“Did we behold8 the German fashionable dress of the Fifteenth Century, we might smile; as perhaps those bygone Germans, were they to rise again, and see our haberdashery, would cross themselves, and invoke10 the Virgin11. But happily no bygone German, or man, rises again; thus the Present is not needlessly trammelled with the Past; and only grows out of it, like a Tree, whose roots are not intertangled with its branches, but lie peaceably underground. Nay12 it is very mournful, yet not useless, to see and know, how the Greatest and Dearest, in a short while, would find his place quite filled up here, and no room for him; the very Napoleon, the very Byron, in some seven years, has become obsolete13, and were now a foreigner to his Europe. Thus is the Law of Progress secured; and in Clothes, as in all other external things whatsoever14, no fashion will continue.
“Of the military classes in those old times, whose buff-belts, complicated chains and gorgets, huge churn-boots, and other riding and fighting gear have been bepainted in modern Romance, till the whole has acquired somewhat of a sign-post character, — I shall here say nothing: the civil and pacific classes, less touched upon, are wonderful enough for us.
“Rich men, I find, have Teusinke [a perhaps untranslatable article]; also a silver girdle, whereat hang little bells; so that when a man walks, it is with continual jingling15. Some few, of musical turn, have a whole chime of bells (Glockenspiel) fastened there; which, especially in sudden whirls, and the other accidents of walking, has a grateful effect. Observe too how fond they are of peaks, and Gothic-arch intersections16. The male world wears peaked caps, an ell long, which hang bobbing over the side (schief): their shoes are peaked in front, also to the length of an ell, and laced on the side with tags; even the wooden shoes have their ell-long noses: some also clap bells on the peak. Further, according to my authority, the men have breeches without seat (ohne Gesass): these they fasten peakwise to their shirts; and the long round doublet must overlap17 them.
“Rich maidens19, again, flit abroad in gowns scolloped out behind and before, so that back and breast are almost bare. Wives of quality, on the other hand, have train-gowns four or five ells in length; which trains there are boys to carry. Brave Cleopatras, sailing in their silk-cloth Galley20, with a Cupid for steersman! Consider their welts, a handbreadth thick, which waver round them by way of hem9; the long flood of silver buttons, or rather silver shells, from throat to shoe, wherewith these same welt-gowns are buttoned. The maidens have bound silver snoods about their hair, with gold spangles, and pendent flames (Flammen), that is, sparkling hair-drops: but of their mother’s head-gear who shall speak? Neither in love of grace is comfort forgotten. In winter weather you behold the whole fair creation (that can afford it) in long mantles21, with skirts wide below, and, for hem, not one but two sufficient hand-broad welts; all ending atop in a thick well-starched Ruff, some twenty inches broad: these are their Ruff-mantles (Kragenmantel).
“As yet among the womankind hoop-petticoats are not; but the men have doublets of fustian23, under which lie multiple ruffs of cloth, pasted together with batter24 (mit Teig zusammengekleistert), which create protuberance enough. Thus do the two sexes vie with each other in the art of Decoration; and as usual the stronger carries it.”
Our Professor, whether he have humor himself or not, manifests a certain feeling of the Ludicrous, a sly observance of it which, could emotion of any kind be confidently predicated of so still a man, we might call a real love. None of those bell-girdles, bushel-breeches, counted shoes, or other the like phenomena25, of which the History of Dress offers so many, escape him: more especially the mischances, or striking adventures, incident to the wearers of such, are noticed with due fidelity26. Sir Walter Raleigh’s fine mantle22, which he spread in the mud under Queen Elizabeth’s feet, appears to provoke little enthusiasm in him; he merely asks, Whether at that period the Maiden18 Queen “was red-painted on the nose, and white-painted on the cheeks, as her tire-women, when from spleen and wrinkles she would no longer look in any glass, were wont27 to serve her”? We can answer that Sir Walter knew well what he was doing, and had the Maiden Queen been stuffed parchment dyed in verdigris28, would have done the same.
Thus too, treating of those enormous habiliments, that were not only slashed29 and gallooned, but artificially swollen30 out on the broader parts of the body, by introduction of Bran, — our Professor fails not to comment on that luckless Courtier, who having seated himself on a chair with some projecting nail on it, and therefrom rising, to pay his devoir on the entrance of Majesty31, instantaneously emitted several pecks of dry wheat-dust: and stood there diminished to a spindle, his galloons and slashes32 dangling33 sorrowful and flabby round him. Whereupon the Professor publishes this reflection:—
“By what strange chances do we live in History? Erostratus by a torch; Milo by a bullock; Henry Darnley, an unfledged booby and bustard, by his limbs; most Kings and Queens by being born under such and such a bed-tester; Boileau Despreaux (according to Helvetius) by the peck of a turkey; and this ill-starred individual by a rent in his breeches, — for no Memoirist34 of Kaiser Otto’s Court omits him. Vain was the prayer of Themistocles for a talent of Forgetting: my Friends, yield cheerfully to Destiny, and read since it is written.” — Has Teufelsdrockh, to be put in mind that, nearly related to the impossible talent of Forgetting, stands that talent of Silence, which even travelling Englishmen manifest?
“The simplest costume,” observes our Professor, “which I anywhere find alluded35 to in History, is that used as regimental, by Bolivar’s Cavalry36, in the late Colombian wars. A square Blanket, twelve feet in diagonal, is provided (some were wont to cut off the corners, and make it circular): in the centre a slit37 is effected eighteen inches long; through this the mother-naked Trooper introduces his head and neck; and so rides shielded from all weather, and in battle from many strokes (for he rolls it about his left arm); and not only dressed, but harnessed and draperied.”
With which picture of a State of Nature, affecting by its singularity, and Old–Roman contempt of the superfluous38, we shall quit this part of our subject.
点击收听单词发音
1 purely | |
adv.纯粹地,完全地 | |
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2 garbs | |
vt.装扮(garb的第三人称单数形式) | |
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3 devouring | |
吞没( devour的现在分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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4 authentic | |
a.真的,真正的;可靠的,可信的,有根据的 | |
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5 pertinent | |
adj.恰当的;贴切的;中肯的;有关的;相干的 | |
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6 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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7 lust | |
n.性(淫)欲;渴(欲)望;vi.对…有强烈的欲望 | |
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8 behold | |
v.看,注视,看到 | |
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9 hem | |
n.贴边,镶边;vt.缝贴边;(in)包围,限制 | |
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10 invoke | |
v.求助于(神、法律);恳求,乞求 | |
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11 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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12 nay | |
adv.不;n.反对票,投反对票者 | |
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13 obsolete | |
adj.已废弃的,过时的 | |
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14 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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15 jingling | |
叮当声 | |
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16 intersections | |
n.横断( intersection的名词复数 );交叉;交叉点;交集 | |
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17 overlap | |
v.重叠,与…交叠;n.重叠 | |
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18 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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19 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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20 galley | |
n.(飞机或船上的)厨房单层甲板大帆船;军舰舰长用的大划艇; | |
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21 mantles | |
vt.&vi.覆盖(mantle的第三人称单数形式) | |
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22 mantle | |
n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红 | |
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23 fustian | |
n.浮夸的;厚粗棉布 | |
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24 batter | |
v.接连重击;磨损;n.牛奶面糊;击球员 | |
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25 phenomena | |
n.现象 | |
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26 fidelity | |
n.忠诚,忠实;精确 | |
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27 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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28 verdigris | |
n.铜锈;铜绿 | |
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29 slashed | |
v.挥砍( slash的过去式和过去分词 );鞭打;割破;削减 | |
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30 swollen | |
adj.肿大的,水涨的;v.使变大,肿胀 | |
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31 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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32 slashes | |
n.(用刀等)砍( slash的名词复数 );(长而窄的)伤口;斜杠;撒尿v.挥砍( slash的第三人称单数 );鞭打;割破;削减 | |
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33 dangling | |
悬吊着( dangle的现在分词 ); 摆动不定; 用某事物诱惑…; 吊胃口 | |
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34 memoirist | |
n.传记,回忆录,追思录 | |
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35 alluded | |
提及,暗指( allude的过去式和过去分词 ) | |
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36 cavalry | |
n.骑兵;轻装甲部队 | |
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37 slit | |
n.狭长的切口;裂缝;vt.切开,撕裂 | |
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38 superfluous | |
adj.过多的,过剩的,多余的 | |
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