“Oh, oh, oh! I’m an old woman, and I never knew it!” cried Mrs Asplin, staring in dismay at the haggard-looking female who sat in the middle of the group, with heavy, black shadows on cheeks and temple. The vicar cast a surreptitious glance in the glass above the sideboard, and tried to straighten his bent4 shoulders, while Mellicent’s cheeks grew scarlet5 with agitation6, and the tears were in her voice, as she cried—
“I look like a p–p–pig! It’s not a bit like! A nasty, horrid7, fat, puffy pig!”
“I don’t care about appearances; but mine is not in the least like,” Esther said severely8. “I am sure no one could recognise it; I look seventy-eight at the very least.”
Robert flicked9 the paper across the table with a contemptuous “Bah!” and Max laughed in his easy, jolly manner, and said—
“Now I know how I shall look when my brain softens10! I’m glad I’ve seen it; it will be a lesson to me to take things easily, and not over-study.”
“But look at the leaves of the ivy,” protested Oswald, in aggrieved11 self-vindication, “each one quite clear and distinct from the others; it’s really an uncommonly12 good plate. The detail is perfect. Look at that little bunch of flowers at the corner of the bed!” All in vain, however, did he point out the excellences13 of his work. The victims refused to look at the little bunch of flowers. Each one was occupied with staring at his own portrait; the Asplin family sighing and protesting, and Peggy placidly14 poking16 a pin through the eyes of the various sitters, and holding the paper to the light to view the effect. It was a little trying to the feelings of one who had taken immense pains over his work, and had given up a bicycle ride to sit for a whole afternoon in a chilly17 pantry, dabbling18 in cold water, and watching over the various processes. Oswald was ruffled19, and showed it more plainly than was altogether courteous20.
“I’m sorry you’re not pleased,” he said coldly. “I aim at truthfulness21, you see, and that is what you don’t get from a professional photograph. It’s no good wasting time, simply to get oneself disliked. I’ll go in for Nature, and leave the portrait business to somebody else. The girls can try! They think they can do everything!”
Peggy looked at Esther, and Esther looked at Peggy. They did not say a word, but a flash of understanding passed from the brown eyes to the grey, which meant that they were on their mettle22. They were not going to defend themselves, but henceforth it was a case of die or produce a good photograph, and so oblige Oswald to alter his tone of scornful incredulity.
For the next week the camera was the one engrossing23 thought. Every minute that could be spared was devoted to experiments, so that Fr?ulein complained that lessons were suffering in consequence. The hearts of her pupils were not in their work, she declared; it would be a good thing if a rule could be made that no more photographs were to be taken until the Christmas holidays. She looked very fierce and formidable as she spoke24, but soft-hearted Mrs Asplin put in a plea for forgiveness.
“Ah, well, then, have patience for a few days longer,” she begged. “They are just children with a new toy; let them have as much of it as they will at first, and they will tire of their own accord, and settle down to work as well as ever. We can control their actions, but not their thoughts; and I’m afraid if I forbade photography at present, you would find them no more interested in lessons. I fancy there is something especially engrossing on hand this week, and we might as well let them have it out.”
Even Mrs Asplin, however, hardly realised the thoroughness with which the girls were setting to work to achieve their end. They held a committee meeting on Esther’s bed, sitting perched together in attitudes of inelegant comfort, with arms encircling their knees, and chins resting on the clasped hands, wherein it was proposed and seconded that Peggy, the artistic25, should pose and take the sitters, while Esther, the accurate, should undertake the after-processes.
“And what am I to do?” cried Mellicent plaintively26; and her elders smiled upon her with patronising encouragement.
“You shall wash up all the trays and glasses, and put them neatly27 away.”
“You shall carry the heavy things, dear, and stand to me for your back hair. I think I could make a really good effect with your back hair.” Peggy put her head on one side and stared at the flaxen mane in speculative28 fashion. “A long muslin gown—a wreath of flowers—a bunch of lilies in your hands! If you weren’t so fat, you would do splendiforously for Ophelia. I might manage it, perhaps, if I took you from the back, with your head turned over your shoulder, so as to show only the profile. Like that! Don’t move now, but let me see how you look.” She took Mellicent’s head between her hands as she spoke, wagged it to and fro, as if it belonged to a marionette29, and then gave a frog-like leap to a farther corner of the bed to study the effect. “A little more to the right. Chin higher! Look at the ceiling. Yes–es—I can do it. I see how it can be done.”
It turned out, indeed, that Peggy had a genius for designing and posing pretty, graceful30 pictures. With a few yards of muslin and a basket, or such odds31 and ends of rubbish as horrified32 Esther’s tidy soul to behold33, she achieved marvels34 in the way of fancy costumes, and transformed the placid15 Mellicent into a dozen different characters: Ophelia, crowned with flowers; Marguerite, pulling the petals35 of a daisy; Hebe, bearing a basket of fruit on her head, and many other fanciful impersonations, were improvised36 and taken before the week was over. She went about the work in her usual eager, engrossed37, happy-go-lucky fashion, sticking pins by the dozen into Mellicent’s flesh in the ardour of arrangement, and often making a really charming picture, only to spoil it at the last moment by a careless movement, which altered the position of the camera, and so omitted such important details as the head of the sitter, or left her squeezed into one corner of the picture, like a sparrow on the house-top.
Out of a dozen photographs, three, however, were really remarkable38 successes; as pretty pictures as one could wish to see, and, moreover, exceedingly good likenesses of the bonnie little subject. Esther’s part of the work was performed with her usual conscientious39 care; and when the last prints were mounted, the partners gazed at them with rapture40 and pride. They were exhibited at the dinner-table the same evening amid a scene of riotous41 excitement. The vicar glowed with pleasure; Mrs Asplin called out, “Oh, my baby! Bless her heart!” and whisked away two tears of motherly pride. Oswald was silent and subdued42; and even Robert said, “Humph—it’s not so bad,” a concession43 which turned the girls’ heads by its wonderful magnanimity.
Their triumph was almost sweeter than they had expected; but, truth to tell, they had had too much of photography during the last week, and Mrs Asplin’s prophecy came true, inasmuch as it now ceased to become an occupation of absorbing interest, and assumed its rightful place as an amusement to be enjoyed now and then, as opportunity afforded.
点击收听单词发音
1 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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2 kaleidoscopic | |
adj.千变万化的 | |
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3 jumble | |
vt.使混乱,混杂;n.混乱;杂乱的一堆 | |
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4 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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5 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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6 agitation | |
n.搅动;搅拌;鼓动,煽动 | |
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7 horrid | |
adj.可怕的;令人惊恐的;恐怖的;极讨厌的 | |
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8 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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9 flicked | |
(尤指用手指或手快速地)轻击( flick的过去式和过去分词 ); (用…)轻挥; (快速地)按开关; 向…笑了一下(或瞥了一眼等) | |
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10 softens | |
(使)变软( soften的第三人称单数 ); 缓解打击; 缓和; 安慰 | |
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11 aggrieved | |
adj.愤愤不平的,受委屈的;悲痛的;(在合法权利方面)受侵害的v.令委屈,令苦恼,侵害( aggrieve的过去式);令委屈,令苦恼,侵害( aggrieve的过去式和过去分词) | |
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12 uncommonly | |
adv. 稀罕(极,非常) | |
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13 excellences | |
n.卓越( excellence的名词复数 );(只用于所修饰的名词后)杰出的;卓越的;出类拔萃的 | |
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14 placidly | |
adv.平稳地,平静地 | |
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15 placid | |
adj.安静的,平和的 | |
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16 poking | |
n. 刺,戳,袋 vt. 拨开,刺,戳 vi. 戳,刺,捅,搜索,伸出,行动散慢 | |
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17 chilly | |
adj.凉快的,寒冷的 | |
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18 dabbling | |
v.涉猎( dabble的现在分词 );涉足;浅尝;少量投资 | |
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19 ruffled | |
adj. 有褶饰边的, 起皱的 动词ruffle的过去式和过去分词 | |
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20 courteous | |
adj.彬彬有礼的,客气的 | |
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21 truthfulness | |
n. 符合实际 | |
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22 mettle | |
n.勇气,精神 | |
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23 engrossing | |
adj.使人全神贯注的,引人入胜的v.使全神贯注( engross的现在分词 ) | |
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24 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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25 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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26 plaintively | |
adv.悲哀地,哀怨地 | |
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27 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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28 speculative | |
adj.思索性的,暝想性的,推理的 | |
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29 marionette | |
n.木偶 | |
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30 graceful | |
adj.优美的,优雅的;得体的 | |
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31 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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32 horrified | |
a.(表现出)恐惧的 | |
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33 behold | |
v.看,注视,看到 | |
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34 marvels | |
n.奇迹( marvel的名词复数 );令人惊奇的事物(或事例);不平凡的成果;成就v.惊奇,对…感到惊奇( marvel的第三人称单数 ) | |
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35 petals | |
n.花瓣( petal的名词复数 ) | |
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36 improvised | |
a.即席而作的,即兴的 | |
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37 engrossed | |
adj.全神贯注的 | |
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38 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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39 conscientious | |
adj.审慎正直的,认真的,本着良心的 | |
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40 rapture | |
n.狂喜;全神贯注;着迷;v.使狂喜 | |
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41 riotous | |
adj.骚乱的;狂欢的 | |
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42 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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43 concession | |
n.让步,妥协;特许(权) | |
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