Miss Foster was above all things orderly. She made a fetish of tidiness, and her drawing-room was its temple. She had arranged it entirely3 to her own liking4, and the furniture was as the fixed5 stars in the fabric6 of the firmament7. It really pained and distressed8 her should a fidgeting guest move a chair ever so little out of its own proper orbit, and she quite longed for such an one to depart that she might promptly9 push the errant piece of furniture back into its original position. In her eyes the drawing-room was perfect, incapable10 of improvement, and any alteration11 therein must of necessity be for the worse.
Imagine her feelings then when she came back to find a grand piano and a harp12 added to its effects! Even this she might have borne had the harp remained quietly in some inconspicuous corner; but it proved a restless and ubiquitous instrument, and she never knew where she might find it next.
Lallie could not move it herself, and she would ring for one of the maids to help her; and once moved would leave it where it was, even though three chairs and a sofa had been displaced to make room for it. Before her arrival the drawing-room had never been used in the morning unless for the reception of some lunching parent. The fire had been lit at two precisely14, and up to three o'clock Miss Foster rarely entered the room unless to arrange the two vases of flowers that always graced the mantelpiece. Miss Foster was of the opinion that there was something irregular, Bohemian, almost disreputable, in using a drawing-room for any other purpose than that of receiving friends; and it seemed to her to emphasise15 the unpleasant fact of Lallie's Irish origin, that now the girl invaded this sacred room directly after breakfast, and that the fire was lit before by Tony Bevan's orders.
Lallie practised there, sewed there, even cut things out there upon the gate table that hitherto had never been unfolded except for afternoon tea.
She would leave her green silk work-bag hanging on the backs of chairs or slung16 carelessly upon any excrescence that happened to be handy, such as the bell or the knob of a Chippendale tallboys. She left books about on unaccustomed tables, and had been known to fling the newspaper outspread and sprawling17, loose and flagrant, upon the Chesterfield that stood in stately comfort at a convenient distance from the hearth18.
Everywhere there were traces of Lallie. When she sewed, and she was always sewing if she wasn't knitting, she dropped bits of thread and snippets of material upon the carpet, sometimes even pins.
A large old-fashioned footstool was placed in the very centre of the hearthrug right against the tall brass19 fender. Miss Foster liked it there, and it had never been moved or even used except when some unusually bold boy would sit thereon and warm his back when he came to tea. Lallie was for ever moving that stool. Nearly all the chairs in the drawing-room were rather high, and she liked a footstool. It never occurred to her that the footstool was to be considered in any other light than as a footstool, and she dragged it about to whatsoever20 chair she wanted to sit in, sometimes curling up the edge of the hearthrug in her course.
"A footstool by the hearth so prim21,
An oaken footstool was to him
And it was nothing more"--
Only in this case the him was a her, which made such insensibility even more unpardonable in Miss Foster's eyes.
"Why do you always move the footstool, Miss Clonmell?" she asked one day.
"Because the chairs are so tall and my legs are so short," Lallie answered.
"The chairs are of the usual height. Chairs are not nowadays manufactured for pigmies," Miss Foster said severely22.
"Did they use to be?" Lallie demanded with interest.
"No one has ever complained of the chairs in this house before," Miss Foster continued, ignoring Lallie's question.
"I never complained of them, Miss Foster. They're very nice chairs as chairs go: a bit straight and stiff, perhaps, but quite endurable if one has a footstool. Tony has comfortable chairs in his room. I wonder how men always manage to get such comfortable chairs? It's the same at home; Dad has always the best of the chairs in his den23, though I must say we have a good many that are pretty decent."
"The hearth does look so naked without that stool," Miss Foster lamented24.
"I'll try to remember to put it back when I've done with it," Lallie said, with undiminished sweetness; "but I'm not very good at putting things back."
"That I have already observed, Miss Clonmell, and it is a pity. No untidy person has ever achieved real greatness."
"Are you sure, Miss Foster? That's rather a sweeping25 assertion."
"I believe it to be a fact," Miss Foster replied coldly, "although it is quite possible you may be able to bring forward one or two examples to the contrary."
"I'm trying to think of all the lives of great men that ever I've read, and I can't remember if it said they were tidy or not. I've an idea some of them were not. Goldsmith now----"
"Goldsmith was Irish," Miss Foster interrupted.
"So was Wellington; so's Lord Roberts."
Miss Foster, without being at all sure of her facts, longed to point out that orderliness was a striking characteristic of both these heroes, but the fact of their nationality deterred26 her.
"I fear," Lallie went on, "that Shakespeare must have had a niggly sort of mind in some ways in spite of his genius, because he left his wife the second-best bed. If he'd been an ordinary, careless, good-natured kind of man he'd never have remembered to specify27 which bed. Perhaps, though"--and here Lallie spoke28 more cheerfully, as though she suddenly perceived a rift29 in this cloud resting upon Shakespeare's memory--"it was his wife who was so tiresome30 and finnicky, always pestering31 him about not using the best things, so he left her the second-best bed as a punishment."
Miss Foster made no reply, but opened the Spectator with a flourish and held it up in front of her as a screen.
"Don't you think that is possible, Miss Foster?" Lallie persisted.
"I must refuse to discuss any such absurd contingency32. I have already told you that I believe disorderly personal habits to be incompatible33 with true greatness of character."
Lallie sighed deeply.
"It sounds like a police court case," she said sadly. "'Lallie Clonmell, having no visible means of subsistence, and giving no address, was yesterday arrested as being of "disorderly personal habits."' Well, Tony would come and bail34 me out if the worst came to the worst. And yet I'm considered very tidy and managing at home; quite a sort of Mrs. Shakespeare, in fact. Everything depends on environment."
Miss Foster made no answer. Literally35 and figuratively she had wrapped herself up in the Spectator.
But the harp, the piano, the bits of cotton dropped on the floor were mere36 venial37 offences compared to the sin of making dirty footmarks upon the stair carpet.
The front staircase at B. House is imposing38, wide, and Y-shaped. The first broad flight of steps starts from the centre of the large square hall. Half way up it branches into two, terminating at opposite ends of the landing upon which open the chief bedrooms, and the assistant-master's sitting-room39. It is a handsome staircase of polished oak--no other house in Hamchester College has one half so fine--and it was at that time carpeted with a particularly soft and thick, self-coloured, art-blue carpet that matched the walls.
When the master of the house found how conspicuous13 were muddy or dirty footmarks on this same carpet, and how such defacement distressed Miss Foster who had chosen it, he always used the boys' staircase whenever he went to his room to change. So did Mr. Johns. Till Lallie came no one save Miss Foster ever used the front staircase at all, and she was most careful never to ascend40 by it if her boots were either muddy or dusty. She therefore saw no reason why Lallie should not show equal forethought, especially as there was no chance of her guest meeting any of the boys on the back staircase, as they were never allowed to go up to the dormitories during the day.
Alas41! Lallie showed no disposition42 to consider the welfare of the carpet, but ran lightly up to her room by the front stairs no matter how dirty her boots, and she often left the clear impression of a small sole on every step.
The third time this occurred Miss Foster met her just outside her bedroom door, and remarked with some acerbity43:
"Haven't you discovered the other staircase yet, Miss Clonmell? It really is the shortest way to your room."
"I like these stairs best, thank you. I'm not used to wooden stairs; my feet make such a patter it disturbs me."
"But look at the marks your feet have made on the carpet," Miss Foster expostulated indignantly.
Lallie went to the top of the stairs and looked down.
"They're very little marks," she said consolingly. "My worst enemy couldn't say I've big feet."
"Quite large enough to make ugly and distressing44 stains when the feet happen to be muddy. Don't you see how every mark shows on that plain carpet?"
"Yes, it must be tiresome," Lallie said coolly, as though she and the footmarks had nothing whatever to do with one another. "It's a pity Tony went and chose a colour like that where people have always to be going up and down, but it's just like a man not to think of these things."
Miss Foster was really angry.
"There is no necessity for any one to go up and down with dirty feet, Miss Clonmell."
Lallie's cheeks flushed pink, and the eyes that met Miss Foster's were bright with defiance45 as she said softly and distinctly:
"When Mr. Bevan asks me to use the back staircase I'll do it; so far, he has not so much as suggested it," and with her head in the air Lallie marched across the landing to her room and shut the door very quietly, with ostentatious care that it should latch46 effectively.
It was a declaration of war, and, as such, Miss Foster received it.
That evening Miss Foster unbosomed herself in a letter to her favourite niece--the niece whose wedding she had attended when Lallie, as she described it, "sneaked47 in" during her absence.
"That girl's presence becomes more and more irksome every day, and I really do feel that her prolonged stay is likely to be a serious menace to the peace of B. House. You know how undesirable48 and unwholesome it is for manly49 boys to have anything whatever to do with girls of that sort, the sort that is always polite and pleasant, making them think far too much of themselves. It isn't exactly what she says that one can object to, though any conversation I have overheard is always extremely foolish, but she has a way of looking up under her eyelashes--I do dislike very thick black eyelashes in a grown-up person, they give such a made-up look to the face--that is most objectionable. She is not a pretty girl, quite pale and insignificant50, and so small; but as I say she flatters men, and young and old they all seem perfectly51 silly about her, and therefore she is a most dangerous and disturbing influence. It is particularly trying for me, for the tone of B. House has always been so high ever since I came here; and I cannot but feel that this girl has imported an atmosphere of noisy frivolity52 and insubordination that must lead to moral deterioration53. So far I have not discovered anything with regard to the boys that one can exactly complain of, but I have no doubt whatever that she is sly and underhand. The Irish are proverbially untrustworthy, and she seems to me to embody54 all the worst characteristics of that stormy and unreliable race.
"People here make a great fuss about her singing and playing, but I never was an admirer of loud voices, and particularly dislike her theatrical55 and affected56 way of singing. 'Dramatic' they call it, but to my thinking it is simply unladylike! I have no patience with people who can work themselves up into a state about nothing at all. I can appreciate a good concert now and then as much as anybody; but to have constant shouting and thrumming going on in my drawing-room is a very real trial. It's not only herself, but other people come to sing duets and practise their songs. Young masters who never entered the house before come now and bawl57 for hours, because they say she is such a beautiful accompanist. They come to flirt58 with her, that's what they come for; and dear, innocent Mr. Bevan never seems to see it. It is extraordinary how blind men are to the wiles59 of a designing girl.
"As you may imagine a girl of any sort is rather a white elephant in a house like this, but had she been a nice, sensible, ordinary girl, with no nonsense about her, I would have managed. As it is, I don't know what may happen. Goodness knows how many other instruments she can play. I always enter the drawing-room in fear and trembling lest a drum and a trombone be added to the existing collection.
"Mrs. Wentworth has chosen to make a great fuss of her, and she, in her turn, makes a great fuss of the children. As you know I am not one of those who go about raving60 over Mrs. Wentworth. I could not truckle like some of them to that commonplace little woman. I am surprised that Dr. Wentworth has not himself suggested the desirability of Miss Clonmell's departure before this. But men are curious. They will let an abuse continue till it becomes absolutely intolerable rather than interfere61 with one another. It has struck me again and again since I came here how procrastinating62 men are, how extremely unwilling63 to speak the word in season. Well, I intend to do my part, cost what it may; my vigilance shall be untiring; and when I find, as I have no doubt I shall find, that that girl has overstepped the limits of propriety64 I shall go straight to Mr. Bevan with the facts. Then he cannot refuse to act firmly in the interest of the House. So far we have been free from any infectious disease. If only the other houses were as carefully disinfected and watched as this one, such illnesses might be stamped out altogether. Yet whenever I suggest my methods to those in charge of other houses I receive but scant65 sympathy or even thanks."
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1
groove
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| n.沟，槽；凹线，（刻出的）线条，习惯 | |
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coerce
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| v.强迫，压制 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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liking
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| n.爱好；嗜好；喜欢 | |
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fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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6
fabric
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| n.织物，织品，布；构造，结构，组织 | |
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7
firmament
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| n.苍穹；最高层 | |
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8
distressed
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| 痛苦的 | |
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9
promptly
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| adv.及时地，敏捷地 | |
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incapable
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| adj.无能力的，不能做某事的 | |
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alteration
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| n.变更，改变；蚀变 | |
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harp
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| n.竖琴；天琴座 | |
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conspicuous
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| adj.明眼的，惹人注目的；炫耀的，摆阔气的 | |
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precisely
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| adv.恰好，正好，精确地，细致地 | |
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emphasise
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| vt.加强...的语气，强调，着重 | |
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16
slung
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| 抛( sling的过去式和过去分词 )； 吊挂； 遣送； 押往 | |
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17
sprawling
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| adj.蔓生的，不规则地伸展的v.伸开四肢坐[躺]( sprawl的现在分词 )；蔓延；杂乱无序地拓展；四肢伸展坐着（或躺着） | |
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18
hearth
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| n.壁炉炉床，壁炉地面 | |
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19
brass
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| n.黄铜；黄铜器，铜管乐器 | |
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20
whatsoever
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| adv.（用于否定句中以加强语气）任何；pron.无论什么 | |
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prim
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| adj.拘泥形式的，一本正经的；n.循规蹈矩，整洁；adv.循规蹈矩地，整洁地 | |
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severely
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| adv.严格地；严厉地；非常恶劣地 | |
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den
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| n.兽穴；秘密地方；安静的小房间，私室 | |
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24
lamented
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| adj.被哀悼的，令人遗憾的v.（为…）哀悼，痛哭，悲伤( lament的过去式和过去分词 ) | |
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25
sweeping
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| adj.范围广大的，一扫无遗的 | |
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26
deterred
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| v.阻止，制止( deter的过去式和过去分词 ) | |
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27
specify
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| vt.指定，详细说明 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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rift
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| n.裂口，隙缝，切口；v.裂开，割开，渗入 | |
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tiresome
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| adj.令人疲劳的，令人厌倦的 | |
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pestering
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| 使烦恼，纠缠( pester的现在分词 ) | |
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contingency
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| n.意外事件，可能性 | |
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incompatible
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| adj.不相容的，不协调的，不相配的 | |
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bail
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| v.舀（水），保释；n.保证金，保释，保释人 | |
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literally
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| adv.照字面意义，逐字地；确实 | |
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mere
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| adj.纯粹的；仅仅，只不过 | |
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venial
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| adj.可宽恕的；轻微的 | |
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imposing
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| adj.使人难忘的，壮丽的，堂皇的，雄伟的 | |
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39
sitting-room
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| n.（BrE）客厅，起居室 | |
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40
ascend
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| vi.渐渐上升，升高；vt.攀登，登上 | |
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41
alas
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| int.唉(表示悲伤、忧愁、恐惧等) | |
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42
disposition
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| n.性情，性格；意向，倾向；排列，部署 | |
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acerbity
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| n.涩，酸，刻薄 | |
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44
distressing
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| a.使人痛苦的 | |
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45
defiance
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| n.挑战，挑衅，蔑视，违抗 | |
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46
latch
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| n.门闩，窗闩；弹簧锁 | |
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47
sneaked
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| v.潜行( sneak的过去式和过去分词 )；偷偷溜走；（儿童向成人）打小报告；告状 | |
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48
undesirable
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| adj.不受欢迎的，不良的，不合意的，讨厌的；n.不受欢迎的人，不良分子 | |
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49
manly
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| adj.有男子气概的；adv.男子般地，果断地 | |
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50
insignificant
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| adj.无关紧要的，可忽略的，无意义的 | |
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51
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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52
frivolity
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| n.轻松的乐事，兴高采烈；轻浮的举止 | |
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53
deterioration
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| n.退化；恶化；变坏 | |
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54
embody
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| vt.具体表达，使具体化；包含，收录 | |
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55
theatrical
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| adj.剧场的，演戏的；做戏似的，做作的 | |
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56
affected
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| adj.不自然的，假装的 | |
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57
bawl
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| v.大喊大叫，大声地喊，咆哮 | |
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58
flirt
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| v.调情，挑逗，调戏；n.调情者，卖俏者 | |
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59
wiles
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| n.（旨在欺骗或吸引人的）诡计，花招；欺骗，欺诈( wile的名词复数 ) | |
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60
raving
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| adj.说胡话的；疯狂的，怒吼的；非常漂亮的；令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话；疯话adv.胡言乱语地；疯狂地 | |
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61
interfere
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| v.(in)干涉，干预；(with)妨碍，打扰 | |
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62
procrastinating
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| 拖延，耽搁( procrastinate的现在分词 )； 拖拉 | |
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63
unwilling
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| adj.不情愿的 | |
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64
propriety
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| n.正当行为；正当；适当 | |
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65
scant
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| adj.不充分的，不足的；v.减缩，限制，忽略 | |
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