And he who always laugh’d, laugh now the more.”
“From the first print that Hogarth engraved1, to the last that he published, I do not think,” says Mr. Ireland, “there is one, in which character is more displayed than in this very spirited little etching. It is much superior to the more delicate engravings from his designs by other artists, and I prefer it to those that were still higher finished by his own burin.
“The prim2 coxcomb3 with an enormous bag, whose favours, like those of Hercules between Virtue4 and Vice5, are contended for by two rival orange girls, gives an admirable idea of the dress of the day; when, if we may judge from this print, our grave forefathers6, defying Nature, and despising convenience, had a much higher rank in the temple of Folly7 than was then attained8 by their ladies. It must be acknowledged that, since that period, the softer sex have asserted their natural rights; and, snatching the wreath of fashion from the brow of presuming man, have tortured it into such forms that, were it possible, which certes it is not, to disguise a beauteous face —— But to the high behest of Fashion all must bow.
“Governed by this idol9, our beau has a cuff10 that, for a modern fop, would furnish fronts for a waistcoat, and a family fire-screen might be made of his enormous bag. His bare and shrivelled neck has a close resemblance to that of a half-starved greyhound; and his face, figure, and air, form a fine contrast to the easy and dégagée assurance of the Grisette whom he addresses.
“The opposite figure, nearly as grotesque11, though not quite so formal as its companion, presses its left hand upon its breast, in the style of protestation; and, eagerly contemplating12 the superabundant charms of a beauty of Rubens’s school, presents her with a pinch of comfort. Every muscle, every line of his countenance13, is acted upon by affectation and grimace14, and his queue bears some resemblance to an ear-trumpet.
“The total inattention of these three polite persons to the business of the stage, which at this moment almost convulses the children of Nature who are seated in the pit, is highly descriptive of that refined apathy15 which characterises our people of fashion, and raises them above those mean passions that agitate16 the groundlings.
“One gentleman, indeed, is as affectedly17 unaffected as a man of the first world. By his saturnine18 cast of face, and contracted brow, he is evidently a profound critic, and much too wise to laugh. He must indisputably be a very great critic; for, like Voltaire’s Poccocurante, nothing can please him; and, while those around open every avenue of their minds to mirth, and are willing to be delighted, though they do not well know why, he analyses the drama by the laws of Aristotle, and finding those laws are violated, determines that the author ought to be hissed19, instead of being applauded. This it is to be so excellent a judge; this it is which gives a critic that exalted20 gratification which can never be attained by the illiterate21 — the supreme22 power of pointing out faults, where others discern nothing but beauties, and preserving a rigid23 inflexibility24 of muscle, while the sides of the vulgar herd25 are shaking with laughter. These merry mortals, thinking with Plato that it is no proof of a good stomach to nauseate26 every aliment presented them, do not inquire too nicely into causes, but, giving full scope to their risibility27, display a set of features more highly ludicrous than I ever saw in any other print. It is to be regretted that the artist has not given us some clue by which we might have known what was the play which so much delighted his audience: I should conjecture28 that it was either one of Shakespear’s comedies, or a modern tragedy. Sentimental29 comedy was not the fashion of that day.
“The three sedate30 musicians in the orchestra, totally engrossed31 by minims and crotchets, are an admirable contrast to the company in the pit.”

点击
收听单词发音

1
engraved
![]() |
|
v.在(硬物)上雕刻(字,画等)( engrave的过去式和过去分词 );将某事物深深印在(记忆或头脑中) | |
参考例句: |
|
|
2
prim
![]() |
|
adj.拘泥形式的,一本正经的;n.循规蹈矩,整洁;adv.循规蹈矩地,整洁地 | |
参考例句: |
|
|
3
coxcomb
![]() |
|
n.花花公子 | |
参考例句: |
|
|
4
virtue
![]() |
|
n.德行,美德;贞操;优点;功效,效力 | |
参考例句: |
|
|
5
vice
![]() |
|
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
参考例句: |
|
|
6
forefathers
![]() |
|
n.祖先,先人;祖先,祖宗( forefather的名词复数 );列祖列宗;前人 | |
参考例句: |
|
|
7
folly
![]() |
|
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
参考例句: |
|
|
8
attained
![]() |
|
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
参考例句: |
|
|
9
idol
![]() |
|
n.偶像,红人,宠儿 | |
参考例句: |
|
|
10
cuff
![]() |
|
n.袖口;手铐;护腕;vt.用手铐铐;上袖口 | |
参考例句: |
|
|
11
grotesque
![]() |
|
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
参考例句: |
|
|
12
contemplating
![]() |
|
深思,细想,仔细考虑( contemplate的现在分词 ); 注视,凝视; 考虑接受(发生某事的可能性); 深思熟虑,沉思,苦思冥想 | |
参考例句: |
|
|
13
countenance
![]() |
|
n.脸色,面容;面部表情;vt.支持,赞同 | |
参考例句: |
|
|
14
grimace
![]() |
|
v.做鬼脸,面部歪扭 | |
参考例句: |
|
|
15
apathy
![]() |
|
n.漠不关心,无动于衷;冷淡 | |
参考例句: |
|
|
16
agitate
![]() |
|
vi.(for,against)煽动,鼓动;vt.搅动 | |
参考例句: |
|
|
17
affectedly
![]() |
|
参考例句: |
|
|
18
saturnine
![]() |
|
adj.忧郁的,沉默寡言的,阴沉的,感染铅毒的 | |
参考例句: |
|
|
19
hissed
![]() |
|
发嘶嘶声( hiss的过去式和过去分词 ); 发嘘声表示反对 | |
参考例句: |
|
|
20
exalted
![]() |
|
adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
参考例句: |
|
|
21
illiterate
![]() |
|
adj.文盲的;无知的;n.文盲 | |
参考例句: |
|
|
22
supreme
![]() |
|
adj.极度的,最重要的;至高的,最高的 | |
参考例句: |
|
|
23
rigid
![]() |
|
adj.严格的,死板的;刚硬的,僵硬的 | |
参考例句: |
|
|
24
inflexibility
![]() |
|
n.不屈性,顽固,不变性;不可弯曲;非挠性;刚性 | |
参考例句: |
|
|
25
herd
![]() |
|
n.兽群,牧群;vt.使集中,把…赶在一起 | |
参考例句: |
|
|
26
nauseate
![]() |
|
v.使作呕;使感到恶心;使厌恶 | |
参考例句: |
|
|
27
risibility
![]() |
|
n.爱笑,幽默感 | |
参考例句: |
|
|
28
conjecture
![]() |
|
n./v.推测,猜测 | |
参考例句: |
|
|
29
sentimental
![]() |
|
adj.多愁善感的,感伤的 | |
参考例句: |
|
|
30
sedate
![]() |
|
adj.沉着的,镇静的,安静的 | |
参考例句: |
|
|
31
engrossed
![]() |
|
adj.全神贯注的 | |
参考例句: |
|
|
欢迎访问英文小说网 |