家 | |
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25 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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26 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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27 fatality | |
n.不幸,灾祸,天命 | |
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28 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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29 ministry | |
n.(政府的)部;牧师 | |
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30 adjourned | |
(使)休会, (使)休庭( adjourn的过去式和过去分词 ) | |
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31 pretext | |
n.借口,托词 | |
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32 assailed | |
v.攻击( assail的过去式和过去分词 );困扰;质问;毅然应对 | |
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33 torment | |
n.折磨;令人痛苦的东西(人);vt.折磨;纠缠 | |
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