Through the wide air their corruscations play;
The windows beam with artificial light,
And all the region emulates1 the day.
The moping mason, from yon tavern2 led,
In mystic words doth to the moon complain
That unsound port distracts his aching head,
And o’er the waiter waves his clouded cane3.
Mr. Walpole very truly observes, that this print is inferior to the three others; there is, however, broad humour in some of the figures.
The wounded free-mason, who, in zeal4 of brotherly love, has drank his bumpers5 to the craft till he is unable to find his way home, is under the guidance of a waiter. This has been generally considered as intended for Sir Thomas de Veil, and, from an authenticated6 portrait which I have seen, I am, says Mr. Ireland, inclined to think it is, notwithstanding Sir John Hawkins asserts, that “he could discover no resemblance.” When the knight7 saw him in his magisterial8 capacity, he was probably sober and sedate9; here he is represented a little disguised. The British Xantippe showering her favours from the window upon his head, may have its source in that respect which the inmates10 of such houses as the Rummer Tavern had for a justice of peace. On the resignation of Mr. Horace Walpole, in February, 1738, De Veil was appointed inspector-general of the imports and exports, and was so severe against the retailers11 of spirituous liquors, that one Allen headed a gang of rioters for the purpose of pulling down his house, and bringing to a summary punishment two informers who were there concealed12. Allen was tried for this offence, and acquitted13, upon the jury’s verdict declaring him lunatic.
The waiter who supports his worship, seems, from the patch upon his forehead, to have been in a recent affray; but what use he can have for a lantern, it is not easy to divine, unless he is conducting his charge to some place where there is neither moonlight nor illumination.
The Salisbury flying coach oversetting and broken, by passing through the bonfire, is said to be an intended burlesque14 upon a right honourable15 peer, who was accustomed to drive his own carriage over hedges, ditches, and rivers; and has been sometimes known to drive three or four of his maid servants into a deep water, and there leave them in the coach to shift for themselves.
The butcher, and little fellow, who are assisting the terrified passengers, are possibly free and accepted masons. One of them seems to have a mop in his hand; — the pail is out of sight.
To crown the joys of the populace, a man with a pipe in his mouth is filling a capacious hogshead with British Burgundy.
The joint16 operation of shaving and bleeding, performed by a drunken ‘prentice on a greasy17 oilman, does not seen a very natural exhibition on a rejoicing night.
The poor wretches18 under the barber’s bench display a prospect19 of penury20 and wretchedness, which it is to be hoped is not so common now, as it was then.
In the distance is a cart laden21 with furniture, which some unfortunate tenant22 is removing out of the reach of his landlord’s execution.
There is humour in the barber’s sign and inscription23; “Shaving, bleeding, and teeth drawn24 with a touch. Ecce signum!”
By the oaken boughs25 on the sign, and the oak leaves in the free-masons’ hats, it seems that this rejoicing night is the twenty-ninth of May, the anniversary of our second Charles’s restoration; that happy day when, according to our old ballad26, “The king enjoyed his own again.” This might be one reason for the artist choosing a scene contiguous to the beautiful equestrian27 statue of Charles the First.
In the distance we see a house on fire; an accident very likely to happen on such a night as this.
On this spot once stood the cross erected28 by Edward the First, as a memorial of affection for his beloved queen Eleanor, whose remains29 were here rested on their way to the place of sepulture. It was formed from a design by Cavalini, and destroyed by the religious fury of the Reformers. In its place, in the year 1678, was erected the animated30 equestrian statue which now remains. It was cast in brass31, in the year 1633, by Le S?ur; I think by order of that munificent32 encourager of the arts, Thomas Howard, Earl of Arundel. The parliament ordered it to be sold, and broken to pieces; but John River, the brazier who purchased it, having more taste than his employers, seeing, with the prophetic eye of good sense, that the powers which were would not remain rulers very long, dug a hole in his garden in Holborn, and buried it unmutilated. To prove his obedience33 to their order, he produced to his masters several pieces of brass, which he told them were parts of the statue. M. de Archenholtz adds further, that the brazier, with the true spirit of trade, cast a great number of handles for knives and forks, and offered them for sale, as composed of the brass which had formed the statue. They were eagerly sought for, and purchased — by the loyalists from affection to their murdered monarch34 — by the other party, as trophies35 of triumph.
The original pictures of Morning and Noon were sold to the Duke of Ancaster for fifty-seven guineas; Evening and Night to Sir William Heathcote, for sixty-four guineas.

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1
emulates
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v.与…竞争( emulate的第三人称单数 );努力赶上;计算机程序等仿真;模仿 | |
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2
tavern
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n.小旅馆,客栈;小酒店 | |
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3
cane
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n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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4
zeal
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n.热心,热情,热忱 | |
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5
bumpers
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(汽车上的)保险杠,缓冲器( bumper的名词复数 ) | |
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6
authenticated
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v.证明是真实的、可靠的或有效的( authenticate的过去式和过去分词 );鉴定,使生效 | |
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7
knight
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n.骑士,武士;爵士 | |
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8
magisterial
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adj.威风的,有权威的;adv.威严地 | |
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9
sedate
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adj.沉着的,镇静的,安静的 | |
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10
inmates
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n.囚犯( inmate的名词复数 ) | |
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11
retailers
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零售商,零售店( retailer的名词复数 ) | |
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12
concealed
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a.隐藏的,隐蔽的 | |
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13
acquitted
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宣判…无罪( acquit的过去式和过去分词 ); 使(自己)作出某种表现 | |
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14
burlesque
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v.嘲弄,戏仿;n.嘲弄,取笑,滑稽模仿 | |
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15
honourable
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adj.可敬的;荣誉的,光荣的 | |
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16
joint
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adj.联合的,共同的;n.关节,接合处;v.连接,贴合 | |
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17
greasy
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adj. 多脂的,油脂的 | |
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18
wretches
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n.不幸的人( wretch的名词复数 );可怜的人;恶棍;坏蛋 | |
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19
prospect
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n.前景,前途;景色,视野 | |
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20
penury
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n.贫穷,拮据 | |
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21
laden
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adj.装满了的;充满了的;负了重担的;苦恼的 | |
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22
tenant
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n.承租人;房客;佃户;v.租借,租用 | |
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23
inscription
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n.(尤指石块上的)刻印文字,铭文,碑文 | |
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24
drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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25
boughs
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大树枝( bough的名词复数 ) | |
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26
ballad
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n.歌谣,民谣,流行爱情歌曲 | |
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27
equestrian
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adj.骑马的;n.马术 | |
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28
ERECTED
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adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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29
remains
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n.剩余物,残留物;遗体,遗迹 | |
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30
animated
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adj.生气勃勃的,活跃的,愉快的 | |
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31
brass
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n.黄铜;黄铜器,铜管乐器 | |
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32
munificent
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adj.慷慨的,大方的 | |
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33
obedience
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n.服从,顺从 | |
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34
monarch
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n.帝王,君主,最高统治者 | |
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35
trophies
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n.(为竞赛获胜者颁发的)奖品( trophy的名词复数 );奖杯;(尤指狩猎或战争中获得的)纪念品;(用于比赛或赛跑名称)奖 | |
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