Image unavailable: THE ‘BELL,’ HOUNSLOW.
THE ‘BELL,’ HOUNSLOW.
Hounslow, to which we now come, being situated1, like all the other places between this and Hyde Park Corner, on the Bath Road, as well as on the road to Exeter, has been referred to at some length in the book on that highway. Coming to the place again, there seems no reason to alter or add much to what was said in those pages. The long, long uninteresting street is just as sordid2 as ever, and the very few houses of any note facing it are fewer. There remains3, it is true, that old coaching inn, the ‘George,’ modernised with discretion4, and at the parting of the{66} ways the gallows-like sign of the ‘Bell’ still keeps its place on the footpath5, with the old original bell still depending from it, although, at the moment of writing, the house itself is being pulled down. But the angle where the roads divide is under revision, and the hoardings that now hide from sight the old shops and the red-brick house, with high-pitched roof and dormer windows, that has stood here so long, will give place shortly to some modern building with plate-glass shop-fronts and a general air of aggressive modernity which will be another link gone with the Hounslow of the past. Thus it is that an illustration is shown here of the ‘parting of the ways’ before the transformation6 is complete; for although the fork of the roads leading to places so distant from this point, and from one another, as Bath and Exeter must needs always lend something to the imagination, yet a commonplace modern street building cannot, for another hundred years, command respect or be worth sketching7, even for the sake of the significant spot on which it stands.
The would-be decorative8 gas-lamp that stands here in the centre of the road bears two tin tablets inscribed9 respectively, ‘To Slough10’ and ‘To Staines,’ in a somewhat parochial fashion. They had no souls, those people who inscribed these legends. Did they not know that we stand here upon highways famed in song and story; not merely the flat and uninteresting seven and ten miles respectively to Staines and Slough, but the hundred and fifty-five miles to Exeter and the ninety-five miles to Bath?
Here, then, we see the Bath Road going off to the{67}
AN OLD COACHMAN
Image unavailable: HOUNSLOW: THE PARTING OF THE WAYS.
HOUNSLOW: THE PARTING OF THE WAYS.
{68}
{69}
right and the Exeter Road to the left in semi-suburban11 fashion. Had it not been for the winter fogs this level stretch would have invariably been the delight of the old coachmen; but when the roads were wrapped in obscurity they were hard put to it to keep on the highway. Sometimes they did not even succeed in doing so, but drove instead into the noisome12 ditches, filled with evil-smelling black mud, which at that time divided the road from Hounslow Heath.
Charles Ward13, whom the coaching critics of his age united to honour as an artist with ‘the ribbons,’ drove the famous Exeter ‘Telegraph’ the thirty miles to Bagshot, reaching that village usually at 11 P.M., and taking the up coach from thence to London at four o’clock in the morning. He tells how in the winter the mails had often to be escorted out of London with flaring14 torches, seven or eight mails following one another, the guard of the foremost lighting15 the one following, and so on, travelling at a slow pace, like a funeral procession. ‘Many times,’ he says, ‘I have been three hours going from London to Hounslow. I remember one very foggy night, instead of arriving at Bagshot at eleven o’clock, I did not get there till one in the morning. On my way back to town, when the fog was very bad, I was coming over Hounslow Heath, when I reached the spot where the old powder-mills used to stand. I saw several lights in the road and heard voices which induced me to stop. The old Exeter mail, which left Bagshot thirty minutes before I did, had met with a singular accident. It was driven by a man{70} named Gambier; his leaders had come in contact with a hay-cart on its way to London, which caused them to suddenly turn round, break the pole, and blunder down a steep embankment, at the bottom of which was a narrow deep ditch, filled with water and mud. The mail coach pitched on the stump16 of a willow17 tree that overhung the ditch; the coachman and the outside passengers were thrown over into the meadow beyond, and the horses went into the ditch. The unfortunate wheelers were drowned or smothered18 in the mud. There were two inside passengers, who were extricated19 with some difficulty, but fortunately no one was injured. I managed to take the passengers with the guard and mail bags on to London, leaving the coachman to wait for daylight before he could make an attempt to get the mail up the embankment. They endeavoured to accomplish this with cart horses and chains, and they had nearly reached the top of the bank when something gave way, and the poor old mail went back into the ditch again. I shall never forget the scene. There were about a dozen men from the powder-mills trying to render assistance, and with their black faces, each bearing a torch in his hand, they presented a curious spectacle. This happened about 1840. Posts and rails were erected20 at the spot after the accident. I passed the place in 1870, and they were there still, as well as the old pollard willow stump.’
HIGHWAYMEN
The old-time associations of Hounslow Heath are almost forgotten now, for, where Claude du Vall and Dick Turpin waited patiently for travellers, there are nowadays long rows of suburban villas21 which have{71} long since changed the dreary22 scene. Nothing so romantic as the meeting of the lawyer with the redoubtable23 Dick is likely to befall the traveller in these times:—
As Turpin was riding on Hounslow Heath,
A lawyer there he chanced for to meet,
Who said, ‘Kind sir, ain’t you afraid
Of Turpin, that mischievous24 blade?’
‘Oh! no, sir,’ says Turpin, ‘I’ve been more acute,
I’ve hidden my money all in my boot.’
‘And mine,’ says the lawyer, ‘the villain25 can’t find,
For I have sewed it into my cape26 behind.’
They rode till they came to the Powder Mill,
When Turpin bid the lawyer for to stand still.
‘Good sir,’ quoth he, ‘that cape must come off,
For my horse stands in need of a saddle-cloth.’
‘Ah, well,’ says the lawyer, ‘I’m very compliant27,
I’ll put it all right with my next coming client.’
‘Then,’ says Turpin, ‘we’re both of a trade, never doubt it,
Only you rob by law, and I rob without it.’
The last vestige28 is gone of the bleak29 and barren aspect of the road, and even the singular memorial of a murder, which, according to the writer of a road-book published in 1802, stood near by, has vanished: ‘Upon a spot of Hounslow Heath, about a stone’s throw from the road, on leaving that village, a small wood monument is shockingly marked with a bloody30 hand and knife, and the following inscription31: “Buried with a stake through his body here, the wicked murderer, John Pretor, who cut the throat of his wife and child, and poisoned himself, July 6, 1765.”
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1 situated | |
adj.坐落在...的,处于某种境地的 | |
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2 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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3 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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4 discretion | |
n.谨慎;随意处理 | |
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5 footpath | |
n.小路,人行道 | |
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6 transformation | |
n.变化;改造;转变 | |
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7 sketching | |
n.草图 | |
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8 decorative | |
adj.装饰的,可作装饰的 | |
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9 inscribed | |
v.写,刻( inscribe的过去式和过去分词 );内接 | |
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10 slough | |
v.蜕皮,脱落,抛弃 | |
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11 suburban | |
adj.城郊的,在郊区的 | |
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12 noisome | |
adj.有害的,可厌的 | |
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13 ward | |
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开 | |
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14 flaring | |
a.火焰摇曳的,过份艳丽的 | |
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15 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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16 stump | |
n.残株,烟蒂,讲演台;v.砍断,蹒跚而走 | |
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17 willow | |
n.柳树 | |
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18 smothered | |
(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制 | |
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19 extricated | |
v.使摆脱困难,脱身( extricate的过去式和过去分词 ) | |
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20 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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21 villas | |
别墅,公馆( villa的名词复数 ); (城郊)住宅 | |
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22 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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23 redoubtable | |
adj.可敬的;可怕的 | |
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24 mischievous | |
adj.调皮的,恶作剧的,有害的,伤人的 | |
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25 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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26 cape | |
n.海角,岬;披肩,短披风 | |
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27 compliant | |
adj.服从的,顺从的 | |
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28 vestige | |
n.痕迹,遗迹,残余 | |
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29 bleak | |
adj.(天气)阴冷的;凄凉的;暗淡的 | |
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30 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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31 inscription | |
n.(尤指石块上的)刻印文字,铭文,碑文 | |
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