Essay viii. On Familiar Style

It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random¹. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly² rejects not only all unmeaning pomp, but all low, cant³ phrases, and loose, unconnected, slipshod allusions⁵. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style is to write as any one would speak in common conversation who had a thorough command and choice of words, or who could discourse⁶ with ease, force, and perspicuity⁷, setting aside all pedantic⁸ and oratorical⁹ flourishes. Or, to give another illustration, to write naturally is the same thing in regard to common conversation as to read naturally is in regard to common speech. It does not follow that it is an easy thing to give the true accent and inflection to the words you utter, because you do not attempt to rise above the level of ordinary life and colloquial¹⁰ speaking. You do not assume, indeed, the solemnity of the pulpit, or the tone of stage-declamation; neither are you at liberty to gabble on at a venture, without emphasis or discretion¹¹, or to resort to vulgar dialect or clownish pronunciation. You must steer¹² a middle course. You are tied down to a given and appropriate articulation¹³, which is determined¹⁴ by the habitual¹⁵ associations between sense and sound, and which you can only hit by entering into the author’s meaning, as you must find the proper words and style to express yourself by fixing your thoughts on the subject you have to write about. Any one may mouth out a passage with a theatrical¹⁶ cadence¹⁷, or get upon stilts¹⁸ to tell his thoughts; but to write or speak with propriety¹⁹ and simplicity²⁰ is a more difficult task. Thus it is easy to affect a pompous²¹ style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it. Out of eight or ten words equally common, equally intelligible²², with nearly equal pretensions²⁴, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive. The reason why I object to Dr. Johnson’s style is that there is no discrimination, no selection, no variety in it. He uses none but ‘tall, opaque²⁵ words,’ taken from the ‘first row of the rubric’— words with the greatest number of syllables²⁶, or Latin phrases with merely English terminations. If a fine style depended on this sort of arbitrary pretension²³, it would be fair to judge of an author’s elegance²⁸ by the measurement of his words and the substitution of foreign circumlocutions (with no precise associations) for the mother-tongue.77 How simple is it to be dignified²⁹ without case, to be pompous without meaning! Surely it is but a mechanical rule for avoiding what is low, to be always pedantic and affected³⁰. It is clear you cannot use a vulgar English word if you never use a common English word at all. A fine tact³¹ is shown in adhering to those which are perfectly³² common, and yet never falling into any expressions which are debased by disgusting circumstances, or which owe their signification and point to technical or professional allusions. A truly natural or familiar style can never be quaint³³ or vulgar, for this reason, that it is of universal force and applicability, and that quaintness³⁴ and vulgarity arise out of the immediate³⁵ connection of certain words with coarse and disagreeable or with confined ideas. The last form what we understand by cant or slang phrases. — To give an example of what is not very clear in the general statement, I should say that the phrase To cut with a knife, or To cut a piece of wood, is perfectly free from vulgarity, because it is perfectly common; but to cut an acquaintance is not quite unexceptionable, because it is not perfectly common or intelligible, and has hardly yet escaped out of the limits of slang phraseology. I should hardly, therefore, use the word in this sense without putting it in italics as a license³⁶ of expression, to be received cum grano salis. All provincial³⁷ or bye-phrases come under the same mark of reprobation³⁸ — all such as the writer transfers to the page from his fireside or a particular coterie³⁹, or that he invents for his own sole use and convenience. I conceive that words are like money, not the worse for being common, but that it is the stamp of custom alone that gives them circulation or value. I am fastidious in this respect, and would almost as soon coin the currency of the realm as counterfeit⁴⁰ the King’s English. I never invented or gave a new and unauthorised meaning to any word but one single one (the term impersonal⁴¹ applied⁴² to feelings), and that was in an abstruse⁴³ metaphysical discussion to express a very difficult distinction. I have been (I know) loudly accused of revelling⁴⁴ in vulgarisms and broken English. I cannot speak to that point; but so far I plead guilty to the determined use of acknowledged idioms and common elliptical expressions. I am not sure that the critics in question know the one from the other, that is, can distinguish any medium between formal pedantry⁴⁵ and the most barbarous solecism. As an author I endeavour to employ plain words and popular modes of construction, as, were I a chapman and dealer⁴⁶, I should common weights and measures.

The proper force of words lies not in the words themselves, but in their application. A word may be a fine-sounding word, of an unusual length, and very imposing⁴⁷ from its learning and novelty, and yet in the connection in which it is introduced may be quite pointless and irrelevant⁴⁸. It is not pomp or pretension, but the adaptation of the expression to the idea, that clenches⁴⁹ a writer’s meaning:— as it is not the size or glossiness⁵⁰ of the materials, but their being fitted each to its place, that gives strength to the arch; or as the pegs⁵¹ and nails are as necessary to the support of the building as the larger timbers, and more so than the mere²⁷ showy, unsubstantial ornaments⁵². I hate anything that occupies more space than it is worth. I hate to see a load of bandboxes go along the street, and I hate to see a parcel of big words without anything in them. A person who does not deliberately⁵³ dispose of all his thoughts alike in cumbrous draperies and flimsy disguises may strike out twenty varieties of familiar everyday language, each coming somewhat nearer to the feeling he wants to convey, and at last not hit upon that particular and only one which may be said to be identical with the exact impression in his mind. This would seem to show that Mr. Cobbett is hardly right in saying that the first word that occurs is always the best. It may be a very good one; and yet a better may present itself on reflection or from time to time. It should be suggested naturally, however, and spontaneously, from a fresh and lively conception of the subject. We seldom succeed by trying at improvement, or by merely substituting one word for another that we are not satisfied with, as we cannot recollect⁵⁴ the name of a place or person by merely plaguing ourselves about it. We wander farther from the point by persisting in a wrong scent⁵⁵; but it starts up accidentally in the memory when we least expected it, by touching⁵⁶ some link in the chain of previous association.

There are those who hoard⁵⁷ up and make a cautious display of nothing but rich and rare phraseology — ancient medals, obscure coins, and Spanish pieces of eight. They are very curious to inspect, but I myself would neither offer nor take them in the course of exchange. A sprinkling of archaisms is not amiss, but a tissue of obsolete⁵⁸ expressions is more fit for keep than wear. I do not say I would not use any phrase that had been brought into fashion before the middle or the end of the last century, but I should be shy of using any that had not been employed by any approved author during the whole of that time. Words, like clothes, get old-fashioned, or mean and ridiculous, when they have been for some time laid aside. Mr. Lamb is the only imitator of old English style I can read with pleasure; and he is so thoroughly⁵⁹ imbued⁶⁰ with the spirit of his authors that the idea of imitation is almost done away. There is an inward unction, a marrowy⁶¹ vein⁶², both in the thought and feeling, an intuition, deep and lively, of his subject, that carries off any quaintness or awkwardness arising from an antiquated⁶³ style and dress. The matter is completely his own, though the manner is assumed. Perhaps his ideas are altogether so marked and individual as to require their point and pungency⁶⁴ to be neutralised by the affectation of a singular but traditional form of conveyance⁶⁵. Tricked out in the prevailing⁶⁶ costume, they would probably seem more startling and out of the way. The old English authors, Burton, Fuller, Coryate, Sir Thomas Browne, are a kind of mediators between us and the more eccentric and whimsical modern, reconciling us to his peculiarities⁶⁷. I do not, however, know how far this is the case or not, till he condescends⁶⁸ to write like one of us. I must confess that what I like best of his papers under the signature of Elia (still I do not presume, amidst such excellence⁶⁹, to decide what is most excellent) is the account of ‘Mrs. Battle’s Opinions on Whist,’ which is also the most free from obsolete allusions and turns of expression  —

A well of native English undefiled.

To those acquainted with his admired prototypes, these Essays of the ingenious and highly gifted author have the same sort of charm and relish⁷⁰ that Erasmus’s Colloquies⁷¹ or a fine piece of modern Latin have to the classical scholar. Certainly, I do not know any borrowed pencil that has more power or felicity of execution than the one of which I have here been speaking.

It is as easy to write a gaudy⁷² style without ideas as it is to spread a pallet of showy colours or to smear⁷³ in a flaunting⁷⁴ transparency. ‘What do you read?’ ‘Words, words, words.’—‘What is the matter?’ ‘Nothing,’ it might be answered. The florid style is the reverse of the familiar. The last is employed as an unvarnished medium to convey ideas; the first is resorted to as a spangled veil to conceal⁷⁶ the want of them. When there is nothing to be set down but words, it costs little to have them fine. Look through the dictionary, and cull⁷⁷ out a florilegium, rival the tulippomania. Rouge⁷⁸ high enough, and never mind the natural complexion⁷⁹. The vulgar, who are not in the secret, will admire the look of preternatural health and vigour⁸⁰; and the fashionable, who regard only appearances, will be delighted with the imposition. Keep to your sounding generalities, your tinkling⁸¹ phrases, and all will be well. Swell⁸² out an unmeaning truism to a perfect tympany of style. A thought, a distinction is the rock on which all this brittle⁸³ cargo⁸⁴ of verbiage⁸⁵ splits at once. Such writers have merely verbal imaginations, that retain nothing but words. Or their puny⁸⁶ thoughts have dragon-wings, all green and gold. They soar far above the vulgar failing of the Sermo humi obrepens— their most ordinary speech is never short of an hyperbole, splendid, imposing, vague, incomprehensible, magniloquent, a cento of sounding common-places. If some of us, whose ‘ambition is more lowly,’ pry⁸⁷ a little too narrowly into nooks and corners to pick up a number of ‘unconsidered trifles,’ they never once direct their eyes or lift their hands to seize on any but the most gorgeous, tarnished⁸⁸, threadbare, patchwork⁸⁹ set of phrases, the left-off finery of poetic⁹⁰ extravagance, transmitted down through successive generations of barren pretenders. If they criticise⁹¹ actors and actresses, a huddled⁹² phantasmagoria of feathers, spangles, floods of light, and oceans of sound float before their morbid⁹³ sense, which they paint in the style of Ancient Pistol. Not a glimpse can you get of the merits or defects of the performers: they are hidden in a profusion⁹⁴ of barbarous epithets⁹⁵ and wilful⁹⁶ rhodomontade. Our hypercritics are not thinking of these little fantoccini beings  —

That strut⁹⁷ and fret⁹⁸ their hour upon the stage  —

but of tall phantoms⁹⁹ of words, abstractions, genera and species, sweeping¹⁰⁰ clauses, periods that unite the Poles, forced alliterations, astounding¹⁰¹ antitheses  —

And on their pens Fustian¹⁰² sits plumed¹⁰³.

If they describe kings and queens, it is an Eastern pageant¹⁰⁴. The Coronation at either House is nothing to it. We get at four repeated images — a curtain, a throne, a sceptre, and a footstool. These are with them the wardrobe of a lofty imagination; and they turn their servile strains to servile uses. Do we read a description of pictures? It is not a reflection of tones and hues¹⁰⁵ which ‘nature’s own sweet and cunning hand laid on,’ but piles of precious stones, rubies¹⁰⁶, pearls, emeralds, Golconda’s mines, and all the blazonry of art. Such persons are in fact besotted with words, and their brains are turned with the glittering but empty and sterile¹⁰⁷ phantoms of things. Personifications, capital letters, seas of sunbeams, visions of glory, shining inscriptions¹⁰⁸, the figures of a transparency, Britannia with her shield, or Hope leaning on an anchor, make up their stock-intrade. They may be considered as hieroglyphical¹⁰⁹ writers. Images stand out in their minds isolated¹¹⁰ and important merely in themselves, without any groundwork of feeling — there is no context in their imaginations. Words affect them in the same way, by the mere sound, that is, by their possible, not by their actual application to the subject in hand. They are fascinated by first appearances, and have no sense of consequences. Nothing more is meant by them than meets the ear: they understand or feel nothing more than meets their eye. The web and texture¹¹¹ of the universe, and of the heart of man, is a mystery to them: they have no faculty¹¹² that strikes a chord in unison¹¹³ with it. They cannot get beyond the daubings of fancy, the varnish⁷⁵ of sentiment. Objects are not linked to feelings, words to things, but images revolve¹¹⁴ in splendid mockery, words represent themselves in their strange rhapsodies. The categories of such a mind are pride and ignorance — pride in outside show, to which they sacrifice everything, and ignorance of the true worth and hidden structure both of words and things. With a sovereign contempt for what is familiar and natural, they are the slaves of vulgar affectation — of a routine of high-flown phrases. Scorning to imitate realities, they are unable to invent anything, to strike out one original idea. They are not copyists of nature, it is true; but they are the poorest of all plagiarists, the plagiarists of words. All is far-fetched, dear bought, artificial, oriental in subject and allusion⁴; all is mechanical, conventional, vapid¹¹⁵, formal, pedantic in style and execution. They startle and confound the understanding of the reader by the remoteness and obscurity of their illustrations; they soothe¹¹⁶ the ear by the monotony of the same everlasting¹¹⁷ round of circuitous¹¹⁸ metaphors¹¹⁹. They are the mock-school in poetry and prose. They flounder about between fustian in expression and bathos in sentiment. They tantalise the fancy, but never reach the head nor touch the heart. Their Temple of Fame is like a shadowy structure raised by Dulness to Vanity, or like Cowper’s description of the Empress of Russia’s palace of ice, ‘as worthless as in show ’twas glittering’—

It smiled, and it was cold!

1 random   

adj.随机的；任意的；n.偶然的(或随便的)行动

参考例句：

• The list is arranged in a random order.名单排列不分先后。
• On random inspection the meat was found to be bad.经抽查，发现肉变质了。

2 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

3 cant   

n.斜穿，黑话，猛扔

参考例句：

• The ship took on a dangerous cant to port.船只出现向左舷危险倾斜。
• He knows thieves'cant.他懂盗贼的黑话。

4 allusion   

n.暗示，间接提示

参考例句：

• He made an allusion to a secret plan in his speech.在讲话中他暗示有一项秘密计划。
• She made no allusion to the incident.她没有提及那个事件。

5 allusions   

暗指，间接提到( allusion的名词复数 )

参考例句：

• We should not use proverbs and allusions indiscriminately. 不要滥用成语典故。
• The background lent itself to allusions to European scenes. 眼前的情景容易使人联想到欧洲风光。

6 discourse   

n.论文，演说；谈话；话语；vi.讲述，著述

参考例句：

• We'll discourse on the subject tonight.我们今晚要谈论这个问题。
• He fell into discourse with the customers who were drinking at the counter.他和站在柜台旁的酒客谈了起来。

7 perspicuity   

n.（文体的）明晰

参考例句：

• Whenever men think clearly,and are thoroughly interested,they express themselves with perspicuity and force.每当人们清考虑清楚，并非常感兴趣的时候，他们就会清晰有力的表达自己。
• Property right perspicuity is the key to establishing modern corporational system.要建立现代企业制度，产权明晰是核心。

8 pedantic   

adj.卖弄学问的；迂腐的

参考例句：

• He is learned,but neither stuffy nor pedantic.他很博学，但既不妄自尊大也不卖弄学问。
• Reading in a pedantic way may turn you into a bookworm or a bookcase,and has long been opposed.读死书会变成书呆子，甚至于成为书橱，早有人反对过了。

9 oratorical   

adj.演说的，雄辩的

参考例句：

• The award for the oratorical contest was made by a jury of nine professors. 演讲比赛的裁决由九位教授组成的评判委员会作出。 来自《现代汉英综合大词典》
• His oratorical efforts evoked no response in his audience. 他的雄辩在听众中不起反响。 来自辞典例句

10 colloquial   

adj.口语的，会话的

参考例句：

• It's hard to understand the colloquial idioms of a foreign language.外语里的口头习语很难懂。
• They have little acquaintance with colloquial English. 他们对英语会话几乎一窍不通。

11 discretion   

n.谨慎；随意处理

参考例句：

• You must show discretion in choosing your friend.你择友时必须慎重。
• Please use your best discretion to handle the matter.请慎重处理此事。

12 steer   

vt.驾驶，为…操舵；引导；vi.驾驶

参考例句：

• If you push the car, I'll steer it.如果你来推车，我就来驾车。
• It's no use trying to steer the boy into a course of action that suits you.想说服这孩子按你的方式行事是徒劳的。

13 articulation   

n.（清楚的）发音；清晰度，咬合

参考例句：

• His articulation is poor.他发音不清楚。
• She spoke with a lazy articulation.她说话慢吞吞的。

14 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

15 habitual   

adj.习惯性的；通常的，惯常的

参考例句：

• He is a habitual criminal.他是一个惯犯。
• They are habitual visitors to our house.他们是我家的常客。

16 theatrical   

adj.剧场的，演戏的；做戏似的，做作的

参考例句：

• The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果，叫人失望。
• She always makes some theatrical gesture.她老在做些夸张的手势。

17 cadence   

n.（说话声调的）抑扬顿挫

参考例句：

• He delivered his words in slow,measured cadences.他讲话缓慢而抑扬顿挫、把握有度。
• He liked the relaxed cadence of his retired life.他喜欢退休生活的悠闲的节奏。

18 stilts   

n.（支撑建筑物高出地面或水面的）桩子，支柱( stilt的名词复数 )；高跷

参考例句：

• a circus performer on stilts 马戏团里踩高跷的演员
• The bamboo huts here are all built on stilts. 这里的竹楼都是架空的。 来自《现代汉英综合大词典》

19 propriety   

n.正当行为；正当；适当

参考例句：

• We hesitated at the propriety of the method.我们对这种办法是否适用拿不定主意。
• The sensitive matter was handled with great propriety.这件机密的事处理得极为适当。

20 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

21 pompous   

adj.傲慢的，自大的；夸大的；豪华的

参考例句：

• He was somewhat pompous and had a high opinion of his own capabilities.他有点自大，自视甚高。
• He is a good man underneath his pompous appearance. 他的外表虽傲慢，其实是个好人。

22 intelligible   

adj.可理解的，明白易懂的，清楚的

参考例句：

• This report would be intelligible only to an expert in computing.只有计算机运算专家才能看懂这份报告。
• His argument was barely intelligible.他的论点不易理解。

23 pretension   

n.要求；自命，自称；自负

参考例句：

• I make no pretension to skill as an artist,but I enjoy painting.我并不自命有画家的技巧，但我喜欢绘画。
• His action is a satire on his boastful pretension.他的行动是对他自我卖弄的一个讽刺。

24 pretensions   

自称( pretension的名词复数 )； 自命不凡； 要求； 权力

参考例句：

• The play mocks the pretensions of the new middle class. 这出戏讽刺了新中产阶级的装模作样。
• The city has unrealistic pretensions to world-class status. 这个城市不切实际地标榜自己为国际都市。

25 opaque   

adj.不透光的；不反光的，不传导的；晦涩的

参考例句：

• The windows are of opaque glass.这些窗户装着不透明玻璃。
• Their intentions remained opaque.他们的意图仍然令人费解。

26 syllables   

n.音节( syllable的名词复数 )

参考例句：

• a word with two syllables 双音节单词
• 'No. But I'll swear it was a name of two syllables.' “想不起。不过我可以发誓，它有两个音节。” 来自英汉文学 - 双城记

27 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

28 elegance   

n.优雅；优美，雅致；精致，巧妙

参考例句：

• The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
• John has been known for his sartorial elegance.约翰因为衣着讲究而出名。

29 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。

30 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

31 tact   

n.机敏，圆滑，得体

参考例句：

• She showed great tact in dealing with a tricky situation.她处理棘手的局面表现得十分老练。
• Tact is a valuable commodity.圆滑老练是很有用处的。

32 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

33 quaint   

adj.古雅的，离奇有趣的，奇怪的

参考例句：

• There were many small lanes in the quaint village.在这古香古色的村庄里，有很多小巷。
• They still keep some quaint old customs.他们仍然保留着一些稀奇古怪的旧风俗。

34 quaintness   

n.离奇有趣，古怪的事物

参考例句：

• The shops had still a pleasant quaintness. 店铺里依然弥漫着一种亲切的古雅气氛。 来自辞典例句
• She liked the old cottage; its quaintness was appealing. 她喜欢那个老旧的小屋，其奇巧的风格很吸引人。 来自互联网

35 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

36 license   

n.执照，许可证，特许；v.许可，特许

参考例句：

• The foreign guest has a license on the person.这个外国客人随身携带执照。
• The driver was arrested for having false license plates on his car.司机由于使用假车牌而被捕。

37 provincial   

adj.省的，地方的；n．外省人，乡下人

参考例句：

• City dwellers think country folk have provincial attitudes.城里人以为乡下人思想迂腐。
• Two leading cadres came down from the provincial capital yesterday.昨天从省里下来了两位领导干部。

38 reprobation   

n.斥责

参考例句：

• Nearly everyone had something to say in reprobation of the views suggested by Owen. 几乎每个人都说几句话来表示反对欧文的见解。 来自辞典例句

39 coterie   

n.(有共同兴趣的)小团体，小圈子

参考例句：

• The name is known to only a small coterie of collectors.这个名字只有收藏家的小圈子才知道。
• Mary and her coterie gave a party to which we were not invited.玛利和她的圈内朋友举行派对，我们没被邀请。

40 counterfeit   

vt.伪造，仿造；adj.伪造的，假冒的

参考例句：

• It is a crime to counterfeit money.伪造货币是犯罪行为。
• The painting looked old but was a recent counterfeit.这幅画看上去年代久远，实际是最近的一幅赝品。

41 impersonal   

adj.无个人感情的，与个人无关的，非人称的

参考例句：

• Even his children found him strangely distant and impersonal.他的孩子们也认为他跟其他人很疏远，没有人情味。
• His manner seemed rather stiff and impersonal.他的态度似乎很生硬冷淡。

42 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

43 abstruse   

adj.深奥的，难解的

参考例句：

• Einstein's theory of relativity is very abstruse.爱因斯坦的相对论非常难懂。
• The professor's lectures were so abstruse that students tended to avoid them.该教授的课程太深奥了，学生们纷纷躲避他的课。

44 revelling   

v.作乐( revel的现在分词 )；狂欢；着迷；陶醉

参考例句：

• I think he's secretly revelling in all the attention. 我觉得他对于能够引起广泛的注意心里感到飘飘然。 来自《简明英汉词典》
• They were drinking and revelling all night. 他们整夜喝酒作乐。 来自《简明英汉词典》

45 pedantry   

n.迂腐，卖弄学问

参考例句：

• The book is a demonstration of scholarship without pedantry.这本书表现出学术水平又不故意卖弄学问。
• He fell into a kind of pedantry.他变得有点喜欢卖弄学问。

46 dealer   

n.商人，贩子

参考例句：

• The dealer spent hours bargaining for the painting.那个商人为购买那幅画花了几个小时讨价还价。
• The dealer reduced the price for cash down.这家商店对付现金的人减价优惠。

47 imposing   

adj.使人难忘的，壮丽的，堂皇的，雄伟的

参考例句：

• The fortress is an imposing building.这座城堡是一座宏伟的建筑。
• He has lost his imposing appearance.他已失去堂堂仪表。

48 irrelevant   

adj.不恰当的，无关系的，不相干的

参考例句：

• That is completely irrelevant to the subject under discussion.这跟讨论的主题完全不相关。
• A question about arithmetic is irrelevant in a music lesson.在音乐课上，一个数学的问题是风马牛不相及的。

49 clenches   

v.紧握，抓紧，咬紧( clench的第三人称单数 )

参考例句：

• Michael clenches Westmoreland's hand, Give Anna her Poppa's love. Westmoreland紧握Michael的手，给Anna带去她父亲的问候。 来自互联网

50 glossiness   

有光泽的； 光泽度

参考例句：

• Considerably increase the glossiness, adhesive force, fullness and aging resistance of theproducts. 能显著提高产品的光泽度、附着力、丰满度、耐老化性。
• Suitable double firing wall tiles, with good glossiness. 透明度高，光泽好，适用于三度烧内墙砖，配套内墙砖使用。

51 pegs   

n.衣夹( peg的名词复数 )；挂钉；系帐篷的桩；弦钮v.用夹子或钉子固定( peg的第三人称单数 )；使固定在某水平

参考例句：

• She hung up the shirt with two (clothes) pegs. 她用两只衣夹挂上衬衫。 来自辞典例句
• The vice-presidents were all square pegs in round holes. 各位副总裁也都安排得不得其所。 来自辞典例句

52 ornaments   

n.装饰( ornament的名词复数 )；点缀；装饰品；首饰v.装饰，点缀，美化( ornament的第三人称单数 )

参考例句：

• The shelves were chock-a-block with ornaments. 架子上堆满了装饰品。
• Playing the piano sets up resonance in those glass ornaments. 一弹钢琴那些玻璃饰物就会产生共振。 来自《简明英汉词典》

53 deliberately   

adv.审慎地；蓄意地；故意地

参考例句：

• The girl gave the show away deliberately.女孩故意泄露秘密。
• They deliberately shifted off the argument.他们故意回避这个论点。

54 recollect   

v.回忆，想起，记起，忆起，记得

参考例句：

• He tried to recollect things and drown himself in them.他极力回想过去的事情而沉浸于回忆之中。
• She could not recollect being there.她回想不起曾经到过那儿。

55 scent   

n.气味，香味，香水，线索，嗅觉；v.嗅，发觉

参考例句：

• The air was filled with the scent of lilac.空气中弥漫着丁香花的芬芳。
• The flowers give off a heady scent at night.这些花晚上散发出醉人的芳香。

56 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

57 hoard   

n./v.窖藏，贮存，囤积

参考例句：

• They have a hoard of food in the basement.地下室里有他们贮藏的食物。
• How many curios do you hoard in your study?你在你书房里聚藏了多少古玩？

58 obsolete   

adj.已废弃的，过时的

参考例句：

• These goods are obsolete and will not fetch much on the market.这些货品过时了，在市场上卖不了高价。
• They tried to hammer obsolete ideas into the young people's heads.他们竭力把陈旧思想灌输给青年。

59 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

60 imbued   

v.使（某人/某事）充满或激起（感情等）( imbue的过去式和过去分词 )；使充满；灌输；激发（强烈感情或品质等）

参考例句：

• Her voice was imbued with an unusual seriousness. 她的声音里充满着一种不寻常的严肃语气。
• These cultivated individuals have been imbued with a sense of social purpose. 这些有教养的人满怀着社会责任感。 来自《简明英汉词典》

61 marrowy   

adj.多髓的，有力的

参考例句：

62 vein   

n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络

参考例句：

• The girl is not in the vein for singing today.那女孩今天没有心情唱歌。
• The doctor injects glucose into the patient's vein.医生把葡萄糖注射入病人的静脉。

63 antiquated   

adj.陈旧的，过时的

参考例句：

• Many factories are so antiquated they are not worth saving.很多工厂过于陈旧落后，已不值得挽救。
• A train of antiquated coaches was waiting for us at the siding.一列陈旧的火车在侧线上等着我们。

64 pungency   

n.（气味等的）刺激性；辣；（言语等的）辛辣；尖刻

参考例句：

• I'd also like some pungency wings for appetizer. 我想要在餐前来点辣鸡翅。 来自辞典例句
• He commented with typical pungency. 他评论时带着典型的讽刺口气。 来自互联网

65 conveyance   

n.(不动产等的)转让，让与；转让证书；传送；运送；表达；（正）运输工具

参考例句：

• Bicycles have become the most popular conveyance for Chinese people.自行车已成为中国人最流行的代步工具。
• Its another,older,usage is a synonym for conveyance.它的另一个更古老的习惯用法是作为财产转让的同义词使用。

66 prevailing   

adj.盛行的；占优势的；主要的

参考例句：

• She wears a fashionable hair style prevailing in the city.她的发型是这个城市流行的款式。
• This reflects attitudes and values prevailing in society.这反映了社会上盛行的态度和价值观。

67 peculiarities   

n. 特质, 特性, 怪癖, 古怪

参考例句：

• the cultural peculiarities of the English 英国人的文化特点
• He used to mimic speech peculiarities of another. 他过去总是模仿别人讲话的特点。

68 condescends   

屈尊，俯就( condescend的第三人称单数 )； 故意表示和蔼可亲

参考例句：

• Our teacher rarely condescends to speak with us outside of class. 我们老师很少在课堂外屈尊与我们轻松地谈话。
• He always condescends to his inferiors. 他对下属总是摆出施惠于人的态度。

69 excellence   

n.优秀，杰出，(pl.)优点，美德

参考例句：

• His art has reached a high degree of excellence.他的艺术已达到炉火纯青的地步。
• My performance is far below excellence.我的表演离优秀还差得远呢。

70 relish   

n.滋味，享受，爱好，调味品；vt.加调味料，享受，品味；vi.有滋味

参考例句：

• I have no relish for pop music.我对流行音乐不感兴趣。
• I relish the challenge of doing jobs that others turn down.我喜欢挑战别人拒绝做的工作。

71 colloquies   

n.谈话，对话( colloquy的名词复数 )

参考例句：

• In such colloquies the mother and the child passed a great deal of their time together. 娘儿两个这样谈体己话，一谈就是好些时候。 来自辞典例句

72 gaudy   

adj.华而不实的；俗丽的

参考例句：

• She was tricked out in gaudy dress.她穿得华丽而俗气。
• The gaudy butterfly is sure that the flowers owe thanks to him.浮华的蝴蝶却相信花是应该向它道谢的。

73 smear   

v.涂抹；诽谤，玷污；n.污点；诽谤，污蔑

参考例句：

• He has been spreading false stories in an attempt to smear us.他一直在散布谎言企图诽谤我们。
• There's a smear on your shirt.你衬衫上有个污点。

74 flaunting   

adj.招摇的，扬扬得意的，夸耀的v.炫耀，夸耀( flaunt的现在分词 )；有什么能耐就施展出来

参考例句：

• He did not believe in flaunting his wealth. 他不赞成摆阔。
• She is fond of flaunting her superiority before her friends and schoolmates. 她好在朋友和同学面前逞强。 来自《现代汉英综合大词典》

75 varnish   

n.清漆；v.上清漆；粉饰

参考例句：

• He tried to varnish over the facts,but it was useless.他想粉饰事实，但那是徒劳的。
• He applied varnish to the table.他给那张桌子涂上清漆。

76 conceal   

v.隐藏，隐瞒，隐蔽

参考例句：

• He had to conceal his identity to escape the police.为了躲避警方，他只好隐瞒身份。
• He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。

77 cull   

v.拣选；剔除；n.拣出的东西；剔除

参考例句：

• It is usually good practice to cull the poorest prior to field planting.通常在实践上的好方法是在出圃栽植前挑出最弱的苗木。
• Laura was passing around photographs she'd culled from the albums at home.劳拉正在分发她从家里相册中挑选出的相片。

78 rouge   

n.胭脂，口红唇膏；v.(在…上)擦口红

参考例句：

• Women put rouge on their cheeks to make their faces pretty.女人往面颊上涂胭脂，使脸更漂亮。
• She didn't need any powder or lip rouge to make her pretty.她天生漂亮，不需要任何脂粉唇膏打扮自己。

79 complexion   

n.肤色；情况，局面；气质，性格

参考例句：

• Red does not suit with her complexion.红色与她的肤色不协调。
• Her resignation puts a different complexion on things.她一辞职局面就全变了。

80 vigour   

（=vigor）n.智力，体力，精力

参考例句：

• She is full of vigour and enthusiasm.她有热情，有朝气。
• At 40,he was in his prime and full of vigour.他40岁时正年富力强。

81 tinkling   

n.丁当作响声

参考例句：

• I could hear bells tinkling in the distance. 我能听到远处叮当铃响。
• To talk to him was like listening to the tinkling of a worn-out musical-box. 跟他说话，犹如听一架老掉牙的八音盒子丁冬响。 来自英汉文学

82 swell   

vi.膨胀，肿胀；增长，增强

参考例句：

• The waves had taken on a deep swell.海浪汹涌。
• His injured wrist began to swell.他那受伤的手腕开始肿了。

83 brittle   

adj.易碎的；脆弱的；冷淡的；(声音)尖利的

参考例句：

• The pond was covered in a brittle layer of ice.池塘覆盖了一层易碎的冰。
• She gave a brittle laugh.她冷淡地笑了笑。

84 cargo   

n.(一只船或一架飞机运载的)货物

参考例句：

• The ship has a cargo of about 200 ton.这条船大约有200吨的货物。
• A lot of people discharged the cargo from a ship.许多人从船上卸下货物。

85 verbiage   

n.冗词；冗长

参考例句：

• Stripped of their pretentious verbiage,his statements come dangerously close to inviting racial hatred.抛开那些夸大其词的冗词赘语不论，他的言论有挑起种族仇恨的危险。
• Even in little 140-character bites,that's a lot of verbiage.即使限制在一条140个字也有很大一部分是废话。

86 puny   

adj.微不足道的，弱小的

参考例句：

• The resources at the central banks' disposal are simply too puny.中央银行掌握的资金实在太少了。
• Antonio was a puny lad,and not strong enough to work.安东尼奥是个瘦小的小家伙，身体还不壮，还不能干活。

87 pry   

vi.窥(刺)探，打听；vt.撬动(开，起)

参考例句：

• He's always ready to pry into other people's business.他总爱探听别人的事。
• We use an iron bar to pry open the box.我们用铁棍撬开箱子。

88 tarnished   

（通常指金属）（使）失去光泽，（使）变灰暗( tarnish的过去式和过去分词 )； 玷污，败坏

参考例句：

• The mirrors had tarnished with age. 这些镜子因年深日久而照影不清楚。
• His bad behaviour has tarnished the good name of the school. 他行为不轨，败坏了学校的声誉。

89 patchwork   

n.混杂物；拼缝物

参考例句：

• That proposal is nothing else other than a patchwork.那个建议只是一个大杂烩而已。
• She patched new cloth to the old coat,so It'seemed mere patchwork. 她把新布初到那件旧上衣上，所以那件衣服看上去就象拼凑起来的东西。

90 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

91 criticise   

v.批评，评论；非难

参考例句：

• Right and left have much cause to criticise government.左翼和右翼有很多理由批评政府。
• It is not your place to criticise or suggest improvements!提出批评或给予改进建议并不是你的责任！

92 huddled   

挤在一起（huddle的过去式与过去分词形式）

参考例句：

• We huddled together for warmth. 我们挤在一块取暖。
• We huddled together to keep warm. 我们挤在一起来保暖。

93 morbid   

adj.病的；致病的；病态的；可怕的

参考例句：

• Some people have a morbid fascination with crime.一些人对犯罪有一种病态的痴迷。
• It's morbid to dwell on cemeteries and such like.不厌其烦地谈论墓地以及诸如此类的事是一种病态。

94 profusion   

n.挥霍；丰富

参考例句：

• He is liberal to profusion.他挥霍无度。
• The leaves are falling in profusion.落叶纷纷。

95 epithets   

n.（表示性质、特征等的）词语( epithet的名词复数 )

参考例句：

• He insulted me, using rude epithets. 他用粗话诅咒我。 来自《简明英汉词典》
• He cursed me, using a lot of rude epithets. 他用上许多粗鲁的修饰词来诅咒我。 来自辞典例句

96 wilful   

adj.任性的，故意的

参考例句：

• A wilful fault has no excuse and deserves no pardon.不能宽恕故意犯下的错误。
• He later accused reporters of wilful distortion and bias.他后来指责记者有意歪曲事实并带有偏见。

97 strut   

v.肿胀，鼓起；大摇大摆地走；炫耀；支撑；撑开；n.高视阔步；支柱，撑杆

参考例句：

• The circulation economy development needs the green science and technology innovation as the strut.循环经济的发展需要绿色科技创新生态化作为支撑。
• Now we'll strut arm and arm.这会儿咱们可以手挽着手儿，高视阔步地走了。

98 fret   

v.(使)烦恼；(使)焦急；(使)腐蚀，(使)磨损

参考例句：

• Don't fret.We'll get there on time.别着急，我们能准时到那里。
• She'll fret herself to death one of these days.她总有一天会愁死的.

99 phantoms   

n.鬼怪，幽灵( phantom的名词复数 )

参考例句：

• They vanished down the stairs like two phantoms. 他们像两个幽灵似的消失在了楼下。 来自辞典例句
• The horrible night that he had passed had left phantoms behind it. 他刚才度过的恐布之夜留下了种种错觉。 来自辞典例句

100 sweeping   

adj.范围广大的，一扫无遗的

参考例句：

• The citizens voted for sweeping reforms.公民投票支持全面的改革。
• Can you hear the wind sweeping through the branches?你能听到风掠过树枝的声音吗？

101 astounding   

adj.使人震惊的vt.使震惊，使大吃一惊astound的现在分词)

参考例句：

• There was an astounding 20% increase in sales. 销售量惊人地增加了20%。
• The Chairman's remarks were so astounding that the audience listened to him with bated breath. 主席说的话令人吃惊，所以听众都屏息听他说。 来自《简明英汉词典》

102 fustian   

n.浮夸的；厚粗棉布

参考例句：

• Fustian can't disguise the author's meager plot.浮夸的文章掩饰不住这个作者的贫乏情节。
• His fustian shirt,sanguineflowered,trembles its Spanish tassels at his secrets.他身上穿的是件印有血红色大花的粗斜纹布衬衫，每当他吐露秘密时，西班牙式的流苏就颤悠。

103 plumed   

饰有羽毛的

参考例句：

• The knight plumed his helmet with brilliant red feathers. 骑士用鲜红的羽毛装饰他的头盔。
• The eagle plumed its wing. 这只鹰整理它的翅膀。

104 pageant   

n.壮观的游行；露天历史剧

参考例句：

• Our pageant represented scenes from history.我们的露天历史剧上演一幕幕的历史事件。
• The inauguration ceremony of the new President was a splendid pageant.新主席的就职典礼的开始是极其壮观的。

105 hues   

色彩( hue的名词复数 )； 色调； 信仰； 观点

参考例句：

• When the sun rose a hundred prismatic hues were reflected from it. 太阳一出，更把它映得千变万化、异彩缤纷。
• Where maple trees grow, the leaves are often several brilliant hues of red. 在枫树生长的地方，枫叶常常呈现出数种光彩夺目的红色。

106 rubies   

红宝石( ruby的名词复数 )； 红宝石色，深红色

参考例句：

• a necklace of rubies intertwined with pearls 缠着珍珠的红宝石项链
• The crown was set with precious jewels—diamonds, rubies and emeralds. 王冠上镶嵌着稀世珍宝—有钻石、红宝石、绿宝石。

107 sterile   

adj.不毛的，不孕的，无菌的，枯燥的，贫瘠的

参考例句：

• This top fits over the bottle and keeps the teat sterile.这个盖子严实地盖在奶瓶上，保持奶嘴无菌。
• The farmers turned the sterile land into high fields.农民们把不毛之地变成了高产田。

108 inscriptions   

（作者）题词( inscription的名词复数 )； 献词； 碑文； 证劵持有人的登记

参考例句：

• Centuries of wind and rain had worn away the inscriptions on the gravestones. 几个世纪的风雨已磨损了墓碑上的碑文。
• The inscriptions on the stone tablet have become blurred with the passage of time. 年代久了，石碑上的字迹已经模糊了。

109 hieroglyphical   

n.象形文字，象形文字的文章

参考例句：

110 isolated   

adj.与世隔绝的

参考例句：

• His bad behaviour was just an isolated incident. 他的不良行为只是个别事件。
• Patients with the disease should be isolated. 这种病的患者应予以隔离。

111 texture   

n.(织物)质地；(材料)构造；结构；肌理

参考例句：

• We could feel the smooth texture of silk.我们能感觉出丝绸的光滑质地。
• Her skin has a fine texture.她的皮肤细腻。

112 faculty   

n.才能；学院，系；(学院或系的)全体教学人员

参考例句：

• He has a great faculty for learning foreign languages.他有学习外语的天赋。
• He has the faculty of saying the right thing at the right time.他有在恰当的时候说恰当的话的才智。

113 unison   

n.步调一致，行动一致

参考例句：

• The governments acted in unison to combat terrorism.这些国家的政府一致行动对付恐怖主义。
• My feelings are in unison with yours.我的感情与你的感情是一致的。

114 revolve   

vi.(使)旋转；循环出现

参考例句：

• The planets revolve around the sun.行星绕着太阳运转。
• The wheels began to revolve slowly.车轮开始慢慢转动。

115 vapid   

adj.无味的；无生气的

参考例句：

• She made a vapid comment about the weather.她对天气作了一番平淡无奇的评论。
• He did the same thing year by year and found life vapid.他每年做着同样的事，觉得生活索然无味。

116 soothe   

v.安慰；使平静；使减轻；缓和；奉承

参考例句：

• I've managed to soothe him down a bit.我想方设法使他平静了一点。
• This medicine should soothe your sore throat.这种药会减轻你的喉痛。

117 everlasting   

adj.永恒的，持久的，无止境的

参考例句：

• These tyres are advertised as being everlasting.广告上说轮胎持久耐用。
• He believes in everlasting life after death.他相信死后有不朽的生命。

118 circuitous   

adj.迂回的路的，迂曲的，绕行的

参考例句：

• They took a circuitous route to avoid reporters.他们绕道避开了记者。
• The explanation was circuitous and puzzling.这个解释很迂曲，让人困惑不解。

119 metaphors   

隐喻( metaphor的名词复数 )

参考例句：

• I can only represent it to you by metaphors. 我只能用隐喻来向你描述它。
• Thus, She's an angel and He's a lion in battle are metaphors. 因此她是天使，他是雄狮都是比喻说法。