The grave elderly man, son of that Bernardo Cennini, who, twenty years before, having heard of the new process of printing carried on by Germans, had cast his own types in Florence, remained necessarily in lathered7 silence and passivity while Nello showered this talk in his ears, but turned a slow sideway gaze on the stranger.
‘This fine young man has unlimited8 Greek, Latin, or Italian at your service,’ continued Nello, fond of interpreting by very ample paraphrase10. ‘He is as great a wonder of juvenile11 learning as Francesco Filelfo or our own incomparable Poliziano. A second Guarino,’ too, for he has had the misfortune to be ship-wrecked, and has doubtless lost a store of precious manuscripts that might have contributed some correctness even to your correct editions, Domenico. Fortunately, he has rescued a few gems13 of rare value. His name is — you said your name, Messer, was —?’
‘Tito Melema,’ said the stranger, slipping the ring from his finger, and presenting it to Cennini, whom Nello, not less rapid with his razor than with his tongue, had now released from the shaving-cloth.
Meanwhile the man who had entered the shop in company with the goldsmith — a tall figure, about fifty, with a short trimmed beard, wearing an old felt hat and a threadbare mantle14 — had kept his eye fixed15 on the Greek, and now said abruptly17 —
‘Young man, I am painting a picture of Sinon deceiving old Priam, and I should be glad of your face for my Sinon, if you’d give me a sitting.’
Tito Melema started and looked round with a pale astonishment18 in his face as if at a sudden accusation19; but Nello left him no time to feel at a loss for an answer: ‘Piero,’ said the barber, ‘thou art the most extraordinary compound of humours and fancies ever packed into a human skin. What trick wilt20 thou play with the fine visage of this young scholar to make it suit thy traitor21? Ask him rather to turn his eyes upward, and thou mayst make a Saint Sebastian of him that will draw troops of devout22 women; or, if thou art in a classical vein23, put myrtle about his curls and make him a young Bacchus, or say rather a Phoebus Apollo, for his face is as warm and bright as a summer morning; it made me his friend in the space of a “credo.”’
‘Ay, Nello,’ said the painter, speaking with abrupt16 pauses; ‘and if thy tongue can leave off its everlasting24 chirping25 long enough for thy understanding to consider the matter, thou mayst see that thou hast just shown the reason why the face of Messere will suit my traitor. A perfect traitor should have a face which vice9 can write no marks on — lips that will lie with a dimpled smile — eyes of such agate-like brightness and depth that no infamy26 can dull them — cheeks that will rise from a murder and not look haggard. I say not this young man is a traitor: I mean, he has a face that would make him the more perfect traitor if he had the heart of one, which is saying neither more nor less than that he has a beautiful face, informed with rich young blood, that will be nourished enough by food, and keep its colour without much help of virtue27. He may have the heart of a hero along with it; I aver28 nothing to the contrary. Ask Domenico there if the lapidaries29 can always tell a gem12 by the sight alone. And now I’m going to put the tow in my ears, for thy chatter30 and the bells together are more than I can endure: so say no more to me, but trim my beard.’
With these last words Piero (called ‘di Cosimo,’ from his master, Cosimo Rosselli) drew out two bits of tow, stuffed them in his ears, and placed himself in the chair before Nello, who shrugged31 his shoulders and cast a grimacing32 look of intelligence at the Greek, as much as to say, ‘A whimsical fellow, you perceive! Everybody holds his speeches as mere33 jokes.’
Tito, who had stood transfixed, with his long dark eyes resting on the unknown man who had addressed him so equivocally, seemed recalled to his self-command by Piero’s change of position, and apparently34 satisfied with his explanation, was again giving his attention to Cennini, who presently said —
‘This is a curious and valuable ring, young man. This intaglio35 of the fish with the crested36 serpent above it, in the black stratum37 of the onyx, or rather nicolo, is well shown by the surrounding blue of the upper stratum. The ring has, doubtless, a history?’ added Cennini, looking up keenly at the young stranger.
‘Yes, indeed,’ said Tito, meeting the scrutiny38 very frankly39. ‘The ring was found in Sicily, and I have understood from those who busy themselves with gems and sigils, that both the stone and intaglio are of virtue to make the wearer fortunate, especially at sea, and also to restore to him whatever he may have lost. But,’ he continued, smiling, ‘though I have worn it constantly since I quitted Greece, it has not made me altogether fortunate at sea, you perceive, unless I am to count escape from drowning as a sufficient proof of its virtue. It remains40 to be seen whether my lost chests will come to light; but to lose no chance of such a result, Messer, I will pray you only to hold the ring for a short space as pledge for a small sum far beneath its value, and I will redeem41 it as soon as I can dispose of certain other gems which are secured within my doublet, or indeed as soon as I can earn something by any scholarly employment, if I may be so fortunate as to meet with such.’
‘That may be seen, young man, if you will come with me,’ said Cennini. ‘My brother Pietro, who is a better judge of scholarship than I, will perhaps be able to supply you with a task that may test your capabilities42. Meanwhile, take back your ring until I can hand you the necessary florins, and, if it please you, come along with me.’
‘Yes, yes,’ said Nello, ‘go with Messer Domenico, you cannot go in better company; he was born under the constellation43 that gives a man skill, riches, and integrity, whatever that constellation may be, which is of the less consequence because babies can’t choose their own horoscopes, and, indeed, if they could, there might be an inconvenient44 rush of babies at particular epochs. Besides, our Phoenix45, the incomparable Pico, has shown that your horoscopes are all a nonsensical dream — which is the less troublesome opinion. Addio! bel giovane! don’t forget to come back to me.’
‘No fear of that,’ said Tito, beckoning46 a farewell, as he turned round his bright face at the door. ‘You are to do me a great service:— that is the most positive security for your seeing me again.’
‘Say what thou wilt, Piero,’ said Nello, as the young stranger disappeared, ‘I shall never look at such an outside as that without taking it as a sign of a lovable nature. Why, thou wilt say next that Lionardo, whom thou art always raving47 about, ought to have made his Judas as beautiful as St John! But thou art as deaf as the top of Mount Morello with that accursed tow in thy ears. Well, well: I’ll get a little more of this young man’s history from him before I take him to Bardo Bardi.’
点击收听单词发音
1 opportunely | |
adv.恰好地,适时地 | |
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2 orphaned | |
[计][修]孤立 | |
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3 pivot | |
v.在枢轴上转动;装枢轴,枢轴;adj.枢轴的 | |
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4 honourable | |
adj.可敬的;荣誉的,光荣的 | |
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5 ware | |
n.(常用复数)商品,货物 | |
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6 implement | |
n.(pl.)工具,器具;vt.实行,实施,执行 | |
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7 lathered | |
v.(指肥皂)形成泡沫( lather的过去式和过去分词 );用皂沫覆盖;狠狠地打 | |
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8 unlimited | |
adj.无限的,不受控制的,无条件的 | |
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9 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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10 paraphrase | |
vt.将…释义,改写;n.释义,意义 | |
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11 juvenile | |
n.青少年,少年读物;adj.青少年的,幼稚的 | |
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12 gem | |
n.宝石,珠宝;受爱戴的人 [同]jewel | |
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13 gems | |
growth; economy; management; and customer satisfaction 增长 | |
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14 mantle | |
n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红 | |
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15 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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16 abrupt | |
adj.突然的,意外的;唐突的,鲁莽的 | |
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17 abruptly | |
adv.突然地,出其不意地 | |
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18 astonishment | |
n.惊奇,惊异 | |
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19 accusation | |
n.控告,指责,谴责 | |
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20 wilt | |
v.(使)植物凋谢或枯萎;(指人)疲倦,衰弱 | |
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21 traitor | |
n.叛徒,卖国贼 | |
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22 devout | |
adj.虔诚的,虔敬的,衷心的 (n.devoutness) | |
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23 vein | |
n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
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24 everlasting | |
adj.永恒的,持久的,无止境的 | |
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25 chirping | |
鸟叫,虫鸣( chirp的现在分词 ) | |
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26 infamy | |
n.声名狼藉,出丑,恶行 | |
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27 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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28 aver | |
v.极力声明;断言;确证 | |
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29 lapidaries | |
n.宝石匠,玉石雕刻师( lapidary的名词复数 ) | |
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30 chatter | |
vi./n.喋喋不休;短促尖叫;(牙齿)打战 | |
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31 shrugged | |
vt.耸肩(shrug的过去式与过去分词形式) | |
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32 grimacing | |
v.扮鬼相,做鬼脸( grimace的现在分词 ) | |
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33 mere | |
adj.纯粹的;仅仅,只不过 | |
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34 apparently | |
adv.显然地;表面上,似乎 | |
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35 intaglio | |
n.凹版雕刻;v.凹雕 | |
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36 crested | |
adj.有顶饰的,有纹章的,有冠毛的v.到达山顶(或浪峰)( crest的过去式和过去分词 );到达洪峰,达到顶点 | |
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37 stratum | |
n.地层,社会阶层 | |
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38 scrutiny | |
n.详细检查,仔细观察 | |
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39 frankly | |
adv.坦白地,直率地;坦率地说 | |
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40 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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41 redeem | |
v.买回,赎回,挽回,恢复,履行(诺言等) | |
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42 capabilities | |
n.能力( capability的名词复数 );可能;容量;[复数]潜在能力 | |
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43 constellation | |
n.星座n.灿烂的一群 | |
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44 inconvenient | |
adj.不方便的,令人感到麻烦的 | |
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45 phoenix | |
n.凤凰,长生(不死)鸟;引申为重生 | |
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46 beckoning | |
adj.引诱人的,令人心动的v.(用头或手的动作)示意,召唤( beckon的现在分词 ) | |
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47 raving | |
adj.说胡话的;疯狂的,怒吼的;非常漂亮的;令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话;疯话adv.胡言乱语地;疯狂地 | |
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