What I had said about Prince Ivan Ivanovitch having a country villa, I had related simply because I could find no other pretext5 for mentioning both my relationship to the Prince and the fact that I had been to luncheon6 with him that day; yet why I had said all I had about the balustrading costing 380,000 roubles, and about my having several times visited the Prince at that villa (I had never once been there — more especially since the Prince possessed7 no residences save in Moscow and Naples, as the Nechludoffs very well knew), I could not possibly tell you. Neither in childhood nor in adolescence8 nor in riper years did I ever remark in myself the vice9 of falsehood — on the contrary, I was, if anything, too outspoken10 and truthful11. Yet, during this first stage of my manhood, I often found myself seized with a strange and unreasonable12 tendency to lie in the most desperate fashion. I say advisedly “in the most desperate fashion,” for the reason that I lied in matters in which it was the easiest thing in the world to detect me. On the whole I think that a vain- glorious desire to appear different from what I was, combined with an impossible hope that the lie would never be found out, was the chief cause of this extraordinary impulse.
After tea, since the rain had stopped and the after-glow of sunset was calm and clear, the Princess proposed that we should go and stroll in the lower garden, and admire her favourite spots there. Following my rule to be always original, and conceiving that clever people like myself and the Princess must surely be above the banalities of politeness, I replied that I could not bear a walk with no object in view, and that, if I DID walk, I liked to walk alone. I had no idea that this speech was simply rude; all I thought was that, even as nothing could be more futile13 than empty compliments, so nothing could be more pleasing and original than a little frank brusquerie. However, though much pleased with my answer, I set out with the rest of the company.
The Princess’s favourite spot of all was at the very bottom of the lower garden, where a little bridge spanned a narrow piece of swamp. The view there was very restricted, yet very intimate and pleasing. We are so accustomed to confound art with nature that, often enough, phenomena14 of nature which are never to be met with in pictures seem to us unreal, and give us the impression that nature is unnatural15, or vice versa; whereas phenomena of nature which occur with too much frequency in pictures seem to us hackneyed, and views which are to be met with in real life, but which appear to us too penetrated16 with a single idea or a single sentiment, seem to us arabesques17. The view from the Princess’s favourite spot was as follows. On the further side of a small lake, over-grown with weeds round its edges, rose a steep ascent18 covered with bushes and with huge old trees of many shades of green, while, overhanging the lake at the foot of the ascent, stood an ancient birch tree which, though partly supported by stout19 roots implanted in the marshy20 bank of the lake, rested its crown upon a tall, straight poplar, and dangled21 its curved branches over the smooth surface of the pond — both branches and the surrounding greenery being reflected therein as in a mirror.
“How lovely!” said the Princess with a nod of her head, and addressing no one in particular.
“Yes, marvellous!” I replied in my desire to show that had an opinion of my own on every subject. “Yet somehow it all looks to me so terribly like a scheme of decoration.”
The Princess went on gazing at the scene as though she had not heard me, and turning to her sister and Lubov Sergievna at intervals22, in order to point out to them its details — especially a curved, pendent bough23, with its reflection in the water, which particularly pleased her. Sophia Ivanovna observed to me that it was all very beautiful, and that she and her sister would sometimes spend hours together at this spot; yet it was clear that her remarks were meant merely to please the Princess. I have noticed that people who are gifted with the faculty24 of loving are seldom receptive to the beauties of nature. Lubov Sergievna also seemed enraptured25, and asked (among other things), “How does that birch tree manage to support itself? Has it stood there long?” Yet the next moment she became absorbed in contemplation of her little dog Susetka, which, with its stumpy paws pattering to and fro upon the bridge in a mincing26 fashion, seemed to say by the expression of its face that this was the first time it had ever found itself out of doors. As for Dimitri, he fell to discoursing27 very logically to his mother on the subject of how no view can be beautiful of which the horizon is limited. Varenika alone said nothing. Glancing at her, I saw that she was leaning over the parapet of the bridge, her profile turned towards me, and gazing straight in front of her. Something seemed to be interesting her deeply, or even affecting her, since it was clear that she was oblivious28 to her surroundings, and thinking neither of herself nor of the fact that any one might be regarding her. In the expression of her large eyes there was nothing but wrapt attention and quiet, concentrated thought, while her whole attitude seemed so unconstrained and, for all her shortness, so dignified29 that once more some recollection or another touched me and once more I asked myself, “Is IT, then, beginning?” Yet again I assured myself that I was already in love with Sonetchka, and that Varenika was only an ordinary girl, the sister of my friend. Though she pleased me at that moment, I somehow felt a vague desire to show her, by word or deed, some small unfriendliness.
“I tell you what, Dimitri,” I said to my friend as I moved nearer to Varenika, so that she might overhear what I was going to say, “it seems to me that, even if there had been no mosquitos here, there would have been nothing to commend this spot; whereas “— and here I slapped my cheek, and in very truth annihilated30 one of those insects —“it is simply awful.”
“Then you do not care for nature?” said Varenika without turning her head.
“I think it a foolish, futile pursuit,” I replied, well satisfied that I had said something to annoy her, as well as something original. Varenika only raised her eyebrows31 a little, with an expression of pity, and went on gazing in front of her as calmly as before.
I felt vexed32 with her. Yet, for all that, the rusty33, paint- blistered34 parapet on which she was leaning, the way in which the dark waters of the pond reflected the drooping35 branch of the overhanging birch tree (it almost seemed to me as though branch and its reflection met), the rising odour of the swamp, the feeling of crushed mosquito on my cheek, and her absorbed look and statuesque pose — many times afterwards did these things recur36 with unexpected vividness to my recollection.
点击收听单词发音
1 atone | |
v.赎罪,补偿 | |
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2 originality | |
n.创造力,独创性;新颖 | |
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3 villa | |
n.别墅,城郊小屋 | |
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4 ornamental | |
adj.装饰的;作装饰用的;n.装饰品;观赏植物 | |
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5 pretext | |
n.借口,托词 | |
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6 luncheon | |
n.午宴,午餐,便宴 | |
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7 possessed | |
adj.疯狂的;拥有的,占有的 | |
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8 adolescence | |
n.青春期,青少年 | |
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9 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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10 outspoken | |
adj.直言无讳的,坦率的,坦白无隐的 | |
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11 truthful | |
adj.真实的,说实话的,诚实的 | |
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12 unreasonable | |
adj.不讲道理的,不合情理的,过度的 | |
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13 futile | |
adj.无效的,无用的,无希望的 | |
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14 phenomena | |
n.现象 | |
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15 unnatural | |
adj.不自然的;反常的 | |
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16 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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17 arabesques | |
n.阿拉伯式花饰( arabesque的名词复数 );错综图饰;阿拉伯图案;阿拉贝斯克芭蕾舞姿(独脚站立,手前伸,另一脚一手向后伸) | |
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18 ascent | |
n.(声望或地位)提高;上升,升高;登高 | |
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20 marshy | |
adj.沼泽的 | |
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21 dangled | |
悬吊着( dangle的过去式和过去分词 ); 摆动不定; 用某事物诱惑…; 吊胃口 | |
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22 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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23 bough | |
n.大树枝,主枝 | |
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24 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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25 enraptured | |
v.使狂喜( enrapture的过去式和过去分词 ) | |
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26 mincing | |
adj.矫饰的;v.切碎;切碎 | |
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27 discoursing | |
演说(discourse的现在分词形式) | |
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28 oblivious | |
adj.易忘的,遗忘的,忘却的,健忘的 | |
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29 dignified | |
a.可敬的,高贵的 | |
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30 annihilated | |
v.(彻底)消灭( annihilate的过去式和过去分词 );使无效;废止;彻底击溃 | |
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31 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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32 vexed | |
adj.争论不休的;(指问题等)棘手的;争论不休的问题;烦恼的v.使烦恼( vex的过去式和过去分词 );使苦恼;使生气;详细讨论 | |
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33 rusty | |
adj.生锈的;锈色的;荒废了的 | |
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34 blistered | |
adj.水疮状的,泡状的v.(使)起水泡( blister的过去式和过去分词 );(使表皮等)涨破,爆裂 | |
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35 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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36 recur | |
vi.复发,重现,再发生 | |
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