Presently, opening her eyes, she saw the jewelled shadows playing on the surface, and they so distressed10 her--yearning as she was for peace and rest--that her eyelids11 drooped13, and she turned her head to avoid a picture which in happier circumstances she would have gazed upon with delight. But she knew the river was there.
For full half an hour she lay with her eyes closed, struggling with a horrible temptation. Then she turned to the water, struggled into a sitting posture14, and gazed with wild eyes upon it. Not voluntarily and of her own free will; some evil spiritual power within her compelled her to do so.
It was quieter now. The gorgeous colors had died out of the skies and the river was in repose15. "Come," it whispered, "come to my embrace, and end your woes16." But the strong religious instinct within her enabled her to struggle with the frightful17 suggestion. "No, no!" she murmured, feebly putting her hands together. "Help me, dear Lord, to avoid the crime!" Her appeal did not banish18 the silent voices which urged her to seek oblivion, and, in oblivion, peace. How the struggle would have ended it is difficult to say, had not her fate been taken out of her own hands.
There came to her ears the crack of a whip and the sound of a human voice urging horses up the hill. She bowed her head upon her lap to hide her face from the stranger who was approaching her.
He was an old man in charge of a wagon19 and a team of horses. The cattle were willing enough, and fresh for their day's work, and it was only from habit that their driver was shouting words of encouragement to them. They reached the summit of the hill, and the wagoner, merciful to his beasts, eased them a bit. It was then his eyes fell upon the form of Emilia. He approached her and laid his hand upon her shoulder. She shivered and shrank from his touch. At this human contact, the first she had experienced since her flight from the house of the maiden20 sisters, there seemed to come upon her a more complete consciousness of the shame and degradation21 into which she had been thrust. That it was unmerited mattered not. It clung to her, and was proclaimed in her face. How, then, could she raise her head to meet the gaze of any human being?
"In trouble, my lass?" asked the wagoner, kindly22. With but an imperfect observation of her, he knew that she was young.
Emilia made no reply, but let her shoulder droop12, so that his hand might not touch her.
"Can I help you?"
No sound, and now no further movement, from the hapless girl. He lingered a moment or two longer, and then slowly left her. Giving the word, his team began to descend23 the hill. But at the bottom of the descent, with a level road before him, he pulled up his cattle again, and turned with sad eyes to the spot where he had left Emilia, who was hidden from his sight.
This man had a history--as what man has not?--and it is probable that Emilia was saved from suicide by the remembrance of the most dolorous24 experience in his life. He was nearer seventy than sixty years of age, but he was strong and lusty still, and his heart had not been soured or embittered25 by trouble. The story of his special grief is a common one enough, and can be narrated26 in a few words. He was a married man, and his old wife was waiting at home for him, five and thirty miles away. Children had they none, but thirty years ago they had a daughter, who left them secretly upon the persuasion27 of a scoundrel. The villain28 took her to London, and after she had enjoyed a brief spell of false happiness she found herself deserted29 and friendless. In her despair she crept back to the home of which she had been the joy, but she had not the courage to enter it and beg for forgiveness. Her body was discovered in a river hard by, and in her pocket a letter to her parents, relating her story, and praying them to think kindly of her. That is all.
It was the memory of this daughter that caused the wagoner to turn toward Emilia. Perhaps the poor girl was in a strait similar to that of his own lost child. Had she met a kind heart, had a helping30 hand been stretched out to her, she might have been saved to them, might have been living at this very day to comfort and cheer her aged31 parents. He would make another effort to ascertain32 the trouble of the lonely girl who had shrunk from his touch. Up the hill he climbed, having no fear for his horses, who would only start again at the sound of his voice.
Emilia had risen to her feet, and her trembling hands were extended to the river, as though to push it from her, while her form swayed toward it. He saw her face now, and his heart beat with pity for her. It may have been fancy, but he fancied he saw in her a resemblance to his lost child. So engrossed33 was Emilia in the terrible struggle that was raging in her soul that she was not aware she was observed until the wagoner seized her arm, and said,
"My dear, let me help you in your trouble."
It was like the voice of an angel who had come to her rescue. She threw her arms about him, and cried, in a voice of exhaustion:
"Save me, save me!"
"It's what I've come for, my dear," said the wagoner, holding her up. "Where is your home?"
"Home!" she echoed, hysterically34, "I have none! I am alone in the world--alone, alone!"
"No father or mother?"
"None."
"No friends?"
"None--not one."
"What can I do for you?"
"Take me from the river. Hark! Do you not hear what it is whispering to me? I am exhausted35; my strength is gone, and I can no longer resist. If you leave me here I shall die!"
"But you do not know where I am going."
"It does not matter. Anywhere, anywhere, so that I can have rest. Hide me--hide me! Oh, my heart, my heart!"
Upon this she burst into a passionate36 fit of weeping, and the good wagoner saw that she was not in a fit state to answer further questions. Endeavoring to calm her, he assisted her down the hill to where his team was standing37, but before they reached it she swooned. It was not an easy task to lift her into the shelter of his wagon, but he managed it, and made up a bed of straw upon which he laid her. Then he started his horses again, and was careful to avoid ruts, in order not to jolt38 his fair guest too roughly. He had the whole day before him, and it would do if he reached his home before night. Now and again he mounted the wagon to look at Emilia, and was concerned that he could obtain no coherent words from her. The poor girl's trials had produced their effect upon her weak frame, and she was fast relapsing into delirium39. All that he could distinguish in her feverish40 mutterings were the words, "I am innocent, I am innocent! I have done no wrong. God will speak for me!" Even these pathetic utterances41 came from her at intervals42, and he had to piece them together. Her youth and beauty deeply impressed the kind-hearted man, and he did not regret the course he had taken. In the middle of the day he arrived at a village, and gave his horses two hours' rest. He utilized43 these two hours by hunting up a doctor, who, feeling Emilia's pulse and putting his hand on her hot forehead, said, "She is in a high state of fever. The only thing you can do is to get her home as quickly as possible." He believed her to be the wagoner's daughter, and he gave the old man a draught44 which Emilia was to be persuaded to take, should she have an interval of consciousness before they reached their journey's end. The wagoner's anxiety now was to get home as soon as possible, and the roads being good he put his horses to a trot45. At six o'clock in the evening the journey was over, and the team stood at the door of his cottage. His old wife ran out to greet him, and he rapidly explained to her what he had done, and why he had done it.
"Was it right, mother?" he asked.
The tears rushed to her eyes. It was thirty years since he had addressed her by that endearing term, and she thought, as he had thought, of the daughter they had lost in the time gone by. There are memories that never die.
"Quite right, John," murmured the old woman, and together they carried Emilia into their cottage and laid her upon a bed. There the wagoner left his wife to attend to the young girl; he had his horses to look after, and when this was done he returned to the cottage, to find Emilia undressed and in bed, with the old woman standing by her side.
"We must have a doctor, John," she said, and away he went for one.
The report was not favorable; Emilia was prostrate46, and now that the strain was over a dangerous reaction had set in. The doctor gave it as his opinion that she would not be well for weeks, and so it proved. But long before she was convalescent Gerald, accompanied by Leonard, made his appearance, and thus the unfortunate girl had near her one enemy and three friends. Which side would triumph in the end?
点击收听单词发音
1 destined | |
adj.命中注定的;(for)以…为目的地的 | |
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2 shudders | |
n.颤动,打颤,战栗( shudder的名词复数 )v.战栗( shudder的第三人称单数 );发抖;(机器、车辆等)突然震动;颤动 | |
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3 anguish | |
n.(尤指心灵上的)极度痛苦,烦恼 | |
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4 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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5 lasting | |
adj.永久的,永恒的;vbl.持续,维持 | |
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6 woe | |
n.悲哀,苦痛,不幸,困难;int.用来表达悲伤或惊慌 | |
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7 exhaustion | |
n.耗尽枯竭,疲惫,筋疲力尽,竭尽,详尽无遗的论述 | |
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8 exertion | |
n.尽力,努力 | |
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9 splendors | |
n.华丽( splendor的名词复数 );壮丽;光辉;显赫 | |
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10 distressed | |
痛苦的 | |
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11 eyelids | |
n.眼睑( eyelid的名词复数 );眼睛也不眨一下;不露声色;面不改色 | |
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12 droop | |
v.低垂,下垂;凋萎,萎靡 | |
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13 drooped | |
弯曲或下垂,发蔫( droop的过去式和过去分词 ) | |
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14 posture | |
n.姿势,姿态,心态,态度;v.作出某种姿势 | |
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15 repose | |
v.(使)休息;n.安息 | |
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16 woes | |
困境( woe的名词复数 ); 悲伤; 我好苦哇; 某人就要倒霉 | |
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17 frightful | |
adj.可怕的;讨厌的 | |
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18 banish | |
vt.放逐,驱逐;消除,排除 | |
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19 wagon | |
n.四轮马车,手推车,面包车;无盖运货列车 | |
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20 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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21 degradation | |
n.降级;低落;退化;陵削;降解;衰变 | |
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22 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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23 descend | |
vt./vi.传下来,下来,下降 | |
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24 dolorous | |
adj.悲伤的;忧愁的 | |
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25 embittered | |
v.使怨恨,激怒( embitter的过去式和过去分词 ) | |
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26 narrated | |
v.故事( narrate的过去式和过去分词 ) | |
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27 persuasion | |
n.劝说;说服;持有某种信仰的宗派 | |
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28 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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29 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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30 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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31 aged | |
adj.年老的,陈年的 | |
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32 ascertain | |
vt.发现,确定,查明,弄清 | |
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33 engrossed | |
adj.全神贯注的 | |
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34 hysterically | |
ad. 歇斯底里地 | |
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35 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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36 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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37 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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38 jolt | |
v.(使)摇动,(使)震动,(使)颠簸 | |
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39 delirium | |
n. 神智昏迷,说胡话;极度兴奋 | |
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40 feverish | |
adj.发烧的,狂热的,兴奋的 | |
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41 utterances | |
n.发声( utterance的名词复数 );说话方式;语调;言论 | |
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42 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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43 utilized | |
v.利用,使用( utilize的过去式和过去分词 ) | |
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44 draught | |
n.拉,牵引,拖;一网(饮,吸,阵);顿服药量,通风;v.起草,设计 | |
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45 trot | |
n.疾走,慢跑;n.老太婆;现成译本;(复数)trots:腹泻(与the 连用);v.小跑,快步走,赶紧 | |
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46 prostrate | |
v.拜倒,平卧,衰竭;adj.拜倒的,平卧的,衰竭的 | |
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